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Benedict de Spinoza (1632-77) was at once the father of the Enlightenment and the last sad guardian of the medieval world. In his brilliant synthesis of geometrical method, religious sentiment, and secular science, he attempted to reconcile the conflicting moral and intellectual demands of his epoch, and to present a vision of humanity as simultaneously bound by necessity and eternally free. In this book Roger Scruton presents a clear and systematic analysis of Spinoza's thought, and shows its relevance to today's intellectual preoccupations.

The Audio CD Pack contains a copy of the book along with an audio CD with a recording of the complete text in both British and American English. Listen and read to discover all about super structures around the world ...What are dams made of? How tall can a skyscraper be? Word count 1,200

If you want to know what anthropology is, look at what anthropologists do. This Very Short Introduction to Social and Cultural Anthropology combines an accessible account of some of the disciplines guiding principles and methodology with abundant examples and illustrations of anthropologists at work. Peter Just and John Monaghan begin by discussing anthropologys most important contributions to modern thought: its investigation of culture as a distinctively human characteristic, its doctrine of cultural relativism, and its methodology of fieldwork and ethnography. They then examine specific ways in which social and cultural anthropology have advanced our understanding of human society and culture, drawing on examples from their own fieldwork. The book ends with an assessment of anthropologys present position, and a look forward to its likely future.

The first in Arthur Conan Doyle's series of books featuring the popular character of Professor Challenger, The Lost World is a classic tale of adventure and discovery. A scientific team embarks on an expedition to a South American plateau, where they find a seemingly impenetrable and dangerous world that has been frozen in time since the age of dinosaurs. The only edition with a critical introduction, this timeless story is sure to excite the modern reader.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The murder plan seems so neat, so clever. How can it possibly fail? And when Sonia's stupid, boring little husband is dead, she will be free to marry her handsome lover. But perhaps the boring little husband is not so stupid after all ...Murder plans that go wrong, a burglar who makes a bad mistake, a famous jewel thief who meets a very unusual detective ...These five stories from the golden age of crime writing are full of mystery and surprises.

'I shall never forget the day I wrote The Mark on the Wall" - all in a flash, as if flying, after being kept stone breaking for months. "The Unwritten Novel" was the great discovery, however. That - again in one second - showed me how I could embody all my deposit of experience in a shape that fitted it... I saw, branching out of the tunnel I made, when I discovered that method of approach, Jacob's Room, Mrs Dalloway etc - How I trembled with excitement.' The thrill Woolf got from these stories is readily apparent to the reader. She wrote them in defiance of convention, with a heady feeling of liberation and with a clear sense that she was breaking new ground. Indeed, if she had not made her bold and experimental forays into the short story in the period leading up to the publication of Jacob's Room (1922), it seems certain that her arrival as a great modernist novelist would have been delayed. Quirky, unrestrained, disturbing and surprising, many of these stories, particularly the early ones, are essential to an understanding of Woolf's development as a writer. She thought some of her short fiction might be 'unprintable' but, happily, she was mistaken."

The Wind in the Willows (1908) is a book for those 'who keep the spirit of youth alive in them'. So wrote Kenneth Grahame of his timeless tale of Toad, Mole, Badger, and Rat in their beautiful and benevolently ordered world. But it is also a world under siege, threatened by dark and unnamed forces, and defended by the mysterious Piper at the Gates of Dawn. The Wind in the Willows has achieved an enduring place in our literature: it succeeds at once in arousing our anxieties and in calming them by giving perfect shape to our desire for peace and escape.

This work is a new edition with a revised syllabus and completely new material.

An impenetrable mystery seems destined to hang for ever over this act of madness or despair.' Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verlo c is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be 'A Simple Tale' proves to involve politicians, policemen, foreign diplomats and London's fashionable society in t he darkest and most surprising interrelations. Based on the text which Conrad's first English readers enjoyed, this new edition includes a critical introduction which describes Conrad's great London novel as the realization of a 'monstrous town', a p lace of idiocy, madness, criminality, and butchery.

Outside, the night is cold and wet. Inside, the White family sits and waits. Where is their visitor? There is a knock at the door. A man is standing outside in the dark. Their visitor has arrived. The visitor waits. He has been in India for many years. What has he got? He has brought the hand of a small, dead animal a monkey's paw. Outside, in the dark, the visitor smiles and waits for the door to open.

This title offers a three-level, story-based course with a rich package of teacher's resource materials.

A five-level course for 10-15 year olds, based on the highly popular and innovative Project English, incorporating a new structure and design, complete revision of the original material, plus substantial new material.

The Great Migrations Activity Book provides: Additional reading, writing, and grammar practice for each chapter of the reader Consolidation activities A book review Answers to the activities can be found on the teacher's website

Presents the information students need to understand common British and American phrasal verbs. This dictionary shows common subjects and objects to help learners use the verbs. It includes 25 pages of tips and photocopiable exercises for practice. 'Guide to the Particles' explains the important meanings of the main adverbs and prepositions.

Graded 'read and do' fiction and non-fiction readers that teach children about the world around them.

`Tonight When I make my sweeping bow at heaven's gate, One thing I shall still possess, at any rate, Unscathed, something outlasting mortal flesh, And that is ... My panache.' The first English translation of Cyrano de Bergerac, in 1898, introduced t he word panache into the English language. This single word summed up Rostand's rejection of the social realism which dominated late nineteenth-century theatre. He wrote his `heroic comedy', unfashionably, in verse, and set it in the reign of Louis X III and the Three Musketeers. Based on the life of a little known writer, Rostand's hero has become a figure of theatrical legend: Cyrano, with the nose of a clown and the soul of a poet, is by turns comic and sad, as reckless in love as in war, and never at a loss for words. Audiences immediately took him to their hearts, and since the triumphant opening night in December 1897 - at the height of the Dreyfus Affair - the play has never lost its appeal. The text is accompanied by notes and a full introduction which sets the play in its literary and historical context. Christopher Fry's acclaimed translation into `chiming couplets' represents the homage of one verse dramatist to another.