Oxford University Press strana 14 z 246

What was Shakespeare's attitude to Semitism? The Introduction to this edition of The Merchant of Venice opens by addressing this vital issue raised by the play, and goes on to study the sources, background, and date, includuing a discussion of Sigmund Freud's essay on 'The Three Caskets'. Professor Halio interprets the play's contradictions, inconsistencies, and complementarities, especially as these relate to the overarching theme of bonds and bondage. A survey of the play's stage history ranges from discussions of its early staging to important twentieth-century productions and performances outside England, particularly in Israel. The text, based on a fresh examination of the early editions, is presented in modernized spelling and punctuation. Unfailingly lucid and helpful, this is an ideal edition for students, actors, and the general reader.

A magnificent drama of love and war, this riveting tragedy presents one of Shakespeare's greatest female characters--the seductive, cunning Egyptian queen Cleopatra. The Roman leader Mark Antony, a virtual prisoner of his passion for her, is a man torn between pleasure and virtue, between sensual indolence and duty . . . between an empire and love. Bold, rich, and splendid in its setting and emotions, Antony And Cleopatra ranks among Shakespeare's supreme achievements.

In his celebrated masterpiece, Symposium, Plato imagines a high-society dinner-party in Athens in 416 BC at which the guests include the comic poet Aristophanes and, of course, Plato's mentor Socrates. The power, humour, and pathos of Plato's creation engages the reader on every page. This new translation is complemented by full explanatory notes and an illuminating introduction.

The Woman in White (1859-60) is the first and greatest 'Sensation Novel'. Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. The novel is dominated by two of the finest creations in all Victorian fiction - Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant 'Napoleon of Crime'. A masterwork of intricate construction, The Woman in White sets new standards of suspense and excitement, and achieved sales which topped even those of Dickens, Collins's friend and mentor.

Barchester Towers, Trollope's most popular novel, is the second of the six Chronicles of Barsetshire. The Chronicles follow the intrigues of ambition and love in the cathedral town of Barchester. Trollope was of course interested in the Church, that pillar of Victorian society - in its susceptibility to corruption, hypocrisy, and blinkered conservatism - but the Barsetshire novels are no more 'ecclesiastical' than his Palliser novels are 'political'. It is the behaviour of the individuals within a power structure that interests him. In this novel Trollope continues the story of Mr Harding and his daughter Eleanor, adding to his cast of characters that oily symbol of progress Mr Slope, the hen-pecked Dr Proudie, and the amiable and breezy Stanhope family. The central questions of this moral comedy - Who will be warden? Who will be dean? Who will marry Eleanor? - are skilfully handled with that subtlety of ironic observation that has won Trollope such a wide and appreciative readership.

How did the camel get his hump? Why won't cats do as they are told"? Who invented reading and writing? How did an inquisitive little elephant change the lives of elephants everywhere. Kipling's imagined answers to such questions draw on the beast fables he heard as a child in India, as well as on folk traditions he later collected all over the world. He plays games with language, exploring the relationships between thought, speech, and written word. He also celebrates his own joy in fatherhood. The tales were told to his own and his friends' children over many years before he wrote them down, adding poems and his own illustrations. They invite older and younger readers to share a magical experience, each contributing to the other's pleasure but each can also enjoy them alone, as more jokes, subtexts, and exotic references emerge with every reading. This fully illustrated edition icludes two extra stories and Kipling's own explanation of the title.

In The Origin of Species (1859) Darwin challenged many of the most deeply-held beliefs of the Western world. Arguing for a material, not divine, origin of species, he showed that new species are achieved by 'natural selection'. Development, diversification, decay, extinction, and absence of plan are all inherent to his theories. Darwin read prodigiously across many fields; he reflected on his experiences as a traveller; he experimented. His profoundly influential concept of 'natural selection' condenses materials from past and present, from the Galapagos Islands to rural Staffordshire, from English back gardens to colonial encounters. The Origin communicates the enthusiasm of original thinking in an open, descriptive style, and Darwin's emphasis on the value of diversity speaks more strongly now than ever. As well as a stimulating introduction and notes, this edition offers a register of the many writers referred to by Darwin in the text.

First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the second edition, 'to blend the two kinds of romance: the ancient and the modern'. He gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contests. Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favourite among his numerous works. His friend, the poet Thomas Gray, wrote that he and his family, having read Otranto, were now 'afraid to go to bed o'nights'. The novel is here reprinted from a text of 1798, the last that Walpole himself prepared for the press.

The plot of this novel revolves around the feminist movement in Boston in the 1870s. F.R. Leavis called it one of "the two most brilliant novels in the language. "The novel's many allusions to the historical and social background of Boston society are explained in the editorial material.

Presents the nineteenth-century masterpiece about an unscrupulous young woman who is determined to achieve wealth and social success. Presents the nineteenth-century masterpiece about an unscrupulous young woman who is determined to achieve wealth and social success. Hide synopsis

It came to me first of all, quite suddenly, as a sort of legendary tale, suggested by my recollection of having once, in early childhood, seen a linen-weaver with a bag on his back; but, as my mind dwelt on the subject, I became inclined to a more realistic treatment. Falsely accused, cut off from his past, Silas the weaver is reduced to a spider-like existence, endlessly weaving his web and hoarding his gold. Meanwhile, Godfrey Cass, son of the squire, contracts a secret marriage. While the village celebrates Christmas and New Year, two apparently inexplicable events occur: Silas loses his gold and finds a child on his hearth. The imaginative control George Eliot displays as her narrative gradually reveals causes and connections has rarely been surpassed. Silas Marner (1861) is the shortest and most immediately accessible of Eliot's novels. She takes the materials of legend and fairy tale and provides them with a historically precise setting, drawing on some of the most advanced ideas of her day in order to represent states of mind and belief at the limits of rational perception. This edition, which is based on the carefully corrected text George Eliot prepared a few months after the first edition, is accompanied by an introduction which illuminates the intellectual context of what has often been presented as a nostalgic, sentimental tale.

Roxana (1724), Defoe's last and darkest novel, is the autobiography of a woman who has traded her virtue, at first for survival, and then for fame and fortune. Its narrator tells the story of her own 'wicked' life as the mistress of rich and powerful men. A resourceful adventuress, she is also an unforgiving analyst of her own susceptibilities, who tells us of the price she pays for her successes. Endowed with many seductive skills, she is herself seduced: by money, by dreams of rank, and by the illusion that she can escape her own past. Unlike Defoe's other penitent anti-heroes, however, she fails to triumph over these weaknesses. The novel's drama lies not only in the heroine's 'vast variety of fortunes', but in her attempts to understand the sometimes bitter lessons of her life as a 'Fortunate Mistress'. Defoe's achievement was to invent, in 'Roxana', a gripping story-teller as well as a gripping story. This edition uses the rare first edition text, with a new introduction, detailed notes, textual history, and a map.

..'I value fame almost as much as if I had been born a hero'. (Preface to The Lucky Chance). Aphra Behn (1640-89) achieved both fame and notoriety in her own time, enjoying considerable success for her plays and for her short novel Oroonoko, the story of a noble slave who loves a princess. Acclaimed by Virginia Woolf as the first English woman to earn her living by the pen, Behn's achievements as a writer are now acknowledged less equivocally than in the seventeenth century. As well as Oroonoko, this volume contains five other works of fiction ranging from comedy and high melodrama to tragedy. The Fair Jilt, Memoirs of the Court of the King of Bantam, The History of the Nun, The Adventure of the Black Lady, and The Unfortunate Bride are complemented by a generous selection of her poetyr, ranging from public political verse to lyrics and witty conversation poems. This selection demonstrates Behn's range, as well as her wit, compassion, and interest in the question of identity and self-representation.

This edition of one of Dickens's earlier novels is based on the accurate Clarendon edition of the text and includes the prefaces to the 1850 and 1867 editions and Dickens's Number Plans.

Compelling in its imaginative power and bold naturalism, the novel opens in the autumn of 1812, when a mysterious woman who calls herself Helen Graham seeks refuge at the desolate moorland mansion of Wildfell Hall. Bronte's enigmatic heroine becomes the object of gossip and jealousy as neighbors learn she is escaping from an abusive marriage and living under an assumed name. A daring story that exposed the dark brutality of Victorian chauvinism, The Tenant of Wildfell Hall was nevertheless attacked by some critics as a celebration of the same excesses it criticized. This edition of The Tenant of Wildfell Hall is the companion volume to the Mobil Masterpiece Theatre WGBH television presentation broadcast on PBS.

It is May 1660 and the fate of nations is at stake. Mazarin plots, Louis XIV is in love, and Raoul de Bragelonne, son of Athos, is intent on serving France and winning the heart of Louise de la Valliere. D'Artagnan, meanwhile, is perplexed by a mysterious stranger, and soon he learns that his old comrades already have great projects in hand. Athos seeks the restoration of Charles II, while Aramis, with Porthos in tow, has a secret plan involving a masked prisoner and the fortification of the island of Belle-Ile. D'Artagnan finds a thread leading him to the French court, the banks of the Tyne, the beaches of Holland, and the dunes of Brittany. The Vicomte de Bragelonne opens an epic adventure which continues with Louise de la Valliere and reaches its climax in The Man in the Iron Mask. This new edition of the classic translation is fully annotated, and an introduction sets Dumas's saga in its historical and cultural context.