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Do Ya Think I’m Sexy? The sexiest, funniest, weirdest record covers ever wrapped around vinyl Eric Godtland has worked in the record industry for over 35 years, and collected records since turning 12 in 1977. As manager of the American band Third Eye Blind from 1995 he traveled the world, exploring record stores in every country, adding to his collection. Sexy covers were not a priority, but always welcome. When Godtland switched to managing, and touring with, Village People in the 2010s he encountered such eccentric, comical and erotic covers in far-flung countries he concentrated on acquiring every sexy record cover ever produced. And he succeeded. The hundreds of covers in this book come from North and South America, Europe, Asia, Africa and Australia. Most are from small labels with limited production that were never seen outside their countries of origin. They range in age from Music Out of the Moon, the first electronic album, 1947, to punk band Dwarves Concept Album, 2023. Genres go from mainstream pop to Japanese jazz, German schlager, raunchy comedy and uncensored sex talk. The artists are well-known: Rolling Stones, James Brown, Charlie Mingus, 2 Live Crew and Queen; cult favorites: Chicks on Speed and comic Blowfly; and frankly profane: Sex Organs, V8 Wankers and The Pleasure Fuckers. All used sex to sell their music, as we’re using their wise decision to sell this sexy, surprising, entirely hilarious book.

A Date with Destiny The art of astrology, from ancient science to modern-day practice From the beginning of human history, individuals across cultures and belief systems have looked to the sky for meaning. The movement of celestial bodies and their relation to our human lives has been the central tenant of astrology for thousands of years. The practice has both inspired reverence and worship, and deepened our understanding of ourselves and the world around us. While modern-day horoscopes may be the most familiar form of astrological knowledge, their lineage reaches back to ancient Mesopotamia. As author Andrea Richards recounts in Astrology, the second volume in TASCHEN’s Library of Esoterica series, astronomy and astrology were once sister sciences: the King’s Chamber of the Great Pyramid at Giza was built to align with constellations, Persian scholars oversaw some of the first observatories, and even Galileo cast horoscopes for the Medicis. But with the Enlightenment and the birth of exact science, the practice moved to places where mystery was still permitted, inspiring literature, art, and psychology, and influenced artists and thinkers such as Goethe, Byron, and Blake. Later movements like the Theosophists and the New Agers, would thrust the practice into the mainstream. Edited by Jessica Hundley, this vibrant visual history of Western astrology explores the symbolic meaning behind hundreds of images, from Egyptian temples and illuminated manuscripts to contemporary art from across the globe. Works by artists from Alphonese Mucha and Hilma af Klint to Arpita Singh and Manzel Bowman are sequenced to mirror the spin of the planets and the wheel of the zodiac. Astrology celebrates the stars and their mysterious influence on our everyday lives.

London Calling A photographic journey through the history of this epic city Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. From Victorian London to the Swinging ’60s; from the foggy cobbled streets to the architectural masterpieces of the millennium; from royal weddings to raves, from the charm of the East End to the wonders of Westminster; from the power to glory: this book salutes all those Londoners, their city, and its history.

A visual history of Tarot To explore the Tarot is to explore ourselves, to be reminded of the universality of our longing for meaning, for purpose and for a connection to the divine. This 600-year-old tradition reflects not only a history of seekers, but our journey of artistic expression and the ways we communicate our collective human story. For many in the West, Tarot exists in the shadow place of our cultural consciousness, a metaphysical tradition assigned to the dusty glass cabinets of the arcane. Its history, long and obscure, has been passed down through secret writing, oral tradition, and the scholarly tomes of philosophers and sages. Hundreds of years and hundreds of creative hands—mystics and artists often working in collaboration—have transformed what was essentially a parlor game into a source of divination and system of self-exploration, as each new generation has sought to evolve the form and reinterpret the medium. Author Jessica Hundley traces this fascinating history in this pocket-sized edition of Tarot from TASCHEN’s Library of Esoterica series. The book explores the symbolic meaning behind hundreds of cards and works of original art, spanning from Medieval to modern, and artfully arranged according to the sequencing of the 78 cards of the Major and Minor Arcana. It explores the powerful influence of Tarot as muse to artists like Salvador Dalí and Niki de Saint Phalle and includes the decks of dozens of contemporary artists from around the world, all of whom have embraced the medium for its capacity to push cultural identity forward.

Super Mario does marvelous Rio Inspired by the boys and girls from Copacabana Mario Testino is one of the world’s most successful fashion and portrait photographers, whose images are noted for their freshness and intimacy. Peruvian by birth, Testino has been fascinated by Rio de Janeiro since his earliest summer vacations. "When I was 14, on holiday, and going from my house to the beach and seeing everyone walk everywhere in their tiny bathing suits—the girls and boys were so sexy and carefree and wild—I just could not believe it." This easy sensuality, sexual freedom and lust for life left a deep impression; Testino has been going back ever since, for work and fun, passion and inspiration. Featuring candid shots of exquisite cariocas baring nubile flesh, including supermodel Gisele Bündchen, MaRIO DE JANEIRO Testino captures the essence of this incomparably seductive city and its sultry citizens. From its breathtaking sunset panoramas, to the throbbing chaos of its world-famous carnival, this is Testino’s love poem to the Brazilian metropolis that captured his teenage heart, and never let go.

In 1962, Rainer W. Schlegelmilch had his first experience of motorsport – the 1,000 km at the Nürburgring – and it was this that sparked a lifelong passion for both Porsche and racing that still burns today. Beginning in 1963, this wholly captivating collection of breathtaking shots transports you to another time and another world, taking you on a journey through the history of Porsche endurance racing, from Le Mans to Monza, via the Targa Florio and Spa-Francorchamps. And with his own words accompanying the pictures, Schlegelmilch shows and tells fascinating stories from track and trackside. Naturally, the cars are the heroes of this book – there’s a genuine love of Porsche cars on these pages, a real admiration in pictures for each evolution of the legendary designs. From the purpose-built prototypes of the mid-60s – the 550, 718, RS and RSK models – followed by the more powerful 907 and 908, and through to arguably the most iconic racing car designs of all time, the 917, the 962 and of course the ageless 911, this is Schlegelmilch’s pictorial love letter to his own "Porsche Racing Moments". He pays tribute to each of them with his unique zoom technique, that converts the movement and phenomenal speed of the racing cars into a totally absorbing and almost dizzying feast of depth and energy. Whether it’s in black and white or colour, it’s as if you can feel the rush of air on your face as the cars speed by. But while this book is perfect for those who live and breathe Porsche, there’s more to it than the cars. From the shots of experienced teams to the drivers deep in conversation, from the greasy hands of the mechanics tinkering under the hood to the stained and cracked track, Schlegelmilch takes you to the real racing world, behind the glamour and into the dusty, oil-scented universe of motorsport.

Travelling widely, Ralph Gibson works primarily in inspired series, associated image reveries in both monochrome and colour, whose titles -The Somnambulist, Déja-Vu, Days at Sea, and Chiaroscuro-underline the particular poetic sensibility that informs his work. Starting out in 1960 with Dorothea Lange, he made his way to New York in 1967 and was soon considered in the same light as the likes of Larry Clark and Diane Arbus. The photographs and series can of course speak for themselves. But for Gibson there is a philosophy at play behind the image, and in the included short texts he proposes his thesis. Nudes, portraits, still lives, narratives-loyal to his Leica, Gibson ranges between genres and creates new categories of vision. He gets closer to things and meditates on them in a way that only the silence of the image can attempt.Produced in close collaboration with the artist, this book offers the fruit of more than six decades of image-making. From Gibson’s first photographs in San Francisco, Hollywood, and New York in the 1960s right up to the present day, this is the most comprehensive collection of this highly acclaimed photographer.

Post-9/11, America’s sense of invincibility was shaken. The dotcom bubble had burst, there was war with Iraq, and eco-angst was becoming mainstream, as evidenced by impressive sales of the Toyota Prius. For escapism, self-expression, and even romantic connection, America turned to tech. Geeks were the new superheroes, and the iPod and iPhone reigned supreme, both commercially and creatively. Social media began its unstoppable rise, with MySpace and Facebook pushing brands to get more interactive with consumers. Prestige dramas—The Sopranos, Mad Men, and Breaking Bad—populated the small screen, while Netflix swapped mailing DVDs for streaming content, the reality TV star was born, and Paris Hilton decreed, “That’s hot!”. Amazon and eBay threatened the cultural centrality of the shopping mall, and every famous name from Michael Jordan to Madonna could be found on scotch, sneakers, and scents. Health and wellness fueled the growth of brands like Whole Foods and Lululemon, and consumers increasingly valued experiences, ethics, and personalization. Featuring 10 chapters covering the full range of advertising, from food and fashion to entertainment, business, travel, and automobiles—with special mentions for the worst as well as the best—All-American Ads of the 2000s captures a time when ads still had the power to sell products and dreams in the millions, but mirrored a nation in the midst of profound transition.

'For me, it's really the joy of looking out into the world and getting this positive energy... It's opening up our vision, and how we look'—David HockneyWhen David Hockney discovered the iPhone as an artistic medium, it opened up entirely new possibilities for his art. He made his first digital paintings in spring 2009, describing the morning landscape in broad lines and dazzling colors directly on a display that offered subtle hues as unmixed expressions of pure light. Then in 2010, Hockney started working with an iPad, and the larger screen expanded his artistic repertoire and enabled an even more complex interplay of color, light, and line. Each image in this book captures a fleeting moment seen through a window in Hockney’s Yorkshire home: from vibrant sunrise and lilac morning sky to peaceful night-time impressions or the sudden arrival of spring. Fascinating details reveal drops on window panes, distant lights in the night, reflections on vases or an abundance of varied window-sill vegetation. In 120 paintings made between 2009 and 2012, selected and arranged by the artist himself, we experience the passage of time through the eyes of David Hockney. This artist’s book, which first appeared in an exclusive signed edition in 2020, now returns in a wallet-friendly pocket edition. So now is the perfect occasion to heed the advice of the Times critic regarding this book: “If you would like to be given a bouquet by David Hockney, here is your chance.”

The Dutch Golden Age of painting spawned some of history’s greatest artists and artisans, but few can boast the genius and legacy of Rembrandt Harmensz. van Rijn (1606–1669). Despite never leaving his native Netherlands, Rembrandt projected his oeuvre past the boundaries of his own experience, producing some of art’s most diverse and impactful works across portraiture, biblical, allegorical, landscape, and genre scenes. In all their forms, Rembrandt’s paintings are built of intricacies?the totality of each subtle facial wrinkle, gaze, or figure amounting to an emotional force that stands unmatched among his contemporaries and artistic progeny alike. Each work is imbued with feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits is a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandt’s self portraiture is an intimate glimpse into his lifelong process of self-reflection. This XL monograph compiles all 330 of Rembrandt’s paintings in stunning reproductions. From Belshazzar’s Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandt’s painted oeuvre like never before.

Five hundred years after the historic French seaport of Le Havre was established, TASCHEN presents a facsimile reproduction ofLes premiéres oeuvres de Jacques Devaulx, pilote en la marine, first published by Le Havre-born “Naval Pilot to the King” Jacques Devaulx in 1583. This extraordinary illuminated manuscript, dedicated to the Duke of Joyeuse, collates nautical, astronomical, and cartographic ideas as well as Devaulx’s own extensive notes, observations, and records as a seafarer, hydrographer, cosmographer, and cartographer. An encyclopedic reference for sailors, as well as a magnificent maritime showpiece for his royal employers, the elaborately annotated and decorated folios are a repertoire of naval and cosmographic tools and techniques, including astrolabes, nautical charts of the Atlantic Ocean, tabular statements of diurnal tides, astrological charts, and measurements for solar altitude. They also gather Devaulx’s volvelles, wheel charts made of rotating parts that are today considered an early example of the paper analog computer. Together, the folios encapsulate the state of knowledge at a time when sailors pushed the limits of sea exploration and offer a glimpse into the practical daily requirements of Renaissance seafaring. This edition of Devaulx’s stunning document, produced in collaboration with the Bibliothéque nationale de France, reproduces each of the 31 folios in all their brilliant art and science, including the original colorful illuminations, in particular the volvelles. The volume features essays by Jean-Yves Sarazin and Gerhard Holzer, as well as commentaries from a team of experts coordinated by Élisabeth Hébert and Véronique Hauguel-Thill, contextualizing Devaulx’s work with fascinating insights into 16th-century seafaring and exploration.

The second Marvel character to spring from the legendary creative collaboration of Stan Lee and Jack Kirby in the early 1960s was a far cry from the Fantastic Four’s recognizable family dynamics and globe-trotting super heroics. The Hulk was a Monster! The alter ego of puny human scientist Bruce Banner unleashed when an experimental bomb douses the hapless scientist in Gamma radiation, and thereupon unleashed every time the mild-mannered Banner lost his temper, the Hulk exploded from comics stands into an unsuspecting world…and he hasn’t stopped since. Unquestionably one of the strangest, strongest, and most evocative archetypes to come from Marvel Comics, the Hulk defies all explanation. At times at war with other superheroes, villains, the United States military, humanity, and even his alter-ego Bruce Banner himself, he stands as an avatar of unbridled fury, primal instincts, the destructive potential of the atomic bomb and humanity’s hubris all at once. A modern Prometheus, imbued by atomic fire, who will never stop raging, never stop smashing. Now, TASCHEN brings you the Hulk as you’ve never seen him before, in an XXL-size volume worthy of his name. Collecting The Incredible Hulk Nos. 1–6, along with his appearances in Tales to Astonish. All issues have been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. An introduction by pop-culture and comic scholar Douglas Wolk, meticulously researched and adorned with rarely seen original art, photos, and paraphernalia showcasing the Hulk’s lasting impact on global culture, rounds out this massive package to honor of the biggest, meanest, and greenest superheroes of all time.

Known for the audaciously simple but game-changing strategy of painting the motif on its head, Georg Baselitz has been a consistently challenging artist since the start of the 1960s. His work is always highly charged but surprisingly diverse, beginning with the raw, existential male figures famously removed from his first solo exhibition for indecency, and the series of “Heroes” that portrayed disabled and exposed figures in a destroyed landscape. During this development, the picture space became more and more fractured, and by the end of the decade the artist fully turned the world upside down: trees, factories, eagles, or nude self-portraits actually painted on their heads. This soon allowed him to freely paint and to engage with conceptual color schemes or off-beat themes, such as men eating oranges, Soviet propaganda paintings, or more recently so-called remixes in a reengagement with his own earlier work as a dialogue in time. Already a master of drawing, woodcut, and engraving, from 1980 on Baselitz also created rough sculptures hewn from wood with axe and chainsaw, then adding bronze to his materials in the late 2000s. Now available in an updated unlimited edition, this book features large-format reproductions of more than 400 works in all media plus installation views and portrait shots. Texts approach the subject from different perspectives: there is a portrait of Baselitz and his dark sense of humor by long-time connoisseur Richard Shiff, an essay on the formation of his art and development as a painter by critic Jonathan Jones, on the sculptural work since his scandalous success at the Venice Biennale 1980 by art historian Eva Mongi-Vollmer, on his artistic strategies by art historian Carla Schulz-Hoffmann, a collection of literary vignettes relating to the artist’s use of myth and history by author and director Alexander Kluge, and a studio conversation with art journalist Cornelius Tittel. Statements from the artist and an illustrated biography complete this unprecedented exploration of Georg Baselitz’s work.

Edward Sheriff Curtis (1868-1952) dedicated his entire life to a project all his own, to use a camera to preserve the cultural heritage of the indigenous peoples of North America. For three decades, he traveled in every region of the continent, through every kind of terrain and weather, via land or water, in the 50°C heat of the Mojave Desert or the -20°C chill of the Arctic; moving on foot, by horse, wagon, donkey, boat or train, or later by automobile. More than 40,000 photos were produced during those years. During his lifetime, the finest of these photographs entitled The North American Indian, were presented in twenty elaborate, large-scale portfolios with which Curtis raised a monument to commemorate the disappearing culture of North America's indigenous peoples and to bring it fully back to life. In addition, the book holds a selection of photographs from the text volumes. Without Edward S. Curtis we would hardly know a thing about the rites of the Hopi in America's southwest, nor be able to picture the Qagyuhl winter dancers, or have any idea of the ceremonies on Nunivak Island. The basic humanistic message that shines from his pictures is highly relevant, namely peaceful coexistence in which you can overcome hatred and prejudice if you are always willing, on meeting a stranger, to seek some idea in common.

The premise is simple: a black cat loves scheming a white mouse who incessantly throws bricks at the cat’s head, which police dog Officer Pupp, secretly harboring a passionate love for the cat, tries to prevent. George Herriman endlessly plays with the above formula in his legendary newspaper strip Krazy Kat, published from 1913 until his death in 1944. Through his wit, detailed characterization, and visual-verbal creativity, Herriman introduced even the least comically-inclined to the young medium; Gertrude Stein, F. Scott Fitzgerald, Pablo Picasso, James Joyce, US President Woodrow Wilson, Jackson Pollock, Charlie Chaplin, Frank Capra, P.G. Wodehouse, Willem de Kooning?all KK fans among many others. It was thanks to media tycoon William Randolph Hearst, a confirmed fan who gave Herriman carte blanche in his newspapers, that the artist was allowed to freely explore countless absurd and melancholy variations on the theme of unrequited love for years on end. Herriman unabashedly took advantage of this, radically exploring the medium’s potential and pushing all of its formal boundaries; readers had to put up with surreal, Dadaist sceneries, a language that whirled slang, neologisms, phonetic spelling, and scholarly references, and diffuse gender roles?making Krazy Kat probably the first gender-fluid star in comic history. This volume presents all Krazy Kat color stories from 1935–1944 and a detailed introduction by comic expert Alexander Braun, who illuminates Herriman’s multi-ethnic background and reveals what makes this timeless work of art about a queer cat so extraordinary.

When Bill Gaines inherited EC Comics from his father, the legendary publisher M. C. Gaines, at just 25 years old, no one could predict the impact he would have—not only on comics, but on global pop culture at large. Inspired by the pulp sci-fi stories and weird fiction of their youth, Bill Gaines and artist Al Feldstein drafted the initial issues of what would become the first true serialized science fiction magazine, delivering stories, creatures, and worlds unlike anything readers had ever seen. Far from the simplistic space adventures of Flash Gordon and Buck Rogers, the high-concept, morally ambiguous, and often-chilling tales of Weird Science resonated deeply with readers growing up in the Atomic Age under the shadow of the mushroom cloud. Nuclear threats, the ravages of science unshackled from ethics, and the creeping authority of world governments locked in a Cold War had begun seeping into the fabric of American life. The first issue of Weird Science appeared on newsstands in the spring of 1950, its cover boldly daring readers to pick it up. Subsequent bimonthly releases pulled audiences into an ever-changing kaleidoscope of “Scientific SuspenStories,” featuring Martian invasions, murderous androids, time travel gone awry, planets inhabited entirely by women, and more. Bolstered by a growing stable of soon-to-be comic art legends like Harvey Kurtzman, Wally Wood, and Joe Orlando, Weird Science shaped the collective imagination of a generation. Gaines and Feldstein boldly tackled themes that were rarely addressed in serialized comics, while visionary artists like Wood went on to define the aesthetic and societal impact of the genre, depicting futuristic vistas and impossible technology with a level of detail as if not merely imagining them, but glimpsing into the very future itself. In Volume 1, TASCHEN presents the first eleven issues of Weird Science, meticulously recreating the comics in their original glory. Rather than recolor the artwork, this edition works with super-high-resolution photographs of each page as it was printed more than half a century ago, using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. The result is a pristine product, keeping the character and feel of the classic pulp comic magazines, but freshly printed by a world-class press, produced without the economic or time constraints of the past. Complete with an introductory essay by EC authority Grant Geissman, which illustrates the historical, cultural, and artistic context of the stories and their creators, this collection is a must-have for fans of the weird, the strange, and the fantastical. Also available in a Collector’s Edition of 1,000 numbered copies