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Over seventy years since his premature death, George Orwell (1903-50) has become one of the most significant figures in western literature. His two dystopian masterpieces, Animal Farm (1945) and Nineteen Eighty-Four (1949) have together sold over 40 million copies. Even now, he continues to exert a decisive influence on our understanding of international power-politics. D.J. Taylor's new biography, the first full-length study for 20 years, draws on a wide range of previously unseen material - newly-discovered letters to old girlfriends and professional colleagues, the recollections of the dwindling band of people who remember him, new information about his life in the early 1930s - to produce a definitive portrait of this complex, driven and self-mythologising man.

In the Ukrainian city of Poltava stands a building known as the Rooster House, an elegant mansion with two voluptuous red roosters flanking the door. It doesn't look horrifying. And yet, when Victoria was a girl growing up in the 1980s, her great-grandmother would take pains to avoid walking past it. In 2014, while the Russian state was annexing Crimea, Victoria visited her grandmother in Bereh, the hamlet near Poltava that was a haven in her childhood. Just before the trip she came across her great-grandfather's diary, one page scored deep with the single line: 'Brother Nikodim, vanished in the 1930s fighting for a free Ukraine.' She had never heard of this uncle and no one - especially her grandmother - seemed willing to tell her about him. Victoria became obsessed with recovering his story, and returned to her birth country again and again in pursuit of it. In the end, after years of sifting through Ukraine's post-Soviet bureaucracy, after travelling to tiny, ruined villages and speaking to the wizened survivors of that era, her winding search took her back to the place she had always known it would - to the Rooster House, and the dark truths contained in its basement. Inspired by the author's love for her family, and peopled by warm, larger-than-life characters who jostle alongside the ghostly absences of others, The Rooster House is at once a riveting journey into the complex history of a wounded country and a profoundly moving tribute to hope and the refusal of despair.

SLAVE. ESCAPE-ARTIST. MURDERER. TERRORIST. SPY. LOVER. MOTHER. TRICKSTER. At the Golden Sunset retirement home, it is not unusual for residents to invent stories. So when elderly Ms Mook first begins to unspool her memories, the obituarist listening to her is sceptical. Stories of captivity, friendship, murder, adventure, assumed identities and spying. Stories that take place in WWII Indonesia; in Busan during the Korean war; in cold-war Pyongyang; in China. The stories are so colourful and various, at times so unbelievable, that they cannot surely all belong to the same woman. Can they? As playful and thought-provoking as it is compelling, as brutal and harrowing as it is achingly poignant and tender, this is a novel about love and war, deceit and betrayal, about identity, storytelling and the trickery required for survival.

America's favorite writing coach and bestselling author returns with an "indispensable" guide (Diana K. Sugg, Pulitzer Prize-winning reporter) to writing clearly and honestly in a world full of lies, propaganda, and misinformation. The darker and more dystopian the future appears, the more influential public writers become. But with so much content vying for our attention, and so much misinformation and propaganda polluting public discourse, how can writers break through the noise to inform an increasingly busy, stressed, and overwhelmed audience? In Tell It Like It Is, bestselling author, writing coach, and teacher Roy Peter Clark offers a succinct and practical guide to writing with clarity, honesty, and conviction. By analyzing stellar writing samples from a diverse collection of public writers, Clark highlights and explains the tools journalists, scientists, economists, fact-checkers, even storytellers use to engage, inform, and hook readers, and how best to deploy them in a variety of contexts. In doing so, he provides answers to some of the most pressing questions facing writers today: - How do I make hard facts—about pandemics, wars, natural disasters, social justice—easy reading? - How do I get readers to pay attention to what they need to know? - How do I help contribute to a culture of writing that combats misinformation and propaganda? - How do I instill hope into the hearts and minds of readers? With Clark's trademark wit, insight, and compassion, Tell It Like It Is offers a uniquely practical and engaging guide to public writing in unprecedented times—and an urgently needed remedy for a dangerously confused world.

INFINITY IS ONLY THE BEGINNING. The Pandominion: a political and trading alliance of a million worlds - except that they're really just the one world, Earth, in many different realities. And when an AI threat arises that could destroy everything the Pandominion has built, they'll eradicate it by whatever means necessary, no matter the cost to human life. Scientist Hadiz Tambuwal is looking for a solution to her own Earth's environmental collapse when she stumbles across the secret of inter-dimensional travel. It could save everyone on her dying planet, but now she's walked into the middle of a war on a scale she never dreamed of. And she needs to choose a side before it kills her. Discover the spectacular first novel in The Pandominion - an exhilarating new science fiction duology from the author of the million-copy bestseller The Girl With All the Gifts. Perfect for fans of The Space Between Worlds, The Long Earth and Children of Time.

A fun and fearless anthology of feminist tales, by fifteen bestselling, award-winning writers: Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeymi, Rachel Seiffert, Kamila Shamsie and Ali Smith - introduced by Sandi Toksvig. DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO. For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, fifteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.

Hazel Sinnett is alone. She's half-convinced the events of the year before - the immortality, Beecham's vial - were a figment of her imagination. She doesn't even know if Jack is alive or dead. All she can really do is run her free clinic, helping people and maintaining Hawthornden Castle as it starts to decay around her. When saving a life leads to her arrest, Hazel seems doomed to rot in prison until a message intervenes: Hazel has been specifically requested to be the personal physician of Princess Charlotte, the sickly daughter of King George IV. Soon Hazel is dragged into the glamour and romance of a court where everyone has something to hide, especially the ladies of the princess's close circle, who never seem to stay hurt for long . . . Meanwhile, Jack Currer has been trying to find a way to die. He's been traveling across the Atlantic, hoarding any information that could cure his immortality and let him spend a normal life with Hazel. When he hears that Beecham has died, he immediately goes to London to find out how he achieved it - and reunites with Hazel once again. As their search for the immortality cure entangles them more and more with the British court, Hazel and Jack realize that a life together is not the only thing at stake. Malicious forces are at work in the monarchy, and they are very interested in living forever . . .

The conclusion of the epic trilogy from the #1 New York Times bestselling author of The Awakening and The Becoming. 'If you're after the perfect pick-me-up, take-me-away-from-the-world read, then she's your woman' The Guardian It's time for the final reckoning.... With Odran's defeat at the Battle of the Dark Portal, his quest to rule over Talamh and Breen has stalled - for now. But the terrible battle and heart-breaking losses have taken their toll. It's a time as painful as any Breen has ever known as she helps to treat the wounded, bring the dead home from blood-and ash-soaked battlegrounds and support her friends and family in their grief. With the enemy cast out and the portal sealed it is a time to recover but there is little time to rest. Soon the enemy's witches begin to appear to Breen in her sleep, practicing black magick, sacrificing the innocent, and plotting brutal destruction. It is time for Breen to seek out those in desperate need of rescue and confront the darkness with every weapon she has. An epic battle is coming. A battle Breen cannot afford to lose....

The time has come for the "sacrifices" who chose to invade Nazarick of their own free will to be punished for their crimes. Will any of them be able to escape from Ainz's stronghold with their lives...?

From the beloved star of Gilmore Girls and the New York Times bestselling author of Talking as Fast as I Can comes a candid, insightful, and wildly entertaining essay collection about her years in show business, featuring stories that range from the sublime to the ridiculous. Lauren Graham has graced countless television screens with her quick wit and larger-than-life personality, earning a reputation as a pop culture icon who always has something to say - and fast. Now Graham shares personal stories about her career in entertainment, from her early days navigating Los Angeles as a struggling actress in a red Volkswagen, to her first appearance on late-night TV, to the challenges of ageing gracefully in Hollywood. With her signature sense of humour and down-to-earth storytelling, she tells all and never spares a detail (as long as she hasn't forgotten it). In 'R.I.P. Barneys New York' she writes about an early job as a salesperson at the legendary department store (and the time she inadvertently shoplifted); in 'Ryan Gosling Cannot Confirm' she attempts to navigate the unspoken rules of Hollywood hierarchies; in 'Ne Oublie' she warns us about the perils of coming from an extremely forgetful family; and in 'Actor-y Factory' she recounts what a day in the life of an actor looks like (unless you're Brad Pitt). She also welcomes back her alter ego Old Lady Jackson to share some more homespun wisdom ('Buy wrapping paper in January when it goes on sale') and reveal the easiest recipe for orange marmalade you'll ever find (which isn't actually easy, because easy recipes for marmalade are a total time suck and just another internet lie). Filled with surprising anecdotes, sage advice, and laugh-out-loud observations, these all-new, original essays showcase the winning charm and wry humour that have delighted Graham's millions of fans.

Three-time Hugo Award-winning and New York Times bestselling author N.K. Jemisin crafts "a glorious fantasy" (Neil Gaiman) - a story of culture, identity, magic, and myths in contemporary New York City, in the final book of the Great Cities Duology. Every great city has a soul. A human avatar that embodies their city's heart and wields its magic. New York? She's got six. But all is not well in the city that never sleeps. Though Brooklyn, Manny, Bronca, Venezia, Padmini, and Neek have temporarily managed to stop the Woman in White from invading--and destroying the entire universe in the process--the mysterious capital "E" Enemy has more subtle powers at her disposal. A new candidate for mayor wielding the populist rhetoric of gentrification, xenophobia, and "law and order" may have what it takes to change the very nature of New York itself and take it down from the inside. In order to defeat him, and the Enemy who holds his purse strings, the avatars will have to join together with the other Great Cities of the world in order to bring her down for good and protect their world from complete destruction. The Great Cities Duology The City We Became The World We Make

Murder and mayhem. Scarpetta is back, and she's racing against the clock . . . Chief medical examiner Kay Scarpetta is the reluctant star witness in a sensational murder trial when she receives shocking news. The judge's sister has been found dead. At first glance, it appears to be a home invasion, but then why was nothing stolen, and why is the garden strewn with dead plants and insects? Although there is no apparent cause of death, Scarpetta recognizes tell-tale signs of the unthinkable, and she knows the worst is yet to come. The forensic pathologist finds herself pitted against a powerful force that returns her to the past, and her time to catch the killer is running out . . .

This is my last love letter to you, though some would call it a confession. . . S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta. Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death. This beautiful hardback edition will include a bonus short story featuring characters from A Dowry of Blood, titled 'An Encore of Roses'.

In exchange for a life, the link between this world and the next has been severed. Even so, Nene and Kou continue looking for a way to reach the boundaries, a search that leads them to the cursed "Red House." Inside, they find a boy who looks just like Hanako-kun and may have the answers they've been looking for-but they soon find the Red House is much easier to enter than to leave...

The sacrifices that enabled the Soviet Union to defeat Nazi Germany in the Great Patriotic War 1941-45 are sacrosanct. The foundation of their eventual victory was laid during the battle for the city of Stalingrad, resting on the banks of the river Volga. For Germany, the catastrophic defeat was the beginning of their eventual demise that would see the Red Army two years later flying their flag of victory above the Reichstag. Stalingrad is seen as the pivotal battle of the Second World War, with over two million civilians and combatants either killed, wounded or captured during the bitter winter of September 1942. Both sides endured terrible conditions in brutal house-to-house fighting reminiscent of the Great War. Within this life-and-death struggle for the heart of the city and situated on the frontline was a key strategic building, codenamed: 'The Lighthouse'. Here, a small garrison of Red Army guardsmen withstood German aerial bombardments and fought off daily assaults of infantry and armour. Red Army newspaper reports at the time would be seized upon by the Moscow media needing to place a positive spin on the fighting that had at one point looked beyond salvation. By the end of the war, the story of this building would gather further momentum to inspire Russians to rebuild their destroyed towns and cities until it became the legend it is today, renamed after the simple sergeant who had supposedly led the defence - 'Pavlov's House'. In time for the eightieth anniversary, The Lighthouse of Stalingrad will shed fresh insight on this iconic battle through the prism of the men who fought one another over five months and the officers who commanded them. A riveting narrative, informed by both German and Russian archives to unearth unpublished memoirs and eyewitness testimonies from veterans and civilians alike, this book will celebrate the real heroes and provide a truer picture of how this mighty battle finally ended.

For Arthur Less, life is going surprisingly well: he is a moderately accomplished novelist in a steady relationship with his partner, Freddy Pelu. But nothing lasts: the death of an old lover and a sudden financial crisis has Less running away from his problems yet again as he accepts a series of literary gigs that send him on a zigzagging adventure across the US. Less roves across the 'Mild Mild West', through the South and to his mid-Atlantic birthplace, with an ever-changing posse of writerly characters and his trusty duo - a human-like black pug, Dolly, and a rusty camper van nicknamed Rosina. He grows a handlebar mustache, ditches his signature gray suit, and disguises himself in the bolero-and-cowboy-hat costume of a true 'Unitedstatesian'... with varying levels of success, as he continues to be mistaken for either a Dutchman, the wrong writer, or, worst of all, a 'bad gay'. We cannot, however, escape ourselves - even across deserts, bayous, and coastlines. From his estranged father and strained relationship with Freddy, to the reckoning he experiences in confronting his privilege, Arthur Less must eventually face his personal demons. With all of the irrepressible wit and musicality that made Less a bestselling, Pulitzer Prize-winning, must-read breakout book, Less Is Lost is a profound and joyous novel about the enigma of life, the riddle of love, and the stories we tell along the way.