Monacelli Press strana 2 z 3

Figure Drawing Atelier offers a comprehensive, contemporary twist to the very traditional atelier approach to the methods that instruct artists on the techniques they need to successfully draw and ultimately paint the figure. The book offers art instruction, practical and progressive lessons on drawing the figure, and high-quality sketchbook paper in a beautiful package that includes blank pages for sketching and copying. Artists will then have a record of their process, like with a sketchbook, which many artists like to document and save. In this elegant and inspiring workbook, master contemporary artist and author Juliette Aristides breaks down the figure drawing process into small, manageable lessons, presents them progressively, introduces time-tested principles and techniques in the atelier tradition that are easily accessible, and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings. Atelier education is centered on the belief that working in a studio, not sitting in the lecture hall, is the best way to learn about art. Every artist needs to learn to master figure drawing. Ateliers have produced the greatest artists of all time—and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Figure Drawing Atelier is like having an atelier in a book—and the master is Juliette Aristides, a classically trained artist and best-selling art-instruction author with almost rock star popularity in the contemporary world of representational art. On every page, Aristides uses the works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realistic figure drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, this book offers a serious art course for serious art students and beginners alike.ok offers a serious art course for serious art students and beginners alike.

An intimate look at the personal garden of the Dutch landscape designer renowned for his plantings at the High Line in New York City, and Lurie Garden at Chicago's Millennium Park. Hummelo-near the village of the same name in Gelderland in the eastern Netherlands-is visited by thousands of gardeners seeking inspiration each year. It is Piet Oudolf's home, his personal garden laboratory, a former nursery run by his wife Anja, and the place where he first tested new designs and created the new varieties of perennials that are now widely available. A follow-up to Oudolf's successful Landscapes in Landscapes-Hummelo tells the story of how the garden has evolved over the past three decades since Oudolf, Anja, and their two young sons moved onto the property, with its loamy sand and derelict, wood stove-heated farmhouse, in 1982. Text by noted garden author and longtime personal friend Noel Kingsbury places Hummelo in context within gardening history, from The Netherlands' counterculture and nascent green movement of the 1960s, to prairie restoration in the American Midwest, and shows how its development has mirrored that of Oudolf's own outstanding career and unique naturalistic aesthetic. Oudolf has long been at the forefront of the Dutch Wave and New Perennial Style movements in garden design, which have ecological considerations at their base. His work stresses a deep knowledge of plants, eschewing short-lived annuals in favor of perennials that can be appreciated for both structure and blooms in every season. He is credited for leading the way to today's focus on sustainability in garden design. The book will appeal to readers who favor beautiful, biodiverse, and ever-changing plantings: seed heads, grasses, sedges, and winter silhouettes. They will be drawn into its pages by lush photography, often demonstrating how Oudolf views his own work, and providing rare glimpses into his daily life. Short essays highlight important techniques, including scatter plants and matrix planting, and introduce other famed landscape designers-Karl Foerster, Henk Gerritsen, Rob Leopold, Ernst Pagels, and Mien Ruys-to create a full panorama of the movement Oudolf now leads.

"In The Oil Painter's Color Handbook, Todd Casey presents priceless information that every art school should teach and every art student should learn. The book breaks down the subject of color into useful pieces of knowledge that painters can put into practice. He analyzes color in terms of light, value, pigment, mixing strategies, palette arrangements, and painting techniques. Each topic is clearly and succinctly explained in the text, illustrated with captions, charts, diagrams, and finished paintings. By the end of the book, the reader will have a clear understanding of how realist painters and illustrators have used color through history." - James Gurney, artist and author "This is the most impressive and complete book on color ever produced. It covers a wide range of color concepts, including some I'd never seen before. It digs deeply into color harmony, techniques, and has powerful examples to demonstrate every concept." - Eric Rhoads, Publisher, Fine Art Connoisseur Magazine From Todd M. Casey, acclaimed artist and expert teacher, The Oil Painter's Color Handbook: A Contemporary Guide to color Mixing, Pigments, Palettes, and Harmony provides everything the oil painter needs to understand all aspects of color and empowers the reader to paint with confidence. As Casey notes, every artist and artist-in-training must learn how to "master the main concepts of picture-making: drawing, light, shadow, value, form, composition, and color." A follow-up to the bestselling The Art of Still Life: A Contemporary Guide to Classical Techniques, Composition, and Painting in Oil (Monacelli, 2020), The Oil Painter's Color Handbook begins with an in-depth look at the use of color throughout art history. Casey then breaks down the process of understanding color into easily digestible lessons-each clearly explained and richly illustrated with both historic and contemporary paintings-so that the reader can learn progressively and layer more complex ideas as each skill is achieved. Through clear instruction, step-by-step demonstrations, and challenging exercises, readers will learn to apply these techniques and concepts to their own painting. Once educated with this fundamental knowledge, as an artist, one can begin to find the balance between the science and emotional intuition in creating art. This informative and visually dynamic book will be accessible and appealing to artists, art students, and art instructors, to serious amateurs and hobbyists.

Introducing a practice to enhance mental and spiritual well-being for the enrichment of one’s life in The Path of Drawing, author Patricia Watwood offers readers a systematic approach to drawing that combines basic instruction and mindfulness exercises. Today, many people look to cultivating creativity as a means to improve one’s quality of life, to unplug, to alleviate negative conditions like stress, anxiety, and depression, and to build resilience and enjoy the present moment. Adjacent to such practices as meditation and journaling, drawing is an accessible and personal medium that can facilitate both creativity and mental and spiritual health. The sample projects in this book are designed to be approachable and manageable in a short period of time. They are not intended to be a rigorous course of study toward mastering complex skills, but, rather, are designed to offer the reader exercises that will help them enjoy time spent working creatively, and develop some technical skills and master simple concepts along the way. Readers should find that daily creative practice and being more open to observing the joys of the world around them can help build qualities of patience, confidence, calm, connectedness, and bravery.

An overview of the work of illustrator and designer Milton Glaser during the 1960s and 70s From 1954, when he co-founded the legendary Push Pin Studios, to the late '70s, Milton Glaser was one of the most celebrated graphic designers of his day, whose work graced countless book and album covers, posters, magazine covers, and advertisements, both famous and little-known. Glaser largely defined the international visual style for illustration, advertising, and typeface design and interest in his legacy continues unabated, with modern creatives acknowledging his influence; for example, in 2014 Mad Men creator Matthew Weiner enlisted Glaser to design the ad campaign and branding for the show's final season. His renowned work garnered solo exhibitions at the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York. Creator of the iconic 'I love NY' logo (featuring a heart symbol in place of the word 'love') and cofounder of New York magazine, Glaser received numerous accolades and lifetime achievement awards. Across thousands of works across all print media, he invented a graphic language of bright, flat color, drawing and collage, imbued with wit. This collection of work from Glaser's Pop period features hundreds of examples of his design that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.

From a renowned illustrator of DC and Marvel comic books, an engaging full-color instruction book for teens and adults alike This is an art instruction book filled with original, full-color art and step-by-step instructional texts, teaching burgeoning artists of all ages how to conceptualize, design, and draw their own science-fiction characters, good and evil, from fantastical realms of their imagination including how to colorize characters, draw anatomical poses, and create inventive costumes. The book will also feature supplementary inspirational images culled from movies, TV, history, and pop culture. From the same author as the bestselling How to Draw Sci-Fi Utopias and Dystopias, Prentis Rollins, veteran illustrator of DC and Marvel Comics, teaches artists of all ages the fundamentals of drawing imaginative 'good' and 'evil' science-fiction characters.

A guide to contemporary architecture practice in one of the most important fields today - the transformative adaptation of existing buildings. A manifesto and survey of contemporary practice by one of the leading offices in this domain, Deborah Berke Partners. For over 30 years, Deborah Berke Partners has been a leader in transforming old buildings for new futures. Transform: The Architecture of Adaptation will explore and document the ecological and urban imperative to revive and adapt existing built fabric, and it will demonstrate innovative and timeless tools and methods for creating successful new architecture out of old structures and found conditions. The book will be illustrated primarily, but not exclusively, with projects by Deborah Berke Partners, including academic buildings, boutique hotels, and community and cultural centers. Essays by Deborah Berke, Noah Biklen, Arthi Krishnamoorthy, and Alan Brake introduce each chapter. It will also include contributions by critics, planners, and artists with a shared interest in creating a sustainable, equitable, and enriching urban environment. Contributors include artist Titus Kaphar, urban history scholar Karen Seto, environmenal design leaders Atelier Ten, and photographer Christopher Payne. The term 'adaptive reuse' is bland and imprecise. It implies a lack of rigor, as if old buildings were discarded objects that can easily be repurposed, like a turning an old milk crate into a bookshelf. Buildings - good ones, bad ones, whether designed by a famous architect, or without an author are complex things, with histories, with impacts on their surroundings, with relations to people and places. They do not all deserve to be saved, but many do. Sometimes an unremarkable building can be transformed into something better than it ever was. Even good buildings by noted architects can be improved upon, especially if their use has changed or if their context has been significantly altered. In much of the country, particularly small to mid-sized, post-industrial cities, opportunities abound for the creative reuse of existing buildings. Deborah Berke Partners approaches these building - old warehouses, office buildings, even a historic sanatorium designed by H. H. Richardson - as material resources and as the foundation of sustainable urban redevelopment. These projects have impacts that extend far beyond their walls - this work is part of an urgent rethinking of American urbanism.

In a career spanning nearly 75 years, Louise Bourgeois created a vast body of work that enriched the formal language of modern art while it expressed her intense inner struggles with unprecedented candor and unpredictable invention. Her solo 1982 retrospective at The Museum of Modern Art launched an extraordinarily productive late career, making her a much-honored and vivid presence on the international art scene until her death in 2010 at the age of 98. Trained as a painter and printmaker, Bourgeois embraced sculpture as her primary medium and experimented with a range of materials over the years, including marble, plaster, bronze, wood, and latex. Bourgeois contributed significantly to Surrealism, Postminimalist, and installation art, but her work always remained fiercely independent of style or movement. With more than 1000 illustrations, Intimate Geometries: The Art and Life of Louise Bourgeois comprehensively surveys her immense oeuvre in unmatched depth. Writing from a uniquely intimate perspective, as a close personal friend of Bourgeois, and drawing on decades of research, Robert Storr critically evaluates her achievements and reveals the complexity and passion of one of the greatest artists of the twentieth century.

A guide to the art, artists, and culture of graffiti from the 1970s to today, as told by the taggers themselves This major co-publication with the Museum of Graffiti chronicles the worldwide graffiti movement from its birth in the 1970s, through the street and train painting of the 1980s, to its emergence as an artistic genre admired in museums and sold at auction. With hundreds of never-before-seen photographs of graffiti art from the 1970s to today, many of which have been provided exclusively for this volume by the artists themselves, the book gives an insider’s view through multiple interviews with celebrated graffiti artists, including Roger Smith of Sane Smith, Hotboy Hert, DESA, Shirt King Phade, RIME, MadC, Saber, AURA, and others. Told through essays, hundreds of images, and interviews with the artists – both the underground outlaws and the writers who went mainstream – The Wide World of Graffiti will become the standard-bearer of the art form’s history and life today, a unique contribution from the first and only museum dedicated to graffiti as an art form.