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Nick, a young illustrator, can't connect with people. Whether it's the barista down the street, his own family or Wren, an oncologist whose life becomes painfully tangled with his, Nick can't shake the feeling that there is some hidden realm of human interaction beyond his reach. He staggers through meaningless conversations and haunts lookalike, vacuous coffee shops in the hope that he will find it there. But it isn't until Nick learns to stop performing and speak about the things that really matter that the complex and colourful worlds of the people he meets are finally revealed to him. Illustrated in both colour and black-and-white in McPhail's instantly recognisable style, In is poignant, fresh and hilarious. McPhail transforms the graphic novel with a heart-wrenching compassion uncannily appropriate for our isolated times. 'Starts as a charming romantic comedy and turns into something tender and affecting about our need for connection. I loved this one. ' David Nicholls 'Beautiful, bittersweet portrait of modern life . . . his tragicomedy will also make the heart swell.' Guardian 'Brilliant.' Candice Carty-Williams 'This is a miraculous book.' Joe Dunthorne

Peter Knox lives quietly in one of those small country villages that's up for the Village Garden of the Year award. Until Doc and Constance Rabbit move in next door, upsetting the locals (many of them members of governing political party United Kingdom Against Rabbit Population), complicating Peter's job as a Rabbit Spotter, and forcing him to take a stand, moving from unconscious leporiphobe to active supporter of the UK's amiable and peaceful population of anthropomorphised rabbits.

What is it like to have autism? How can we know what a person - especially a child - with autism is thinking and feeling? This groundbreaking book, written by Naoki Higashida when he was only thirteen, provides some answers. Severely autistic and non-verbal, Naoki learnt to communicate by using a 'cardboard keyboard' - and what he has to say gives a rare insight into an autistically-wired mind. He explains behaviour he's aware can be baffling such as why he likes to jump and why some people with autism dislike being touched; he describes how he perceives and navigates the world, sharing his thoughts and feelings about time, life, beauty and nature; and he offers an unforgettable short story. Proving that people with autism do not lack imagination, humour or empathy, THE REASON I JUMP made a major impact on its publication in English. Widely praised, it was an immediate No. 1 Sunday Times bestseller as well as a New York Times bestseller and has since been published in over thirty languages. In 2020, a documentary film based on the book received its world premiere at the Sundance Film Festival. Directed by Jerry Rothwell, produced by Jeremy Dear, Stevie Lee and Al Morrow, and funded by Vulcan Productions and the British Film Institute, it won the festival's Audience Award for World Cinema Documentary, then further awards at the Vancouver, Denver and Valladolid International Film Festivals before its global release in 2021. The book includes eleven original illustrations inspired by Naoki's words, by the artistic duo Kai and Sunny.

THE SUNDAY TIMES BESTSELLER 'That most rare and coveted of literary feats: a popular novel of serious merit, a bestseller that will also endure.' Observer 'Triumph ... the sense of nostalgia is visceral and intense, almost time-bending.' The Sunday Times 'Pitch perfect ... Exquisite ... Terrific ... Very funny ... Though Sweet Sorrow is certainly pulse-quickening enough to absorb readers through this summer's airport delays and rained-off beach days, it's no escapist fantasy. The tale of Charlie and Fran will linger long beyond your tan.' Telegraph One life-changing summer Charlie meets Fran... In 1997, Charlie Lewis is the kind of boy you don't remember in the school photograph. His exams have not gone well. At home he is looking after his father, when surely it should be the other way round, and if he thinks about the future at all, it is with a kind of dread. Then Fran Fisher bursts into his life and despite himself, Charlie begins to hope. But if Charlie wants to be with Fran, he must take on a challenge that could lose him the respect of his friends and require him to become a different person. He must join the Company. And if the Company sounds like a cult, the truth is even more appalling. The price of hope, it seems, is Shakespeare. Poignant, funny, enchanting, devastating, Sweet Sorrow is a tragicomedy about the rocky path to adulthood and the confusion of family life, a celebration of the reviving power of friendship and that brief, searing explosion of first love that can only be looked at directly after it has burned out. 'A compassionate, intelligent look at the raw pain and loneliness of a teenage boy, the everyday miracle of first love and the perennial power of Shakespeare's language.' Spectator 'A superbly written, beautifully observed account of teenage life, love, family dysfunction and friendship, which builds to a stunningly poignant ending.' Heat 'The author of Us and of course One Day has never written with more tenderness and insight than in this bittersweet story ... perfectly captures the dizzying highs and lows of first love.' Daily Express 'Such a beautiful book. Captures perfectly a moment in time we've all experienced.' Graham Norton

'Punctuation is not only an important part of our language code; an advanced system of punctuation has been a driving force in our entire Western Civilisation. Nothing less.' With the invention of printing, reading books moved from being an act only performed by priests and aristocrats into an individual, even private, activity. This change helped spark the Renaissance, the Reformation, the Enlightenment and the Industrial Revolution - in which punctuation played a crucial role. As long as texts were read out loud only by an educated elite there was no need for punctuation to mark pauses, full stops or questions. So punctuation - the full stop, the comma, the exclamation mark, the question mark and the semicolon - helped shape modern-day Europe as we know it.

Warning!! This novel may lead you to make rash and life-changing decisions!* *Probably don't read if you fear you may be ripe for liberation. Or if you sometimes wee when you laugh... First there was Having It All, then there was Bridget Jones' s Diary and I Don't Know How She Does It. Now there is Teenage Punchbag. I'm Just A Teenage Punchbag is a laugh-out-loud, sob-on-the bus journey through the so-called life of a middle-aged woman. Ciara is mother to three ungrateful, entitled teenagers, is married to steady Martin, a man with hairy udders, and is grieving for her mum who now lives in the wardrobe in a cardboard box from the crematorium. She finds solace in her anonymous blog, and in the daily chats she has with her mum's ashes (often the best conversations she has all day.) Despite the menopause, the invisibility of middle age and the daily self-esteem bashings, courtesy of her kids, Ciara manages to navigate the stormy waters of grief and family life - until her mask slips and she is cast out from the family bosom. She embarks on a mission to fulfil her mum's dying wishes to have her remains sprinkled from the top of the Empire State Building, finding company, distraction and - ultimately - herself in the process. If motherhood is a job - who says you can't resign?

When Mariah White catches her husband with another woman, her life starts to fall apart. And when her daughter, Faith, begins to confide in an imaginary friend, Mariah's own brush with insanity starts to take on a darker meaning. Then Faith appears to start performing miracles, and all at once the situation is spiralling beyond Mariah's control. Is Faith truly seeing God? Or is she just a troubled young girl seeking refuge from her parents' divorce? When it comes to matters of faith, it's hard to know who to believe . . .

An unmissable collection of eight unconventional and captivating short stories for young adult and adult intermediate learners of German. Olly's top-notch language-learning insights are right in line with the best of what we know from neuroscience and cognitive psychology about how to learn effectively. I love his work - and you will too! - Barbara Oakley, PhD, Author of New York Times bestseller A Mind for Numbers Short Stories in German for Intermediate Learners has been written especially for students from a low-intermediate to intermediate level, designed to give a sense of achievement, and most importantly - enjoyment! Mapped to B1-B2 of the Common European Framework of Reference (CEFR) for languages, these eight captivating stories will both entertain you and give you a feeling of progress when reading. What does this book give you? * Eight stories in a variety of exciting genres, from science fiction and crime to history and thriller - making reading fun, while you learn a wide range of new vocabulary * Controlled language at your level, to help you progress confidently * Realistic spoken dialogues, to help you learn conversational expressions and improve your speaking ability * Accessible grammar so you learn new structures naturally, in a stress-free way * Beautiful illustrations accompanying each story, to set the scene and support your understanding * Pleasure! Research shows that if you're enjoying reading in a foreign language, you won't experience the usual feelings of frustration - 'It's too hard!' 'I don't understand!' With intriguing plots that will spark your imagination and keep you reading, Short Stories in German for Intermediate Learners will take your grasp of German to the next level with key features to support and consolidate your progress, including: * A glossary for bold-face words in each text * A bilingual word list * Full plot summary * Comprehension questions after each chapter. As a result, you will be able to focus on enjoying reading, delighting in your improved range of vocabulary and grasp of the language, without ever feeling overwhelmed. From science fiction to fantasy, to crime and thrillers, Short Stories in German for Intermediate Learners uses reading as the perfect tool to not only delight in learning German, but to accelerate your journey towards fluency. Use the codes inside the book and ebook to access a bonus story for free and the discounted audiobook on our Language Readers Library site or on the Language Readers app.

Welcome to Dopeworld. Ecstasy in London, crack in Los Angeles, LSD in Tokyo, heroin in Sofia, cocaine in Medellin, bounty hunting in Manilla, opium in Tehran. Get ready for your next fix. __________ Dopeworld is a bold and intoxicating journey into the world of drugs. From the cocaine farms in South America to the streets of Manila, we trace the emergence of psychoactive substances and our intimate relationship with them. With unparalleled access to drug lords, cartel leaders, street dealers and government officials, Niko Vorobyov attempts to shine a light on the dark underbelly drug world. At once a bold piece of reportage and a hugely entertaining and perverse travelogue, Dopeworld reveals how drug use is at the heart of our history, our lives, and our world. __________ With echoes of Gomorrah and Fear and Loathing in Last Vegas, Dopeworld is a brilliant and enlightening journey across the world, examining every angle of the drug war.

What the f*ck is 5G, and how does it even work? The world loves 4G phones, tablets and other gizmos and we take the tech for granted...but when that 4 grew up into the next-gen 5, it seems everyone perked up and started caring about phone networking tech. Journalists journaled, politicians, er, politicked, and tin-foil hat wearers reached for the extra-thick reinforced foil. Why all this fuss? Believe it or not, 5G could change the way you live. Because though it seems like smartphones are only good for tiktok and texting, 5G has the power to revolutionise how we interact with public spaces - from concerts and gigs to coffee shops, paving the way for foundational tech like virtual and augmented reality. This book will explain this missing radio link that will propel us into the future of self-driving cars and VR. Oh, and along the way we'll explore why 5G and coronavirus are very definitely and completely, utterly, not the same thing