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The first-ever exhibition curated by Peter Lindbergh himself, shortly before his untimely death, Untold Stories at the Düsseldorf Kunstpalast served as a blank canvas for the photographer’s unrestrained vision and creativity. Given total artistic freedom, Lindbergh curated an uncompromising collection that sheds an unexpected light on his colossal oeuvre. This book offers an extensive, firsthand look at the highly personal collection. Renowned the world over, Lindbergh’s images have left an indelible mark on contemporary culture and photo history. Here, the photographer experiments with his own oeuvre and narrates new stories while staying true to his lexicon. In both emblematic and never-before-seen images, he challenges his own icons and presents intimate moments shared with personalities who had been close to him for years, including Nicole Kidman, Uma Thurman, Robin Wright, Jessica Chastain, Naomi Campbell, Charlotte Rampling and many more. This volume presents more than 100 photographs - many of them unpublished or short-lived, often having been commissioned by monthly fashion magazines such as Vogue, Harper’s Bazaar, Interview, Rolling Stone, W Magazine, or The Wall Street Journal. An extensive conversation between Lindbergh and Kunstpalast director Felix Krämer, as well as an homage by close friend Wim Wenders, offer fresh insights into the making of the collection. The result is an intimate personal statement by Lindbergh about his work.

An illustrated edition of James Baldwin’s The Fire Next Time, with photographs by Steve Schapiro First published in 1963, James Baldwin’s The Fire Next Time stabbed at the heart of America’s so-called “Negro problem.” As remarkable for its masterful prose as for its frank and personal account of the black experience in the United States, it is considered one of the most passionate and influential explorations of 1960s race relations, weaving thematic threads of love, faith, and family into a candid assault on the hypocrisy of the “land of the free.” Now, James Baldwin’s rich, raw, and ever relevant prose is reprinted with more than 100 photographs from Steve Schapiro, who traveled the American South with Baldwin for Life magazine. The encounter thrust Schapiro into the thick of the movement, allowing for vital, often iconic, images both of civil rights leaders—including Dr. Martin Luther King Jr., Rosa Parks, Fred Shuttlesworth, and Jerome Smith—and such landmark events as the March on Washington and the Selma march. Rounding out the edition are Schapiro’s stories from the field, an original introduction by civil rights legend and U.S. Congressman John Lewis, captions by journalist Marcia Davis, and an essay by Gloria Baldwin Karefa-Smart, who was with her brother James in Sierra Leone when he started to work on the story. The result is a remarkable visual and textual record of one of the most important and enduring struggles of the American experience. First published as a TASCHEN Collector’s Edition, now available in a pocket-sized Centennial Edition.

Of all building materials in the world, brick is one of the most enduring and ubiquitous. Traces of brickmaking date back to 7500 BC and fired brick first made its appearance in about 3500 BC. Since then, the trusty brick has shown amazing resilience and remains one of the mainstays of contemporary architecture. Rooted in tradition in countries as different as China and the Netherlands, it is inexpensive, flexible in use, and can also be ecologically fabricated. This comprehensive volume tours the world to cover the most exciting and innovative brick buildings of the past 35 years, from Paraguay to New Zealand. True to all TASCHEN architecture tomes, it includes new talents like Sanchit Arora from RENESA as well as established starchitects such as Renzo Piano and Peter Zumthor. Featured buildings showcase the variety of brick applications across cultural, domestic, infrastructure, and leisure spaces, including Tate Modern Switch House in London by Herzog & de Meuron, D'Houndt + Bajart's Boa School Restaurant in Lille-Lomme, and MASS Design's Maternity Waiting Village in Kasungu, Malawi.

The turn of the 20th century was a golden era in France. It was an age of peace, prosperity, and progress after a series of bruising wars and turmoil within the French Republic, culminating in the Franco-Prussian War, which had ended in 1871. From the ruins of conflict, the Belle Époque brought joie de vivre flourish, a boom in art, design, industry, technology, gastronomy, education, travel, entertainment, and nightlife. Through some 800 vintage photographs, postcards, posters, and photochromes from the extensive archives of Marc Walter and Photovintagefrance, France 1900 follows up on TASCHEN's best-selling vintage photographic collections Italy 1900, The Grand Tour, and America 1900 to provide a precious record of France in all its turn-of-the-century glory. With the photochrome technique used in many of the images restoring the past to vivid color, we enjoy a bristling close, bittersweet, encounter with this hopeful age: the brave, stony splendor of the Mont Saint-Michel; the icy peaks of Chamonix; and the honey light of the Côte d'Azur. With an introduction, six essays, and detailed commentary by Sabine Arqué exploring the stories behind the pictures, this is an unrivalled portrait of a nation on the cusp of the century and of its poignant exuberance before the paroxysm of the First World War. While paying tribute to the precious Belle Époque, crushed by the traumas of history, it also celebrates the unwavering allure of La Belle France, its beauty, culture, traditions, and legendary romance.

Assembling the definitive Marvel Age Avengers anthology By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk to create the Avengers. Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn’t choose. Not everyone got along—the Hulk fought with everyone—but working together they could defeat the baddest of Marvel’s bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes—and Avengers—and the group’s founding members shockingly departed, leaving Captain America to lead the newly minted heroes. Relive the classic early adventures of Avengers Nos. 1–20 now available as a compact trade edition. TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has then been digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press. Accompanying the stories are an original foreword by Marvel Studios President Kevin Feige and an in-depth history by the Eisner Award-winning writer Kurt Busiek that’s illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth’s Mightiest Heroes is worthy of Tony Stark’s library—or yours. © 2024 MARVEL

Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars universe as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia and the horrific Darth Vader, servant of the dark, malevolent Emperor. Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, which he combined with innovative editing techniques and a heightened sense of sound to give audiences a unique sensory cinematic experience. In this first volume, made with the full cooperation of Lucasfilm, Lucas narrates his own story, taking us through the making of the original trilogy-Episode IV: A New Hope, Episode V: The Empire Strikes Back, and Episode VI: Return of the Jedi-and bringing fresh insights into the creation of a unique universe. Complete with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters, this tome is an authoritative exploration of the original saga as told by its creator.

Santiago Calatrava is a world-renowned architect, structural engineer, sculptor, and artist. From the Athens 2004 Olympic Sports Complex to the World Trade Center Transportation Hub in Manhattan, he exhibits a remarkable twin prowess for aesthetics and engineering, a simultaneous sensitivity to both the appearance and the anatomy of a structure. His influences are wide-ranging: Auguste Rodin’s approach to sculpture and architecture, principles of classicism and Greek Cycladic art, NASA space design, and a deep admiration for nature, which he regards as both mother and teacher. Thus, Calatrava’s creations are at once aerodynamic and organic in their associations, with natural forms and human movement informing many of his projects. He takes a particular interest in the meeting point of equilibrium and dynamism. This monograph gathers detailed entries, photography, and the original watercolor sketches that set Calatrava aside as a unique creative master. It includes all of his original collaborative input, and projects such as the Mediopadana Station in Reggio Emilia, Italy, the Museum of Tomorrow in Rio de Janeiro, as well as recent works like the UAE Pavilion at Expo 2020 in Dubai, St. Nicholas Greek Church at Ground Zero in New York and Constellation, a large scultpure at River Point Park in Chicago.Will also be available as an Art Edition with a set of two lithographs by Santiago Calatrava and a custom-built box, limited to 300 copies and signed by the architect.

It's been thirty years since Laurence Anholt began his beloved series about great artists and the real children who knew them. Since then, these classic tales of Vincent van Gogh, Frida Kahlo, Pablo Picasso, Leonardo da Vinci, and many other geniuses of Western art have provided a springboard into a lifetime's love of art, selling millions of copies around the world. The stories have been adapted in many forms including ballet, opera, Braille editions for blind and partially sighted children, and a full-scale stage musical in Korea. Alongside Anholt's dazzling watercolor illustrations, this anniversary edition includes dozens of high-quality reproductions of the artists' work, child-friendly biographies of the artists, and interactive questions for young readers. Each story is closely based on historical events and extensive research. In many cases, Anholt visited the artists' homes and studios, walking in their footsteps and interviewing their relatives. He was granted private access to Monet's house in Giverny and became close friends with Sylvette David (now Lydia Corbett), Picasso's famous Girl with a Ponytail. In order to make the artists and their worlds accessible to young readers, Anholt employs a unique device in which the events are seen through the eyes of a child protagonist who actually knew the artist. In this way, readers are able to "piggyback" through the story, and artists who might otherwise be inaccessible become humanized. On a subconscious level, the reader absorbs many inspirational themes such as kindness, self-esteem, perseverance, creativity, and courage. Perhaps it is Anholt's gentle storytelling or his handcrafted illustrations. Perhaps it is his love for children and passion for his subject. One way or another, a whole generation of readers have found a lifelong love of art through his stories. And now they are passing that precious gift to their own children. The gift of art is golden.This volume features the following artists and their stories: Van Gogh and the Sunflowers, Frida Kahlo and the Bravest Girl in the World, Cézanne and the Apple Boy, Picasso and the Girl with a Ponytail, The Magical Garden of Claude Monet, Tell Us a Story, Papa Chagall, Degas and the Little Dancer, Leonardo and the Flying Boy.

Nothing succeeds like success, as the saying goes, but in the case of Donald Duck the opposite is true: the candor with which Donald reveals his weaknesses wins our hearts and stays with us forever. Revisit Donald's life's work from nine decades in one of the most expansive illustrated publications on the Disney universe. Following Walt Disney's Mickey Mouse: The Ultimate History by TASCHEN, we witness the career of Mickey's only rival for the throne as Disney's most popular creation. From his debut in the Silly Symphony short film The Wise Little Hen on June 9, 1934, the authors trace Donald's more than 170 cartoons, groundbreaking adventures in comics and TV, and theme park appearances. As a special treat to his fans, they also dive deep into the vaults to tell the story of his unfinished film projects. With unprecedented access to Disney's vast historical archives and collections as well as public and private collections, the authors illuminate Donald's life story with rare concept art, story sketches, background paintings, animation, and comic drawings as well as historical photographs. We encounter the work of all major Donald artists in both film and comics who defined his character, including a vast tribute to the "Duck Man" himself, master storyteller Carl Barks, alongside unseen early storyboard drawings. In the history of comics, Donald Duck is the most frequently printed figure outside the superhero genre, and has appeared on screen more often than any other Disney character. Since the 1950s, Duckburg has expanded into a truly global village, with American artists being joined by a new generation of international colleagues. As Carl Barks once said of Donald: "He is everything, he is everybody; he makes the same mistakes that we all make." He may often be unlucky, but this is precisely why everybody can relate to the world's most famous and best loved Duck, fittingly celebrated with this monumental tribute. Copyright © 2024 Disney Enterprises, Inc.

Frank Frazetta finally gets the beautiful book he deserves Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph. Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.

In 1952, after becoming one of the first-ever recipients of a Master of Science degree in Photography at Chicago's Institute of Design, native New Yorker Marvin E. Newman returned to his hometown. Like many artists before, he set about chronicling the city. Unlike his predecessors, Newman chose color photography as the preeminent medium for capturing the people and energy of New York, and its emergence in the 1950s as the self-proclaimed "Greatest City in the World." Lauded by the likes of Eastman House, MoMA, and the International Center of Photography, Newman's images remained, up until now, largely undiscovered beyond a prestigious collector and gallery circle. After featuring Newman in New York: Portrait of a City, TASCHEN now presents the artist's first career monograph including some 170 pictures from the late 1940s through the early 1980s, previously available in a Collector's Edition. Newman passed away in 2023 at the age of 95. From Times Square to Wall Street, from Broadway to Little Italy, Newman's vivid, original tableaux offer fresh perspectives on familiar New York landmarks but, above all, a unique sense for life in the city and for the drama and extremities that weld New York to so many hearts. Beyond New York, Newman applies the same flawless technique and humanist sensibility to other locations across the United States including Chicago, Kansas, a vintage 1950s circus; a legalized brothel in Reno, Nevada; Las Vegas; Alaska; and groovy 1960s California; as well as top shots from his sports photography portfolio featuring icons such as Cassius Clay and Pele´. Newman, who is represented by the prestigious Howard Greenberg Gallery, was long overdue a monograph. With an essay by critic and scholar Lyle Rexer, this first chronological retrospective offers due recognition to an outstanding talent, providing memorable images that leave their mark on the eye and the soul.

Peter Lindbergh photographed Dior's most exceptional muses, Marion Cotillard and Charlize Theron among them, and signed campaigns for Lady Dior and J'Adore with his inimitable style. Throughout his career, the photographer was one of the house's closest collaborators. This final book was an original cocreation that was close to the artist's heart-and to ours. Seventy years of Dior history projected against the effervescence of Times Square, New York: this was the concept behind Lindbergh's project, extraordinary both in scope and dimension, for which Dior, in an unusual move, allowed an unprecedented number of priceless garments to be taken from its vaults in Paris and shipped across the Atlantic. The result is electric. Amid the frenzy of Times Square, Alek Wek glows in the immaculate 1947 Bar suit, the storied ensemble that launched the House of Dior. In snatches of street scenes, models Saskia de Brauw, Karen Elson, and Amber Valletta flit through crowds and scaffolding, are reflected in building façades, and draped in haute couture, from pieces hand-sewn by Christian Dior to more recent designs by Maria Grazia Chiuri. Lindbergh's trademark monochrome and color photographs masterfully highlight the intricacies, silhouettes, and textures of each garment. Lindbergh himself is present in every aspect of this publication designed by his long-time collaborator and friend Juan Gatti. This volume features 165 never-before-published images from the shoot, including an introduction by Martin Harrison, and pays homage to Lindbergh's profound relationship with the Parisian House by curating more than 100 of his photographs of Dior creations, from haute couture to ready-to-wear, men's and women's, originally published in some of the world's most prestigious magazines such as Vogue and Harper's Bazaar. A breathtaking tribute to two pillars of fashion and photography and their timeless collaborations.

One of the most accomplished human beings who ever lived, Leonardo da Vinci (1452-1519) remains a quintessential Renaissance genius. The perfect companion to the Leonardo Graphic Work edition, this book is a compact catalogue raisonné of all of the artist's masterful paintings. Drawn from our best-selling XXL edition, the book traces the artist's life and work across 10 chapters, presenting all known paintings and drawing on his letters, contracts, diary entries, and writings to explore the man behind such groundbreaking artworks. From Virgin of the Rocks to Virgin and Child with St. Anne to the ever-beguiling Mona Lisa, you'll find some of the finest treasures of the Louvre, Prado, and National Gallery, London here, as well as Leonardo works lost to time, but no less startling in their precision and poise.

These extraordinary homes accentuate the cosmopolitan designs of such architectural talents as Gurjit Matharoo from India, Mohamed Amine Siana from Morrocco, and Mariko Mori from Japan. Building private houses, which can sometimes be quite small, they demonstrate creativity and technological inventiveness, shaping the architecture of tomorrow.

A building by Frank Lloyd Wright (1867-1959) is at once unmistakably individual and evocative of an entire era. Notable for their exceptional harmony with their environment, as well as for their use of steel and glass to revolutionize the interface of indoor and outdoor, Wright's designs helped announce the age of modernity, as much as they secured his place in the annals of architectural genius. This meticulous compilation from TASCHEN's previous monograph assembles the most important works from Wright's extensive, paradigm-shifting oeuvre into one authoritative overview of America's most famous architect. Based on unlimited access to the Frank Lloyd Wright Foundation's archives at Taliesin West in Arizona, the collection spans the length and breadth of Wright's projects, both realized and unrealized, from his early prairie houses, the Usonian concept homes, and the extraordinary Fallingwater to the Tokyo years, his designs for administrative buildings and places of worship, and later high-profile projects like the Guggenheim Museum in New York, as well as his fantastic visions for a better tomorrow with "The Living City."

In the years 1965 through 1967, Stan Lee and his art partner Don Heck guided the Avengers through their "Kooky Quartet" era with unbridled adventures and important character development. Hawkeye, Scarlet Witch, Quicksilver, and Captain America took on all comers, often in multi-part epics that pitted the Avengers against foes old and new, like the Enchantress, Doctor Doom and Kang.The Avengers of 1965-1967 also featured change within the ranks of the team and its creative stable. The Wasp and Giant-Man would rejoin Earth's Mightiest-the latter adopting a new costume and codename-and Black Widow and Hercules would join as guest stars. Lee would depart as writer in the summer of 1966, handing the keys to the Avengers over to newcomer Roy Thomas, whose earliest stories set the stage for his future glories carrying the title to a legacy filled with milestone after milestone.Avengers Nos. 21-40 are collected here in a volume that closely simulates the size and proportions of the original comic artboards; with comics sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection, meticulously photographed to resemble the way these comics looked when first published, while also being digitally remastered using modern retouching techniques to correct problems with the era's imperfect printing. A custom paper stock was developed exclusively for this series to replicate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves for combining an old school reading experience with a luxurious oversized book format, winning the industry's coveted Eisner Award for Best Publication Design. Complementing the comics is an essay by Black Panther writer Christopher Priest, whose lively style merges with a deep and abiding love for the comic book artform and its history. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera of the era.