Taschen strana 16 z 96

Yang Liu uses her wonderfully apt pictograms to display the discordances between American and European customs with wit and wisdom. In Europe meets USA she captures her own experiences of living on both sides of the Atlantic, twinkling a fresh light onto the more obvious confusions. She also reveals the less conscious prejudices that exist between the denizens of the small continent of Europe and those of the giant United States. If the usual view of our divergences is full of cliches in which there are grains of truth, the same is true in reverse. From shopping to commuting, from going to school to romance, from working to annual leave, from football to heros-with 128 pages, this linen-bound booklet invites each side to appreciate the anomalies, change perspective and look at the world through the other's eyes.

Imagine a setting in which a man wearing a dress might be as habitual as a woman in trousers. Where a woman exposing herself in public wasn't sexy, but as creepy as a male flasher. Where professional status and success presented the same prospects for both sexes. In this volume in her series for TASCHEN, leading graphic designer Yang Liu tackles one of the hottest, and one of the oldest, topics of all: he and she. Drawing on the experiences, challenges, and many perspectives on men and women she has encountered in her own life, Yang Liu distills the vast, swirling question of gender into bold, binary pictograms. Dealing with a whole host of situations from the bedroom to the boardroom, Yang Liu's designs are as simple and accessible in their presentation as they are infinite in the associations, evocations, and responses they elicit. Combining age-old stereotypes with topical discrepancies, this fresh approach to the roles and relationships of men and women is, above all, an effort to synthesize a notoriously thorny issue into a fun and refreshing graphic form, and thus to lighten and enlighten our mutual understanding and tolerance.

When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren't lead characters; they're sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel's best-seller list for the year, and the rest is history. Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn't always easy. He often seemed on the verge of defeat against the rogue's gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man's greatness goes to co-creator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever. This XXL-sized collector's dream, close in size to the original artworks, features the first 21 stories of the world's favorite web slinger from 1962-1964. Rather than recolor the original artwork (as has been done in previous decades' reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era's inexpensive, imperfect printing-as if hot off of a world-class 1960s printing press. Three different paper stocks, including an uncoated and woodfree paper, were exclusively developed for this series to simulate the feel of the original comics.

Pierre-Auguste Renoir's (1841-1919) timelessly charming paintings still reflect our ideals of happiness, love, and beauty. Derived from our large-format volume, the most comprehensive retrospective of his work published to date, this compact edition examines the personal history and motivation behind the legend. Though he began by painting landscapes in the Impressionist style, Renoir found his true affinity in portraits, after which he abandoned the Impressionists altogether. Though often misunderstood, Renoir remains one of history's most well-loved painters-undoubtedly because his works exude such warmth, tenderness, and good spirit. In an incisive text tracing the artist's career and stylistic evolution, Gilles Neret shows how Renoir reinvented the painted female form, with his everyday goddesses and their plump contours, rounded hips and breasts. Renoir's later phase, marked by his return to the simple pleasure of the female nude in his Bathers series, was his most innovative and stylistically influential, and would inspire such masters as Matisse and Picasso. With a complete chronology, bibliography, photos, sketches, and brilliant reproductions, this is the essential work of reference on this enduring master artist. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

With the consumerist euphoria of the fifties still going strong and the race to the moon at its height, the mood of advertising in the sixties was cheerful, optimistic, and at times, revolutionary. The decade's ads touted perceived progress-such as tang and instant omelets - "just add water"-while striving to reinforce good old American values. Stars like Sean Connery, Woody Allen, Salvador Dali, and Sammy Davis Jr. endorsed everything from bourbon to handmade suits in an attempt by Madison Avenue to urge Americans to open their wallets and participate in one giant consumer binge. Social change at the end of the era brought psychedelic swirls and liberated women and minorities to a newly conscious public. Keep an eye out for some of the more surprising and controversial ads-such as Tupperware billing its storage container as a "wifesaver." From forgotten cars, to cigarettes to food and much more, this colorful collection of print ads explores the wide, wonderful world of 60s Americana.

The USA is one of the most varied and fascinating countries in the world. Its areas of natural beauty such as the Pacific Coast, the Yosemite National Park, and Monument Valley are the stuff of great cinema (Hollywood finds its best settings practically in its backyard). For everyone who explores the USA beyond its big cities on a classic road trip, on the trail of Native Americans and pioneers, in the mountains or by lakes and beaches, unforgettable moments are guaranteed. In Great Escapes USA, Angelika Taschen presents remarkable places to stay through impressive photography, entertaining texts, and practical details on how to get there, prices, and tips for books and films. Her journey starts on the East Coast, where intellectuals and artists once met in idyllically located country houses such as the Twin Farms in Vermont and Troutbeck in New York State. It continues to the South, where The Moorings Village and Hotel Peter & Paul, for example, tell of the history of Florida and Louisiana, and Southern belles such as the Commodore Perry Estate in Austin, Texas reveal their glamor. Dunton Hot Springs, once a miners' camp in Colorado, now transformed from a ghost town to an upscale rustic resort, lies on the route, just like the urban utopia that is Arcosanti in Arizona, conceived by the architect Paolo Soleri in the 1970s. The trip comes to a wonderful conclusion in California with unique hotels such as Deetjen's Big Sur Inn, where many famous writers have stayed in the Norwegian-influenced wooden cabins, laid-back motels like The Surfrider Malibu, which is all about the California dream, and heavenly destinations for gourmets, for example SingleThread in Sonoma County with its three Michelin stars. The photography in this opulent publication presents hotels in the tradition of great architects such as Frank Lloyd Wright as well as the work of young contemporary designers and buildings in the typical American mid-century style. A horse ranch, a glamping site, even a hippie bathhouse and vintage mobile homes are also included - places as varied as the USA itself!

Before reaching the tender age of 30, Michelangelo Buonarroti (1475-1564) had already sculpted Pieta and David, two of the most famous sculptures in the entire history of art. As a sculptor, painter, draftsman, and architect, the achievements of this Italian master are unique-no artist before or after him has ever produced such a vast, multifaceted, and wide-ranging oeuvre. This fresh TASCHEN edition traces Michelangelo's ascent to the cultural elite of the Renaissance. Ten richly illustrated chapters cover the artist's paintings, sculptures, and architecture, including a close analysis of the artist's tour de force frescoes in the Sistine Chapel. Full-page reproductions and enlarged details allow readers to appreciate the finest details in the artist's repertoire, while the book's biographical essay considers Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his immense wealth, and his skill as a property investor.

By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. "I was writing these characters and I thought it would fun to put them together in a team," he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk to create the Avengers. Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn't choose. Not everyone got along-the Hulk fought with everyone-but working together they could defeat the baddest of Marvel's bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes-and Avengers-and the group's founding members shockingly departed, leaving Captain America to lead the newly-minted heroes. Relive the classic early adventures of Avengers Nos. 1-20 in an XXL-sized edition that's bigger than the Hulk's fist, weightier than Thor's hammer, and with more extras than Iron Man's armor. TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has then been digitally remastered using modern retouching techniques to correct problems with the era's inexpensive, imperfect printing-as if hot off of a world-class 1960s printing press. Accompanying the stories are an original foreword by Marvel Studios President Kevin Feige and an in-depth history by the Eisner Award-winning writer Kurt Busiek that's illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth's Mightiest Heroes is worthy of Tony Stark's library-or yours.

The Alps are Europe's biggest and greatest mountain range. Formed millions of years ago, they became a popular destination for travelers in the late eighteenth century - first for adventurers and explorers, then for artists and writers, and finally for everyone who wanted to spend summer in the fresh air of this wonderful scenery or take part in winter sports. Angelika Taschen has followed in their footsteps and collected the finest hotels in the Alpine nations of Germany, Austria, Switzerland, France, and Italy. They include the Kranzbach near Garmisch-Partenkirchen, built for a British aristocrat, Gasthof Hirschen in the Bregenzerwald, where art-loving visitors have been welcomed since 1755, and the Seehof near Salzburg with its emphasis on contemporary art and fine cuisine. The journey goes to Waldhaus Sils in Sils Maria, where many creative guests have found inspiration, to the Schatzalp in Davos, which Thomas Mann immortalized in literature in "The Magic Mountain", and to picturesque bed & breakfasts with a personal touch such as Brucke49 in Vals and Maison Bergdorf in Interlaken. High above Chamonix, mountaineers have stayed overnight for more than 140 years at Refuge du Montenvers with its view of the Mer de Glace, the largest glacier in France. In the exclusive Megeve, too, which Baroness Noemie de Rothschild put on the tourist map, travelers experience the Alps a la francaise in the chalet hotel L'Alpaga; and a bit of Italian dolce vita is provided by stunning addresses in the South Tyrol such as the Ottmangut in Merano, Villa Arnica in Lana with its nostalgic atmosphere, and Pension Briol near Barbiano, constructed in 1928 in the Bauhaus style and extended in 2021 with the addition of two extremely modern buildings. This opulent book of photographs presents the Alpine range and accommodation in large-format images, short texts, and useful details on prices and how to get there. Walkers, skiers, gourmets, and lovers of good living will find valuable tips and very special accommodation: former monasteries where guests still find peace and seclusion, a mountain hut at the heart of the Dolomites, and a youth hostel occupying what was once a sanatorium, a rare example of modern architecture in Switzerland that was declared a heritage monument in 2002.

Angela Merkel: an era ends-and with it a project unique in the world. Between 1991 and 2021 this remarkable politician was photographed year after year, with a short hiatus, by Herlinde Koelbl. Each time they came together, a headshot and a three-quarter-length shot were taken before a plain white background; images that document with authenticity the astonishing ascent of a 37-year-old political outsider to one of the most powerful politicians in the free world. This long-term photo study strikingly shows how the traces of power changed Merkel, who at the start of this extraordinary photographic ritual was still almost 15 years away from becoming the first woman chancellor of Germany. What did she have to learn, how did she have to change in order to persist, indeed to survive politically? How did politics impact her private life? The renowned photo artist succeeded in capturing Merkel's human side through other means apart from her camera lens. Usually extremely reserved, the politician answered Koelbl's questions with such surprising openness and intimacy that, according to the Guardian, the two women share "one of the most unusual relationships in modern politics." Herlinde Koelbl presents a documentary portrait in words and images, of a kind that does not exist for any other global leader. It travels through time, spanning the Angela Merkel epoch-from the first year to the last. It is the portrait of an extreme physical and psychological transformation, and the written record of a unique rapport. Also available as an Art Edition of 125 copies (No. 1-125), with the print Angela Merkel, 1994/2018, signed by Herlinde Koelbl

With almost 300 entries, this architectural A to Z offers an indispensable overview of the key players in the creation of modern space. Covering modern architecture from the 19th into the 21st century, pioneering architects are each featured with a portrait and a concise biography, as well as a description of his or her important work. Like a bespoke global architecture tour, this book will allow you to travel from Manhattan skyscrapers to a Japanese concert hall, from Antoni Gaudi's Palau Guell in Barcelona to Lina Bo Bardi's sports and leisure center on a former factory site in Sao Paulo. You'll take in Gio Ponti's colored geometries, Zaha Hadid's free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh's unique blend of Scottish tradition and elegant japonisme. The book's A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student, or devotee.

Through the turbulent passage of time, graphic design?with its vivid, neat synthesis of image and idea?has distilled the spirit of each age. Surrounding us every minute of every day, from minimalist packaging to colorful adverts, smart environmental graphics to sleek interfaces: graphic design is as much about transmitting information as it is about reflecting society’s cultural aspirations and values. With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year, a running sequence of design milestones. This collection of important graphic works represents a long-overdue reflection on the development of a creative field constantly changing and challenging itself. These key pieces act as coordinates through contemporary history, helping us trace the sheer influence of graphic design on our daily lives. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program?now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Leonhart Fuchs (1501–1566,) was a founding father of modern botany, honored to this day in the vivid flower, and corresponding color, Fuchsia. In 1543, Fuchs combined his masterful botanical knowledge with groundbreaking medical research in his New Herbal, a catalog of some 500 types of plants and their healing properties. While a dependable scientific reference, The New Herbal won fame above all with the detail and quality of its illustrations. Alongside essays describing the plants’ features, origins, and medicinal powers, Fuchs presented each plant with meticulous woodcut illustrations, refining the ability for swift species identification and setting new standards for accuracy and quality in botanical publications. From the age of great exploration, The New Herbal also documented plant types from the recently discovered New World, offering the first visual record of tobacco, maize, kidney bean, and cactus. This edition is based on Fuchs’s personal, hand-colored copy, which has miraculously survived four-and-a-half centuries in pristine condition. Fascinating for historians of medicine and art, gardeners, and anyone interested in herbal medicine, the volume features over 500 splendid illustrations, and an essay exploring the history of healing herbs.

If you've ever wondered what goes through architects' minds when they design buildings, you'll be happy to know that there's no shortage of brilliant reading material to satisfy your curiosity. Wading through the archives at your local library may prove fruitful to your endeavor, but it won't give you the instant gratification that Architectural Theory will. This book brings together all of the most important and influential essays about architecture written since the Renaissance, copiously illustrated and neatly organized chronologically by country. From Alberti and Palladio to Le Corbusier and Koolhaas, the best treatises by architecture's greatest masters are gathered here, each accompanied by an essay discussing its historical context and significance. This is the all-in-one, must-have book for anyone interested in what architects have to say about their craft. The comprehensive overview that will help transform even the most uninformed novices into well-informed connoisseurs!

Countless global brands, including Rolex, BMW, Louis Vuitton, and the New York Yankees, still use logos that were designed over 100 years ago. Yet there has never been a monograph devoted to the origins of logo design. In the second half of the 19th century, the trademark replaced traditional symbols such as the family coat of arms as a promotional and identifying symbol for companies. At first, the designs were often still figurative; only gradually did they develop into the abstract marks that have become fixtures in everyday life today. Author Jens Müller, described as the “logo detective” by Wired magazine, examined historical trademark registers, international corporate archives, and early design publications to unearth more than 6,000 logos from 1870 to 1940. This unparalleled collection traces the development of modern trademarks and sheds light on forgotten designs and early versions of famous logos. The catalog is divided into four design categories: “Figurative,” “Form,” “Effect,” and “Typographical.” Each chapter is then systematically subdivided according to basic elements of design such as circle, line, overlap, and outline, thus offering a new perspective on design principles that are still relevant today. Along with an extensive picture section, the book comprises an introduction by Jens Müller on the history of the trademark as well as a reproduction of the first comprehensive examination of modern corporate logos: the influential design pioneer F.H. Ehmcke’s (1878–1965) illustrated essay “Wahrzeichen?Warenzeichen” (Symbols?trademarks) from 1921. Also included are ten case studies of famous trademarks, including those of 3M, NBC, Shell, and Olivetti, and numerous rare images illustrating the?at times varied, at times consistent?developments in international logo design and the birth of the corporate identity. Logo Beginnings is not only a fundamental and inspiring graphic design manual but also an excellent read for anyone interested in social, cultural, and corporate history and the fascinating impact of trademarks. It is also the perfect complement to the TASCHEN classic Logo Modernism.

"A woman once rang me up and said, 'Mr. Escher, I am absolutely crazy about your work. In your print Reptiles, you have given such a striking illustration of reincarnation.' I replied, 'Madame, if that's the way you see it, so be it.'" A fittingly sly comment from renowned Dutch graphic artist Maurits Cornelis Escher (1898-1972), whose complex and ambiguous drawings continue to leave hasty interpretations far behind. Long before the first computer-generated 3-D images, Escher was a master of the third dimension. His lithograph Magic Mirror dates as far back as 1946. By taking such a title for the book, mathematician Bruno Ernst stressed the enrapturing spell Escher's work invariably casts on those who see it. Ernst visited Escher every week for a year, systematically talking through his entire oeuvre with him. Their discussions resulted in a friendship that gave Ernst intimate access to the life and conceptual world of Escher. Ernst's account was meticulously scrutinized and made accurate by the artist himself. Escher's work refuses to be pigeonholed. Scientific, psychological, or aesthetic criteria alone cannot do it justice. The questions remain: Why did he create the pictures? How did he construct them? What preliminary studies were necessary before achieving the final version? And how are his various creations interrelated? This updated and redesigned edition of a true classic-complete with biographical data, 250 illustrations, and a thorough breaking-down of each mathematical problem-offers answers to these and many other lingering mysteries, and is an authentic source text of the first order.