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'Never has a publication been more timely' - Dazed 'A brave writer whose books open up fundamental questions about life and art' - Telegraph In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century. Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their roles in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time. We're often told art can't change anything. In Funny Weather, Laing argues that it can. It changes how we see the world, it exposes inequality, and it offers fertile new ways of living.

'A heartbreaking novel' The Times 'An amazingly intimate, compassionate, gripping portrait of addiction, courage and love.' The judges of the Booker Prize 'Tender and unsentimental . . . The Billy Elliot-ish character of Shuggie . . . leaps off the page.' Daily Mail 'Douglas Stuart has written a first novel of rare and lasting beauty.' Observer It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life, dreaming of greater things. But Agnes is abandoned by her philandering husband, and as she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. Shuggie is different, he is clearly no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place. Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. For readers of Hanya Yanagihara, Emma Donoghue, Alan Hollinghurst and Frank McCourt, it is a heartbreaking novel by a brilliant writer with a powerful and important story to tell.

'A well-written and thought-provoking account of the current crisis of globalization. Not everyone will agree with Eyal's interpretation, but few will remain indifferent.' -Yuval Noah Harari, author of Sapiens Revolt is an eloquent and provocative challenge to the prevailing wisdom about the rise of nationalism and populism today. With a vibrant and informed voice, Nadav Eyal illustrates how modern globalization is unsustainable. He contends that the collapse of the current world order is not so much about the imbalance between technological advances and social progress, or the breakdown of liberal democracy, as it is about a passion to upend and destroy power structures that have become hollow, corrupt, or simply unresponsive to urgent needs. Eyal illuminates the forces both benign and malignant that have so rapidly transformed our economic, political, and cultural realities, shedding light not only on the globalized revolution that has come to define our time but also on the counterrevolution waged by those globalization has marginalized and exploited. With a mixture of journalistic narrative, penetrating vignettes, and original analysis, Revolt shows that within the mainstream the left and right have much in common. Teasing out the connections among distressed Pennsylvania coal miners, anarchists in communes on the outskirts of Athens, neo-Nazis in Germany, and Syrian refugee families whom he accompanied from the shores of Greece to their destination in Germany, Eyal shows how their stories feed our current state of unrest. More than just an analysis of the present, though, Revolt also takes a hard look at lessons from the past, from the Opium Wars in China to colonialist Haiti to the Marshall Plan. With these historical ties, Eyal shows that the roots of revolt have always been deep and strong. The current uprisings are no passing phenomenon-revolt is the new status quo.

Inspired by twenty-six fruits, essayist, poet and pie lady Kate Lebo expertly blends the culinary, medical and personal. A is for Aronia, berry member of the apple family, clothes-stainer, superfruit with reputed healing power. D is for Durian, endowed with a dramatic rind and a shifty odour - peaches, old garlic. M is for Medlar, name-checked by Shakespeare for its crude shape, beloved by gardeners for its flowers. Q is for Quince, which, fresh, gives off the scent of 'roses and citrus and rich women's perfume' but if eaten raw is so astringent it wicks the juice from one's mouth. In this work of unique invention, these and other difficult fruits serve as the central ingredients of twenty-six lyrical essays (and recipes!) that range from deeply personal to botanical, from culinary to medical, from humorous to philosophical. The entries are associative, often poetic, taking unexpected turns and giving sideways insights into life, relationships, self-care, modern medicine and more. What if the primary way you show love is to bake, but your partner suffers from celiac disease? Why leave in the pits for Willa Cather's Plum Jam? How can we rely on bodies as fragile as the fruits that nourish them? Lebo's unquenchable curiosity leads us to intimate, sensuous, enlightening contemplations. The Book of Difficult Fruit is the very best of food writing: graceful, surprising and ecstatic.

The Sunday Times Bestseller 2021. As recommended by the BBC Radio 2 Book Club 'The novel I've enjoyed most this year' - Hilary Mantel 'A mystery, a love story and a ghost story, all at once. Wonderful' - S J Watson Cornwall, 1972. Three keepers vanish from a remote lighthouse, miles from the shore. The entrance door is locked from the inside. The clocks have stopped. The Principal Keeper's weather log describes a mighty storm, but the skies have been clear all week. What happened to those three men, out on the tower? The heavy sea whispers their names. The tide shifts beneath the swell, drowning ghosts. Can their secrets ever be recovered from the waves? Twenty years later, the women they left behind are still struggling to move on. Helen, Jenny and Michelle should have been united by the tragedy, but instead it drove them apart. And then a writer approaches them. He wants to give them a chance to tell their side of the story. But only in confronting their darkest fears can the truth begin to surface . . . Inspired by real events, The Lamplighters by Emma Stonex is an intoxicating and suspenseful mystery, an unforgettable story of love and grief that explores the way our fears blur the line between the real and the imagined.

'[A] fascinating, incisive account of how the human brain evolved to keep us orientated . . . Beautifully written and researched.' - Isabella Tree, author of Wilding The physical world is infinitely complex, yet most of us are able to find our way around it. We can walk through unfamiliar streets while maintaining a sense of direction, take shortcuts along paths we have never used and remember for many years places we have visited only once. These are remarkable achievements. In Wayfinding, Michael Bond explores how we do it: how our brains make the 'cognitive maps' that keep us orientated, even in places that we don't know. He considers how we relate to places, and asks how our understanding of the world around us affects our psychology and behaviour. The way we think about physical space has been crucial to our evolution: the ability to navigate over large distances in prehistoric times gave Homo sapiens an advantage over the rest of the human family. Children are instinctive explorers, developing a spatial understanding as they roam. And yet today few of us make use of the wayfaring skills that we inherited from our nomadic ancestors. Most of us have little idea what we may be losing. Bond seeks an answer to the question of why some of us are so much better at finding our way than others. He also tackles the controversial subject of sex differences in navigation, and finally tries to understand why being lost can be such a devastating psychological experience. For readers of writers as different as Robert Macfarlane and Oliver Sacks, Wayfinding is a book that can change our sense of ourselves.

A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, "in the name of God, let Palestine be left alone." Thus Rashid Khalidi, al-Khalidi's great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members-mayors, judges, scholars, diplomats, and journalists-The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel's 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.

Told in the gentle tone of a fable, Jean-Claude Grumberg's The Most Precious of Cargoes tells the moving story of a woman who wanted a child, and a child who needed a home. It is a tale that teaches us that even in the darkest, most violent times, there is reason to believe in people's capacity for kindness. Once upon a time in an enormous forest there lived a poor woodcutter and his wife. Around them a war wages, and hunger is a constant companion. Yet every night, the woodcutter's wife prays for a child. On a train crossing the forest, a Jewish father holds his twin children. His wife no longer has enough milk to feed them. In hopes of saving both their lives, he wraps his daughter in a shawl and gently throws her from the train. While foraging for food, the woodcutter's wife finds a bundle, a baby girl wrapped in a shawl. She knows that this little girl will be pursued, but she cannot ignore this gift: she will accept the precious cargo, and raise her as her own. . . Set against the horrors of the Holocaust and told with a fairytale-like lyricism, The Most Precious of Cargoes, translated from French by Frank Wynne, is a deeply moving fable about family and redemption, a story that reminds us that humanity can be found in the most inhumane of places.

'Fascinating . . . If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' John Carey, Sunday Times George Orwell's 1984 has become a defining narrative of the modern world. Its cultural influence can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaid's Tale to the reality TV landmark Big Brother, while ideas such as 'thought police', 'doublethink', and 'Newspeak' are ingrained in our language. The Ministry of Truth charts the life of one of the most influential books of the twentieth century and a work that is ever more relevant in this tumultuous era of 'fake news' and 'alternative facts'. Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and in wartime London to his fascination with utopian and dystopian fiction. Lynskey explores the phenomenon the novel became when it was first published in 1949 and the changing ways in which it has been read over the decades since, revealing how history can inform fiction and how fiction can influence history. 'Everything you wanted to know about 1984 but were too busy misusing the word "Orwellian" to ask.' Caitlin Moran

Have you ever wondered why you have a brain? Let renowned neuroscientist Lisa Feldman Barrett demystify that big gray blob between your ears. In seven short essays (plus a bite-sized story about how brains evolved), this slim, entertaining, and accessible collection reveals mind-expanding lessons from the front lines of neuroscience research. You'll learn where brains came from, how they're structured (and why it matters), and how yours works in tandem with other brains to create everything you experience. Along the way, you'll also learn to dismiss popular myths such as the idea of a "lizard brain" and the alleged battle between thoughts and emotions, or even between nature and nurture, to determine your behavior. Sure to intrigue casual readers and scientific veterans alike, Seven and a Half Lessons About the Brain is full of surprises, humor, and important implications for human nature-a gift of a book that you will want to savor again and again.

'Make no mistake about it: this is a masterpiece . . . poetic, moving and very funny' -- Colum McCann, author of Let the Great World SpinWalking with Ghosts is a courageous examination of the painful and formative experiences of how Gabriel Byrne became who he is today. With poetic sensibility he recalls the people, landscapes and culture that have influenced his life and work. Defiantly original, this is both a candid exploration of the ambivalence of fame, and a lyrical often heartbreaking account of boyhood in an Ireland now largely disappeared.

In 2012 the rebel suburb of Daraya in Damascus was brutally besieged by Syrian government forces. Four years of suffering ensued, punctuated by shelling, barrel bombs and chemical gas attacks. People's homes were destroyed and their food supplies cut off; disease was rife. Yet in this man-made hell, forty young Syrian revolutionaries embarked on an extraordinary project, rescuing all the books they could find in the bombed-out ruins of their home town. They used them to create a secret library, in a safe place, deep underground. It became their school, their university, their refuge. It was a place to learn, to exchange ideas, to dream and to hope. Based on lengthy interviews with these young men, conducted over Skype by the award-winning French journalist Delphine Minoui, The Book Collectors of Daraya is a powerful testament to freedom, tolerance and the power of literature.

This is a memoir as wry, funny, moving and vivid as its inimitable subject himself. This book will be a joy for both lifelong fans and for a whole new generation. John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator. At 5 feet 11 inches (32in chest, 27in waist), in trademark dark suit, dark glasses, with dark messed-up hair and a mouth full of gold teeth, he is instantly recognizable. As a writer his voice is equally unmistakable and his own brand of slightly sick humour is never far from the surface. I Wanna Be Yours covers an extraordinary life, filled with remarkable personalities: from Nico to Chuck Berry, from Bernard Manning to Linton Kwesi Johnson, Elvis Costello to Gregory Corso, Gil Scott Heron, Mark E. Smith and Joe Strummer, and on to more recent fans and collaborators Alex Turner, Plan B and Guy Garvey. Interspersed with stories of his rock and roll and performing career, John also reveals his boggling encyclopaedic take on popular culture over the centuries: from Baudelaire and Edgar Allan Poe to Pop Art, pop music, the movies, fashion, football and showbusiness - and much, much more, plus a few laughs along the way.

This is a memoir as wry, funny, moving and vivid as its inimitable subject himself. This book will be a joy for both lifelong fans and for a whole new generation. John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator. At 5 feet 11 inches (32in chest, 27in waist), in trademark dark suit, dark glasses, with dark messed-up hair and a mouth full of gold teeth, he is instantly recognizable. As a writer his voice is equally unmistakable and his own brand of slightly sick humour is never far from the surface. I Wanna Be Yours covers an extraordinary life, filled with remarkable personalities: from Nico to Chuck Berry, from Bernard Manning to Linton Kwesi Johnson, Elvis Costello to Gregory Corso, Gil Scott Heron, Mark E. Smith and Joe Strummer, and on to more recent fans and collaborators Alex Turner, Plan B and Guy Garvey. Interspersed with stories of his rock and roll and performing career, John also reveals his boggling encyclopaedic take on popular culture over the centuries: from Baudelaire and Edgar Allan Poe to Pop Art, pop music, the movies, fashion, football and showbusiness - and much, much more, plus a few laughs along the way.

The much-anticipated follow-up to the acclaimed and resoundingly fascinating Daily Rituals. Filled with the innovative, inspiring and wonderfully prolific accounts of some of the world's best female creators, Daily Rituals Women at Work is the powerful and championing sequel to Mason Currey's first book, Daily Rituals. Barbara Hepworth sculpted outdoors and Janet Frame wore earmuffs as she worked to block out noise. Kate Chopin wrote with her six children 'swarming around her' whereas the artist Rosa Bonheur filled her bedroom with the sixty birds that inspired her work. Louisa May Alcott wrote so vigorously - skipping sleep and meals - that she had to learn to write with her left hand to give her cramped right hand a break. Filled with details of the large and small choices these women made, Daily Rituals Women at Work is about the day-to-day lives of some of the world's most extraordinary creative minds who, whether Virginia Woolf, Charlotte Bronte, Nina Simone or Jane Campion, found the time and got to work. 'An admirably succinct portrait of some distinctly uncommon lives' - Meryle Secrest

Most Disappointing Edition Yet 'Best. Diary. Ever' - Metro 'Cheeringly depressing' - Guardian'Abandon all hope, ye who buy it' - New York TimesPerpetual Disappointments Diary by Nick Ashbury, the downbeat weekly journal for pessimists, stoics and losers everywhere, returns with its most disappointing edition yet. Ground yourself with Realistic Mindfulness Prompts, Demotivational Proverbs, Unhelpful Folk Rhymes, and reminders of Notable Deaths. Travel the world with Useful Phrases translated into four languages ('A table for one, please', 'I have destroyed my hire car') plus advice for surviving Even Worse Case Scenarios (Fighting a crocodile while tired, Surviving an elephant stampede while running into an ex). Fill an idle moment with a Boring Crossword, and overcome creative blocks using Bleak Strategies. This may not be your year. But this is definitely your diary. This Edition includes:Realistic Mindfulness Prompts, Demotivational Proverbs, Unhelpful Folk Rhymes, Bleak Strategies, Even Worse Case Scenarios, Boring Crosswords, Notable Deaths, Bank Insecurity Questions, People Who Never Call, Notes Towards A Dull Novel, Pointless Doodles. This diary is not specific to one year - they are all basically the same.