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Fact or fiction? An imaginative collection of statements about Vincent van Gogh that challenges what we think we know about the artist's much mythologized existence. Van Gogh is the most famous artist in the world, yet our understanding of his life is full of contradictions. Art historians, filmmakers, journalists, psychologists and conspiracy theorists have offered theories on his life and work, yet their views are often poles apart. Van Gogh has been described as a suffering genius, a madman, the embodiment of peace and compassion, a man of violence who was a danger to himself and others, a religious fanatic and a Marxist. Where does the truth lie and the myth begin? This book examines the continual rewriting of Van Gogh's story since the first publications on the artist appeared at the beginning of the twentieth century. Presenting a collage of succinct facts and 'counterfacts', the text is drawn from a wide field of sources: fellow artists, friends and family, doctors and psychoanalysts, actors and writers, theorists, crackpots and scholars. Conflicting statements go hand in hand with an unconventional curation of images, which include postcards of locations associated with the artist, photographs of a fraudster's legal trial, a children's toy, a bottle label and a rusty revolver. Turnbull presents a kaleidoscope of fact and fiction about the world's most discussed artist - sometimes funny, sometimes heartrending, always revealing - giving readers new insights into the artist, his work and his legacy. Van Gogh himself would be amazed not only to see what people have said about him, but also to grasp the global phenomenon that he has become. A must-have for art lovers and museumgoers, this book invites all readers familiar with Van Gogh to challenge long-accepted ideas about the man and his work.

The essential guide to the complex, fascinating world of Chinese myths: retelling the stories and exploring their significance in Chinese culture. This is a concise and entertaining guide to the complex tradition of Chinese mythology. While many around the world are familiar with some aspects of Chinese myth - through Chinese New Year festivities or the classic adventures of the Monkey King in Journey to the West - few outside of China understand the richness of Chinese mythology, influenced by Daoism, Buddhism and Confucianism. Offering much more than any competing overview of Chinese mythology, The Chinese Myths not only retells the ancient stories but also considers their place within the patterns of Chinese religions, culture and history. Tao Tao Liu introduces us to an intriguing cast of gods, goddesses, dragons and monks, including: the ancient hero, Yi the Archer, who shot suns out of the sky to save humanity from a drought; Guanyin, the Goddess of Mercy and Compassion, to whom there are temples dedicated all over East Asia; and Madame White Snake, a water snake spirit in the guise of a mysterious widow, her story adapted into countless films and operas. This book is for anyone interested in China, as knowing its myths allows readers to understand and appreciate its culture in a new light.

The second volume in Thames & Hudson's monographic series on global architect Sir David Adjaye, winner of the 2021 RIBA royal gold medal. Following on from Adjaye - Works: Houses, Pavilions, Installations, Buildings, 1995-2007, published by Thames & Hudson in 2020, this book covers the impressive portfolio of work created by the architect between 2007 and 2015. During the years covered in this book, Adjaye became interested in developing an architecture that was more expansive, taking him outside Europe to work on major projects such as the Museum of Contemporary Art in Denver and the Moscow School of Management Skolkovo. Designing buildings around the globe, including two projects connected with the post-Katrina reconstruction programme in New Orleans, Adjaye carefully tailored his approach to each place, sensitive to the important role architecture plays in affirming a sense of community and identity.

A visual analysis of the colours used in furnishing fabrics and wallpapers from the 15th century to now, providing inspiration for designers. This simply structured and highly original book analyses the palettes that have been used by designers in the creation of furnishing fabrics and wallpapers from the 15th century to the present. The colours used in each pattern are presented in a simple proportional grid, giving a clear understanding of hues that have been expertly combined at different periods to create the designs we continue to admire and emulate. Spectrum opens with a brief introduction by interior design expert Ros Byam Shaw, exploring the history of colour as used in interiors. The fabrics and wallpapers that follow are arranged chronologically. Each is reproduced on its own double-page spread, and is accompanied by a brief narrative-style caption that provides information about each fabric or wallpaper and its significance in the context of interior design. Unique in such a book are the colour grids shown beside each pattern, in which the colours in the original piece are shown in proportion to their use, and with their CMYK references to enable designers to replicate these colours in their own work.

Aesthetic influences drawn from China have long resonated throughout Western art, design and thought. China Adorned challenges the monolithic idea of 'Chinese' culture and fashion, turning the lens on the rich clothing traditions of ethnic minority groups. Drawing on three decades of research by cultural anthropologist Professor Deng Qiyao, the book documents and demystifies the customs, rituals and mythology of more than 30 minorities through their clothing and accessories. Deng's never-before-published archival photos sit alongside stunning contemporary imagery by photographer Cat Vinton that showcases fabrics, jewellery and the surrounding landscapes, helping readers to better understand the deep connections between people, place, ritual and adornment. Contributor essays delve further into the textiles and methods, the role of the artisan, the extraordinary resilience of material culture and the importance of preserving these traditions for generations to come.

A compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

A gripping account of 200 years of archaeological research, excavation and thought, told through the life stories of 70 of the world's greatest pioneers and practitioners. Brian Fagan has assembled a team of some of the world's greatest living archaeologists to write knowledgeably and entertainingly about their distinguished predecessors. Full of fascinating anecdotes, personal accounts and unexpected insights, this comprehensively illustrated book encompasses more than two centuries of research and excavation round the globe. Controversial figures such as Heinrich Schliemann of Troy fame, and Aurel Stein, plunderer of ancient manuscripts from Central Asia, are reassessed. Little-known pioneers - for example, Max Uhle in Peru and Li Chi in China - are set beside the giants in the field: Lepsius, Mariette and Carter in Egypt; Koldewey, Doerpfeld and Woolley in the Near East; Stephens and Catherwood, discoverers of the Maya of Mexico; and Louis and Mary Leakey, who transformed knowledge of our African ancestry. Other indomitable women here include Gertrude Bell, explorer of Arabia and Iraq, Kathleen Kenyon, the excavator of Jericho, and the script-decipherer Tatiana Proskouriakoff.

A revised edition of this popular history of design, updated to reflect innovations since the book's first publication in 2016. Design: The Whole Story takes a close look at the key developments, movements and practitioners of design around the world, from the beginnings of industrial manufacturing to the present day. Organized chronologically, it locates design within its technological, cultural, economic, aesthetic and theoretical contexts. From the high-minded moralists of the 19th century to the radical thinkers of modernism - and from the emergence of showmen such as Raymond Loewy in the 1930s to today's superstars such as Philippe Starck - the book provides in-depth coverage of a subject that touches all our lives. Iconic works that mark significant steps forward or that characterize a particular era or approach - such as Marcel Breuer's Wassily chair of 1925, Eliot Noyes' corporate identity work for IBM in the 1950s and Matthew Carter's Verdana typeface, designed to be read on screen - are analysed in detail, while the text sets out the framework of ideas, intent and technology within which differing approaches to design have evolved. From the cars we drive and the products we buy to the graphics that surround us, we are all consumers of design. Design: The Whole Story provides all the information needed to decode the material world.

The definitive monograph on Alex Prager, one of the truly original image makers of our time. Alex Prager is a photographer and filmmaker whose elaborate sets and complex staging draw on a rich cultural heritage of cinematic style, informed by street photography, to produce work that is unerringly memorable. At once temporal and timeless, bright but shadowed, Prager's images exist within a hyperreal world, deeply rooted in the eerie undertones of Los Angeles, where the line between reality and fiction is blurred. Prager's critically acclaimed work is introduced here, spanning a decade of photographic work and five films. This collection of carefully curated photographs is complemented by an in-depth interview by Nathalie Herschdorfer, director of the Musee des Beaux-Arts Le Locle, Switzerland, and discursive essays by Michael Govan, director of the Los Angeles County Museum of Art, Michael Mansfield, executive director of the Ogunquit Museum of American Art, Maine, and Clare Grafik, senior curator at The Photographers' Gallery, London.

Published to accompany the major exhibition at the Musee des Arts Decoratifs, Paris, this book is destined to become a must-have work of reference for all fashion lovers. The couturiere Elsa Schiaparelli (1890-1973) was a key figure in Paris fashion between the two World Wars. Following in the footsteps of her mentor Paul Poiret, she designed her first knitwear collection in January 1927. Decorated with trompe-l'oeil motifs in black and white, her sweaters were an immediate success in both France and the USA. In 1935, the Maison Schiaparelli opened in the Place Vendome in Paris, selling collections designed for sports, city, and evening wear. Like her arch-rival Gabrielle Chanel, Schiaparelli also worked closely with artists, including Man Ray, Jean Cocteau, and Salvador Dali, with whom she created a lobster dress. Taking a cue from Surrealism, her creations were hugely imaginative and made use of innovative new materials. The 'Schiap' style continued to develop through the 1930s. Her most famous collections had themes including the circus (summer 1938) and astrology (winter 1938-39).In 1937, Schiaparelli launched the fragrance Shocking, named after shocking pink, which had become her signature colour. Alongside vintage photographs, sketches and contemporary features from Harper's Bazaar and Vogue, this volume presents specially photographed masterpieces from the collection of the Musee des Arts Decoratifs in Paris. All 120 garments and accessories from the Schiaparelli archive are illustrated, along with a selection of her drawings dating from 1933 to 1953.

An illustrated selection of Van Gogh's letters, forming an extraordinary window into the life and creative thinking of one of the world's most iconic artists. Vincent van Gogh's letters have long been prized as some of the most valuable documents in the world of art. Not only do they throw light on Van Gogh's own complex and intriguing character, they enlighten the whole creative process as seen through his eyes. Here we can observe Van Gogh's thoughts and opinions at first hand, as well as his close ties with his brother Theo, his sometimes troubled relationships with friends and fellow artists, his personal doubts and fears, and above all his overriding passion for his art. This is not only an immense treasure trove of biographical and art-historical information, it provides a lasting pleasure as a personal written testimony to a life consecrated to art. Vincent van Gogh: A Life in Letters belongs on the shelves of every reader in search of self-revelatory documents of one of the greatest creative minds.

The story of the nude in art in our times, told by a popular art historian with a rare gift for sharing her passions and ideas. The representation of the nude in art remained for many centuries a victory of fiction over fact. Beautiful, handsome, flawless - its great success was to distance the unclothed body from any uncomfortably explicit taint of sexuality, eroticism or imperfection. In this newly updated study, Frances Borzello contrasts the civilized, sanitized, perfected nude of Kenneth Clark's classic, The Nude: A Study in Ideal Form (1956), with today's depictions: raw, uncomfortable, both disturbing and intriguing. Grittier and more subtle, depicting variously gendered bodies, the new nude asks awkward questions and behaves provocatively. It is a very naked nude, created to deal with the issues and contradictions that surround the body in our time. Borzello explores the role of the nude in twentieth- and twenty-first-century art, looking at the work of a wide range of international artists creating contemporary nudes. Her fascinating text is complemented by a profusion of well-chosen, unusual and beautifully reproduced illustrations. The story begins with a tale of life, death and resurrection - an investigation into how and why the nude has survived and flourished in an art world that prematurely announced its demise. Subsequent chapters take a thematic approach, focusing in turn on Body art and Performance art, the new perspectives of women artists, the nude in painting, portraiture and sculpture and in its most extreme and graphic expressions that intentionally push the boundaries of both art and our comfort zone. The final chapter illustrates radical developments in art and culture over the last decade, focusing in particular on artworks by women, trans artists and artists of colour. Borzello links these works to their art-historical and political predecessors, demonstrating the continually unending capacity of the nude to disrupt traditional hierarchies and gender categories in life and art.

A fully updated, third edition of this essential practical foundation course in fashion design. Becoming a successful fashion designer involves understanding a wide variety of core principles. This foundation course is an ideal introduction for students, dressmakers and anyone interested in the creative side of fashion. Step-by-step tutorials, practical exercises and inspirational interviews with industry professionals teach you how to create your own unique fashion design collections. Design schools around the world are now emphasising design thinking and conceptualisation more than just mere skill building. Packed with scores of new images, this new and fully updated edition provides students with more diverse methods of creating fashion, including digital design iteration and final projects, fabric design development, 3D 'sketching' on the dress form, paper collage design techniques and much more. This book concludes with practical advice for anyone considering a career in fashion, offering ideas on building a portfolio, preparing for interviews and continuing on a path to a professional career.

A full-career retrospective on the work of Vivian Maier, bringing together a selection of key works from throughout her life and career. When Vivian Maier's archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Maier lived in relative obscurity until her death in 2009, but is now the subject of films and books, and recognized as one of the great American photographers of the 20th century. Born in New York in 1926, she worked as a nanny in New York and Chicago for much of her adult life. It was during her years as a nanny that she took many of the photographs that have made her posthumously famous. Maier's incredible body of work consists of more than 150,000 photographic images, Super 8 and 16 mm films, various recordings and a multitude of undeveloped films. Working primarily as a street photographer, Maier's work has been compared with such luminaries as Helen Levitt, Robert Frank, Diane Arbus and Joel Meyerowitz. Drawing on previously unpublished archives and recent scientific analyses, this retrospective sheds new light on Maier's work. With texts by Anne Morin and Christa Blumlinger, this thorough look at Maier's entire archive is organized thematically in sections that cover self-portraits, the street, portraits, gestures, cinematography, children, colour work and forms. A valuable addition to the continuing assessment of Maier's work, this book is a one-volume compendium of her most enduring images.

An instructive book that examines the practice of drawing for illustration through case studies and sketchbooks, written by one of the world's foremost experts and teachers on the subject. This essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination. Martin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approaches to drawing including anecdotal, sequential and reportage are examined, to enable students to acquire their own personal visual language. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them. Packed with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Egon Schiele, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.

An unrivalled account of turning points and breakthroughs in medical knowledge and practice, from ancient Egypt, India and China to the latest technology. Sickness and health, birth and death, disease and cure: medicine and our understanding of the workings of our bodies and minds are an inextricable part of how we know who we are. With science of healing now more vital than ever, as our bodies face new challenges from the globalization of disease, environmental change and increased longevity, this timely book is the best guide ever published to medicine's achievements and its prospects for the future. An international team of distinguished experts provide an unrivalled account of the evolution of medical knowledge and practice from ancient Egypt, India and China to today's latest technology, from letting blood to keyhole surgery, from the theory of humours to the genetic revolution, from the stethoscope to the MRI scanner. They explain medicine's turning points and conceptual changes in a refreshingly accessible way and answer some key questions: how has the plague influenced the course of human history? What effect did the pill have on the lives of women, and on society as a whole? What challenges does medicine face in our changing world?