The University of Chicago Press strana 2 z 7

How the rise of the culture wars afflicts the politics of education.   On August 9, 2022, the Denton Independent School District held a meeting to address complaints about its libraries. Like so many districts in Texas and across the country, Denton had been responding to accusations that children had access to inappropriate books at school. During the public comment session, a local man stood up to the podium and read a sexually explicit passage from a book that he wanted removed from Denton’s school libraries. But beguiled by the prospect of securing a political win, he had confused the title of the lurid psychological thriller he read aloud with a young adult fiction series about mermaids. While his attempt to ban a book that was never in Denton’s school libraries in the first place received a few laughs, it also reflects a deeply serious and troubling culture of conflict that has taken over the politics of education and now divides people so completely as to make public education as a shared endeavor seem impossible. In Willing Warriors, Mark Hlavacik shows how the culture wars have redefined the politics of US schooling from the 1970s to the present through vivid accounts of public controversies featuring Allan Bloom, Oprah Winfrey, Lynne Cheney, Rush Limbaugh, Betsy DeVos, Nikole Hannah-Jones, and others. Beginning in the 1970s, Hlavacik shows, efforts at innovation in schooling have increasingly been met by attempts to discredit them through exposé. As the culture wars have accelerated and exploded, this cycle of innovation and exposé has embroiled public schools in increasingly heated debates. He explains the dynamics that make curriculum controversies so intractable and confronts the delicate question of whether raucous public arguments are bad for education. With clarity and insight, Hlavacik reveals why bitter contests between educational ideologies not only add another burden for the schools, but also for the people—the willing warriors—who devote their lives to fighting for their betterment.

A consideration of how modern revolutions have employed tropes of classical antiquity.   Despite its Latin etymology, “revolution” in its modern understanding arguably did not exist in antiquity, and revolution as we know it today is considered by many theorists to be a term born in modernity. While they certainly had times of momentous political upheaval, the Greeks and Romans tended to understand such events as part of a narrative of political continuity rather than novelty or rupture. Nevertheless, modern revolutions have repeatedly appropriated tropes of classical discourse, such as freedom, tyranny, tragedy, and fraternity.   With this book, Miriam Leonard offers a conceptual history of revolution, unraveling modernity’s yearning for the new and questioning why ancient concepts continue to play such an important role in political uprisings. Leonard looks at examples of appeals to antiquity during the French and Haitian Revolutions, in anticolonial struggles, and feminist and queer movements and considers works of theorists such as Karl Marx, Hannah Arendt, and Sigmund Freud that foreground an engagement with antiquity.

An unprecedented portrait of Sikh devotional music demonstrating how musical traditions shift to meet changing needs.  Kirtan—the sung expression of sacred verses—spans the Indian subcontinent, but it plays a unique role in the Sikh faith. In Sikh Kirtan and ItsJourneys, musicologist Gurminder Kaur Bhogal introduces the devotional tradition of kirtan, examining it alongside the writings of holy figures, the Sikh Gurus and Bhagats, and its practice among musicians. The long-established tradition of kirtan originated in a canon of instruments and songs, each of which produces a singular spiritual and worldly effect when kirtan is sung. However, the realities of colonization and migration have necessitated changes to these canonical practices. Bhogal offers a deep exploration of the traditions that gave rise to kirtan and a robust portrait of the many transformations kirtan has undergone, particularly in the wide-ranging Sikh diaspora, dedicating special attention to marginal kirtan players such as women and innovators developing digital techniques and styles. A practicing kirtaniya, Bhogal has spent her life studying and performing this music, steeped in the histories and controversies her book describes. Through a rigorous explanation of the traditions and evolutions of kirtan, Bhogal ultimately shows that kirtan is fluid, multi-faceted, and ever-changing because it reflects the shifting spiritual needs and musical tastes of devotees and practitioners across the world. Moreover, wherever kirtan is offered and received, it heightens corporeal vibrations between practitioners and devotees to motivate a sense of social purpose, social responsibility, and selfless service.

A new history of literary narration rooted in the turmoil of the Protestant Reformation.   We often identify secularization's characteristic literary form as the modern novel: out with divine scripture, in with human fictions. In Fictions of God, Raphael Magarik argues that this story overlooks the cultural upheavals of the Protestant Reformation. Early reformers imagined a Bible that was neither infallible nor inerrant but fictional, composed by a divine counterfactual: God crafted the text, they said, as if it had been written by the prophets. Early modern Protestants now found in their Bibles not a source of foundational truths but a model for unreliable narration, even fiction. Fictions of God traces how this approach to literature passed from biblical commentators to poets like Abraham Cowley, John Milton, and Lucy Hutchinson amid the violent emergence of a new religious and political order—long before the eighteenth-century rise of the English novel. The result is a transformative account of the Reformation’s effect on imaginative literature and the secularization of the Bible itself.

A damning genealogy of modern personhood and a bold vision for a new ethics rooted in belonging rather than individuality.   In the face of ecological crisis, economic injustice, and political violence, the moral demands of being a good person are almost too much to bear. In Unbecoming Persons, Ladelle McWhorter argues that this strain is by design. Our ideas about personhood, she shows, emerged to sustain centuries of colonialism, slavery, and environmental destruction. We must look elsewhere to find our way out. This history raises a hard question: Should we be persons at all, or might we live a good life without the constraints of individualism or the illusion of autonomy? In seeking an answer, McWhorter pushes back on the notion of our own personhood—our obsession with identity, self-improvement, and salvation—in search of a better way to live together in this world. Although she finds no easy answers, McWhorter ultimately proposes a new ethics that rejects both self-interest and self-sacrifice and embraces perpetual dependence, community, and the Earth

An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer’s pessimism. Arthur Schopenhauer (1788–1860) almost wasn’t one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.   A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer’s pessimism in the context of his life experiences, revealing the philosopher’s relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer’s ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life’s most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.   Despite his pessimistic outlook on human existence, Schopenhauer didn’t give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer’s life informed his ideas and how they still resonate today.

An original history of the popular movement against the War on Terror—the greatest case of “we told you so” in modern political history.   Just after 9/11, President George W. Bush climbed the rubble where the World Trade Center had stood. Surrounded by shouts of anger, he said, “The people who knocked these buildings down will hear all of us soon!” With these words, Bush ushered in the War on Terror. Quickly, a global protest movement mobilized against it, reshaping the political, moral, and media landscape. Jeremy Varon’s Our Grief Is Not a Cry for War is the definitive history of that movement. Millions of Americans participated in thousands of acts of protest, from demonstrations to civil disobedience to peace encampments in Iraq. On February 15, 2003, up to 30 million people worldwide took to the streets in the largest protest in human history. But this enormous outcry was not enough to stop the US invasion of Iraq. Varon explores the limits to the movement’s power but also shows how it worked to make opposition to the Iraq War a part of public debate, hastening its end and limiting the broader War on Terror. In the book, you’ll meet the families of the 9/11 victims, Iraq War veterans, and Gold Star families who spoke out against war. Written with a lively and revelatory voice, Our Grief Is Not a Cry for War illuminates the passion of the peace movement, the mark it made, and the enduring legacies of the War on Terror.

An up-to-date, beautifully illustrated, and beloved guide to six hundred of the world’s most fascinating frogs.   With almost nine thousand known species, frogs display a stunning array of forms and behaviors. A single gram of the toxin produced by the skin of the Golden Poison Frog can kill one hundred thousand people. Male Darwin’s Frogs carry their tadpoles in their vocal sacs for sixty days before coughing them out into the world. And the Wood Frogs of North America freeze every winter, reanimating in the spring. The Book of Frogs documents the diversity and magnificence of all these anurans and many more. Readers meet six hundred of nature’s most fascinating frogs, with each entry including a distribution map, illustrations, species identification, natural history, and conservation status. Color photos show the frogs at their actual size—from Papua New Guinea’s diminutive Paedophryne amauensis, smaller than a coin, to Cameroon’s colossal Goliath Frog, heavier than some dogs. Written by experts Mark O’Shea and Tim Halliday and containing updated information on one hundred species and nearly twenty new entries, this revised edition will enthrall both veteran researchers and amateur herpetologists. As frogs increasingly make headlines for their troubling worldwide decline, The Book of Frogs brings readers face to face with six hundred astonishingly unique and irreplaceable species that display a diverse array of adaptations to habitats that are ever changing.

How reforms to girlhood education in the Progressive Era cemented inequalities of gender, race, and class in urban school systems.   In Home Work, historian Ruby Oram tells the story of how middle-class, white women reformers lobbied the state to implement various public education reforms to shape the lives of girls and women in industrial cities between 1870 and 1930. Women such as Jane Addams and Florence Kelley used education reform to target working-class communities and advocate for their middle-class ideals of girlhood and femininity, which could vary depending on the racial or socio-economic backgrounds of the girls. For example, reformers generally encouraged white girls to care for their future families, while pushing Black girls toward becoming domestic workers in others’ homes. Using Chicago as a case study, Oram also explores how many of the reforms sought by white women were in response to evolving anxieties about immigration, health, and sexual delinquency. An illuminating addition to the history of urban education in America, Home Work enriches our understanding of educational inequality in twentieth-century schools.

An eye-opening examination of how power—not technology—will define life with AI. AI is inescapable, from its mundane uses online to its increasingly consequential decision-making in courtrooms, job interviews, and wars. The ubiquity of AI is so great that it might produce public resignation—a sense that the technology is our shared fate.   As economist Maximilian Kasy shows in The Means of Prediction, artificial intelligence, far from being an unstoppable force, is irrevocably shaped by human decisions—choices made to date by the ownership class that steers its development and deployment. Kasy shows that the technology of AI is ultimately not that complex. It is insidious, however, in its capacity to steer results to its owners’ wants and ends. Kasy clearly and accessibly explains the fundamental principles on which AI works, and, in doing so, reveals that the real conflict isn’t between humans and machines, but between those who control the machines and the rest of us.  The Means of Prediction offers a powerful vision of the future of AI: a future not shaped by technology, but by the technology’s owners. Amid a deluge of debates about technical details, new possibilities, and social problems, Kasy cuts to the core issue: Who controls AI’s objectives, and how is this control maintained? The answer lies in what he calls “the means of prediction,” or the essential resources required for building AI systems: data, computing power, expertise, and energy. As Kasy shows, in a world already defined by inequality, one of humanity’s most consequential technologies has been and will be steered by those already in power.   Against those stakes, Kasy offers an elegant framework both for understanding AI’s capabilities and for designing its public control. He makes a compelling case for democratic control over AI objectives as the answer to mounting concerns about AI's risks and harms. The Means of Prediction is a revelation, both an expert undressing of a technology that has masqueraded as more complicated and a compelling call for public oversight of this transformative technology.

An illustrated edition of Billy Budd featuring woodcuts by celebrated artist Barry Moser.   This edition of Billy Budd, Sailor presents Herman Melville’s iconic tale of the high seas alongside illustrations by renowned artist, publisher, and printmaker Barry Moser.   Throughout his fifty-year career, Moser has illustrated more than three hundred books ranging from novels to children’s stories to the Bible. Through his Pennyroyal Press, Moser designs and prints fine-press, illustrated, and occasionally oversized books in very limited editions, which are beloved by collectors and bibliophiles. To coincide with the centenary of the novella’s posthumous publication, Moser created sixteen original woodcuts illustrating the scenes and characters of Billy Budd, Sailor, and this trade edition now makes these exquisite illustrations accessible to a wide audience. This illustrated edition adapts the text of the critical edition of the novella prepared for the Melville Electronic Library by John Bryant, Wyn Kelley, and Christopher Ohge.

A bold challenge to rethink the humanities as intimately connected to the superhuman and to “decolonize reality itself.” What would happen if we reimagined the humanities as the superhumanities? If we acknowledged and celebrated the undercurrent of the fantastic within our humanistic disciplines, entirely new cultural worlds and meanings would become possible. That is Jeffrey J. Kripal’s vision for the future—to revive the suppressed dimension of the superhumanities, which consists of rare but real altered states of knowledge that have driven the creative processes of many of our most revered authors, artists, and activists. In Kripal’s telling, the history of the humanities is filled with precognitive dreams, evolving superhumans, and doubled selves. The basic idea of the superhuman, for Kripal, is at the core of who and what the human species has tried to become over millennia and around the planet.   After diagnosing the basic malaise of the humanities—that the truth must be depressing—Kripal shows how it can all be done differently. He argues that we have to decolonize reality itself if we are going to take human diversity seriously. Toward this pluralist end, he engages psychoanalytic, Black critical, feminist, postcolonial, queer, and ecocritical theory. He works through objections to the superhumanities while also recognizing the new realities represented by the contemporary sciences. In doing so, he tries to move beyond naysaying practices of critique toward a future that can embrace those critiques within a more holistic view—a view that recognizes the human being as both a social-political animal as well as an evolved cosmic species that understands and experiences itself as something super.

A reflection on the role of suffering in human existence.  It’s right there in the Book of Job: “Man is born unto trouble as the sparks fly upward.” Suffering is an inescapable part of the human condition—which leads to a question that has proved just as inescapable throughout the centuries: Why? Why do we suffer? Why do people die young? Is there any point to our pain, physical or emotional? Do horrors like hurricanes have meaning?   In Seven Ways of Looking at Pointless Suffering, Scott Samuelson tackles that hardest question of all. To do so, he travels through the history of philosophy and religion, but he also attends closely to the real world we live in. While always taking the question of suffering seriously, Samuelson is just as likely to draw lessons from Bugs Bunny as from Confucius, from his time teaching philosophy to prisoners as from Hannah Arendt’s attempts to come to terms with the Holocaust. He guides us through the arguments people have offered to answer this fundamental question, explores the many ways that we have tried to minimize or eliminate suffering, and examines people’s attempts to find ways to live with pointless suffering. Ultimately, Samuelson shows, to be fully human means to acknowledge a mysterious paradox: we must simultaneously accept suffering and oppose it. And understanding that is itself a step towards acceptance.   Wholly accessible, and thoroughly thought-provoking, Seven Ways of Looking at Pointless Suffering is a masterpiece of philosophy, returning the field to its roots—helping us see new ways to understand, explain, and live in our world, fully alive to both its light and its darkness.

An exploration of poetic form, centering on the alphabet as both its medium and constraint.   The poems of Daniel Schonning’s debut collection range from personal examinations of childhood suffering and loss of faith to deep observations of images and objects to the foreclosure of a family home, a father estranged by addiction, mallards on a frozen pond, flowering bindweed, and a door to the underworld. With all its component pieces, As When Waking aims to apprentice itself to the medium of letters, inviting readers to listen and learn from the systems and symmetries of alphabets.   Schonning employs structural paradigms to explore themes of poetic lineage. Twenty-six of the poems in this collection are abecedarians, a form where the opening letter of each line advances through the alphabet, with the lines of the first poem proceeding alphabetically from A–Z, while those of the second poem move from B–A, and then C–B, all the way to Z–A. This structure is tied to Jewish mystic texts such as the Sefer Yetzirah, which probes the relationship between the letters of the Hebrew alphabet and the world they inhabit.

An American long poem in three sections by Pulitzer Prize-winning poet Peter Balakian that moves between decades of tumultuous life in New York City and explosive parts of the Middle East.   In an inventive, elliptical language, New York Trilogy explores one man’s journey from the late 1960s to the twenty-first century, as he moves through a series of experiences centered in New York City and the surrounding New Jersey Palisades. Throughout this long poem in three parts, the protagonist’s life is impacted by historical events including the Armenian Genocide, the bombing of Hiroshima, the Vietnam War, the AIDS epidemic, the attacks of September 11th, the US war in Iraq, and the climate crisis.   Comprised of three multi-sequence poems originally included in Peter Balakian’s collections No Sign, Ozone Journal, and Ziggurat, the sections of New York Trilogy come together to form a poetry that embraces interior and aesthetic experiences, celebrates human intimacy, and bears witness to history. The historical power and psychological depth of Balakian’s work expands on the tradition of the American long poem with a lyrical narrative that weaves intimate personal moments into the vastness of shared history.

Sociologist Neil Gong explains why mental health treatment in Los Angeles rarely succeeds, for the rich, the poor, and everyone in between.   Drawing on the nuanced experiences of patients and care providers, Sons, Daughters, and Sidewalk Psychotics introduces readers to two drastically different forms of community psychiatric services: public safety net clinics focused on keeping people housed and out of jail and elite private care trying to push clients toward respectable futures. In downtown Los Angeles, many people in psychiatric crisis only receive help after experiencing homelessness or arrest. Public providers engage in guerrilla social work to secure housing and safety, but these programs are rarely able to deliver true rehabilitation for psychological distress and addiction. Patients are free to refuse treatment or use illegal drugs—so long as they do so away from public view. Across town in West LA or Malibu, wealthy people diagnosed with serious mental illness attend luxurious treatment centers. Programs may offer yoga and organic meals alongside personalized therapeutic treatments, but patients can feel trapped, as their families pay exorbitantly to surveil and “fix” them. Meanwhile, middle-class families—stymied by private insurers, unable to afford elite providers, and yet not poor enough to qualify for social services—struggle to find care at all. Examining this divergent treatment of people facing similar mental struggles, Gong raises provocative questions about urban policy, individual freedom, and what it would take to create a fundamentally different psychiatric system—one that will meet the needs of patients, their loved ones, and society at large.