The University of Chicago Press strana 6 z 7

Going against the grain, this refreshing book argues for a non-ideological portrait of the Enlightenment as having been, above all else, a self-critical enterprise. The Enlightenment has come under substantial attack over the past several years, with some going so far as to recommend leaving behind its thinkers and their Eurocentric prejudices. In response, the most orthodox defenders of the Enlightenment have insisted that its values are not just foundational but indispensable and that abandoning them would mean opening the door to nihilism and relativism. For Antoine Lilti, one of the leading scholars of the French Enlightenment, both sides are wrong.   In this tactfully argued series of essays, Lilti emphasizes a non-dogmatic, non-ideological view of the Enlightenment—one that sees its legacy as a critical, attentive approach that can and should serve as its own best critic. Along the way, he engages with everyone from Rousseau and Kant to Foucault and Habermas, as well as prominent contemporary voices, such as Jonathan Israel. The result is a remarkable new reading of the Enlightenment that redraws the stakes of old debates and offers an alternative way to engage with both canonical thinkers and later scholarship that is both honest about the past and useful for the future.

Unearths the religious and cultural roots of a powerful political machine that empowered some everyday Chicagoans but ruled all of the city for decades. In politics, clout is essential. Too often, it determines whether insider access is granted or denied, favors are given or withheld, and payoffs are made or received. But Chicago clout, as we know it today, is even more potent than that—it’s the absolute currency of a social, cultural, and political order that is self-reinforcing and self-dealing. Or, at least, it was.   In Clout City, award-winning historian Dominic A. Pacyga reveals how cultural, ethnic, and religious forces created this distinctive system—and ultimately led to its collapse. Tracing clout’s origins in the Irish Catholic–dominated working-class neighborhood of Bridgeport, shaped by De La Salle Institute and home to the legendary Daley family, Pacyga shows how communal ties can be a force for good and also the deepest wellspring of corruption. He maps Chicago’s unique politics to its remarkable history, from the Great Fire of 1871 through its rise and decline as an industrial center to its emergence as a global city in the early twenty-first century. With deep research and firsthand experience from a lifetime in the city, Pacyga argues that Chicago’s politics is understood best as a mixture of cultural and religious influences and more worldly pursuits, exploring how both Jewish and Catholic communalism played central roles in the creation and sustenance of the Chicago machine.   Chicago’s politics today aren’t as defined by its distinctive brand of clout. But they are shaped by clout’s decline and the ghost of the machine. Pacyga’s tour of the city’s multilayered past is an indispensable guide to its present and future.

An examination of how, when, and why austerity capitalism and strands of feminism became intertwined, and why girl-focused programs have been at the heart of international policymaking.   Girl-focused education programs have long been at the heart of international policymaking—when girls’ access to education is ensured, the reasoning goes, they are more likely to turn into productive adults who can drive economic growth. These ideas combine strands of feminism and capitalism that have a specific and understudied origin. In this book, historian Sarah Bellows-Blakely shows how a doctored study of girls’ education in East and Southern Africa led to the creation of international norms in the United Nations that would go on to guide policymaking on women’s rights and economic growth, promoting neoliberal feminist policy at the expense of other forms of gender-based justice.   Focusing on the growth of free-market feminism and girl-focused economic development planning through the relationship between UNICEF and the Nairobi-based NGO FEMNET, Bellows-Blakely reveals how their joint efforts set the blueprints for linked movements of economic development and women’s rights that are still ongoing. Through a narrative of the UNICEF-FEMNET lobbying campaign, Bellows-Blakely shows how multiple, contested girl-focused visions of economic programming and gender justice became selectively erased in favor of an approach to global policy centered on the free-market construction and strategic deployment of the African “girl child.”

Charts the long history of resentment, from its emergence to its establishment as the word of the moment.   The term “resentment,” often casually paired with words like “hatred,” “rage,” and “fear,” has dominated US news analysis since November 2016. Despite its increased use, this word seems to defy easy categorization. Does “resentment” describe many interlocking sentiments, or is it just another way of saying “anger”? Does it suggest an irrational grievance, as opposed to a legitimate callout of injustice? Does it imply political leanings, or is it nonpartisan by nature?   In The Return of Resentment, Robert A. Schneider explores these questions and more, moving from eighteenth-century Britain to the aftermath of the French Revolution to social movements throughout the twentieth century. Drawing on a wide range of writers, thinkers, and historical experiences, Schneider illustrates how resentment has morphed across time, coming to express a collective sentiment felt by people and movements across the political spectrum. In this history, we discover resentment’s modernity and its ambiguity—how it can be used to dismiss legitimate critique and explain away violence, but also convey a moral stance that demands recognition. Schneider anatomizes the many ways resentment has been used to label present-day movements, from followers of Trump and supporters of Brexit to radical Islamicists and proponents of identity politics. Addressing our contemporary political situation in a novel way, The Return of Resentment challenges us to think critically about the roles different emotions play in politics.

A historical account of the relationship between the federal government and merchant capital in the formative years of the American Republic. In the wake of the American Revolution, if you had asked a citizen whether his fledgling state would survive more than two centuries, the answer would have been far from confident. The problem, as is so often the case, was money. Left millions of dollars of debt by the war, the nascent federal government created a system of taxes on imported goods and installed custom houses at the nation’s ports, which were charged with collecting these fees. Gradually, the houses amassed enough revenue from import merchants to stabilize the new government. But, as the fragile United States was dependent on this same revenue, the merchants at the same time gained outsized influence over the daily affairs of customs houses. As the United States tried to police this commerce in the early nineteenth century, the merchants’ stranglehold on custom house governance proved to be formidable. In National Duties, Gautham Rao makes the case that the origins of the federal government and the modern American state lie in these conflicts at government custom houses between the American Revolution and the presidency of Andrew Jackson. He argues that the contours of the government emerged from the push-and-pull between these groups, with commercial interests gradually losing power to the administrative state, which only continued to grow and lives on today.

The remarkable life story of Ella Jenkins, “The First Lady of Children’s Music.”   Ella Jenkins was one of the most influential musicians of the twentieth century. Her songs “You’ll Sing a Song and I’ll Sing a Song” and “Who Fed the Chickens?” are classics in the world of children’s music. In a career spanning more than sixty years, she recorded forty albums, won a lifetime-achievement Grammy, and became the best-selling individual artist in the history of Smithsonian Folkways Records, the independent label that played a significant role in the 1960s folk revival movement and introduced listeners to Woody Guthrie and Pete Seeger. During her remarkable career, Jenkins joined forces with twentieth-century luminaries such as Odetta, Big Bill Broonzy, Armando Peraza, Bayard Rustin, and Fred Rogers. Despite her wide-reaching influence on children’s music, Ella Jenkins’s sonic civil rights activism isn’t widely known today.   Based on dozens of interviews and access to Ella Jenkins’s personal archives, Gayle F. Wald’s This Is Rhythm shares how Jenkins, a “rhythm specialist” with no formal musical training, became the most prolific and significant American children’s musician of the twentieth century, creating a beloved catalog of songs grounded in values of community-building, antiracism, and cultural pluralism. Wald traces how the daughter of southern migrants translated the music of her own Black girlhood on the South Side of Chicago into a form of civil rights activism—a musical education that empowered children by introducing them to Black history, African diasporic rhythms, and a participatory, community-centered approach to music. Wald also discusses how, beginning in 1961, Jenkins built a life with a female partner who supported her materially and emotionally. Although Jenkins did not talk publicly about her sixty-three-year relationship, she opened up to Wald, offering insight into how a “private” Black woman in the public eye negotiated sexuality in an era before gay and lesbian liberation movements. Throughout her career, her innovative music found its way into thousands of community centers, classrooms, and concert venues, and her “call-and-response” method has influenced and empowered generations of children and adults.  A beautifully written tribute to Ella Jenkins’s legacy, this biography illustrates her impact on children’s music and expands our understanding of folk music’s relationship with social justice. Jenkins used music to build a new world in which children—and adults—are encouraged to listen to each other’s distinct rhythms.