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Jane Austen began writing in her early teens, and filled three notebooks with her fiction. Her earliest work reflects her interest in the novel as a genre; in short pieces she plays with plots, stock characters, diction and style, developing a sense of form at a remarkably early age. The characters of these stories have a jaunty and never-failing devotion to themselves. They perpetually lie, cheat, steal - and occasionally commit murder. Throughout these short or unfinished pieces, Austen exhibits her sense of the preposterous in life and fiction with tough-mindedness and robust humour. Alice, the mock-heroine of "Jack and Alice" has "many rare and charming qualities, but sobriety is not one of them". In her later published fiction, Austen had learned to take demands for propriety seriously, reining in whatever might be thought boisterous or coarse. Here we see Jane Austen without her inhibitions. In addition to prose fiction and prayers, this collection also contains many of Jane Austen's poems, written to amuse or console friends, and rarely reprinted. The texts have been compared with the manuscripts and edited to give a number of new readings. The notes recreate the texture of daily life in Jane Austen's age, and demonstrate her knowledge of the fiction of her time. The introduction by Margaret Anne Doody sets the writings within the context of Jane Austen's life and literary career.

"Our Mutual Friend" was first published in monthly parts in 1864-5 and was Dickens' last completed novel. It is rich in imagery and themes - a monument to Dickens' abiding concern with the structure of society and the potential for change and progress. This edition includes explanatory notes. Dickens' last completed novel traces John Harmon's covert observation of Bella Wilfer, whom he must marry if he is to inherit a fortune.

To be oneself was a supreme, gleaming triumph of infinity This is the insight that flashes upon Ursula as she struggles to assert her individuality and to stand separate from her family and her surroundings on the brink of womanhood and the modern world. In The Rainbow (1915) Lawrence challenged the customary limitations of language and convention to carry into the structure of his prose the fascination with boundaries and space that characterize the entire novel. Condemned and suppressed on its first publication for its open treatment of sexuality and its 'unpatriotic' spirit, the novel chronicles the lives of three generations of the Brangwen family over a period of more than 60 years, setting them against the emergence of modern England. The central figure of ursula becomes the focus of Lawrence's examination of relationships and the conflicts they bring, and the inextricable mingling of the physical and the spiritual. Suffused with biblical imagery, The Rainbow addresses searching human issues in a setting of precise and vivid detail. In her introduction to this edition Kate Flint illuminates Lawrence's aims and achievements against the background of the burgeoning century.

The Bible is the most important book in the history of Western civilization, and also the most difficult to interpret. It has been the vehicle of continual conflict, with every interpretation reflecting passionately-held views that have affected not merely religion, but politics, art, and even science. This unique edition offers an exciting new approach to the most influential of all English biblical texts - the Authorized King James Version, complete with the Apocrypha. Its wide-ranging Introduction and the substantial notes to each book of the Bible guide the reader through the labyrinth of literary, textual, and theological issues, using the most up-to-date scholarship to demonstrate how and why the Bible has affected the literature, art and general culture of the English-speaking world.

Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword!' A powerful poem of universal guilt and a protest against capital punishment, The Ballad of Reading Gaol is Wilde's best-known poem, yet it is quite unlike the rest of his poetry. At Oxford Wilde discarded the passion and politics of his mother's Irish nationalistic anti-famine poetry and opted to follow an English Romantic tradition, paying tribute to Keats, Swinburne, and the Pre-Raphaelites. Admiration of French masters gradually led to his writing Impressionist, even decadent poems and his collection Poems (1881) brought accusations of obscenity and plagiarism as well as scathing reviews. Unabashed, Wilde revised and reprinted his final 'Author's Edition' in 1892, by which time he was the successful author of fiction, criticism, and Lady Windermere's Fan.This volume follows as closely as possible the chronological order of composition, highlighting autobiographical elements including the young Wilde's conflicting attitudes to Greece and Rome, pagan and Christian, and his fluctuating attraction to Roman Catholicism. The Appendix shows Wilde's original ordering, constructed with great care around a 'musical' arrangement of themes. The poems reveal unexpected aspects of a literary chameleon usually identified with sparkling wit and social comedy.

Byron was a legend in his own lifetime and the dominant influence on the Romantic movement. The most European of the English writers in an age of revolution, Byron was deeply involved in contemporary events, and a passionate supporter of the struggle for Greek independence. Describing himself as 'born for opposition', his work was largely directed against what he called the 'cant political, cant poetical, and cant moral' of the English and European worlds. He was rocketed to fame by the publication of Childe Harold in 1812, and lionized by society until his departure from England amid a whirlpool of private gossip and newspaper scandal in 1816. His is, in every sense, a poetry of experience, and a Romantic emphasis on the personality of the poet is the hallmark of all his verse. Relishing humour and irony, daring and flamboyant, sardonic yet idealistic, his work encompasses a sweeping range of topics, subjects, and models, embracing the most traditional and the most experimental poetic forms. This selection of the poetical works, chosen from the Oxford Authors critical edition, includes such masterpieces as The Corsair, Manfred, Bebbo, and Don Juan.There are many other less familiar works and shorter lyrics, and Jerome J. McGann's introduction and notes give fascinating insight into Byron's world.

The remote and inhospitable landscape of Iceland made it a perfect breeding-ground for heroes. The first Norsemen to colonize it in 860 found that the fight for survival demanded high courage and tough self reliance; it also nurtured a stern sense of duty and an uncompromising view of destiny. The Icelandic sagas relate the adventurous lives of individuals and families between 930 and 1030, which began as oral tales but were skilfully documented in the thirteenth and fourteenth centuries, and are now regarded as written literature.

though a great many men and not a few women knew Ferdinand Lopez very well, none of them knew whence he had come' Despite his mysterious antecedents, Ferdinand Lopez aspires to join the ranks of British society. An unscrupulous financial speculator, he determines to marry into respectability and wealth, much against the wishes of his prospective father-in-law. One of the nineteenth century's most memorable outsiders, Lopez's story is set against that of the ultimate insider, Plantagenet Palliser , Duke of Omnium. Omnium reluctantly accepts the highest office of state; now, at last, he is 'the greatest man in the greatest country in the world'. But his government is a fragile coalition and his wife's enthusiastic assumption of the role of pol itical hostess becomes a source of embarrassment. Their troubled relationship and that of Lopez and Emily Wharton is a conjunction that generates one of Trollope's most complex and substantial novels. Part of the Palliser series, The Prime Minister ' s tale of personal and political life in the 1870s has acquired a new topicality in the early twenty-first century

This is a reissue of the previous World's Classics edition in the new, larger format and with the series name changed to 'Oxford World's Classics'.

A classic of Victorian literature, and one of the earliest books written specifically for boys, Tom Brown's Schooldays has long had an influence well beyond the middle-class, public school world that it describes. An active social reformer, Hughes wrote with a freshness, a lack of cant, and a kind, relaxed tolerance which keeps this novel refreshingly distinct from other schoolboy adventures. This edition is the only one available, and comes with the outstanding 1869 illustrations by Arthur Hughes.

No characters in English literature since those in the great Dickens gallery have taken so firm a hold upon the British and American imagination as Sherlock Holmes and Dr Watson. This selection draws the best stories from the several Sherlock Holmes volumes, and shows how the famous detective and his assistant are elevated above the level of fiction and into the realm of mythology, where the learned and the simple meet on equal footing.

A fitting conclusion to the Palliser novels, one of the most remarkable achievements in British fiction, The Duke's Children is a touching story of love, family relationships, loyalty, and principles, following the aging Duke of Omnium as he struggles to come to terms with the loss of his vivacious wife, Lady Glencora, and the willfulness of his three children. The wide-ranging introduction explores the implicit politics of the novel about the nature of conservatism and liberalism in all their facets; the "woman question"; autobiographical echoes; gambling; and the novel's interest in modernity and the United States. The book also includes an invaluable appendix that outlines the political context of the Palliser novels and establishes the internal chronology of the series, providing a unique understanding of the six books as a linked narrative. The editors also provide explanatory notes, and the preface provides both a compact biography of Anthony Trollope and a Chronology charts his life against the major historical events of the period. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Widely regarded as one of Trollope's most successful later novels,He Knew He Was Right is a study of marriage and of sexual relationships cast against a background of agitation for women's rights.

A classic study of the beliefs and institutions of mankind, and the progress through magic and religion to scientific thought, The Golden Bough has a unique status in modern anthropology and literature. First published in 1890, The Golden Bough was eventually issued in a twelve-volume edition (1906-15) which was abridged in 1922 by the author and his wife. That abridgement has never been reconsidered for a modern audience. In it some of the more controversial passages were dropped, including Frazer's daring speculations on the Crucifixion of Christ. For the first time this one-volume edition restores Frazer's bolder theories and sets them within the framework of a valuable introduction and notes. A seminal work of modern anthropolgy, The Golden Bough also influenced many twentieth-century writers, including D H Lawrence, T S Eliot, and Wyndham Lewis. Its discussion of magical types, the sacrificial killing of kings, the dying god, and the scapegoat is given fresh pertinence in this new edition.

A rich American art-collector and his daughter Maggie buy in for themselves and to their greater glory a beautiful young wife and a noble husband. They do not know that Charlotte and Prince Amerigo were formerly lovers, nor that on the eve of the Prince's marriage they had discovered, in a Bloomsbury antique shop, a golden bowl with a secret flaw. When the golden bowl is broken, Maggie must leave the security of her childhood and try to reassemble the pieces of her shattered happiness. In this, the last of his three great poetic masterpieces, James combined with a dazzling virtuosity elements of social comedy, of mystery, terror, and myth. The Golden Bowl is the most controversial, ambiguous, and sophisticated of James's novels.

The tale of Daisy's irruption into staid European society enjoyed, as did Daisy herself, a succ?'s de scandale; and it has remained one of Jamess most popular short stories. Like the others collected here-'Pandora, ' 'The Patagonia, ' and 'Four Meetings'- it describes a confrontation between different values in a changing world. Is the new independent American girl enchanting in her spontaneity, alarming in her unpredictability, or merely vulnerable in her ignorance of social codes? Hung about with make admirers who seek, uncertainly, to grasp the new phenomenon, Daisy marches on undiscourageable, to her triumphant-or tragic-destiny. This volume contains prefaces by Henry James, a chronology of his life, and editor's notes.