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Across the world, HSBC likes to sell itself as 'the world's local bank', the friendly face of corporate and personal finance. And yet, a decade ago, the same bank was hit with a record US fine of $1.9 billion for facilitating money laundering for 'drug kingpins and rogue nations'. In pursuit of their goal of becoming the biggest bank in the world, between 2003 to 2010, HSBC allowed El Chapo and the Sinaloa cartel, one of the most notorious and murderous criminal organizations in the world, to turn its ill-gotten money into clean dollars and thereby grow one of the deadliest drugs empires the world has ever seen. Just how did 'the world's local bank' find itself enabling Mexico's leading drugs cartel, and the biggest drugs trafficking organization in the world, to launder cash through the bank's branch network and systems? How did a bank, which boasts 'we're committed to helping protect the world's financial system on which millions of people depend, by only doing business with customers who meet our high standards of transparency' come to facilitate Mexico's richest drug baron? And how did a bank that as recently as 2002 had been named 'one of the best-run organizations in the world' become so entwined with such a criminal, with one of the most barbaric groups of gangsters on the planet? Too Big to Jail is an extraordinary story brilliantly told by writer, commentator and former editor of The Independent, Chris Blackhurst, that starts in Hong Kong and ranges across London, Washington, the Cayman Islands and Mexico, where HSBC saw the opportunity to become the largest bank in the world, and El Chapo seized the chance to fuel his murderous empire by laundering his drug proceeds through the bank. It brings together an extraordinary cast of politicians, bankers, drug dealers, FBI officers and whistle-blowers, and asks what price does greed have? Whose job is it to police global finance? And why did not a single person go to prison for facilitating the murderous expansion of a global drug empire? Are some corporations now so big as to be above the law?

The House of Fortune is the sequel to Jessie Burton's million-copy bestseller The Miniaturist. Set in the golden city of Amsterdam in 1705, it is a story of fate and ambition, secrets and dreams, and one young woman's determination to rule her own destiny. Thea Brandt is turning eighteen, and is ready to welcome adulthood with open arms. At the theatre, Walter, the love of her life, awaits her, but at home in the house on the Herengracht, winter has set in - her father Otto and Aunt Nella argue endlessly, and the Brandt family are selling their furniture in order to eat. On Thea's birthday, also the day that her mother Marin died, the secrets from the past begin to overwhelm the present. Nella is desperate to save the family and maintain appearances, to find Thea a husband who will guarantee her future, and when they receive an invitation to Amsterdam's most exclusive ball, she is overjoyed - perhaps this will set their fortunes straight. And indeed, the ball does set things spinning: new figures enter their life, promising new futures. But their fates are still unclear, and when Nella feels a strange prickling sensation on the back of her neck, she wonders if the miniaturist has returned for her . . .

Longlisted for the Dylan Thomas Prize In 1838 Frederic Chopin, George Sand and her children travel to a monastery in Mallorca. They are there to create and to convalesce, to live a simple life after the wildness of their Paris days. Witness to this tumultuous arrival is Blanca, the ghost of a teenage girl who has been at the monastery for over three hundred years. Blanca's was a life cut short and she is outraged. Having lived in a world full, according to her mother, of 'beautiful men', she has found that in death it is the women she falls for, their beauty she cannot turn away from, and it is the women and girls who, over her centuries in the village and at the monastery, she has sought to protect from the attentions of men with what little power she has. And then George Sand arrives, this beautiful woman in a man's clothes, and Blanca is in love. But the rest of the village is suspicious of the newcomers, and as winter sets in, as George tries to keep her family and herself from falling apart, as Chopin writes prelude after prelude in despair on his tuneless piano, their stay looks likely to end in disaster . . . Heady with the delicious scent of the Mediterranean, richly witty, and utterly compulsive, Briefly, A Delicious Life is a story about convention and breaking convention, about love - yearning, secret, forbidden, unrequited - and about men and women and the cruelty they mete out to one another.

A uniquely illuminating memoir of the making of a musician, in which renowned pianist Jeremy Denk explores what he learned from his teachers about classical music: its forms, its power, its meaning - and what it can teach us about ourselves. In this searching and funny memoir, based on his popular New Yorker article, renowned pianist Jeremy Denk traces an implausible journey. Life is difficult enough as a precocious, temperamental, and insufferable six-year-old piano prodigy in New Jersey. But then a family meltdown forces a move to New Mexico, far from classical music's nerve centers, and he has to please a new taskmaster while navigating cacti, and the perils of junior high school. Escaping from New Mexico at last, he meets a bewildering cast of college music teachers, ranging from boring to profound, and experiences a series of humiliations and triumphs, to find his way as one of the world's greatest living pianists, a MacArthur 'Genius,' and a frequent performer at Carnegie Hall. There are few writers working today who are willing to eloquently explore both the joys and miseries of artistic practice. Hours of daily repetition, mystifying early advice, pressure from parents and teachers who drove him on - an ongoing battle of talent against two enemies: boredom and insecurity. As we meet various teachers, with cruel and kind streaks, Denk composes a fraught love letter to the act of teaching. He brings you behind the scenes, to look at what motivates both student and teacher, locked in a complicated and psychologically perilous relationship. In Every Good Boy Does Fine, Denk explores how classical music is relevant to 'real life,' despite its distance in time. He dives into pieces and composers that have shaped him - Bach, Mozart, Schubert, and Brahms, among others - and gives unusual lessons on melody, harmony, and rhythm. Why and how do these fundamental elements have such a visceral effect on us? He tries to sum up many of the lessons he has received, to repay the debt of all his amazing teachers; to remind us that music is our creation, and that we need to keep asking questions about its purpose.

Patrick Radden Keefe's work has garnered prizes ranging from the National Magazine Award and the National Book Critics Circle Award in the US to the Orwell Prize in the UK for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from the New Yorker. As Keefe says in his preface: 'They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial.' Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black-market arms merchant, and profiles a passionate death-penalty attorney who represents the 'worst of the worst', among other bravura works of literary journalism. The appearance of his byline in the New Yorker is always an event, and collected here for the first time readers can see his work forms an always enthralling but deeply human portrait of criminals and rascals, as well as those who stand up against them.

Reeling from a brutal childhood, immersed in a world of go-go dancers and hustlers, dirty cops and gangsters, Stephanie Johnson was determined to become the fiercest thing the city had ever seen. And she succeeded. This is her story. The storytelling phenomenon Humans of New York has captivated a global audience of millions with personal narratives that illuminate the human condition. But one story stands apart from the rest . . . She is a woman as fabulous, unbowed, and irresistible as the city she lives in. Meet Tanqueray. Humans of New York featured a photo of a woman in an outrageous fur coat and hat she made herself. She instantly captured the attention of millions. Her name is Stephanie Johnson, but she's better known as 'Tanqueray,' a born performer who emerged from a troubled youth to become one of the best-known burlesque dancers in New York City. Real, raw, and unapologetically honest, this is the full story of Tanqueray as told by Brandon Stanton - a memoir filled with never-before-told stories of Tanqueray's struggles and triumphs through good times and bad, personal photos from her own collection, and glimpses of New York City from back in the day when the name 'Tanqueray' was on everyone's lips.