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Studio 44 Architects is one of the largest private architectural firms in St Petersburg and in Russia. Founded in 1991 and led by Nikita Yavein, the company now employs over 140 highly qualified specialists, including architects, restoration experts, structural designers and engineers. Studio 44 has won over sixty prestigious awards and implemented over twenty-five public and residential building projects, including Ladozhsky Railway Station, the Atrium Business Centre at Nevsky 25, Nevsky 38 and Linkor business centres, the Grand Palace shopping gallery, the Novy Peterhof hotel and the Boris Eifman Dance Academy in St Petersburg; the Palace of Schoolchildren in Astana (Kazakhstan); and the Olympic Park Railway Station in Sochi. Studio 44 designed the new museum complex of the State Hermitage Museum in the General Staff Building (Stage 1, 2010) that was profiled in the book The Hermitage XXI (Thames & Hudson, 2014).

This is the first survey in many years to explore contemporary apartments not as raw canvases for interior decoration but as a building type of growing significance. An introduction presents the history of multiple-occupancy housing through its most innovative 20th-century exemplars, from the urbane blocks of Auguste Perret and Henri Sauvage in Paris, to the landscaped housing estates of Weimar Germany and the visionary schemes of Le Corbusier. The heart of the book features 38 recent and ongoing projects, designed by leading international studios and rising talents. Buildings range from social housing and micro apartments to 'vertical villages', megastructures and luxury high-rises. Each project is considered for the way in which it enriches the lives of residents and the city, and is shown through drawings and photographs, taken from the street and within. The book also includes interviews with such contemporary masters of apartment design as Michael Maltzan, Lorcan O'Herlihy, Edouard Francois and Bjarke Ingels.As our cities grow more crowded, it is critical that we produce large-scale buildings that enhance the lives of their inhabitants, their surroundings and the urban environment as a whole. Building Community offers dozens of proven successes to designers and apartment-dwellers.

Revival Type is a collection of contemporary digital fonts with origins in the past. Examples include direct revivals of metal and wood typefaces, while others are looser interpretations of older typefaces. Among the fonts are interpretations of classic designs by Nicolas Jenson, Claude Garamont, Robert Granjon, William Caslon, John Baskerville, Giambattista Bodoni, Firmin Didot and other iconic names. Alongside them are typefaces rooted in the work of important, though lesser known, names such as Eudald Pradell, Philippe Grandjean and Richard Austin. Finally, there are updates and revisions of 20th-century classics like Palatino, Meridien, DIN, Metro and Neue Haas Grotesk (the original name of Helvetica). Some designs are not revivals of typefaces but of letterforms, from inscriptions to calligraphic manuals to letters in posters and bookjackets. Some revivals are aesthetic extensions of 20th-century typefaces that have been updated technologically. Others are actually reinterpretations or variations on typefaces from the past necessitated by having to make types that function in the 21st century and not in the distant past. Re:Type looks at type 'revivals' in this broad manner.

Cycling jerseys represent many different things. For a cyclist they must be functional. For team sponsors they must stand out, and in doing so they must increase brand awareness. For cycling fans they help pick out their favorites or a race or competition leader. Jerseys show who is a world or a national champion. And in some races, jerseys tell of a competitor’s nationality. But cycling jerseys have evolved into something bigger than all those things. Some jerseys are iconic, others stylish, and some are beautiful. They can evoke good times or bad times, success or failure. Above all, jerseys mark the great occasions of cycling, they speak of its history, its personalities and its style. And all jerseys have an element of art in their design. Cycling Jerseys celebrates the cycling jersey in all its forms. With stunning pictures and snatches of history, this is the story of the cycling jersey told in 192 gorgeous pages. From the first simple garments that early cyclists raced in, to the technologyladen jerseys top riders use today. This book looks at the iconic jerseys associated with great riders and with great teams, the jerseys of champions and nations, and the jerseys that leaders wear in the most famous races.

Karl Blossfeldt (1865–1932) was a great pioneer of botanical photography, yet he was neither a professional photographer nor a botanist. A professor at the Academy of Applied Arts in Berlin, he was a sculptor and amateur photographer, and his interest in the plant world was originally educational. Fascinated by the structure of plants, whose apparently artistic forms were created by biological expediency, he realized that photography could be a useful teaching tool, allowing his students to see and compare many natural forms. Blossfeldt worked with a homemade camera and gathered and photographed his own plant samples, magnifying them by up to 45 times. From around 1898 onwards, he shot some 6,000 images, which he used primarily as visual aids in his classes. Eventually published as Art Forms in Nature (1928) and Art Forms in Nature, Second Series (1932), his photographs had a lasting impact on the art of his day and were enthusiastically embraced by both the Surrealists and the New Objectivity movement. His books brought him overnight fame and are still considered landmarks in the history of art and photography. This volume brings together a remarkable collection of Blossfeldt’s strikingly austere yet poetic portraits of plants, capturing their timeless beauty in intimate detail.

National history is a vital part of national self-definition. Most books on the history of the world try to impose a uniform narrative, written usually from a single writer's point of view. Histories of Nations is different: it presents 28 essays written by a leading historian as a 'self-portrait' of his or her native country, defining the characteristics that embody its sense of nationhood. The countries have been selected to represent every continent and every type of state, large and small, and together they make up two-thirds of the world's population. They range from mature democracies to religious autocracies and one-party states, from countries with a venerable history to those who only came into being in the 20th century. In order to get to grips with the national and cultural differences that both enliven and endanger our world, we need above all to understand different national viewpoints - to read the always engaging and often passionate accounts given in this remarkable and unusual book. Original and thoughtprovoking, this is a crucial primer for the modern age.

Deep underground, hidden from view, some of humanity's earliest artistic endeavours have lain buried for thousands of years. The most ancient artworks were portable objects, left on cave floors. Shell beads signal that 100,000 years ago humans had developed a sense of self and a desire to beautify the body; ostrich eggshells incised with curious geometric patterns hint at how communities used art, through the power of symbols, to communicate ways of doing things and bind people together. In time, people came to adorn cave walls with symbols, some abstract, others vivid arrangements of animals and humans. Often undisturbed for tens of thousands of years, these were among the first visual symbols that humans shared with each other. However, as archaeologist Bruno David reveals, we have ways of unlocking their secrets. Sometimes these lie in the art itself, sometimes lying on the ground, or buried beneath where people have left traces of what they did, footprints of the ancestors. In pictures and words, David tells the story of this mysterious world of decorated caves, from the oldest known 'painting kits', found virtually intact after their use 100,000 years ago in South Africa, to the magnificent murals of the European Ice Age that are so famous today. Showcasing the most astounding discoveries made in the past 150 years of archaeological exploration, Cave Art explores these creative achievements, from our remotest ancestors to recent times, and what they tell us about the human past and ourselves today.

Once upon a time pottery schools saw an increase in enrolments whenever the film Ghost aired on television. Today it is all year round. Not since the 1970s has there been this level of interest and appreciation for pottery and ceramics. The return to the handmade has been driven by our increasingly digital lives and there are now more makers, sellers and collectors than ever. There is also a new desire for unique objects made by hand and the imperfections associated with the marks of the maker. Pottery is the vehicle that most aptly captures this authenticity. From decorative pieces to the primarily functional to sculptural works pushing the boundaries of the medium, Clay surveys the richly creative output of over 50 studio potters from around the world. It is a celebration of a new generation of artisans working in clay, a snapshot not necessarily of what is happening at elite gallery level, but rather a behind-the-scenes look at the unique and eclectic offerings from small studios around the world.

This sixth edition of Graphic Design School has been refreshed and updated throughout, and features two new articles, one on User Experience Design (UX) and User Interface Design (UI), and one on Motion Graphics. The book is organized into two main sections, 'principles' and 'practice'. The first section deals with the fundamentals of design, such as composition, hierarchy, layout, typography, grid structure, colour and so on. The second section puts these basics into practice, and gives information about studio techniques and production issues relevant to a number of different graphic design disciplines. The last part of the second section provides an overview of some of the different career choices open to students entering the graphic design field.

Today's designers are often presented with a seemingly infinite number of creative choices, with the ability to push their materials to the limits of what they can do. Understanding these materials properly helps designers make inspired decisions in a practical and confident manner. The Materials Sourcebook for Design Professionals is the one-stop resource for all design professionals, providing comprehensive, accurate information about the basic materials with which they work on a daily basis, as well as a complete breakdown on new and exciting developments in high-tech materials. Written by Rob Thompson, this book comprises six main parts on all the major 'design' material groups. These parts are then separated further into chapters that examine the properties of individual types of materials, e.g. 'Iron', 'Steel' and 'Aluminium'. In total, there are nearly 100 material types featured, each one supported by examples of how it can be used in a variety of industries, an outline of its most desirable properties and details on its form and texture.With 450 vibrant illustrations and a clear layout, the design professional or student is presented with a long-term reference tool that tells them everything they need to know about the materials they use habitually, with information delivered in a wholly unbiased and accessible manner.

Who were the Norse gods - the mighty Aesyr, led by Odinn, and the mysterious Vanir? In The Norse Myths we meet this passionate and squabbling pantheon, and learn of the mythological cosmos they inhabit. Passages translated from the Old Norse bring this legendary world to life, from the myths of creation to ragnarok, the prophesied end of the world at the hands of Loki's army of monsters and giants, and everything that comes in between: the problematic relationship between the gods and the giants, in which enmity and trickery are punctuated by marriages and seductions; the (mis) adventures of human heroes and heroines, with their family feuds, revenges, marriages and murders; and the interaction between the gods and mortals, as Odinn, the Allfather, betrays his human proteges in order to recruit (dead) heroes for his army. Carolyne Larrington describes the myths' origins in pre-Christian Scandinavia and Iceland, and their survival in artefacts and written sources, from Old Norse sagas and poems to the less approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris and J.R.R.Tolkien, and even the recent Game of Thrones in the resurrection of the Fimbulvetr, or 'Mighty Winter'.

For centuries, plants have transformed interiors. Today house plants are once again experiencing a revival. Author Bree Claffey of Mr Kitly journeys into the worlds of fellow plant lovers to explore the enduring attraction of house plants. From the ever-reliable Peace lily and beguiling Fiddle leaf fig to the elusive Chinese money plant, house plants are showcased in all their weird and wonderful forms. More than good-looking props, plants are living growing things rooted in community and creativity and as this book celebrates, house plants are a way of life.

William Morris's patterns are enduringly popular for their originality and color, and have captured the imagination of countless designers and artists. This coloring book explores the intricate work of William Morris, and allows the reader to invent their own colorways to complete Morris's patterns. 45 patterns to color, interspersed by full-color reproductions of the original designsOrganized into four sections--Nature, Color, Pattern, and Craft--to highlight different aspects of the designs, and the crafts and skills behind themExplores Morris's love of nature, his artistry, mastery of color, and innovation in pattern design in concise introductory texts

Do you prefer cats or dogs? Chocolate or vanilla ice-cream? The hen or the egg? Mummy...or Daddy? These pages are packed with interactive tabs that put children in the driving seat. A pop-up book with flaps to lift, tabs to pull and plenty of surprises.

Can you keep a straight face? Straight eyebrows? Straight lips? A straight...nose? These pages are packed with interactive tabs that allow children to pull funny faces with impunity. A pop-up book with flaps to lift, tabs to pull and plenty of surprises!

Hey little owl, what are you doing? I'm waking up! What's up, Mr Pelican? I'm having my dinner! These pages are packed with interactive tabs that put children in the driving seat. A pop-up book with flaps to lift, tabs to pull and plenty of surprises!