Thames & Hudson strana 47 z 126

Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her disussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class and sexuality. With a new preface and epilogue from an exciting new authority on the history of women artists, this revised edition continues the project of charting the evolution of feminist art history and pedagogy in recent years, revealing how artists have responded to new strategies of feminism for the current moment.

Why Do Cats Meow? is the second book in the series of natural history books for children that answer curious questions about favourite and familiar pets. The book highlights the qualities of different types of cats, and answers some of the more curious questions children have about cats, including: why do cats like scratching things? Why do cats like bringing us dead things? and Why do cats have wet noses? Through the book, children will come to understand what's so unique about a cat's body and its behaviour and why they deserve to be well cared for. The book also profiles famous cats from history and popular culture, including the cat-headed Egyptian goddess Bastet and Larry, Chief Mouser to the Cabinet Office, who lives and works at 10 Downing Street in London. By incorporating zoological information about the feline species with stories from history, art, religion and popular culture, Why Do Cats Meow? celebrates why cats have been such dear pets to us for centuries.

Paul Gauguin achieved a high public profile during his lifetime, and was one of the first artists of his generation to achieve international recognition. But his prominence has always had as much to do with the dramatic events of his life - his self-imposed exile on a remote South Sea island, his turbulent relationships with his peers - as with the appeal of his art. Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most original artists of the late nineteenth century. Gauguin's work - painting, sculpture, prints and ceramics - is discussed in the light of his public persona, his relations with his contemporaries, his exhibitions and their critical reception. His private world, beliefs and aspirations are revealed through his extensive cache of journals, letters and other writings. Fully updated throughout, drawing on the insights of thirty years of scholarship since its first edition, Thomson's text remains the best introduction to this controversial and often contradictory artist.

In the 21st century photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. This book provides an introduction to the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged, 'directorial' spectacle. The vast span of photographers whose work is reproduced includes established artists such as Isa Genzken, Jeff Wall, Sophie Calle, Thomas Demand, Nan Goldin and Sherry Levine, as well as emerging talents such as Sara VanDerBeek, Rashid Johnson, Viviane Sassen and Amalia Ulman. This new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Adding to the wide selection featured of work, Cotton celebrates a new generation of artists, who are shaping photography as a culturally significant medium for our current socio-political climate.

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

This book is jam-packed with more stickers than there are prickles on a cactus. You'll discover plants that are stinky, carnivorous and as old as a dinosaur and have all sorts of fun sticking them throughout the book. But wait, there's more! You can also: * Design your own bouquet of flowers * Stick flies on the corpse flower * Play a game of Cherry Blossom Bingo

Even in the digital age, the printed poster retains an important, much-loved role in connecting with audiences in a way that both entertains and informs. The V&A was one of the first museums to start collecting posters and to recognize the importance of doing so. Far from ephemeral, posters are both a representation of the time in which they were produced and distributed and, in many instances, have shaped the societies in which they were seen. The story of the poster is both one of changing styles and new innovations in design, illustration and printing, and a visually compelling social history. The Poster brings together over 300 examples that tell a comprehensive visual history of poster design and the various ways the poster has been used to tell, to sell, to charm and to spur on change. Organized into seven thematic chapters that tell the story of the poster as a medium, each poster is accompanied by a concise commentary that explains the work in terms of its design, printing, content, message and the commercial, social or political impact it may have had. Featuring works by the masters of poster design that have become popular and highly collectible classics, charting the ebb and flow of styles such as Art Nouveau, Modernism, Art Deco, Psychedelia and Punk and featuring the nostalgic glow of muchloved brands as well as posters that shook and changed the world, The Poster will be an essential visual resource for graphic designers and illustrators - a reference for anyone with an interest in collecting posters and an engaging design and social history for all who appreciate this most popular of art forms

What does it mean? Is it really art? Why does it cost so much? While these questions are perpetually asked about contemporary art, they are not the questions that E. H. Gombrich set out to answer in his seminal book The Story of Art. Contemporary art is very different from what came before. From the 1960s, where Gombrich's account concludes, artists began to abandon traditional forms of art and started to make work that questioned art's very definition. This is where Godfrey picks up the story. Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, The Story of Contemporary Art traces a history in terms of drastic changes in social and political life over the last sixty years. How do we experience being human in a world that seems to change so quickly? In exploring art's relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how.

French couturiere Coco Chanel has achieved legendary status across the world and continues to captivate young generations of fashion fans who eagerly collect and share her quotes, creations and insights. A close friend of some of the leading wits and writers of her days (from Jean Cocteau to poet Pierre Reverdy), Coco Chanel was fierce and uncompromising in her pronouncements on fashion ('Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity'; 'Elegance is refusal'; 'Fashion changes, but style endures'), women ('A woman who doesn't wear perfume has no future'; 'Dress shabbily and they remember the dress; dress impeccably and they remember the woman') and life ('The best things in life are free. The second-best are very expensive'). Much like her successor, Karl Lagerfeld, she never shied away from controversy, declaring one day of her detractors: 'I don't care what you think about me. I don't think about you at all'. Presented in a beautiful package and accessible format, The World According to Coco is the perfect gift for fans of fashion in general and Chanel in particular.

Even with the current rise in awareness of sexual and intimate diversity, monogamous relationships remain the cultural norm. Most people aspire to it and the state encourages it, providing legal and financial benefits to married couples; however, statistics show adultery is commonplace, marriage rates are falling, and divorce figures are rising. Does Monogamy Work? - the twelfth book in The Big Idea series - traces the evolution and normalization of the monogamous ideal, questioning whether it is 'natural' or not, and surveying the spectrum of alternative relationship models that people are seeking out in a world of internet dating and scientific control over reproduction. It explores the emotional and psychological facets of ethical polyamorous relationships; questions whether these relationships benefit men disproportionately and whether they are compatible with raising children; and assesses the likelihood that diverse forms of multi-partner marriages and large friendship networks will become the norm in the future. With over 150 colour images and incisive, engaging and authoritative text, this book examines society's attachment to monogamy, evaluates its benefits and limitations, and asses the merits of polyamorous relationship models in our modern world.

Ambitious and wide-ranging, this is the first single volume to tell the story of the library as a distinct building type, all around the world and from the beginnings of writing to the present day. In its highest form the library is a total work of art, combining painting, sculpture, furniture and architecture. From their designs for the libraries of ancient Rome to those of the Bibliotheque Nationale in Paris, architects have sought to outdo each other by producing ever more spectacular settings. The author and photographer have travelled the globe, documenting some eighty libraries. Architectural historian James Campbell contributes an authoritative and highly readable account. Will Pryce is one of the world's leading photographers of interiors and architecture. Arresting and technically flawless, his photographs are both lucid and deeply atmospheric.

The expansion of capitalism and neoliberal ideologies have delivered economic integration between countries and brought global inter-connectedness to individuals. So why do so many people now feel that they are 'citizens of nowhere', disparaged by the 'cosmopolitan elites'? Has democracy and the power of nation states been irredeemably weakened by unfettered global finance, opaque forms of global governance, and the power of transnational corporations? Can the huge rise in social and economic inequality be reversed? Can diverse cultural expression be maintained in a globalizing world? In the context of the current nationalist backlash and the momentous impacts of the COVID-19 pandemic, this thought-provoking volume considers whether globalization is dead or whether it will survive, and perhaps transform. Written in a clear and engaging style, the volume traces the development of economic globalization starting from the first wave of colonialization in the 15th century, through the first period of globalization at the end of the 19th century, and up to the contemporary period of globalization that started in the 1980s and appears today to be teetering on the brink of collapse. It explores the impacts of globalization on today's world, from global supply chains and tax havens to rising economic inequality, climate change and pandemics, and assesses the different impacts on rich and poor countries, and on the rich and poor within countries. It then reviews the growing anti-globalization sentiment, starting from the anti-IMF protests that raged through developing countries in the 1980s and 1990s, to the emergence of the transnational anti-globalization movement of the 2000s, to more recent uprisings such as the Arab Spring, The Occupy Movement, the Gilets Jaunes, and to the current populist nationalist backlash led by President Trump and embodied in the 2016 Brexit vote. Sensing that globalization has reached a tipping point, the book considers a range of possible scenarios for the future world order, including nationalism, authoritarianism and democratic globalism. Finally, it explores whether globalization can be democratized in a world in which effective and inclusive global governance is crucial to solving global problems, such as tackling climate change, controlling global pandemics and upholding universal human rights.

New to this Edition * Updated treatment of postcolonial approaches and indigenous archaeology, with coverage of the ontological turn in archaeology, and new examples of community archaeology in southern Africa and Australia. * New discoveries and research across the globe, such as archaeological evidence of social hierarchies at the ancient city of Liangzhu, China, and recent evidence of Neanderthal art in France and Spain. * A more inclusive picture of archaeology, raising the profile of women in the discipline's history, and describing the development of archaeology in China and Japan. * In Chapter Five, updated treatment of social organization, with critical evaluations of Service's model, and new coverage of heterarchies. * New box features include: forensic archaeology; change in the Amazon; ancient microbes; paleoproteomics; Must Farm; evidence of feasting at Stonehenge; Neanderthal art; and ceramic styles and learning. * New book design, including, for each chapter, distinct introductions that offer a general overview of each topic covered.

The heritage of the Celts turns up from Portugal to Romania, from Scotland to Spain. Yet debate continues about who exactly were the Celts, where ultimately they came from, and whether the modern Celtic-speakers of the British Isles and Brittany are related to the Continental Celts we know from ancient history. So a fresh approach is needed. Blood of the Celts meets this challenge, pulling together evidence from genetics, archaeology, history and linguistics in an accessible and illuminating way, taking the reader on a voyage of discovery from the origins of the ancient Celts to the modern Celtic Revival, with some startling results.

The practice of ceramics is steeped in history and tradition. For thousands of years humans have exploited the versatile qualities of clay as a material to produce items ranging from humble utilitarian vessels integral to family living, right through to exquisite works of art. Ceramics Masterclass explores this diverse discipline by showcasing 100 of the most innovative and inspiring artists past and present, analysing the techniques and methods used to create the works, and the concepts which underpin their creative process. It shows how to recreate intricate still-life dioramas like 15th-century artist Bernard Palissy, explore narrative like Grayson Perry and convey sensitivity to material like Phoebe Cummings. Arranged thematically, Ceramics Masterclass includes chapters on vessels, batch production, sculptures, figurative works, installation and expanded field. Perfect for students, amateur ceramicists and professionals, this book represents a global perspective of historical and contemporary approaches to clay and be a catalyst for discovery and intrigue.

Marco Polo, Ferdinand Magellan, David Livingstone, Amelia Earhart, Neil Armstrong: these are some of the greatest travellers of all time. This book chronicles their stories and many more, describing epic voyages of discovery from the extraordinary migrations out of Africa by our earliest ancestors to the latest voyages into space. In antiquity, we follow Alexander the Great to the Indus and Hannibal across the Alps; in medieval times we trek beside Genghis Khan and Ibn Battuta. The Renaissance brought Columbus to the Americas and the circumnavigation of the world. The following centuries saw gaps in the global maps filled by Tasman, Bering and Cook, and journeys made for scientific purposes, most famously by von Humboldt and Darwin. In modern times, the last inhospitable ends of the earth were reached - including both poles and the world's highest mountain - and new elements were conquered. With evocative photographs, paintings and portraits, The Great Journeys in History reveals the stories of those who were there first, who explored the unexplored and who set out into the unknown, bringing alive the romance and thrill of travel.