Thames & Hudson strana 73 z 126

The countryside has always held appeal for those trapped in the urban jungle, as it can be difficult for artful minds to isolate themselves from the 24/7 stimuli that cities bring. With a greater appetite for 'authentic' experiences, working practices and creative inspiration, metropolitan talents are setting up studios far from the madding crowd. Combining a more relaxed lifestyle, budding entrepreneurship and social media, a new generation of young creatives is redefining 'country living'. Creative Living Country celebrates this new breed of artists and creatives - from photographers to textile designers, from ceramicists to musicians - who have found a way to make their homes, work and lifestyle a seamless whole away from the city lights. Looking at 25 houses across the UK, Chloe Grimshaw and Luke White provide a glimpse into truly original homes that could only have been inspired by country life.From the East Anglian fens to the Cornish coast, from the hills of the Lake District to the moors of Scotland, the unique landscapes that make up the British experience take on new meaning in the hands of these creative pioneers and provide inspiration for all of us, no matter where we live.

This book opens with introductory spreads explaining that beasts are wild animals that can't be tamed and gives tips on how to spot them in their natural habitats. Subsequent spreads, illustrated with scenic compositions, are dedicated to specific beasts, including armadillos, bears, tigers and the Tasmanian Devil. Later spreads approach the world of beasts thematically, looking at mythical beasts, Ice-Age beasts, beasts on your street and how to save beasts in danger. The text is chatty, funny and full of amazing facts.

This book opens with introductory spreads explaining that beasts are wild animals that can't be tamed and gives tips on how to spot them in their natural habitats. Subsequent spreads, illustrated with scenic compositions, are dedicated to specific beasts, including armadillos, bears, tigers and the Tasmanian Devil. Later spreads approach the world of beasts thematically, looking at mythical beasts, Ice-Age beasts, beasts on your street and how to save beasts in danger. The text is chatty, funny and full of amazing facts.

While highly finished drawings and paintings frequently feature in histories of botanical art, the preparatory sketches, first impressions and creative thoughts on paper behind them are rarely seen and have often remained hidden and locked away. Botanical Sketchbooks brings these personal and vividly spontaneous records gloriously back into the light. In a series of biographical portraits organized thematically into four sections, the book illuminates a range of intriguing characters, from many different countries and cultures, including Germany, France, Italy, America, Australia, Japan and China. Sketchbooks proper are joined by notebooks, journals, albums, loose pieces of paper, works on vellum, manuscripts, letters, herbarium sheets and marginalia - even one drawing on the back of an envelope. Turning the pages of this book will be an invitation to relive extraordinary experiences, imagine lost worlds, and be immersed in the endeavours, observations and motivations of the makers of such beautiful and enchanting art.

Magnum Photos marks its 70th anniversary in 2017. Thames & Hudson has enjoyed exceptional commercial success and critical acclaim in its collaborative ventures with Magnum, notably with Magnum Magnum and Magnum Contact Sheets, which have combined sales of over 200,000 copies to date across eleven languages. With their 70th anniversary in 2017, Magnum Photos has entered into an exclusive agreement with Thames & Hudson for the creation of a range of paper-based gift products. Created with Magnum's full involvement and collaboration, and with each product aimed at either the active photographer or those who simply love great photography, these beautifully produced gifts will connect the Magnum brand with a greater global audience than ever before.

Magnum Photos marks its 70th anniversary in 2017. Thames & Hudson has enjoyed exceptional commercial success and critical acclaim in its collaborative ventures with Magnum, notably with Magnum Magnum and Magnum Contact Sheets, which have combined sales of over 200,000 copies to date across eleven languages. With their 70th anniversary in 2017, Magnum Photos has entered into an exclusive agreement with Thames & Hudson for the creation of a range of paper-based gift products. Created with Magnum's full involvement and collaboration, and with each product aimed at either the active photographer or those who simply love great photography, these beautifully produced gifts will connect the Magnum brand with a greater global audience than ever before.

Type Tells Tales focuses on typography that is integral to the message or story it is expressing. This is type that speaks - that is literally the voice of the narrator. And the narrator is the typographer. This can be quite literal, for example when letters come from the mouth of a person or thing, as in a comics balloon. It can be hand lettering, drawn with its own distinctive peculiarities that convey personality and mood. Precedents for contemporary work might be in Apollinaire's calligram 'Il pleut' or Kurt Schwitters' children's picture book 'The Scarecrow', or in Concrete Poetry, Futurist 'Words in Freedom' or Dadaist collage. Seeking out examples in the furthest reaches of graphic design, Steven Heller and Gail Anderson uncover work that reveals how type can be used to render a particular voice or multiple conversations, how letters can be used in various shapes and sizes to create a kind of typographic pantomime, and how type can become both content and illustration as in, for example Paul Rand's 'ROARRRRR'. Letters take the shape and form of other things, such as people, faces, animals, cars or planes.There are examples of how typographic blocks, paragraphs, sentences and blurbs can be used to guide the eye through dense information. This exciting, fresh take on typography goes far beyond the letter and word, exploding the boundaries of typographic expression. It will enthral designers and illustrators, wordsmiths and literati: anyone, in short, who loves the medium of the message.

In contemporary fashion photography, Erik Madigan Heck is something of an anomaly - a very successful anomaly who steers his own path. His work is elegant and unashamedly beautiful, exploring the intersections of fashion, painting and classical portraiture. Working with natural light and combining in-camera effects with digital post-production, he produces evocative and seductive images that are simultaneously timeless and futuristic. His work stands alongside that of the greats, yet he is a true original and no mere impersonator. Erik Madigan Heck: Old Future presents more than 100 photographs in a flowing, chromatic sequence. With essays by Susan Bright and Justine Picardie that look at Heck's place within the realms of both art photography and fashion, and with an index to the photographs captioning the piece, model, designer, collection or publication in which each image appeared, this book is the essential introduction to a future master of fashion photography.

What Happens Next? follows a child's hilarious, wildly inventive train of thought following the death of his grandfather and the discovery of his journal, in which his grandfather had jotted his thoughts about life after death and the ideal heaven.

A is for adventure that's waiting for you. The next time you want to sail into the blue...This maritime ABC breathes a real blast of fresh air into the genre. From A for Anchor and B for Buoy, from C for Cruise Ship to D for Dolphins and Zzzz for bedtime, Virginie Morgand's gloriously illustrated book is a wonderful introduction to all things nautical for young children. Her drawings successfully combine a sixties feel with the intensity of animated cinema, bringing the pictures to life page after page.

Studio 44 Architects is one of the largest private architectural firms in St Petersburg and in Russia. Founded in 1991 and led by Nikita Yavein, the company now employs over 140 highly qualified specialists, including architects, restoration experts, structural designers and engineers. Studio 44 has won over sixty prestigious awards and implemented over twenty-five public and residential building projects, including Ladozhsky Railway Station, the Atrium Business Centre at Nevsky 25, Nevsky 38 and Linkor business centres, the Grand Palace shopping gallery, the Novy Peterhof hotel and the Boris Eifman Dance Academy in St Petersburg; the Palace of Schoolchildren in Astana (Kazakhstan); and the Olympic Park Railway Station in Sochi. Studio 44 designed the new museum complex of the State Hermitage Museum in the General Staff Building (Stage 1, 2010) that was profiled in the book The Hermitage XXI (Thames & Hudson, 2014).

This is the first survey in many years to explore contemporary apartments not as raw canvases for interior decoration but as a building type of growing significance. An introduction presents the history of multiple-occupancy housing through its most innovative 20th-century exemplars, from the urbane blocks of Auguste Perret and Henri Sauvage in Paris, to the landscaped housing estates of Weimar Germany and the visionary schemes of Le Corbusier. The heart of the book features 38 recent and ongoing projects, designed by leading international studios and rising talents. Buildings range from social housing and micro apartments to 'vertical villages', megastructures and luxury high-rises. Each project is considered for the way in which it enriches the lives of residents and the city, and is shown through drawings and photographs, taken from the street and within. The book also includes interviews with such contemporary masters of apartment design as Michael Maltzan, Lorcan O'Herlihy, Edouard Francois and Bjarke Ingels.As our cities grow more crowded, it is critical that we produce large-scale buildings that enhance the lives of their inhabitants, their surroundings and the urban environment as a whole. Building Community offers dozens of proven successes to designers and apartment-dwellers.

What is contemporary art? What makes it 'contemporary'? What is it for? And why is it so expensive? The contemporary art world can be a baffling place, but Kyung An and Jessica Cerasi are on hand to bring you up to speed. From museums and the art market to biennales and the next big thing, Who's Afraid of Contemporary Art? offers concise and pointed insights into today's art scene, examining how artists are propelled to stardom, explaining what curators do, challenging our understanding of artistic skill, demystifying the art market, and much, much more. In this easy-to-navigate A to Z guide, the authors' playful explanations draw on key artworks, artists and events from around the globe, including how the lights going on and off won the Turner Prize, what makes the likes of Marina Abramoviae and Ai Weiwei such great artists, and why Kanye West would trade his Grammys to be one. Packed with behind-the-scenes information and completely free of jargon, Who's Afraid of Contemporary Art? is the perfect gallery companion and the go-to guide for when the next big thing leaves you stumped.

Revival Type is a collection of contemporary digital fonts with origins in the past. Examples include direct revivals of metal and wood typefaces, while others are looser interpretations of older typefaces. Among the fonts are interpretations of classic designs by Nicolas Jenson, Claude Garamont, Robert Granjon, William Caslon, John Baskerville, Giambattista Bodoni, Firmin Didot and other iconic names. Alongside them are typefaces rooted in the work of important, though lesser known, names such as Eudald Pradell, Philippe Grandjean and Richard Austin. Finally, there are updates and revisions of 20th-century classics like Palatino, Meridien, DIN, Metro and Neue Haas Grotesk (the original name of Helvetica). Some designs are not revivals of typefaces but of letterforms, from inscriptions to calligraphic manuals to letters in posters and bookjackets. Some revivals are aesthetic extensions of 20th-century typefaces that have been updated technologically. Others are actually reinterpretations or variations on typefaces from the past necessitated by having to make types that function in the 21st century and not in the distant past. Re:Type looks at type 'revivals' in this broad manner.

Cycling jerseys represent many different things. For a cyclist they must be functional. For team sponsors they must stand out, and in doing so they must increase brand awareness. For cycling fans they help pick out their favorites or a race or competition leader. Jerseys show who is a world or a national champion. And in some races, jerseys tell of a competitor’s nationality. But cycling jerseys have evolved into something bigger than all those things. Some jerseys are iconic, others stylish, and some are beautiful. They can evoke good times or bad times, success or failure. Above all, jerseys mark the great occasions of cycling, they speak of its history, its personalities and its style. And all jerseys have an element of art in their design. Cycling Jerseys celebrates the cycling jersey in all its forms. With stunning pictures and snatches of history, this is the story of the cycling jersey told in 192 gorgeous pages. From the first simple garments that early cyclists raced in, to the technologyladen jerseys top riders use today. This book looks at the iconic jerseys associated with great riders and with great teams, the jerseys of champions and nations, and the jerseys that leaders wear in the most famous races.

Karl Blossfeldt (1865–1932) was a great pioneer of botanical photography, yet he was neither a professional photographer nor a botanist. A professor at the Academy of Applied Arts in Berlin, he was a sculptor and amateur photographer, and his interest in the plant world was originally educational. Fascinated by the structure of plants, whose apparently artistic forms were created by biological expediency, he realized that photography could be a useful teaching tool, allowing his students to see and compare many natural forms. Blossfeldt worked with a homemade camera and gathered and photographed his own plant samples, magnifying them by up to 45 times. From around 1898 onwards, he shot some 6,000 images, which he used primarily as visual aids in his classes. Eventually published as Art Forms in Nature (1928) and Art Forms in Nature, Second Series (1932), his photographs had a lasting impact on the art of his day and were enthusiastically embraced by both the Surrealists and the New Objectivity movement. His books brought him overnight fame and are still considered landmarks in the history of art and photography. This volume brings together a remarkable collection of Blossfeldt’s strikingly austere yet poetic portraits of plants, capturing their timeless beauty in intimate detail.