Silver Press
vydavateľstvo
Trans Central Station
Trans Central Station reflects on a trans life lived before the language to name it. In this luminous essay, award-winning science fiction and fantasy author and tarotist Rachel Pollack moves between personal memory, history, science fiction and myth to consider how words can both restrict and liberate. From Schrödinger’s cat and science-fiction portals to magic, early trans activism and comics, Trans Central Station breaks the world open to ‘both completely new and unknowably ancient’ possibilities of desire, joy and revelation. Situating trans existence within deep time, Pollack connects modern experience to shamanism and rites of transformation, insisting that trans people have always existed – and have often been understood as sacred figures. In this meditation on freedom – from rigid social structures, from fear and shame, and from history itself – to be trans is proof of ancient and ongoing cosmic power.
Angst
A woman replays her abandonment by her mother, who is sometimes addressed as a male mother-god. She is also abandoned by her lover, to whom she is in thrall. She tries repeatedly to make or receive phone calls with the beloved figures, without success. She waits for their letters and imagines their contents. In a dream-like, torrid sequence, suffering, fear, fatigue and imperfection are apostrophised. Forgetting is examined and toyed with from every angle. Mythical hybrid creatures are invoked: a snake-headed lion, wolf-snakes, a wolf-peacock. How did this come to be? In a cunningly, wittily wrought rush, the unique, unpredictable voice of the narrator speaks from multiple perspectives to express powerful anguish and, ultimately, catharsis.
The World After Rain
‘How incandescent the language is, each line emitting light through the membrane of time and anticipated grief. The work has a rigorousness, the poet pushing through the ache of experience from the first to the last word.’ Dionne BrandIn her signature epic vision, Canisia Lubrin distills a radiant elegy for her mother along an interwoven and unresolvable axis of astonishment, belonging as much to history as to today. Grief, tender and searing, is the channel through which the poet refracts the realm of contemporary life to reveal the paradox of its private and public entanglements. This is poetry of haunting gravity and resonance, with meditations on love, time, and loss, at once meticulously far-seeing, interior and inexpressible.
So Far So Good
Legendary author Ursula K. Le Guin was lauded by millions for her ground-breaking science fiction novels, but she began as a poet, and wrote across genres for her entire career. In this clarifying and sublime collection – completed shortly before her death in 2018 – Le Guin is unflinching in the face of mortality, and full of wonder for the mysteries beyond. Redolent of the lush natural beauty of the Pacific Northwest, with rich sounds playfully echoing myth and nursery rhyme, Le Guin bookends a long, daring, and prolific career.
States of the Body Produced by Love
States of the Body Produced by Love is a modern mystical journey through love – a many-headed snake twisting through devotion, sacrifice and the dream of returning home. In her visionary debut, Nisha Ramayya conjures an opalescent world by way of Tantric ritual and myth. Thousand-petalled lotuses bloom inside skulls, goddesses with dirty feet charm honeybees, strains of jazz standards bleed into anti-national anthems. The book weaves essays, poetry and images together to offer fierce meditations on diasporic identity, language and resistance. From grief to bliss, this book explores the many states of the body seized by love in an incantation that never leaves love’s hold.New expanded edition.
The Gender of Sound
History is filled with unacceptable noises: high pitch, gossip, talkativeness, hysteria, wailing and ritual shouts. Who makes them? Those deviant from or deficient in the masculine ideal of self-control: women, catamites, eunuchs and androgynes fall into this category. From the myths of antiquity to Margaret Thatcher via Sigmund Freud and Gertrude Stein, The Gender of Sound charts the gendering of voice through Western culture. This enquiry into the way we hear sounds invites reimagining our conceptions of human order, virtue and selfhood.Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death.
MEMORY
Dorothea Lasky’s Memory is a cycle of ‘poet’s essays’ stirred by two profound questions. What constitutes personhood and consciousness? What memories get lost, and why?Lasky’s inspired investigation of the forces that form our lives and deepest senses of ourselves ranges across three dimensions of memory: ancestral, personal and poetic. In her singularly clear voice, she enters into their mysteries to return with an expansive collection of essays that traverse the universal and the particular. Memory reflects on the everyday and the emotional, history, trauma and charged sites of collective reminiscence, such as the moon landing. Other pieces address the other side of memory: her father’s experience of Alzheimer’s, asking what’s left where memory is absent, and what’s ‘real’ beyond the horizon of death. The book closes with ‘Time, the Rose, and the Moon’, an ars poetica exploring the ancient symbol of the Ouroboros as a figure for the nonlinear processes of time, memory and art. In tribute to Bernadette Mayer’s Memory, Lasky reveals memory to be huge and haunting, as she accumulates impressions that challenge the very possibility of fixed meaning.
Vypredané
19,49 €