Oxford University Press strana 15 z 246

Louise de la Balliere is the middle section of The Vicomte de Bragelonne or, Ten Years After. Against a tender love story, Dumas continues the suspense which began with The Vicomte de Bragelonne and will end with The Man in the Iron Mask. It is early summer, 1661, and the royal court of France is in turmoil. Can it be true that the King is in love with the Duchess d'Orleans? Or has his eye been caught by the sweet and gentle Louise de la Valliere? No one is more anxious to know the answer than Raoul, son of Athos, who loves Louise more than life itself. Behind the scenes, dark intrigues are afoot. Louis XIV is intent on making himself absolute master of France. Imminent crisis shakes the now aging Musketeers and d'Artagnan out of their complacent retirement, but is the cause just? This new edition of the classic English translation of 1857 is richly annotated and sets Dumas's invigorating tale in its historical and cultural context.

When shrewd and poor Lizzie Greystock marries she is fully aware of her wealthy husband's approaching death.

This novel explores the role of women, the divided self, and the need to acknowledge the darker side of the personality: a modern theme grafted on to a traditional melodrama.

Laurence Sterne's great comic novel, Tristram Shandy, was originally published between 1759 and 1767 in nine small separate volumes, the last appearing shortly before Sterne's death. The novel sets out to tell the life story of Tristram Shandy, its narrator, beginning with his conception. However, he has so much to relate about his eccentric family that he does not manage to get born until the 4th volume!

The modern, unacademic idiom of A.D. Melville's translation opens the way to a fresh understanding of Ovid's unique and elusive vision of reality.

Virginia Woolf's exuberant `biography' tells the story of the cross-dressing, sex-changing Orlando who begins life as a young noble in the sixteenth century and moves through numerous historical and geographical worlds to finish as a modern woman writer in the 1920s. The book is in part a happy tribute to the `life' that her love for Vita Sackville-West had breathed into Virginia Woolf's own day-to-day existence; it is also Woolf's light-hearted and light-handed teasing out of the assumptions that lie behind the normal conventions for writing about a fictional or historical life. In this novel, Virginia Woolf plays loose and fast: Orlando uncovers a literary and sexual revolution overnight. This book is intended for general readers, teachers and students of English literature, and Women's Studies.

One of the less familiar of Mrs. Gaskell's novels, Ruth was in its own time a cause celebre which not only contributed substantially to its author's growing reputation but also won the approval of a number of her distinguished contemporaries. The text used for this edition is based upon that of the first edition published in 1853.

Drawing directly on her own unhappy experiences, Anne Bront "e's first-person narrative describes the almost unbelievable pressures endured by nineteenth-century governesses - the isolation, the frustration, and the insensitive and sometimes cruel treatment meted out by employers and their families. Distinguished by its sharp, often ironic observation of middle-class social behaviour, this deeply personal novel also touches on religious belief, moral responsibility, and individual integrity and its survival. Using the text of the definitive Clarendon edition, this volume also incorporates Anne Bront "e's previously unpublished manuscript revisions. This book is intended for english literature students, feminist study courses, readers of the Bront s, general readers.

No other edition offers extensive textual apparatus such as explanatory notes, plot summaries, particularly vital as stories are complex and interwoven. The Sultan Schahriar's misguided resolution to shelter himself from the possible infidelities on his wives leads to an outbreak of barbarity in his kingdoms and a reign of terror in his court, stopped only by the resourceful Scheherazade. The tales with which Scheherazade nightly postpones the muderous intent of the sultan have entered our language and our lives like no other collection of narratives before or since. Sinbad, Aladdin, Ali Baba: all make their spectacular entrance on to the stage of English literary history in the Arabian Nights Entertainments (1704-17). The stories contained in this 'store house of ingenious fiction' initiate a pattern of literary reference and influence which today remains as powerful and intense as it was throughout the eighteenth and nineteenth centuries. This edition reproduces in its entirety the earliest English translation of the French orientalist Antoine Galland's Mille et une Nuits. This remained for over a century the only English translation of the story cycle, influencing an incalculable number of writers, and no other edition offers the complete text supplemented by full textual apparatus.

Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. The Yellow Wall-Paper and Other Stories makes available the fullest selection of her short fiction ever printed. In addition to her pioneering masterpiece, 'The Yellow Wall-Paper' (1890), which draws on her own experience of depression and insanity, this edition features her Impress 'story studies', works in the manner of writers such as James, Twain, and Kipling. These stories, together with other fiction from her neglected California period (1890-5), throw new light on Gilman as a practitioner of the art of fiction. In her Forerunner stories she repeatedly explores the situation of 'the woman of fifty' and inspires reform by imagining workable solutions to a range of personal and social problems.

Only in her final novel, in 1876, did George Eliot turn to contemporary English and European life as material for the expression of her own idealism. Daniel Deronda is a psychologically incisive investigation, probing the egoism of a spoiled girl and her increasing awareness of conscience through suffering. Gwendolen comes to regard Daniel as her moral and spiritual mentor, but chance, the revelation of his Jewish birth, and his practical and sympathetic identification with his race draw him away from her. The text is that of Graham Handley's Clarendon edition, which is based on the novel's first published form. emergent nationalism and the bitter internal struggle.

In these texts, Virginia Woolf considers the implications of the historical exclusion of women from education and from economic independence. In "A Room of One's Own" (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In "Three Guineas" (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war.

An elephant hunter's chronicle of his safari into the interior of South Africa to search for a fabled diamond mine and to rescue the brother of the English gentleman who accompanies him across the deserts and mountains.

Thomas Hardy (1840-1928) remains one of the best loved of the great English poets. Hardy thought of himself as a poet all his life, although his poetic career only flowered after he had retired from novel-writing in his mid-fifties. Over the next thirty years he wrote the poems that have established him as one of the great and most enduringly popular English poets of the twentieth century. His verse touches all the common themes of human existence: birth, childhood, love, marriage, ageing, death. If Hardy's age brings anything to them, it is an old man's ironic and elegiac sense that in life hopes are likely to be defeated and losses sustained, and that the world was not designed for human happiness. This collection is prepared by Samuel Hynes, editor of the Oxford English Texts edition of The Complete Poetical Works of Thomas Hardy, and selected from the Oxford Authors critical edition. The introduction and notes illuminate Hardy's central place in the tradition of English poetry.

John Keats's abiding poetic legacy is one of extraordinary and triumphant richness. Before the moment of 'self-will' when he declared his intention to be a poet, Keats (1795-1821) had chosen the medical profession. His apothecary's training influenced his conception of poetry as an art that could mitigate the world's suffering. Keats's generous spirit triumphed over personal sadness, finding expression in his concept of life as a 'vale of Soul-making' rather than a vale of tears. He published only three volumes before his death at the age of 25, and, while many of his contemporaries quickly recognized his genius, snobbery and political hostility led the Tory press to vilify him. This selection, chosen from the Oxford Authors critical edition of Keats's major works, demonstrates the remarkable growth in maturity of his verse, from early poems such as 'Imitation of Spenser' and 'Ode to Apollo' to later work such as 'The Eve of St Agnes', 'Ode to a Nightingale', and 'To Autumn'. Elizabeth Cook's introduction, notes and glossary of classical names offer helpful insights into Keats's life and work.

In Adam Bede (1859) George Eliot took the well-worn tale of a lovely dairy-maid seduced by a careless squire, and out of it created a wonderfully innovative and sympathetic portrait of the lives of ordinary Midlands working people - their labours and loves, their beliefs, their talk. Hugely popular in its own time, Adam Bede is one of the greatest examples of humane and liberal Victorian social concern, a pioneering classic of radical social realism. It is also important for the way it meditates on the need for such fiction and the methods of writing it. As the Introduction declares: 'The distinction of Adam Bede is to tell a story, and also to tell about telling a story. This is a novel about obscure lives, and also about how to be a novel about obscure lives.' This edition reprints the original broadsheet reports of the murder case that was a starting point for the book, and the notes illuminate Eliot's many literary and religious references.