Picador strana 5 z 22

Renowned journalist Mona Chollet recasts the witch as a powerful role model: an emblem of strength, free to exist beyond the narrow limits society imposes on women. Taking three archetypes from historic witch hunts - independent women, women who avoid having children and women who embrace ageing - Chollet examines how women today have the same charges levelled against them. She calls for justice in healthcare, challenging the gender imbalance in science and questioning why female bodies must still controlled by men. Rich with popular culture, literary references and media insights, In Defence of Witches is a vital addition to the cultural conversation around women, witches and the misogyny that has shaped the world they live in. With a foreword by Carmen Maria Machado and translated from French by Sophie R. Lewis.

Underworld opens – famously – at the Dodgers-Giants 1951 National League final, where Bobby Thomson hits The Shot Heard Round the World and wins the pennant race for the Giants. But on the other side of the planet, another highly significant shot was fired: the USSR's first atomic detonation. And so begins a masterpiece of gloriously symphonic storytelling. Don DeLillo loosely follows the fate of the winning baseball as the book swells and rolls through time. He offers a panoramic vision of America, defined by the overarching conflict of the cold war. This is an awe-inspiring story, seen in deep, clear detail, of men and women, together and apart, as they search for meaning, survival and connection in the toughest of times. Part of the Picador Collection, a series showcasing the best of modern literature.

TENTH ANNIVERSARY EDITION WINNER OF THE GREEN PRIZE FOR SUSTAINABLE LITERATURE Updated with 100+ pages of new material and a foreword by Janette Sadik-Khan The bestselling urban planning book of the past decade, translated into seven languages, Walkable City has changed the conversation on community design across America and beyond. It is reissued here with an extensive update, including eight new chapters covering housing equity, COVID, Uber, autonomous vehicles, urban forests, and more. Jeff Speck has dedicated his career to determining what makes cities thrive. And he has boiled it down to one key factor: walkability. Making downtown into a walkable, viable community is the essential fix for the typical American city; it is eminently achievable and its benefits are manifold. Walkable City bursting with sharp observations and key insights into how urban change happens lays out a practical, necessary, and inspiring vision for how to make American cities the best they can be.

The Cat Who Saved Books is a heartwarming story about finding courage, caring for others – and the tremendous power of books. Natsuki Books was a tiny second-hand bookshop on the edge of town. Inside, towering shelves reached the ceiling, every one crammed full of wonderful books. Rintaro Natsuki loved this space that his grandfather had created. He spent many happy hours there, reading whatever he liked. It was the perfect refuge for a boy who tended to be something of a recluse. After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people who have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . . Sosuke Natsukawa’s international bestseller, translated from Japanese by Louise Heal Kawai, is a story for those for whom books are so much more than words on paper.

Clive James read, learned and recited poetry aloud for most of his life. In the last book he completed before he died, he offers a selection of his favourite poems and a personal commentary on each. In the last months of his life, his vision impaired by surgery and unable to read, Clive James explored the treasure-house of his mind: the poems he knew best, so good that he didn’t just remember them, he found them impossible to forget. The Fire of Joy is the record of this final journey of recollection and celebration. Enthralled by poetry all his life, James knew hundreds of poems by heart. In offering this selection of his favourites, a succession of poems from the sixteenth century to the present, his aim is to inspire you to discover and to learn, and perhaps even to speak poetry aloud. In his highly personal anthology, James offers a commentary on each of the eighty or so poems: sometimes a historical or critical note on the poem or its author, sometimes a technical point about the poem’s construction from someone who was himself a poet, sometimes a personal anecdote about the role the poem played in his own life. Whether you’re familiar with a poem or not – whether you’re familiar with poetry in general or not – these chatty, unpretentious, often tender mini-essays convey the joy of James’s enthusiasm and the benefit of his knowledge. His urgent wish was to share with a new generation what he himself had loved. This is a book to be read cover to cover or dipped into: either way it generously opens up a world for our delight.

For billions of years, Earth was an inhospitably alien place - covered with churning seas, slowly crafting its landscape by way of incessant volcanic eruptions, the atmosphere in a constant state of chemical flux. And yet, despite facing literally every conceivable setback that living organisms could encounter, life has been extinguished and picked itself up to evolve again. Life has learned and adapted and continued through the billions of years that followed. It has weathered fire and ice. Slimes begat sponges, who through billions of years of complex evolution and adaptation grew a backbone, braved the unknown of pitiless shores, and sought an existence beyond the sea. From that first foray to the spread of early hominids who later became Homo sapiens, life has persisted, undaunted. A (Very) Short History of Life is an enlightening story of survival, of persistence, illuminating the delicate balance within which life has always existed, and continues to exist today. It is our planet like you've never seen it before. Life teems through Henry Gee's words - colossal supercontinents drift, collide, and coalesce, fashioning the face of the planet as we know it today. Creatures are engagingly personified, from 'gregarious' bacteria populating the seas to duelling dinosaurs in the Triassic period to magnificent mammals with the future in their (newly evolved) grasp. Those long extinct, almost alien early life forms are resurrected in evocative detail. Life's evolutionary steps - from the development of a digestive system to the awe of creatures taking to the skies in flight - are conveyed with an alluring, up-close intimacy.

When Carolyn Hays's child made clear to the family that they were all wrong, he was not a boy, but, in fact, a girl, the Hays shifted pronouns, adopted a nickname and encouraged her to dress as she felt comfortable. One ordinary day, a caseworker from the Department of Children and Families knocked on their door to investigate an anonymous complaint about the upbringing of their transgender child. It was this threat that instilled in them a deep-seated fear for their child's safety in the Republican state they called home. And so they uprooted their lives to the more trans-accepting Northeast United States, though they were never far from the hate and fear resting at the nation's core. Intimate, lyrical and thought-provoking, A Girlhood is an ode to Hays's brilliant, brave child, as well as a cathartic revisit of the pain of the past. It tells of the brutal truths of being trans, of the sacrificial nature of motherhood, and of the lengths a family will go to shield their youngest from the cruel realities of the world. Hays asks us all to love better, for children everywhere who are enduring injustice and prejudice just as they begin to understand themselves. A Girlhood is a celebration of difference, a plea for empathy, and a hope for a better future, but moreover, it is a love letter to a child who has always known herself and is waiting for the rest of the world to catch up.

A riveting account of a forgotten holocaust: the slaughter of over one hundred thousand Ukrainian Jews in the aftermath of the Russian Revolution. In the Midst of Civilized Europe repositions the pogroms as a defining moment of the twentieth century. Between 1918 and 1921, over a hundred thousand Jews were murdered in Ukraine by peasants, townsmen, and soldiers who blamed the Jews for the turmoil of the Russian Revolution.In hundreds of separate incidents, ordinary people robbed their Jewish neighbours with impunity, burned down their houses, ripped apart their Torah scrolls, sexually assaulted them, and killed them. Largely forgotten today, these pogroms - ethnic riots - dominated headlines and international affairs in their time. Aid workers warned that six million Jews were in danger of complete extermination.Twenty years later, these dire predictions would come true. Drawing upon long-neglected archival materials, including thousands of newly discovered witness testimonies, trial records, and official orders, acclaimed historian Jeffrey Veidlinger shows for the first time how this wave of genocidal violence created the conditions for the Holocaust. Through stories of survivors, perpetrators, aid workers, and governmental officials, he explains how so many different groups of people came to the same conclusion: that killing Jews was an acceptable response to their various problems.

The post-apocalyptic modern classic with an introduction by novelist John Banville. In a burned-out America, a father and his young son walk under a darkened sky, heading slowly for the coast. They have no idea what, if anything, awaits them there. The landscape is destroyed, nothing moves save the ash on the wind and cruel, lawless men stalk the roadside, lying in wait. Attempting to survive in this brave new world, the young boy and his protector have nothing but a pistol to defend themselves. They must keep walking. Winner of the Pulitzer Prize for Fiction, The Road is an incandescent novel, the story of a remarkable and profoundly moving journey. In this unflinching study of the best and worst of humankind, Cormac McCarthy boldly divines a future without hope, but one in which, miraculously, this young family finds tenderness. An exemplar of post-apocalyptic writing, The Road is a true modern classic, a masterful, moving and increasingly prescient novel. Part of the Picador Collection, a series showcasing the best of modern literature.

The peacock mantis shrimp can throw a punch that can fracture aquarium walls. The great grey owl can hear many decibels lower than the human ear. The star-nosed mole's miraculous nose allows it to catch worms in as little as 120 milliseconds. In Sentient, Jackie Higgins assembles a menagerie of zoological creatures - from land, air, sea and all four corners of the globe - to understand what it means to be human. In it, we also meet the four-eyed spookfish and its dark vision, the vampire bat and its remarkable powers of touch, as well as the common octopus, the Goliath catfish and the duck-billed platypus. Each zoological marvel illustrates the surprising sensory powers that lie within us and enables us to engage with the world in ways we never knew possible.

Brutally violent, Blood Meridian is the story of one teenage runaway in the nineteenth-century American South, as a sadistic gang unleashes its massacre across the desert land. It is the work that sealed Cormac McCarthy's reputation as one of the twentieth century's greatest writers – his magnum opus. Brutally violent, Blood Meridian is the story of one teenage runaway in the nineteenth-century American South, as a sadistic gang unleashes its massacre across the desert land. It is the work that sealed Cormac McCarthy's reputation as one of the twentieth century's greatest writers – his magnum opus.

Celebrating Fifty Years of Picador Books There was the soft glare of the flash - twice - three times - a gleaming sense of occasion, the gleam floating in the eye as a blot of shadow, his heart running fast with no particular need of courage as he grinned and said, 'Prime Minister, would you like to dance?' In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the wealthy Feddens: Gerald, an ambitious Tory MP, his wife Rachel and their children Toby and Catherine. Innocent of politics and money, Nick is swept up into the Feddens' world and an era of endless possibility, all the while pursuing his own private obsession with beauty. The Line of Beauty is Alan Hollinghurst's Man Booker Prize-winning masterpiece. It is a novel that defines a decade, exploring with peerless style a young man's collision with his own desires, and with a world he can never truly belong to. Winner of the Man Booker Prize, The Line of Beauty is a classic novel about class, politics and sexuality in Margaret Thatcher's 1980s Britain. Part of the Picador Collection, a series showcasing the best of modern literature.

If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self – himself – he cannot know it, because he is no longer there to know it. In this extraordinary book, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognize everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with unusually acute artistic or mathematical talents. If sometimes beyond our surface comprehension, these brilliant tales illuminate what it means to be human. A provocative exploration of the mysteries of the human mind, The Man Who Mistook His Wife for a Hat is a million-copy bestseller by the twentieth century's greatest neurologist. Part of the Picador Collection, a series showcasing the best of modern literature.

One of The New York Times 100 Best Books of the 21st Century A dreamy atmospheric novel set in the eerie days of civilization's collapse. Emily St John Mandel's Station Eleven is now an HBO Max original TV series. What was lost in the collapse: almost everything, almost everyone, but there is still such beauty. One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in North America. The world will never be the same again. Twenty years later Kirsten, an actress in the Travelling Symphony, performs Shakespeare in the settlements that have grown up since the collapse. But then her newly hopeful world is threatened . . . If civilization was lost, what would you preserve? And how far would you go to protect it?

The Luckiest Guy Alive is the first new book of poetry from Dr John Cooper Clarke for several decades - and a brilliant, scabrous, hilarious collection from one of our most beloved and influential writers and performers. From the 'Attack of the Fifty Foot Woman' to a hymn to the seductive properties of the pie - by way of hand-grenade haikus, machine-gun ballads and a meditation on the loss of Bono's leather pants - The Luckiest Guy Alive collects stunning set pieces and tried-and-tested audience favourites to show Cooper Clarke still effortlessly at the top of his game. Cooper Clarke's status as the 'Emperor of Punk Poetry' is certainly confirmed here, but so is his reputation as a brilliant versifier, a poet of vicious wit and a razor-sharp social satirist. Effortlessly immediate and contemporary, full of hard-won wisdom and expert blindsidings, it's easy to see why the good Doctor has continued to inspire several new generations of performers from Alex Turner to Plan B: The Luckiest Guy Alive shows one of the most compelling poets of the age on truly exceptional form.

The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories. Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women's stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora - the first woman, who according to legend unloosed chaos upon the world - was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate. Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes - broadcaster, writer and passionate classicist - redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.