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Washington Is Burning reveals the inner workings of Trump's Washington - a grotesque carnival of corruption. Andrew Cockburn sets fire to US pieties, focusing on the spectacular greed at the heart of the nation's political system. Graft and self-interest have long typified both Democratic and Republican administrations. Cockburn charts the connections between the American military bureaucracy and the defense industry, which have created a senseless drive for ever-greater spending on arms. After the failed adventures of Afghanistan and Iraq, the Pentagon now seeks fresh rewards through inflating the threat from China and Iran, deploying time-tested techniques to boost the budget, including the invocation of supposedly superior enemy weapons development. The American empire has reached a watershed. With Trump back in the White House, Washington Is Burning is a must-read account of unedifying practices in the US capital.

In Women, Resistance and Revolution, Sheila Rowbotham traces four centuries of feminist struggle and revolutionary politics. She reveals how women have confronted the dual challenges of an unjust state system and patriarchal social prejudice. First published in 1972, Women, Resistance and Revolution is a major statement of second-wave feminism on the need for revolution within the revolution. It is also a rich and expansive history of radical consciousness. Rowbotham charts the acceleration of feminist activity and theory after the French Revolution, despite the ambiguities of 'liberty, equality, fraternity' for women. She examines pivotal works such as Mary Wollstonecraft's Vindication of the Rights of Woman, Flora Tristan's Workers' Union and Engels's Origin of the Family, showing how women's liberation became a live and often explosive issue in emerging socialist movements. Her narrative spans feminist currents in revolutionary Russia and China, exploring fascinating creative experiments during early Bolshevik rule, and extends to women's roles in anti-colonial struggles in Algeria, Cuba and Vietnam. This classic work remains as urgent, vivid and inspiring as ever.

Too many of our convictions about the fifty-four nations of Africa come from non-African sources. Western media often treat the continent as a simulacrum of Western anxieties. In contrast, Jeremy Harding focuses on specific historical episodes and cultural practices - cinema, art, ethnography and journalism - to steer us away from treacherous generalisations. Analogue Africa celebrates the ingenuity with which African artists - and a handful of Europeans - have reimagined the colonial encounter and voiced their impatience with white minority rule. Among his illustrious cast of filmmakers, photographers, writers and painters are Seydou Keita, Sanlé Sory, Ernest Cole, Sarah Maldoror, John Akomfrah, William Kentridge and Binyavanga Wainaina. Harding argues that Western museums with priceless African holdings - the British Museum, the Musée du Quai Branly, the Royal Museum of Central Africa in Belgium - are now the sites of a struggle over the colonial past, adding the latest chapter to an unfinished history.

For decades, David Harvey has been teaching Marx's work, particularly Capital, to great acclaim. He has analysed chapter by chapter - sometimes line-by-line - Marx's three volumes and the Grundrisse. This new book opens up the mental universe of that work for a general reader. In The Story of Capital, Harvey takes a synoptic approach to the conceptual architecture as a whole and guides us through the key moments, from labour and technology to the state and geopolitics, via the profit rate, social reproduction, the relationship to nature, fictitious capital and the return of the rentiers. In doing so, Harvey has produced a work which will become a key reference for all those trying to grasp the nature of contemporary capitalism.

In recent years, the de facto head of the House of Saud, Mohammed bin Salman, has promoted the oil-rich kingdom as an open, liberalizing nation that has invested in culture, tourism, and social innovation to become a beacon for the region. Malise Ruthven, a leading commentator on Islamic affairs, reveals the historical currents beneath these changes: how the royal house co-opted Wahhabism to consolidate its power and enforce authoritarianism in collusion with Western businesses and governments.

The fourth novel in Tariq Ali's 'Islam Quintet' charts the life and loves of the medieval cartographer Muhammed al-Idrisi. Torn between his close friendship with the sultan and his friends who are leaving the island or plotting a resistance to Norman rule, Idrisi finds temporary solace in the harem; but his conscience is troubled... A Sultan in Palermo is a mythic novel in which pride, greed, and lust intermingle with resistance and greatness. Debunking myths about Oriental exoticism, it echoes a past that can still be heard today.

The Book of Saladin is the fictional memoir of Saladin, the Kurdish liberator of Jerusalem, as dictated to a Jewish scribe, Ibn Yakub. Saladin grants Ibn Yakub permission to talk to his wife and retainers so that he might present a full portrait in the Sultan's memoirs. A series of interconnected stories follows, tales brimming over with warmth, earthy humor and passions in which ideals clash with realities and dreams are confounded by desires. The novel charts the rise of Saladin as Sultan of Egypt and Syria and follows him as he prepares to take Jerusalem back from the Crusaders. This is a medieval story, but it uncannily points to contemporary events in Cairo, Damascus, and Baghdad.

Night of the Golden Butterfly concludes the Islam Quintet-Tariq Ali's much lauded series of historical novels, over twenty years in the writing, which has been translated into a dozen languages Completing an epic panorama that began in fifteenth-century Moorish Spain, the concluding novel moves between the cities of the twenty-first century, from Lahore to London, from Paris to Beijing. The narrator is rung one morning and reminded that he owes a debt of honour. The creditor is Mohammed Aflatun-known as Plato-an irascible but gifted painter living in a Pakistan where "human dignity has become a wreckage." Plato, who once specialized in stepping back from the limelight, now wants his life story written. As the tale unravels we meet Plato's London friend Alice Stepford, now a leading music critic in New York; Mrs. "Naughty" Latif, the Islamabad housewife whose fondness for generals forces her to flee to the salons of intellectually fashionable Paris, where she becomes an overnight celebrity, hailed as the Diderot of the Islamic world; and there's Jindie, the Golden Butterfly of the title, the narrator's first love. The daughter of a Chinese family long settled in Lahore, Jindie is now married to his best friend, a Republican heart surgeon in DC, whose children cannot forgive him for saving the life of a much-despised politician. Interwoven with this chronicle of contemporary life is the turbulent history of Jindie's family. Her great forebear, Du Wénxiu, led a Muslim rebellion in Yunnan in the nineteenth century and ruled the region from his capital Dali for almost a decade as Sultan Suleiman. Night of the Golden Butterfly shows Ali in full flight, at once imaginative and intelligent, satirical and stimulating.

Istanbul, 1899. The last great Islamic empire is in serious trouble. The family of Iskender Pasha, an Ottoman notable, has retired to its summer palace. Then a former tutor poses a question which the family has been refusing to confront for almost a century: 'Your Ottoman Empire is like a drunken prostitute, neither knowing nor caring who will take her next. Do I exaggerate, Memed?' This passionate story of jealousies, betrayals and vendettas charts the decay of the Empire and the rise of a new generation which is deeply hostile to the myths of the 'golden days.' The power of the 'Islam Quintet' lies both in the story-telling and its challenge against stereotyped images of life under Islam.

Housing is more than bricks and mortar. Feeling at Home grapples with the practical and emotional questions of housing - domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Alva Gotby shows that solving the housing crisis is about much more than housing stock. It means revolutionising our everyday lives and labours.

The global market in money - housed in the offshore 'shadow' banking system - holds $217 trillion in financial assets and operates beyond the reach of any nation's taxman. Asset managers, private equity firms, and pension and sovereign wealth funds scoop up the world's savings for investment and manage them as they choose, unaccountable to politicians or the citizens who elect them. In this brilliant, accessible and incisive introduction to the murky world of glo­balized finance, Ann Pettifor links the activities of remote mobile financial markets to both the cost-of-living and climate crises. In an insane global casino, bankers are gambling with our future. When we foot the bill, no one but a few economists understands what has happened. The result is volatile, unpre­dictable and uncontrollable speculation in global commodities, pension, energy, and housing. Pettifor argues that societies and gov­ernments can take back control of the global financial system. We have done it before and can do it again. Indeed, it is imperative that we do so if we are to manage the twin threats of climate breakdown and biosphere collapse.

Ironic plot twists and colorful characters abound in Afshin Matin-Asgari's accessible history of relations between the United States and Iran. The missionaries and educators who descended on Iran in the early nineteenth century made way for the next century's oilmen, CIA agents, scholars, and arms dealers in the assertion of US imperial priorities. Whether Iran resisted or succumbed to US interests, it couldn't fail to be shaped by the superpower. Matin-Asgari offers fresh takes on familiar topics: America's rise as a Middle East hegemon during the Cold War; the special relationship between Washington and the shah; the Iranian Revolution and hostage crisis; the Iran-Iraq war; the Islamic Republic's peculiar anti-imperialism; the decades of onerous American sanctions; Israel's intervention in Iran-US relations; the ascendance of Trump; and the 2025 attempt by the United States and Israel to bring regime change to Tehran. A labyrinthine tale of American imperial misadven­tures, Axis of Empire incorporates and challenges scholarly narratives while offering a sophisticated yet highly readable account of Iran-US history.

Psychoanalysis and Feminism presents a profound and groundbreaking case for Freud's writing as an indispensable part of feminist thought. As Juliet Mitchell argues, if we are truly interested in understanding and challenging women's oppression, we cannot ignore psychoanalysis. Original and provocative, Mitchell's book remains an essential addition to the feminist canon and a radical re-evaluation of psychoanalytic theory.

In this influential lecture, Edward Said explores Freud’s foundational work Moses and Monotheism to rethink the relationship between identity, politics and psychoanalysis. The result is a study illuminating both Freud’s thinking and that of Said, on whom the great psychoanalyst was a formative influence. Was Moses Jewish or an Egyptian? The question undermines any simple ascription of identity, highlighting the limits of these categories. Said suggests that such an unresolved, nuanced sense of identity might, if embodied in political reality, form the basis for a new understanding between Jews and Palestinians. In contrast, Israel's relentless march towards an exclusively Jewish state denies any sense of a more complex, inclusive past. With an introduction by Christopher Bollas and a response by Jacqueline Rose.

Composed in exile in the 1930s and pub­lished as a whole only after his death, the miniatures that make up Benjamin's Berlin Childhood are crystallized images of child­hood experienced in a city later surrendered to fascism. No ordinary autobiography, the book is a Proustian experiment in memory and a meditative tour of the iconic spaces of a city irretrievably lost to the adult. Instead of details of family and friends, these minia­tures evoke the sensory richness of childhood in images of the squares and courtyards, the parks and monuments of Berlin, the child's schoolbooks and the gloomy flats of elderly relatives. As Benjamin's friend Theodor Adorno writes in his afterword, 'the images the book brings up into a disturbing prox­imity are not idyllic and not contemplative. The shadow of Hitler's Reich falls across them. Dreamlike, they unite that horror with something that has long existed.'This new translation includes an introduc­tion by Antonia Hofstätter, highlighting the way this nearly century-old work resonates with contemporary readers and inspires hope by providing access to strata of experience not governed by instrumentality and domination.

In this highly original study of the cultural assumptions governing our conception of people with disabilities, Lennard J. Davis argues forcefully against "ableist" discourse and for a complete recasting of the category of disability itself. Enforcing Normalcy surveys the emergence of a cluster of concepts around the term "normal" as these matured in western Europe and the United States over the past 250 years. Linking such notions to the concurrent emergence of discourses about the nation, Davis shows how the modern nation-state constructed its identity on the backs not only of colonized subjects, but of its physically disabled minority. In a fascinating chapter on contemporary cultural theory, Davis explores the pitfalls of privileging the figure of sight in conceptualizing the nature of textuality. And in a treatment of nudes and fragmented bodies in Western art, he shows how the ideal of physical wholeness is both demanded and denied in the classical aesthetics of representation. Enforcing Normalcy redraws the boundaries of political and cultural discourse. By insisting that disability be added to the familiar triad of race, class and gender, the book challenges progressives to expand the limits of their thinking about human oppression. Includes a new preface from the author.