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An intimate look at the personal garden of the Dutch landscape designer renowned for his plantings at the High Line in New York City, and Lurie Garden at Chicago's Millennium Park. Hummelo-near the village of the same name in Gelderland in the eastern Netherlands-is visited by thousands of gardeners seeking inspiration each year. It is Piet Oudolf's home, his personal garden laboratory, a former nursery run by his wife Anja, and the place where he first tested new designs and created the new varieties of perennials that are now widely available. A follow-up to Oudolf's successful Landscapes in Landscapes-Hummelo tells the story of how the garden has evolved over the past three decades since Oudolf, Anja, and their two young sons moved onto the property, with its loamy sand and derelict, wood stove-heated farmhouse, in 1982. Text by noted garden author and longtime personal friend Noel Kingsbury places Hummelo in context within gardening history, from The Netherlands' counterculture and nascent green movement of the 1960s, to prairie restoration in the American Midwest, and shows how its development has mirrored that of Oudolf's own outstanding career and unique naturalistic aesthetic. Oudolf has long been at the forefront of the Dutch Wave and New Perennial Style movements in garden design, which have ecological considerations at their base. His work stresses a deep knowledge of plants, eschewing short-lived annuals in favor of perennials that can be appreciated for both structure and blooms in every season. He is credited for leading the way to today's focus on sustainability in garden design. The book will appeal to readers who favor beautiful, biodiverse, and ever-changing plantings: seed heads, grasses, sedges, and winter silhouettes. They will be drawn into its pages by lush photography, often demonstrating how Oudolf views his own work, and providing rare glimpses into his daily life. Short essays highlight important techniques, including scatter plants and matrix planting, and introduce other famed landscape designers-Karl Foerster, Henk Gerritsen, Rob Leopold, Ernst Pagels, and Mien Ruys-to create a full panorama of the movement Oudolf now leads.

Sweeping, voluptuous, and authoritative, "Private Paradis"e instantly joins an elite collection of great and inspiring garden design books. Charlotte Frieze presents forty-one cutting-edge gardens, all richly photographed and profusely illustrated, emphasizing design, climate, and horticulture. Overarching themes of Aqua, Arcadia, Bold Geometry, Color, Nightscapes, Oasis, Sanctuary, and Urban cogently frame chapters about the challenges presented by the land, the climate, and the client's interests. Located throughout the United States, these gardens demonstrate the intersection between traditional elements of garden design and current concerns such as sustainability, drought tolerance, and use of native plants. " Private Paradise" features the work of the most talented landscape architects and garden designers working in the United States today, including Topher Delaney, Marta Fry, Kathryn Gustafson, Raymond Jungles, Steve Koch, Ron Lutsko, Steve Martino, Pamela Palmer, Ken Smith, Christine Ten Eyck, and Thomas Wolz. In a publication that rightfully takes its place on the sturdy foundation of a century's worth of garden surveys and design monographs, "Private Paradise" creates a compelling portrait of contemporary landscape design.

The current environmental crisis calls for a unified practice of landscape and architecture that would allow buildings and landscapes to perform symbiotically to heal the environment. Over the past ten years, a diverse group of architects, landscape architects, and artists have undertaken groundbreaking projects that propose an integration of landscape and architecture, dissolving traditional distinctions between building and environment. Groundwork: Between Landscape and Architecture examines twenty-five projects, on an international scale, that consider landscape and architecture as true reciprocal entities. Groundwork divides the projects into three design directions: Topography, Ecology, and Biocomputation. Topographic designers create projects that manipulate the ground to merge building and landscape as in Cairo Expo City in Egypt (Zaha Hadid Architects), Island City Central Park Grin Grin in Fukuoka, Japan (Toyo Ito & Associates) and the City of Culture of Galicia in Santiago de Compostela, Spain (Eisenman Architects). Ecologic designers develop environments that address issues such as energy climate and remediation, such as I’m Lost In Paris in France (R&Sie(n)), Turistroute in Eggum, Norway (Snøhetta) and Parque Atlántico in Santander, Cantabria, Spain (Batlle i Roig Arquitectes). Biocomputation designers use digital technologies to align biology and design in projects such as the Grotto Concept (Aranda/Lasch), North Side Copse House in West Sussex, England (EcoLogicStudio) and Local Code: Real Estates (Nicolas de Monchaux.) What these projects all have in common is a desire to pay attention and homage to the liminal space where indoors and outdoors meet. The critical connection between natural and synthetic, exterior and interior space, paves the way toward a more inclusive—and indeed more alive—conceptualization of the physical world.

Through her first book, Bringing Paris Home, Penny Drue Baird established herself as an authority on all things French—interior design, flea market and antiques shopping, Parisian life, and stylish entertaining. In The New French Interior, she moves beyond the traditional historic styles to explore the design elements that make up the fresh, clean look—architectural details adapted from art deco, a monochromatic palette based on creams and ivories highlighted with rich browns and blacks, bold forms in furniture and lighting, and restrained tabletop settings. To illustrate the style, Baird draws on ten of her own recent projects, apartment and house installations, and presents French precedents and influences through specially commissioned photography of Parisian interiors. Images of cafes, markets, shops, and street scenes add to the magical Parisian ambiance she creates.

The garden—a place for refined pleasure and spiritual relaxation—has its roots in ancient China. Western travelers from Marco Polo onward marveled at the intricacy, the elaborate buildings, the subtle design, and the assured use of plants, water, and natural materials in Chinese landscapes. The Great Gardens of China shows, through stunning original photography and cogent text, both the visual splendors of China’s finest gardens and explains their ideas and techniques in accessible terms. Now every gardener, architect, or designer can understand China’s garden heritage and be inspired to use it to dramatic effect.

Adolf Loos not only was part of the first wave of modern architecture but also served as an important source of inspiration for all architects who followed. He is emblematic of the turn-of-the-century generation that was torn between the traditional culture of the nineteenth century and the innovative modernism of the twentieth. Loos's masterful "astylistic architecture" is captured in this volume by the esteemed photographer Roberto Schezen in over one hundred exceptional photographs. Starting with the refurbishment of his own apartment in 1903, twenty of Loos's most significant buildings are beautifully displayed: Villa Karma, the Karntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Muller houses. Schezen's vivid color and luminous black-and-white photographs display each building in detail, showing both the formal characteristics and the rich textures and materials Loos most frequently used. Complementing this remarkable visual material is Kenneth Frampton's perceptive essay, which places Loos within the context of Viennese intellectuals of the time. His circle, which included Arnold Schonberg, Ludwig Wittgenstein, and at the center, Karl Kraus, explored the essential nature of architecture, and the other arts and sciences, through linguistic structures. Frampton identifies the hallmarks that Loos derived from these structures and with which he created his work: the blank, "degree-zero" exterior with its luxurious interior; his commentary on architecture's position between art and function, plus subtle recollections of both the classic and the vernacular. All these ploys were to subvert typical architectural expectations. Joseph Rosa's accompanying descriptions comprehensively discuss each building, from the circumstances surrounding the realization of the projects to the use of Loos's architectural conventions.

Bringing Paris Home invites the reader to re-create the panache of French interior style in an American setting. Author Penny Drue Baird shares her love and knowledge of French history and decorative arts and describes the design elements essential to an elegant French interior--architectural details, furniture, paint and wall covering, fireplaces, lighting, and tabletop settings. A special chapter on shopping offers tips on finding treasures in the famed Marche aux Puces in Paris. Penny Drue Baird's highly engaging text, filled with reminiscences and anecdotes, brings the charm and pleasure of Paris to life. Lavishly illustrated with Parisian scenes and completed interiors by Baird, Bringing Paris Home is an essential resource for capturing the atmosphere of Paris.

In over thirty years of practice, Robert A. M. Stern has developed a distinctive architecture committed to the synthesis of tradition and innovation and, above all, to the creation and enhancement of a meaningful sense of place. This monograph, covering the years 1999-2002, is the fourth in a series on Stern's work. The volume includes more than one hundred projects, including houses and apartments, buildings for cultural institutions and universities, office and commercial structures, government facilities, and designs for products, including fabric and tableware. Robert A M Stern has contributed to Robert A. M. Stern: Houses and Gardens as an author.Robert A. M. Stern is the founding partner of Robert A. M. Stern Architects and dean of the Yale School of Architecture. He is the author of the monumental five-volume history of New York's architecture and urban development, concluding with "New York 2000," The author lives in New York.Witold Rybczynski has contributed to Robert A. M. Stern: Houses and Gardens as a content introducer.Witold Rybczynski has written about architecture for "The New York Times, Time, The Atlantic, The New Yorker", and "Slate", and is the author of the critically acclaimed book "Home" and the award-winning "A Clearing in the Distance". He is the recipient of the National Building Museum's 2007 Vincent Scully Prize. He lives with his wife in Philadelphia, where he teaches at the University of Pennsylvania School of Design.

S,M,L,XL presents a selection of the remarkable visionary design work produced by the Dutch firm Office for Metropolitan Architecture (O.M.A.) and its acclaimed founder, Rem Koolhaas, in its first twenty years, along with a variety of insightful, often poetic writings. The inventive collaboration between Koolhaas and designer Bruce Mau is a graphic overture that weaves together architectural projects, photos and sketches, diary excerpts, personal travelogues, fairy tales, and fables, as well as critical essays on contemporary architecture and society. The book's title is also its framework: projects and essays are arranged according to scale. While Small and Medium address issues ranging from the domestic to the public, Large focuses on what Koolhaas calls "the architecture of Bigness." Extra-Large features projects at the urban scale, along with the important essay "What Ever Happened to Urbanism?" and other studies of the contemporary city. Running throughout the book is a "dictionary" of an adventurous new Koolhaasian language -- definitions, commentaries, and quotes from hundreds of literary, cultural, artistic, and architectural sources.