Picador strana 12 z 22

A cutting-edge new vision of biology that will revise our concept of what life itself is, how to enhance it, and what possibilities it offers – from Science Book Prize winner and former Nature editor Philip Ball. Biology is undergoing a quiet but profound transformation. Several aspects of the standard picture of how life works have been exposed as incomplete, misleading, or wrong. In How Life Works, Philip Ball explores the new biology, revealing life to be a far richer, more ingenious affair than we had guessed. With this knowledge come new possibilities. Today we can redesign and reconfigure living systems, tissues, and organisms. We can reprogram cells, for instance, to carry out new tasks and grow into structures not seen in the natural world. Some researchers believe that ultimately we will be able to regenerate limbs and organs, and perhaps even create new life forms that evolution has never imagined. Incorporating the latest research and insights, How Life Works is a sweeping journey into this new frontier of the nature of life, a realm that will reshape our understanding of life as we know it.

From the prizewinning author of the acclaimed The Blood Telegram, a landmark, magisterial history of the postwar trial of Japan’s leaders as war criminals – and their impact on the modern history of Asia and the world. In the weeks after Japan finally surrendered to the Allies to end World War II, the victorious powers turned to the question of how to move on from years of carnage and destruction. To them, it was clear that Japan’s militaristic leaders needed to be tried and punished for their crimes. For the Allied powers, the trials were an opportunity both to render judgment on their vanquished foes and to create a legal framework to prosecute war crimes and prohibit the use of aggressive war. For the Japanese leaders on trial, it was their chance to argue that their war had been waged to liberate Asia from Western imperialism and that the court was no more than victors’ justice. Gary J. Bass' Judgement at Tokyo is the product of a decade of research, a magnificent, riveting story of wartime action, dramatic courtroom battles, and the epic formative years that set the stage for the postwar era in the Asia–Pacific.

Jordan Peele, the visionary writer and director of Get Out, Us and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of brand new stories of Black horror, exploring not only the terrors of the supernatural but also the chilling reality of injustice that haunts our world. Featuring an introduction by Jordan Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a masterclass in horror, and – like his spine-chilling films – its stories prey on everything we think we know about our world, and redefine what it means to be afraid. Very afraid . . . A cop begins seeing huge, blinking eyes in place of the headlights of cars that tell him who to pull over. Two freedom riders take a bus that leaves them stranded on a lonely road in Alabama, where several unsettling somethings await them. A young girl dives into the watery depths in search of the demon that killed her parents. Here you'll find monster-hunters fighting monsters, humanoid AIs fighting for their rights, and an Igbo woman standing up to a powerful spirit. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers.

In Divine Might Natalie Haynes, author of the bestselling Pandora’s Jar, returns to the world of Greek myth and this time she examines the role of the goddesses. We meet Athene, who sprang fully formed from her father’s head: goddess of war and wisdom, guardian of Athens. We run with Artemis, goddess of hunting and protector of young girls (apart from those she decides she wants as a sacrifice). Here is Aphrodite, goddess of sex and desire – there is no deity more determined and able to make you miserable if you annoy her. And then there’s the queen of all the Olympian gods: Hera, Zeus’s long-suffering wife, whose jealousy of his dalliances with mortals, nymphs and goddesses lead her to wreak elaborate, vicious revenge on those who have wronged her. We also meet Demeter, goddess of agriculture and mother of the kidnapped Persephone, we sing the immortal song of the Muses and we warm ourselves with Hestia, goddess of the hearth and sacrificial fire. The Furies carry flames of another kind – black fires of vengeance for those who incur their wrath. These goddesses are as mighty, revered and destructive as their male counterparts. Isn’t it time we looked beyond the columns of a ruined temple to the awesome power within?

Julius Taranto’s wickedly satirical and refreshingly irreverent debut novel, a young physicist finds herself exiled to an island research institute that gives safe harbour to ‘cancelled’ artists and academics. Helen, a graduate student on a quest to save the planet, is one of the best minds of her generation. But when her irreplaceable advisor’s student sex scandal is exposed, she must choose whether to give up on her work or accompany him to RIP, a research institute which grants safe harbour to the disgraced and the deplorable. As Helen settles into life at the institute alongside her partner Hew, she develops a crush on an older novelist, while he is drawn to an increasingly violent protest movement. As the rift between them deepens, they both face major – and potentially world-altering – choices. Hilarious, provocative and thought-provoking, How I Won A Nobel Prize approaches our moral confusion in a genuine and fresh way, examining the price we’re willing to pay for progress and what it means, in the end, to be a good person.

The million-copy bestselling series Toshikazu Kawaguchi’s poignant Before we say goodbye, translated from Japanese by Geoffrey Trousselot, explores the age-old question: what would you do if you could travel back in time? More importantly, who would you want to meet, maybe for one last time? The regulars at the magical Cafe Funiculi Funicula are well acquainted with its famous legend and extraordinary, secret menu time travel offering. Many patrons have reunited with old flames, made amends with estranged family, and visited loved ones. But the journey is not without risks and there are rules to follow. Travellers must have visited the cafe previously and most importantly, must return to the present in the time it takes for their coffee to go cold. In the tradition of Toshikazu Kawaguchi’s sensational Before the Coffee Gets Cold series, readers will once again be introduced to a new set of visitors: The husband with something important left to say The woman who couldn’t bid her dog farewell The woman who couldn’t answer a proposal The daughter who drove her father away . . . In the hauntingly beautiful Before we say goodbye, Kawaguchi invites us to join his characters as they embark on a journey to revisit one crucial moment in time.

Adding to the already moving, richly told and gripping collection of historical fiction from Emma Donoghue, Learned By Heart is the breathtaking story of two young girls on the margins of life, forging a connection that will last forever. Eliza and Lister have never been this wide-awake in their lives, and the Slope, with its curtains drawn wide, is bright with starlight. The question Eliza’s been needing to ask swells like a great berry in her mouth, and all at once she’s not scared to let it out, not scared at all, not scared of anything . . . In 1805 fourteen-year-old Eliza Raine is a schoolgirl at the Manor School for Young Ladies in York. The daughter of an Indian mother and a British father, Eliza was banished from Madras to this unfamiliar country at the age of six. At the Manor School she keeps her head down and follows all the rules, until the arrival of a charismatic and fearless new student, Anne Lister. The two outsiders are thrown together and soon Eliza's life is turned upside down by this remarkable young woman. Learned by Heart, Emma Donoghue’s mesmerising new novel, tells the heartbreaking true story of two women whose unlikely relationship will change them for ever.

Ro is stuck. She's just entered her thirties, she's estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at an aquarium, and her nights are spent drinking sharktinis (mountain dew and copious amounts of gin, plus a hint of jalapeno). With her best friend pulling away to focus on her upcoming wedding, Ro's only companion is Dolores, a giant Pacific octopus who also happens to be Ro's last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager. When Dolores is sold to a wealthy investor intent on moving her to a private aquarium, Ro finds herself on the precipice of self-destruction. Wading through memories of her youth, Ro has one last chance to come to terms with her childhood trauma, recommit to those around her, and find her place in an ever-changing world.

Today, I’m starting a ‘rent a person who does nothing‘ service . . . Except for very simple conversation, I’m afraid I can do nothing. Shoji Morimoto was constantly being told that he was a ‘do-nothing’ because he lacked initiative. Dispirited and unemployed, it occurred to him that if he was so good at doing nothing, perhaps he could turn it into a business. And with one tweet, he began his business of renting himself out . . . to do nothing. Morimoto, aka Rental Person, provides a fascinating service to the lonely and socially anxious. Sitting with a client undergoing surgery, accompanying a newly-divorced client to her favourite restaurant, visiting the site of a client’s suicide attempt are just a few of his thousands of true life adventures. He is dependable, non-judgmental and committed to remaining a stranger and the curious encounters he shares are revelatory about both Japanese society and human psychology. In Rental Person Who Does Nothing, Morimoto chronicles his extraordinary experiences in his unique line of work and reflects on how we consider relationships, jobs and family in our search for meaningful connection and purpose in life.

What does it now mean to call yourself European? Who makes up this population of 750 million, sprawled from Ireland to Ukraine, from Sweden to Turkey? Who has always called it home, and who has newly arrived from elsewhere? Who are the people who drive our long-distance lorries, steward our criss-crossing planes, lovingly craft our legacy wines, fish our depleted waters, and risk life itself in search of safety and a new start? In a series of vivid, ambitious, darkly visceral but always empathetic portraits of other people's lives, Ben Judah invites us to meet them. Drawn from hours of painstaking interviews, these vital stories reveal a frenetic and vibrant continent which has been transformed by diversity, migration, the internet, climate change, Covid, war and the quest for freedom. Laid dramatically bare, it may not always be a Europe we recognize - but this is Europe.

The passing of the age of the dinosaurs allowed mammals to become ascendant. But mammals have a much deeper history. They - or, more precisely, we - originated around the same time as the dinosaurs, over 200 million years ago; mammal roots lie even further back, some 325 million years. Over these immense stretches of geological time, mammals developed their trademark features: hair, keen senses of smell and hearing, big brains and sharp intelligence, fast growth and warm-blooded metabolism, a distinctive line-up of teeth (canines, incisors, premolars, molars), mammary glands that mothers use to nourish their babies with milk, qualities that have underlain their success story. Out of this long and rich evolutionary history came the mammals of today, including our own species and our closest cousins. But today's 6,000 mammal species - the egg-laying monotremes including the platypus, marsupials such as kangaroos and koalas that raise their tiny babies in pouches, and placentals like us, who give birth to well-developed young - are simply the few survivors of a once verdant family tree, which has been pruned both by time and mass extinctions. In The Rise and Reign of the Mammals, palaeontologist Steve Brusatte weaves together the history and evolution of our mammal forebears with stories of the scientists whose fieldwork and discoveries underlie our knowledge, both of iconic mammals like the mammoths and sabre-toothed tigers of which we have all heard, and of fascinating species that few of us are aware of. For what we see today is but a very limited range of the mammals that have existed; in this fascinating and ground-breaking book, Steve Brusatte tells their - and our - story.

A beautiful and moving first novel about grief, sisterhood and a teenage girl's struggle to transcend herself. Eleven-year-old Gopi has been playing squash since she was old enough to hold a racket. When her mother dies, her father enlists her in a quietly brutal training regimen, and the game becomes her world. Slowly, she grows apart from her sisters. Her life is reduced to the sport, guided by its rhythms: the serve, the volley, the drive, the shot and its echo. But on the court, she is not alone. She is with her pa. She is with Ged, a thirteen-year-old boy with his own formidable talent. She is with the players who have come before her. She is in awe. An indelible coming-of-age story, Chetna Maroo’s first novel captures the ordinary and annihilates it with beauty. Western Lane is a valentine to innocence, to the closeness of sisterhood, to the strange ways we come to know ourselves and each other.

Fans takes the reader on a journey through a constellation of fandoms, and along the way demonstrates some fundamental truths about the human condition. Part behavioural study, part entertainment, at its heart the book is a story of collectives, of what happens to us when we interact with people who share our passions. The human brain is wired to reach out, and while our groupish tendencies can bring much strife (religious intolerance, racism, war, etc.), they are also the source of some of our greatest satisfactions. Fandoms offer much of the pleasure of tribalism with little of the harm: a feeling of belonging and of shared culture, a sense of meaning and purpose, improved mental well-being, reassurance that our most outlandish convictions will be taken seriously, and the freedom to try to emulate (and dress like) our hero. In Fans, Michael Bond explores the subject through the lens of social identity theory, a set of ideas used by social psychologists and anthropologists to understand how people behave in groups and why groups have such a profound effect on human culture.

Raised in a brothel at the edge of a dying empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs where the 'wolves' - prostitutes and slaves from every corner of the empire - conduct their business. He spends his days listening to stories told by his beloved 'mother' Euterpe, running errands for her lover the cook, and dodging the blows of their brutal overseer and the machinations of the chief wolf, Melpomene. A hard fate awaits Sparrow, one that involves suffering, murder, mayhem, and the scattering of the women who have been his whole world. Through meticulous research and bold imagination, James Hynes brings the entirety of the Roman city of Carthago Nova - its markets, temples, taverns of the lowly and mansions of the rich - to vivid, brutal life. Walking through lost places, hearing forgotten voices, this story belongs to the slave class that made an infamous empire function. This is one of the most powerfully affecting and memorable characters of recent fiction. This is Sparrow.

Alice Kinsella was in her mid-twenties when she became pregnant with her first child, newly engaged and about to embark on a life in an unfamiliar town on the west coast of Ireland. Into this warm cocoon, this big, empty house, would arrive a little baby. And soon Alice's world began to expand and contract in ways she could never have imagined. With her body struggling to recover, darker intrusions ran through the days and nights of new motherhood. For the first time, she considered the experiences of her mother, her grandmother, and the generations of women who came before them. She asked herself questions. How does this country treat its mothers? What does it mean to be forever tethered? Forever in love? Set against the backdrop of a seemingly changed Ireland, in Milk Alice draws for us her own map of motherhood, a crucial reflection spanning nine months of pregnancy and the first nine months of her child's life. Intimate, warm, startlingly vivid and gentle, this is at once a delicate reflection on a moment of gigantic change in body and mind and a powerful, often painful confrontation of the politics of a country so deeply unsure about its women.

Eighteen months before Kathryn Schulz's beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery - from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic, and natural disaster; from finding new planets to falling in love. Three very different American families form the heart of Lost & Found: the one that made Schulz's father, a charming, brilliant, absentminded Jewish refugee; the one that made her partner, an equally brilliant farmer's daughter and devout Christian; and the one she herself makes through marriage. But Schulz is also attentive to other, more universal kinds of conjunction: how private happiness can coexist with global catastrophe, how we get irritated with those we adore, how love and loss are themselves unavoidably inseparable. The resulting book is part memoir, part guidebook to living in a world that is simultaneously full of wonder and joy and wretchedness and suffering - a world that always demands both our gratitude and our grief. A staff writer at the New Yorker and winner of the Pulitzer Prize, Kathryn Schulz writes with curiosity, tenderness, erudition, and wit about our finite yet infinitely complicated lives. Crafted with the emotional clarity of C. S. Lewis and the intellectual force of Susan Sontag, Lost & Found is an uncommon book about common experiences.