Thames & Hudson strana 47 z 126

Marvellous Magicians celebrates the work of eight pioneering illusionists, both famous and under-represented, whose tricks have been the making of modern magic. Through a magical blend of biography, history and illustration, it brings these amazing magicians and their illusions into the spotlight. They include one of the first female magicians, Adelaide Herrmann, and African American illusionist Richard Potter, alongside such well-known greats as Houdini and his namesake and inspiration, Houdin. Two spectacular fold-out pages reveal the secret workings of the Automata Chess Player and Howard Thurston's dramatic transformation of an empty box into a world of wonders, while themed spreads explore the early history of magic, the eight effects of magic on which all tricks are based, the magician's tool box, and the under-appreciated role of the magician's assistant. For its finale, Marvellous Magicians explores the hidden societies who have kept the secrets of illusions closely guarded for decades, provides advice on becoming a magician and introduces readers to contemporary magicians from around the world including Australia, China, Japan, Russia, South Korea, UK and USA. Written in a theatrical style and illustrated with original gouache paintings, Marvellous Magicians is the perfect book for all aspiring magicians.

Jessica Lack introduces fifty pioneering modern and contemporary art movements born out of political engagement, decolonization, marginalization or conflict. These movements have aimed to revitalize society by challenging the status quo. While not as well known as Pop Art, Dada and Futurism, these associations of artists - such as the Saqqakhaneh artists of Iran, the Stridentists of Mexico, Jikken Kobo of Japan or America's AfriCobra - have empowered and given voice to their members. Global Art brings unfamiliar material to life by exploring the unique historical context for each art movement, key cultural events and interconnections, and the key protagonists in the movement's evolution.

For more than 2,000 years the art of Greece and Rome has lain at the heart of western civilization. This book recaptures the excitement of the artists who first created it. It traces the daring innovations of those who, defying traditional wisdom, explored new ideas; it describes the valiant struggles of sculptors and painters to portray - for the first time - both the complexities of the human form and the richness of human emotions. So much has been destroyed by the ravages of time that Greek and Roman art seems to consist only of impressive ruins and broken fragments. Yet the creative achievements of the Greeks and their legacy, as adapted by the Romans, have never lost their power.

Have you ever imagined what it would be like to have a unicorn for a pet? Besides being much less angry than a troll and far more conveniently sized than a giant, unicorns only ever eat ice-cream for breakfast AND... every time you get upset they feed you candyfloss! In this humorous, energetically rhyming tale, a little girl experiences exactly what life would be like with a magical creature for a pet - from sprinkling stardust on grumpy parents to sliding into football practice on a rainbow. This book, the latest in the bestselling 'If I Had...' series, celebrates the magic of unicorns in a way that will appeal to children who are allergic to pink.

You Are an Artist is for everyone who wants to be an artist, but has been too afraid to take the plunge. It combines a thought-provoking meditation on art practice with a series of practical exercises and creative provocations that encourage everyone to fulfil their potential as an artist. The book is itself a kind of art school, helping the reader to work out what kind of artist they are, and what they can achieve. Drawing on the author's experience as an art school teacher, it playfully adapts the methods of art education, mixing these with the sideways approach to creativity popularized by the author's activist campaigns. Smith provides an array of ideas, tips and practical examples, illustrated with documentary photographs of his own specially made work. His riotous paintings and installations are set alongside discussions of time, place, looking, thinking, stealing and becoming, with enlightening forays into the history of art and creativity. A collection of hilarious, at times startling and often moving narratives bring to life a series of lessons about the nature of art and inspiration. Each lesson comes with a series of prompts to harness the reader's own artistic capabilities. Whether we like it or not, says Bob and Roberta Smith, we have been enrolled in the world, and the world is an art school. You are an artist, because every human being who has ever lived was once an artist.

Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her disussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class and sexuality. With a new preface and epilogue from an exciting new authority on the history of women artists, this revised edition continues the project of charting the evolution of feminist art history and pedagogy in recent years, revealing how artists have responded to new strategies of feminism for the current moment.

Why Do Cats Meow? is the second book in the series of natural history books for children that answer curious questions about favourite and familiar pets. The book highlights the qualities of different types of cats, and answers some of the more curious questions children have about cats, including: why do cats like scratching things? Why do cats like bringing us dead things? and Why do cats have wet noses? Through the book, children will come to understand what's so unique about a cat's body and its behaviour and why they deserve to be well cared for. The book also profiles famous cats from history and popular culture, including the cat-headed Egyptian goddess Bastet and Larry, Chief Mouser to the Cabinet Office, who lives and works at 10 Downing Street in London. By incorporating zoological information about the feline species with stories from history, art, religion and popular culture, Why Do Cats Meow? celebrates why cats have been such dear pets to us for centuries.

Paul Gauguin achieved a high public profile during his lifetime, and was one of the first artists of his generation to achieve international recognition. But his prominence has always had as much to do with the dramatic events of his life - his self-imposed exile on a remote South Sea island, his turbulent relationships with his peers - as with the appeal of his art. Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most original artists of the late nineteenth century. Gauguin's work - painting, sculpture, prints and ceramics - is discussed in the light of his public persona, his relations with his contemporaries, his exhibitions and their critical reception. His private world, beliefs and aspirations are revealed through his extensive cache of journals, letters and other writings. Fully updated throughout, drawing on the insights of thirty years of scholarship since its first edition, Thomson's text remains the best introduction to this controversial and often contradictory artist.

In the 21st century photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. This book provides an introduction to the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged, 'directorial' spectacle. The vast span of photographers whose work is reproduced includes established artists such as Isa Genzken, Jeff Wall, Sophie Calle, Thomas Demand, Nan Goldin and Sherry Levine, as well as emerging talents such as Sara VanDerBeek, Rashid Johnson, Viviane Sassen and Amalia Ulman. This new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Adding to the wide selection featured of work, Cotton celebrates a new generation of artists, who are shaping photography as a culturally significant medium for our current socio-political climate.

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

This book is jam-packed with more stickers than there are prickles on a cactus. You'll discover plants that are stinky, carnivorous and as old as a dinosaur and have all sorts of fun sticking them throughout the book. But wait, there's more! You can also: * Design your own bouquet of flowers * Stick flies on the corpse flower * Play a game of Cherry Blossom Bingo

Even in the digital age, the printed poster retains an important, much-loved role in connecting with audiences in a way that both entertains and informs. The V&A was one of the first museums to start collecting posters and to recognize the importance of doing so. Far from ephemeral, posters are both a representation of the time in which they were produced and distributed and, in many instances, have shaped the societies in which they were seen. The story of the poster is both one of changing styles and new innovations in design, illustration and printing, and a visually compelling social history. The Poster brings together over 300 examples that tell a comprehensive visual history of poster design and the various ways the poster has been used to tell, to sell, to charm and to spur on change. Organized into seven thematic chapters that tell the story of the poster as a medium, each poster is accompanied by a concise commentary that explains the work in terms of its design, printing, content, message and the commercial, social or political impact it may have had. Featuring works by the masters of poster design that have become popular and highly collectible classics, charting the ebb and flow of styles such as Art Nouveau, Modernism, Art Deco, Psychedelia and Punk and featuring the nostalgic glow of muchloved brands as well as posters that shook and changed the world, The Poster will be an essential visual resource for graphic designers and illustrators - a reference for anyone with an interest in collecting posters and an engaging design and social history for all who appreciate this most popular of art forms

What does it mean? Is it really art? Why does it cost so much? While these questions are perpetually asked about contemporary art, they are not the questions that E. H. Gombrich set out to answer in his seminal book The Story of Art. Contemporary art is very different from what came before. From the 1960s, where Gombrich's account concludes, artists began to abandon traditional forms of art and started to make work that questioned art's very definition. This is where Godfrey picks up the story. Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, The Story of Contemporary Art traces a history in terms of drastic changes in social and political life over the last sixty years. How do we experience being human in a world that seems to change so quickly? In exploring art's relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how.

French couturiere Coco Chanel has achieved legendary status across the world and continues to captivate young generations of fashion fans who eagerly collect and share her quotes, creations and insights. A close friend of some of the leading wits and writers of her days (from Jean Cocteau to poet Pierre Reverdy), Coco Chanel was fierce and uncompromising in her pronouncements on fashion ('Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity'; 'Elegance is refusal'; 'Fashion changes, but style endures'), women ('A woman who doesn't wear perfume has no future'; 'Dress shabbily and they remember the dress; dress impeccably and they remember the woman') and life ('The best things in life are free. The second-best are very expensive'). Much like her successor, Karl Lagerfeld, she never shied away from controversy, declaring one day of her detractors: 'I don't care what you think about me. I don't think about you at all'. Presented in a beautiful package and accessible format, The World According to Coco is the perfect gift for fans of fashion in general and Chanel in particular.

Even with the current rise in awareness of sexual and intimate diversity, monogamous relationships remain the cultural norm. Most people aspire to it and the state encourages it, providing legal and financial benefits to married couples; however, statistics show adultery is commonplace, marriage rates are falling, and divorce figures are rising. Does Monogamy Work? - the twelfth book in The Big Idea series - traces the evolution and normalization of the monogamous ideal, questioning whether it is 'natural' or not, and surveying the spectrum of alternative relationship models that people are seeking out in a world of internet dating and scientific control over reproduction. It explores the emotional and psychological facets of ethical polyamorous relationships; questions whether these relationships benefit men disproportionately and whether they are compatible with raising children; and assesses the likelihood that diverse forms of multi-partner marriages and large friendship networks will become the norm in the future. With over 150 colour images and incisive, engaging and authoritative text, this book examines society's attachment to monogamy, evaluates its benefits and limitations, and asses the merits of polyamorous relationship models in our modern world.

Ambitious and wide-ranging, this is the first single volume to tell the story of the library as a distinct building type, all around the world and from the beginnings of writing to the present day. In its highest form the library is a total work of art, combining painting, sculpture, furniture and architecture. From their designs for the libraries of ancient Rome to those of the Bibliotheque Nationale in Paris, architects have sought to outdo each other by producing ever more spectacular settings. The author and photographer have travelled the globe, documenting some eighty libraries. Architectural historian James Campbell contributes an authoritative and highly readable account. Will Pryce is one of the world's leading photographers of interiors and architecture. Arresting and technically flawless, his photographs are both lucid and deeply atmospheric.