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Is it possible to describe a photograph without interpreting it? Can a viewer ever be as dispassionate as the mechanism of a camera? And how far can a photographer's intentions determine responses to their image, decades after it was made? These are just a few questions that David Campany eloquently addresses in On Photographs. In the tradition of Susan Sontag and John Berger, Campany explores the tensions inherent to the photographic medium - between art and document, chance and intention, permanence and malleability of meaning - as well as the significance of authorship, performance, time and reproduction. On Photographs is destined to become an instant classic of photography writing. Rejecting the conventions of chronology and the heightened status afforded to 'classics' in traditional accounts of the history of the medium, Campany's selection of photographs is an expertly curated and personal one - mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany's highly readable commentary. Putting the sacred status of authorship to one side, he strives to guide the reader in their own interpretation and understanding of the image itself. In a visual culture in which we have become accustomed to not looking, Campany helps us see, in what is both an accessible introduction for newcomers and a must-have for photography aficionados.

At the heart of this history of the Julio-Claudian dynasty are the lives of six men - Julius Caesar, Augustus, Tiberius, Gaius Caligula, Claudius and Nero - men who mastered Rome and changed it from a democracy to a personal possession. It was no easy task: Caesar and Caligula were assassinated, Nero committed suicide and Claudius was poisoned. Only Augustus and Tiberius died natural deaths - and even that is uncertain. The Julio-Claudian saga has a host of other characters, from Cicero, the last great statesman of the Republic, to Livia, matriarch of the Empire; the passionate Mark Antony and the scheming Sejanus; and Agrippina, mother of Nero and sister of Caligula, who probably murdered her husband and in turn was killed by her son. Set against a background of foreign wars and domestic intrigue, the story of Rome's greatest dynasty is also the story of the birth of an imperial system that shaped the Europe of today.

For more than 2,000 years the art of Greece and Rome has lain at the heart of western civilization. This book recaptures the excitement of the artists who first created it. It traces the daring innovations of those who, defying traditional wisdom, explored new ideas; it describes the valiant struggles of sculptors and painters to portray - for the first time - both the complexities of the human form and the richness of human emotions. So much has been destroyed by the ravages of time that Greek and Roman art seems to consist only of impressive ruins and broken fragments. Yet the creative achievements of the Greeks and their legacy, as adapted by the Romans, have never lost their power.

Jessica Lack introduces fifty pioneering modern and contemporary art movements born out of political engagement, decolonization, marginalization or conflict. These movements have aimed to revitalize society by challenging the status quo. While not as well known as Pop Art, Dada and Futurism, these associations of artists - such as the Saqqakhaneh artists of Iran, the Stridentists of Mexico, Jikken Kobo of Japan or America's AfriCobra - have empowered and given voice to their members. Global Art brings unfamiliar material to life by exploring the unique historical context for each art movement, key cultural events and interconnections, and the key protagonists in the movement's evolution.

Have you ever imagined what it would be like to have a unicorn for a pet? Besides being much less angry than a troll and far more conveniently sized than a giant, unicorns only ever eat ice-cream for breakfast AND... every time you get upset they feed you candyfloss! In this humorous, energetically rhyming tale, a little girl experiences exactly what life would be like with a magical creature for a pet - from sprinkling stardust on grumpy parents to sliding into football practice on a rainbow. This book, the latest in the bestselling 'If I Had...' series, celebrates the magic of unicorns in a way that will appeal to children who are allergic to pink.

In the 21st century photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. This book provides an introduction to the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged, 'directorial' spectacle. The vast span of photographers whose work is reproduced includes established artists such as Isa Genzken, Jeff Wall, Sophie Calle, Thomas Demand, Nan Goldin and Sherry Levine, as well as emerging talents such as Sara VanDerBeek, Rashid Johnson, Viviane Sassen and Amalia Ulman. This new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Adding to the wide selection featured of work, Cotton celebrates a new generation of artists, who are shaping photography as a culturally significant medium for our current socio-political climate.

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

You Are an Artist is for everyone who wants to be an artist, but has been too afraid to take the plunge. It combines a thought-provoking meditation on art practice with a series of practical exercises and creative provocations that encourage everyone to fulfil their potential as an artist. The book is itself a kind of art school, helping the reader to work out what kind of artist they are, and what they can achieve. Drawing on the author's experience as an art school teacher, it playfully adapts the methods of art education, mixing these with the sideways approach to creativity popularized by the author's activist campaigns. Smith provides an array of ideas, tips and practical examples, illustrated with documentary photographs of his own specially made work. His riotous paintings and installations are set alongside discussions of time, place, looking, thinking, stealing and becoming, with enlightening forays into the history of art and creativity. A collection of hilarious, at times startling and often moving narratives bring to life a series of lessons about the nature of art and inspiration. Each lesson comes with a series of prompts to harness the reader's own artistic capabilities. Whether we like it or not, says Bob and Roberta Smith, we have been enrolled in the world, and the world is an art school. You are an artist, because every human being who has ever lived was once an artist.

Why Do Cats Meow? is the second book in the series of natural history books for children that answer curious questions about favourite and familiar pets. The book highlights the qualities of different types of cats, and answers some of the more curious questions children have about cats, including: why do cats like scratching things? Why do cats like bringing us dead things? and Why do cats have wet noses? Through the book, children will come to understand what's so unique about a cat's body and its behaviour and why they deserve to be well cared for. The book also profiles famous cats from history and popular culture, including the cat-headed Egyptian goddess Bastet and Larry, Chief Mouser to the Cabinet Office, who lives and works at 10 Downing Street in London. By incorporating zoological information about the feline species with stories from history, art, religion and popular culture, Why Do Cats Meow? celebrates why cats have been such dear pets to us for centuries.

Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her disussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class and sexuality. With a new preface and epilogue from an exciting new authority on the history of women artists, this revised edition continues the project of charting the evolution of feminist art history and pedagogy in recent years, revealing how artists have responded to new strategies of feminism for the current moment.

Paul Gauguin achieved a high public profile during his lifetime, and was one of the first artists of his generation to achieve international recognition. But his prominence has always had as much to do with the dramatic events of his life - his self-imposed exile on a remote South Sea island, his turbulent relationships with his peers - as with the appeal of his art. Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most original artists of the late nineteenth century. Gauguin's work - painting, sculpture, prints and ceramics - is discussed in the light of his public persona, his relations with his contemporaries, his exhibitions and their critical reception. His private world, beliefs and aspirations are revealed through his extensive cache of journals, letters and other writings. Fully updated throughout, drawing on the insights of thirty years of scholarship since its first edition, Thomson's text remains the best introduction to this controversial and often contradictory artist.

This book is jam-packed with more stickers than there are prickles on a cactus. You'll discover plants that are stinky, carnivorous and as old as a dinosaur and have all sorts of fun sticking them throughout the book. But wait, there's more! You can also: * Design your own bouquet of flowers * Stick flies on the corpse flower * Play a game of Cherry Blossom Bingo

Even in the digital age, the printed poster retains an important, much-loved role in connecting with audiences in a way that both entertains and informs. The V&A was one of the first museums to start collecting posters and to recognize the importance of doing so. Far from ephemeral, posters are both a representation of the time in which they were produced and distributed and, in many instances, have shaped the societies in which they were seen. The story of the poster is both one of changing styles and new innovations in design, illustration and printing, and a visually compelling social history. The Poster brings together over 300 examples that tell a comprehensive visual history of poster design and the various ways the poster has been used to tell, to sell, to charm and to spur on change. Organized into seven thematic chapters that tell the story of the poster as a medium, each poster is accompanied by a concise commentary that explains the work in terms of its design, printing, content, message and the commercial, social or political impact it may have had. Featuring works by the masters of poster design that have become popular and highly collectible classics, charting the ebb and flow of styles such as Art Nouveau, Modernism, Art Deco, Psychedelia and Punk and featuring the nostalgic glow of muchloved brands as well as posters that shook and changed the world, The Poster will be an essential visual resource for graphic designers and illustrators - a reference for anyone with an interest in collecting posters and an engaging design and social history for all who appreciate this most popular of art forms

What does it mean? Is it really art? Why does it cost so much? While these questions are perpetually asked about contemporary art, they are not the questions that E. H. Gombrich set out to answer in his seminal book The Story of Art. Contemporary art is very different from what came before. From the 1960s, where Gombrich's account concludes, artists began to abandon traditional forms of art and started to make work that questioned art's very definition. This is where Godfrey picks up the story. Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, The Story of Contemporary Art traces a history in terms of drastic changes in social and political life over the last sixty years. How do we experience being human in a world that seems to change so quickly? In exploring art's relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how.

French couturiere Coco Chanel has achieved legendary status across the world and continues to captivate young generations of fashion fans who eagerly collect and share her quotes, creations and insights. A close friend of some of the leading wits and writers of her days (from Jean Cocteau to poet Pierre Reverdy), Coco Chanel was fierce and uncompromising in her pronouncements on fashion ('Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity'; 'Elegance is refusal'; 'Fashion changes, but style endures'), women ('A woman who doesn't wear perfume has no future'; 'Dress shabbily and they remember the dress; dress impeccably and they remember the woman') and life ('The best things in life are free. The second-best are very expensive'). Much like her successor, Karl Lagerfeld, she never shied away from controversy, declaring one day of her detractors: 'I don't care what you think about me. I don't think about you at all'. Presented in a beautiful package and accessible format, The World According to Coco is the perfect gift for fans of fashion in general and Chanel in particular.

The expansion of capitalism and neoliberal ideologies have delivered economic integration between countries and brought global inter-connectedness to individuals. So why do so many people now feel that they are 'citizens of nowhere', disparaged by the 'cosmopolitan elites'? Has democracy and the power of nation states been irredeemably weakened by unfettered global finance, opaque forms of global governance, and the power of transnational corporations? Can the huge rise in social and economic inequality be reversed? Can diverse cultural expression be maintained in a globalizing world? In the context of the current nationalist backlash and the momentous impacts of the COVID-19 pandemic, this thought-provoking volume considers whether globalization is dead or whether it will survive, and perhaps transform. Written in a clear and engaging style, the volume traces the development of economic globalization starting from the first wave of colonialization in the 15th century, through the first period of globalization at the end of the 19th century, and up to the contemporary period of globalization that started in the 1980s and appears today to be teetering on the brink of collapse. It explores the impacts of globalization on today's world, from global supply chains and tax havens to rising economic inequality, climate change and pandemics, and assesses the different impacts on rich and poor countries, and on the rich and poor within countries. It then reviews the growing anti-globalization sentiment, starting from the anti-IMF protests that raged through developing countries in the 1980s and 1990s, to the emergence of the transnational anti-globalization movement of the 2000s, to more recent uprisings such as the Arab Spring, The Occupy Movement, the Gilets Jaunes, and to the current populist nationalist backlash led by President Trump and embodied in the 2016 Brexit vote. Sensing that globalization has reached a tipping point, the book considers a range of possible scenarios for the future world order, including nationalism, authoritarianism and democratic globalism. Finally, it explores whether globalization can be democratized in a world in which effective and inclusive global governance is crucial to solving global problems, such as tackling climate change, controlling global pandemics and upholding universal human rights.