Taschen strana 9 z 82

In this unique monograph, Jeanloup Sieff (1933-2000) retraces in words and images the course of 40 years of photographs, encounters, and memories. Divided into four chapters, from the 50s to the 90s, the book brings together the major photographs of a creator who left his imprint on a generation with prolific work in the fields of fashion, landscape, advertising, and portrait photography. Sieff's art testifies to his tireless quest to capture the fleeting beauty of "temps perdu," or "time which cannot recur."

It has been called the single most historic event of the 20th century: On July 20, 1969 Neil Armstrong, Buzz Aldrin and Michael Collins met John F. Kennedy's call for a manned Moon landing by the end of the 1960s. A decade of tests and training, a staff of 400,000 engineers and scientists, a budget of $24 billion, and the most powerful rocket ever launched all combined in an unprecedented event watched by millions the world over. And no one captured the men, the mood, and the machinery like Norman Mailer. One of the greatest writers of the 20th Century, Norman Mailer was hired by LIFE magazine in 1969 to cover the Moon shot. He enhanced his reportage in the brilliantly crafted book, Of a Fire on the Moon, which is excerpted here. Equally adept at examining the science of space travel and the psychology of the men involved—from Saturn V rocket engineer Wernher von Braun, to the crucial NASA support staff, to the three astronauts—Mailer provides provocative and trenchant insights into this epoch-making event. Illustrating this volume are hundreds of photographs and maps from the NASA vaults, magazine archives, and private collections. These images document the development of the agency and the mission, life inside the command module and on the Moon’s surface, and the world’s jubilant reaction to the landing. This edition includes an original introduction by Colum McCann and captions by leading Apollo 11 experts, explaining the history and science behind the images, citing the mission log and publications of the day, and post-flight astronaut interviews. The book you couldn't get your hands on is finally available as the first publication in TASCHEN's new series of GOLDEN BOOKS, created to celebrate the company's 30th anniversary! Originally published as a TASCHEN Limited Edition, Norman Mailer's MoonFire sold out instantly and earned accolades from publications the world over.

We tend to divide buildings into two basic categories—private structures such as houses, and public buildings like railway stations, concert halls or museums. Public buildings have limits of their own: whether a courthouse or an airport, a stadium or college campus, questions of style, function or cost are clearly posed. Resolving such tensions is just one of many serious questions that arise when the definition of public architecture is at stake. This book explores the most creative responses to these and related issues, and shows how in recent years, public architecture has undergone a tremendous upheaval, an aesthetic awakening of sorts. Where solidly classical and staid designs were the norm, aesthetic daring and innovation are now increasingly rewarded, as celebrated architects from Herzog & de Meuron to Jean Nouvel have blazed a trail for a new generation of truly public buildings—structures that combine access for the many, with quality once reserved for the few. Public Architecture Now! highlights the groundbreaking and breathtaking new public architecture now appearing around the world, from Spain to Norway, via Chile, China and the USA.

This compendium showcases the extraordinary cutting-edge work of 100 of the world's most progressive graphic designers, from the hard-hitting political messages of Jonathan Barnbrook to the lyrical digital compositions of Peter Saville to the iconoclastic imagery of Stefan Sagmeister. Alongside the array of visually stunning and thought-provoking advertisements, CD covers, posters, packaging, websites, and corporate identities are texts by each designer expressing his or her individual approach to graphic design practice as well as personal insights into the motivations that lie behind the work. An accompanying introductory essay highlights the current issues surrounding graphic design practice, from the ascendancy of digital tools to the amorality of consumerism. By presenting a provocative survey of the most experimental and forward-looking graphic design from around the globe, this book provides a unique and totally unforgettable snapshot of where the discipline stands today and hopefully offers directions for its future. Contemporary Graphic Design is absolutely essential to anyone interested in the power of images.

Following the success of Illustration Now!, this installment presents a new selection of illustrators from all around the world on a budget price. Whereas the first volume brought together a fascinating mix of star illustrators and brand new faces that together formed the face of illustration around the world, Illustration Now! Vol. 2 is even more exciting, featuring illustrators from over 20 countries, with styles ranging from cutting edge to traditional. Also included is a dialog between design specialist Steven Heller and German illustrator Christoph Niemann about illustration’s role in the world today. This book is perfect not only for creative professionals and illustration students, but also artists and anyone with an appreciation for visual language.

Featuring 60 success stories, from clients' briefings to final projects, this book, which follows on from the best selling Guidelines for Online Success title, provides detailed studies divided into five chapters: e-Commerce, Corporate Sites, Campaigns, Social Media, and Promotional Sites. These subjects form the core of what the web can offer to every person or institution, and knowing how these projects were developed can help differentiate your business or online presence from that of your competitors. Strategies examined range from those of giant corporations to small businesses, but all have a common goal: a successful, efficient and cost-effective investment on the web. Each project is laid out in terms of Brief, Challenge, Strategy and Results. From Coca-Cola to Prince of Persia, from Diesel to Domino's Pizza, this book shows how successful businesses of any size can devise an effective online presence, and features the work of strategic innovators such as Ajaz Ahmed, Alex Bogusky, and Jeff Goodby.

With the addition of just a few letters or an image the simple T-shirt can become a personal billboard. What started as the standard issue undershirt of the U.S. military, by the mid-1970s had evolved into a means of self-expression and individualism. Musical taste, political slant, favorite TV show or movie, vacation destination and brand preference — it's all on a tee. From DIY to the mass market, the printed T-shirt has been embraced by fashion designers and artists, street culture and brand-building corporations. Yet its basic form and function are unchanged. This quintessentially American item — best teamed with a pair of blue jeans — remains the simplest and most direct way of broadcasting our ideals and allegiances, sense of humor and cultural passions. Selected from the collection of Patrick and Marc Guetta, owners of World of Vintage T-Shirts on Melrose Avenue in Los Angeles, this book assembles over 650 stone-cold classics of the genre. Drawn primarily from the golden era of the 1970s and 1980s, these vintage T-shirts are not merely nostalgic artifacts; they represent an historical record of political, popular and corporate thought in America. Vintage T-Shirts documents the most striking variations on this infinitely versatile garment. With an introduction on the history of the T-shirt in American popular culture by Alison A. Nieder, Vintage T-Shirts is an essential work of reference for anyone interested in pop culture, fashion, or graphic design.

This title presents the nitty-gritty of basic patternmaking. Off-the-peg too bland or doesn't fit? Made-to-measure too expensive? Then why not do it yourself? This volume explains the nitty-gritty of basic patternmaking, laying the essential foundations for anyone taking their first steps in tailoring and dressmaking. Four fundamental garments - skirt, dress, jacket and coat - are used to explain patterns step by step, with clear sequences of photographs and descriptions. Gradually, the reader is enabled to tackle ever-increasing complexity in patternmaking, moving toward such activities as customizing, the creative adaptation of basic models, and deriving patterns from pictures.

Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." Byrne is not content to trust solely in the supposed intuitive "logical" structure of Euclid's axioms and theorems – who doesn't know the first famous sentences of Euclid's Elements: "I. A point is that which has no parts. II. A line is length without breadth"? –, but translates them into colourful diagrams and symbols. He thereby thinks in terms of the school classroom: he compares his colours to the dyed chalks in which figures are drawn on the blackboard. Oliver Byrne (c. 1810–c. 1880) was an Irish author and civil engineer. Little is known about his life, though he wrote a considerable number of books. As Surveyor of Her Majesty's Settlements in the Falkland Islands, Byrne had already published mathematical and engineering works, but never anything like his edition on Euclid. This remarkable example of Victorian printing has been described as one of the oddest and most beautiful books of the 19th century. Each proposition is set in Caslon italic, with a four-line initial, while the rest of the page is a unique riot of red, yellow and blue. On some pages, letters and numbers only are printed in colour, sprinkled over the pages like tiny wild flowers and demanding the most meticulous alignment of the different colour plates for printing. Elsewhere, solid squares, triangles and circles are printed in bright colours, expressing a verve not seen again on the pages of a book until the era of Dufy, Matisse and Derain.

Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted David and Pièta, two of the most famous sculptures in the entire history of art. Like fellow Florentine Leonardo da Vinci, Michelangelo was a shining star of the Renaissance and a genius of consummate virtuosity. His achievements as a sculptor, painter, draughtsman, and architect are unique—no artist before or after him has ever produced such a vast, multi-faceted, and wide-ranging oeuvre. Only a handful of other painters and sculptors have attained a comparable social status and enjoyed a similar artistic freedom. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo’s monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his talent that Michelangelo was considered a demigod by his contemporaries and was the subject of two biographies during his lifetime. The edition explores Michelangelo's life and work in depth and detail. The different parts of the book concentrate on the life of Michelangelo via an extensive and copiously illustrated biographical essay and include gorgeous, full page reproductions and enlarged details that bring readers up close to the works. This sumptuous tome also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. This survey of Michelangelo's life and oeuvre is a basic reference for every art lover.

It was the Belle Époque, a time before air travel or radio, at the brink of a revolution in photography and filmmaking, when Burton Holmes (1870–1958) began a lifelong journey to bring the world home. From the grand boulevards of Paris to China's Great Wall, from the construction of the Panama canal to the 1906 eruption of Mount Vesuvius, Holmes delighted in finding "the beautiful way around the world" and made a career of sharing his stories, colorful photographs, and films with audiences across America. As a young man, Holmes was mentored by John L. Stoddard, a pioneer of the U.S. travel lecture circuit, who passed on his well-established mantle when he retired. Holmes roamed the globe throughout the summer and traversed the United States all winter, transforming the staid lecture tradition into an entertaining show. He coined the term "travelogue" in 1904 to advertise his unique performance and thrilled audiences with two-hour sets of stories timed to projections of multihued hand-painted glass-lantern slides and some of the first "moving pictures." Paris, Peking, Dehli, Dubrovnik, Moscow, Manila, Jakarta, Jerusalem: Burton Holmes was there. He visited every continent and nearly every country on the planet, shooting over 30,000 photographs and nearly 500,000 feet of film. This book represents the best of the Holmes archive, brimming with brilliant color photographs. A rare window on the world of 100 years ago, Burton Holmes's Early Travel Photography will transport you to a time that has all but evaporated, and inspire you to strike out on a journey of your own.

As special photographer on the sets and locations of Francis Ford Coppola's The Godfather trilogy, Steve Schapiro had the remarkable experience of witnessing legendary actors giving some of their most memorable performances. Schapiro immortalized Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall and Diane Keaton in photos that have since become iconic images, instantly recognisable and endlessly imitated. Gathered together for the first time in this book are Schapiro's finest photographs from all three Godfather films, lovingly reproduced from the original negatives. With contextual essays and interviews covering the trilogy in its entirety, this book contains over 400 color and black & white images. Schapiro's images take us behind the scenes of this epic and inimitable cinematic saga, revealing the director's working process, capturing the moods and personalities involved, and providing insight into the making of movie history. Previously restricted to 1,000 Limited Edition copies, this is the unlimited trade edition for cinephiles and 'family' members on a budget!

The Kama Sutra gives detailed instructions on how to spank it. Contemporary Italians touch it for luck before placing a bet. Americans are having it cosmetically enhanced at rates approaching breast enlargement surgery. The female butt, tush, culo, or derrière has always inspired awe, fantasy, and slavish devotion. Curiously, its primary purpose is functional rather than aesthetic: butts balance our bodies while running, according to biologists. But ask any pygophiliac—as fundament fans are clinically termed—and you'll get the same answer: female hindquarters exist to please the eye, the hands, and parts south. A pert posterior causes instant arousal, as Zora Neale Hurston observed in Their Eyes Were Watching God: "The men noticed her firm buttocks like she had grape fruits in her hip pockets." Or, as rapper Sir Mix-a-lot proclaimed, "My anaconda don't want none, unless you’ve got buns, hun." Having all but disappeared from western culture in the breast-obsessed second half of the 20th century, the fully formed fanny is currently enjoying a massive resurgence, attributed by some to American actress Jennifer Lopez, by others to the rise of booty-centric hip hop culture. Yet this rage for shapely butts is nothing new. The ancient Greeks worshipped at the temple of Aphrodite Kallipygos, Goddess of the Beautiful Buttocks, while a womanly rump has always been an object of worship in most of the southern hemisphere. The Big Butt Book explores this perennial fascination with female booty—from small and taut to large and sumptuous—in the fourth installment of Dian Hanson's critically acclaimed body parts series. Over 400 photos from 1900 to the present day, including works by Elmer Batters, Ellen von Unwerth, Jean-Paul Goude, Ralph Gibson, Richard Kern, Jan Saudek, Ed Fox, Terry Richardson and Sante D'Orazio, of butts ranging from petite Pam Anderson's to sumptuous Serena Williams', are contextualized by interviews with porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, artist Robert Crumb, bootylicious butt queens Buffie The Body, Coco and Brazil's Watermelon Woman, plus Eve Howard and her life-long spanking obsession.

This is a stunning achievement in zoological illustration. Samuel Fallours began as a common soldier in the service of the Dutch East India Company, though later, between 1706 and 1712, held the title of Associate Curate, entrusted with consoling the sick of Ambon. By 1703, his artistic abilities had been discovered by several of the company's prominent officials, including Francois Valentijn, his immediate superior. With the rise in his work's popularity and heavy demand, Fallours made - or hired native artists to make - multiple copies of all his drawings. These he sold or presented as gifts to influential people back home. In addition, he copied drawings by other artists, particularly those of Isaac Johannes Lamotius. The result was a number of sets of approximately similar drawings, depicting hundreds of animals, mostly fishes but also crustaceans, insects, a dugong, and even a mermaid. Some of these became the basis for 18th-century publications, among them Louis Renard's "Poissons, Ecrevisses et Crabes" (1719) and Francois Valentijn's "Verhandeling der Ongemeene Visschen van Amboina", a chapter in his "Oud en Nieuw Oost-Indien" (1724-1726). These beautiful, elaborately detailed and brilliantly colored drawings provide an extraordinary description of marine fish fauna of the East Indies that can still be interpreted in light of present-day scientific knowledge. From an artistic and historical viewpoint, these drawings are among the finest natural history illustrations ever made.

To travel through Italy is as close as one gets to being in paradise. For centuries, writers, artists, architects and merchants have been drawn here, inspired by the beauty of Venice, Florence, Naples and Rome. Countless books, paintings, poems and sculptures are evidence of its undying appeal, and over the past 60 years, the country has become one of the world's top travel and holiday destinations. The loveliness of Italy—its architecture, landscapes, culture and food (some of the world’s finest!) — if not eternal, is certainly enduring, and the easy-going and relaxed Italian lifestyle, il dolce far niente, is still unrivaled. Here, some of Italy's most amazing landscapes are brought to life, like Lake Como (residence of George Clooney), Venice, Florence and Tuscany, the Amalfi Coast, and no less magical, the Aeolian Islands off the coast of Sicily. In these mythical surroundings are legendary hotels full of atmosphere, where novels are set, movies are made, weddings are celebrated and famous love stories consummated: Villa d'Este on Lake Como, the Hotel Splendido in Portofino, the Il San Pietro on the Amalfi Coast and the Villa Cimbrone in Ravello—to name just a few. But in Great Escapes Italy, Angelika Taschen also reveals where to find more secret and hidden jewels—from the Locanda Cipriani, a romantic hideaway on the island of Torcello, to the atmospheric Castello di Vicarello in Tuscany.