Picador strana 18 z 18

Here are fifteen pitch-perfect stories about women trying to make their own way: featuring daughters, divorcees, fox demons, a praying mantis, and . . . green frogs. A young girl reconnects with her Korean grandmother; an artist considers her connection to the Korean folktale of the green frog; a praying mantis living in a beautiful home overlooking the park finds the New York dating scene leaves her hungering for more; a fox demon seeks revenge for her murdered sister, only for her loyalties to be torn; AI brings a grieving mother’s daughter back to life; at a spa in the mountains, a recently divorced woman has a ghostly encounter; and a recipe book instructs the reader on ‘how to eat your own heart’. From the writer of Sea Change, this collection of fifteen offbeat, scintillating stories influenced by Korean fairy tales and contemporary ennui, shines a light on womanhood in all of its human (and other) forms.

‘In the beginning was the Word,’ says the Gospel of John. This sentence – and the words of all four gospels – is central to the teachings of the Christian church and has shaped Western art, literature and language, and the Western mind. Yet in the years after the death of Christ there was not merely one word, nor any consensus as to who Jesus was or why he had mattered. There were many different Jesuses, among them the aggressive Jesus who scorned his parents and crippled those who opposed him, the Jesus who sold his twin into slavery and the Jesus who had someone crucified in his stead. Moreover, in the early years of the first millennium there were many other saviours, many sons of gods who healed the sick and cured the lame. But as Christianity spread, they were pronounced unacceptable – even heretical – and they faded from view. Now, in Heresy, Catherine Nixey tells their extraordinary story, one of contingency, chance and plurality. It is a story about what might have been.