Picador strana 14 z 18

The masterful coda to The Passenger from the Pulitzer Prize-winning author of The Road. GOD. TRUTH. EXISTENCE. Stella Maris is the story of a mathematician, twenty years old, admitted to the hospital with forty thousand dollars in a plastic bag and one request: She does not want to talk about her brother.

I can’t undo all I have done to myself, what I have let an appetite for love do to me. I have wanted all the world, its beauties and its injuries; some days, I think that is punishment enough. Wound is the Origin of Wonder introduces UK readers to the work of a rapidly rising star in American poetry. Maya C. Popa is a naturally gifted poet, lucidly engaged with the most profound questions we face in our collective responsibilities and our relations with each other. She writes with love and wonder of a world poised at a perilous moment: “My children, will they exist by the time / it’s irreversible?” she asks. “Will they live / astonished at the thought of ice / not pulled from the mouth of a machine?” Popa takes seriously the poet’s duty to pay attention, to seek what Seamus Heaney called “the images... adequate to our predicament”. To read her poems is to pause again and again at the precision of imagery, breadth of ideas, and the warmth and generousness of her lyric voice.

This book tells the story of our greatest invention. Or, it almost does. Almost, because while the story has a beginning – in fact, it has many beginnings, not only in Mesopotamia, 3,100 years before the birth of Christ, but also in China, Egypt and Central America – and it certainly has a middle, one that snakes through the painted petroglyphs of Easter Island, through the great machines of empires and across the desks of inspired, brilliant scholars, the end of the story remains to be written. The invention of writing allowed humans to create a record of their lives and to persist past the limits of their lifetimes. In the shadows and swirls of ancient inscriptions, we can decipher the stories they sought to record, but we can also tease out the timeless truths of human nature, of our ceaseless drive to connect, create and be remembered. The Greatest Invention chronicles an uncharted journey, one filled with past flashes of brilliance, present-day scientific research and the faint, fleeting echo of writing’s future. Professor Silvia Ferrara, a modern-day adventurer who travels the world studying ancient texts, takes us along with her; we touch the knotted, coloured strings of the Incan khipu and consider the case of the Phaistos disk. Ferrara takes us to the cutting edge of decipherment, where high-powered laser scanners bring tears to an engineer’s eye, and further still, to gaze at the outline of writing’s future. The Greatest Invention lifts the words off every page and changes the contours of the world around us – just keep reading.

The Luckiest Guy Alive is the first new book of poetry from Dr John Cooper Clarke for several decades - and a brilliant, scabrous, hilarious collection from one of our most beloved and influential writers and performers. From the 'Attack of the Fifty Foot Woman' to a hymn to the seductive properties of the pie - by way of hand-grenade haikus, machine-gun ballads and a meditation on the loss of Bono's leather pants - The Luckiest Guy Alive collects stunning set pieces and tried-and-tested audience favourites to show Cooper Clarke still effortlessly at the top of his game. Cooper Clarke's status as the 'Emperor of Punk Poetry' is certainly confirmed here, but so is his reputation as a brilliant versifier, a poet of vicious wit and a razor-sharp social satirist. Effortlessly immediate and contemporary, full of hard-won wisdom and expert blindsidings, it's easy to see why the good Doctor has continued to inspire several new generations of performers from Alex Turner to Plan B: The Luckiest Guy Alive shows one of the most compelling poets of the age on truly exceptional form.

Eighteen months before Kathryn Schulz's beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery - from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic, and natural disaster; from finding new planets to falling in love. Three very different American families form the heart of Lost & Found: the one that made Schulz's father, a charming, brilliant, absentminded Jewish refugee; the one that made her partner, an equally brilliant farmer's daughter and devout Christian; and the one she herself makes through marriage. But Schulz is also attentive to other, more universal kinds of conjunction: how private happiness can coexist with global catastrophe, how we get irritated with those we adore, how love and loss are themselves unavoidably inseparable. The resulting book is part memoir, part guidebook to living in a world that is simultaneously full of wonder and joy and wretchedness and suffering - a world that always demands both our gratitude and our grief. A staff writer at the New Yorker and winner of the Pulitzer Prize, Kathryn Schulz writes with curiosity, tenderness, erudition, and wit about our finite yet infinitely complicated lives. Crafted with the emotional clarity of C. S. Lewis and the intellectual force of Susan Sontag, Lost & Found is an uncommon book about common experiences.

The stunning short story collection from the bestselling author of Writers & Lovers and Euphoria A reclusive bookseller begins to feel the discomfort of love again. A widow whisks her daughter away for a holiday she can barely afford, desperate to help the two of them grieve. A neglected teenage boy finds much-needed nurturing from an unlikely pair of college students. A proud man rages helplessly at his granddaughter's hospital bedside. A writer receives a visit from all of the men who have tried to suppress her voice. The romantic but brutally raw stories in Five Tuesdays in Winter explore desire, heartache, moments of shocking cruelty and the inexorable tug toward love at all costs. This profoundly tender collection confirms Lily King as one of our most beloved chroniclers of the human heart.

In the tradition of Conrad's Heart of Darkness, an immensely powerful historical novel about the first encounters between Danish colonists and Greenlanders in the early eighteenth century, of brutal clashes between priests and pagans and the forces that drive each individual towards darkness or light. 1728: The Danish King Fredrik IV sends a governor to Greenland to establish a colony, in the hopes of exploiting the country's allegedly vast natural resources. A few merchants, a barber-surgeon, two trainee priests, a blacksmith, some carpenters and soldiers and a dozen hastily married couples go with him. The missionary priest Hans Egede has already been in Greenland for several years when the new colonists arrive. He has established a mission there, but the converts are few. Among those most hostile to Egede is the shaman Aappaluttoq, whose own son was taken by the priest and raised in the Christian faith as his own. Thus the great rift between two men, and two ways of life, is born. The newly arrived couples - men and women plucked from prison - quickly sink into a life of almost complete dissolution, and soon unsanitary conditions, illness and death bring the colony to its knees. Through the starvation and the epidemics that beset the colony, Egede remains steadfast in his determination - willing to sacrifice even those he loves for the sake of his mission. Translated from Danish by Martin Aitken, Kim Leine's The Colony of Good Hope explores what happens when two cultures confront one another. In a distant colony, under the harshest conditions, the overwhelming forces of nature meet the vices of man.

A provocative, razor-sharp, and timely novel about a beloved English professor facing a slew of accusations against her husband from his former students – a situation that becomes more complicated when she herself develops an obsession of her own... When I was a child, I loved old men, and I could tell that they also loved me. And so we meet our deliciously incisive narrator: a popular English professor whose husband, a charismatic professor at the same small liberal arts college, is under investigation for his inappropriate relationships with his former students. The couple have long had a mutual understanding when it comes to their extramarital pursuits, but with these new allegations, life has become far less comfortable for them both. And when our unnamed narrator becomes increasingly infatuated with Vladimir, a celebrated, married young novelist who’s just arrived on campus, their tinder-box world comes dangerously close to exploding. Julia May Jonas takes us into charged territory, where the restrictions of morality bump up against the impulses of the human heart. Darkly funny and moving, Vladimir maps the personal and political minefield of our current moment, exposing the messy contradictions of power and desire.

Water scarcity is the next big climate crisis. Water stress – not just scarcity, but also water-quality issues caused by pollution – is already driving the first waves of climate refugees. Rivers are drying out before they meet the oceans, and ancient lakes are disappearing. Fourteen of the world’s twenty megacities are now experiencing water scarcity or drought conditions. It’s increasingly clear that human mismanagement of water is dangerously unsustainable, for both ecological and human survival. And yet in recent years some key countries have been quietly and very successfully addressing water stress. How are Singapore and Israel, for example – both severely water-stressed countries – not in the same predicament as Chennai or California, but now boast surplus water? What can we learn from them and how can we use this knowledge to turn things around for the wider global community? Do we have to stop eating almonds and asparagus grown in the deserts of California and Peru? Could desalination of seawater be the answer? Or rainwater capture? Are some of the wilder ‘solutions’ – such as the plan to tow icebergs to Cape Town – pure madness, or necessary innovation? Award-winning environmental journalist Tim Smedley will travel the world to meet the experts, the victims, the activists and pioneers, to find out how we can mend the water table that our survival depends upon. His book will take an unblinking look at the current situation and how we got there. And then look to the solutions. The Last Drop promises to offer a fascinating, universally relevant account of the environmental and human factors that have led us to this point, and suggests practical ways in which we might address the crisis, before it’s too late.