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Winner of the Man Booker Prize By the author of The Handmaid's Tale and Alias Grace Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama.

Pulitzer Prize-winning reporting team, husband and wife Nicholas D. Kristof and Sheryl WuDunn, take us on a journey through Africa and Asia to meet an extraordinary array of exceptional women struggling against terrible circumstances. More girls have been killed in the last fifty years, precisely because they are girls, than men were killed in all the wars of the twentieth century combined. More girls are killed in this routine 'gendercide' in any one decade than people were slaughtered in all the genocides of the twentieth century. In the nineteenth century, the central moral challenge was slavery. In the twentieth, it was totalitarianism. In the twenty-first, Kristof and WuDunn demonstrate, it will be the struggle for gender equality in the developing world. Fierce, moral, pragmatic, full of amazing stories of courage and inspiration, HALF THE SKY is essential reading for every global citizen.

In 2015 I described myself as 'guilty feminist' for the first time. My goals were noble but my concerns were trivial. I desperately wanted to close the pay gap, but I also wanted to look good sitting down naked. A funny, joyful, frank and inspiring book about embracing both feminism and our imperfections, from the creator of the hit comedy podcast, Deborah Frances-White. From inclusion to the secret autonomy in rom coms, from effective activism to what poker can tell us about power structures, Deborah explores what it means to be a twenty-first-century feminist, and encourages us to make the world better for everyone. The book also includes exclusive interviews with performers, activists and thinkers - Jessamyn Stanley, Zoe Coombs Marr, Susan Wokoma, Bisha K. Ali, Reubs Walsh, Becca Bunce, Amika George, Mo Mansfied and Leyla Hussein - plus a piece from Hannah Gadsby.

From Adam and Eve to pussy hats, people have punished, praised, pathologised and politicised vulvas, vaginas, clitorises, and menstruation. In the international bestseller Fruit of Knowledge, celebrated Swedish cartoonist Liv Stroemquist traces how different cultures and traditions have shaped women's health and beyond. Her biting, informed commentary and ponytailed avatar guides the reader from the darkest chapters of history (a clitoridectomy performed on a five-year-old American child as late as 1948) to the lightest (vulvas used as architectural details as a symbol of protection). Like Alison Bechdel and Jacky Fleming, she uses the comics medium to reveal uncomfortable truths about how far we haven't come

A NEW YORK TIMES BESTSELLER: with a new bonus chapter In this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood-along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again. In Talking As Fast As I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, "Did you, um, make it?" She opens up about the challenges of being single in Hollywood ("Strangers were worried about me; that's how long I was single!"), the time she was asked to audition her butt for a role, and her experience being a judge onProject Runway ("It's like I had a fashion-induced blackout"). In "What It Was Like, Part One," Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay "What It Was Like, Part Two" reveals how it felt to pick up the role again nine years later, and what doing so has meant to her. Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she's aware that meeting guys at awards shows has its pitfalls ("If you're meeting someone for the first time after three hours of hair, makeup, and styling, you've already set the bar too high"), and she's a card-carrying REI shopper ("My bungee cords now earn points!"). Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and-of course-talking as fast as you can.

Before Carrie Brownstein became a music icon, she was a young girl growing up in the Pacific Northwest just as it was becoming the setting for one of the most important movements in rock history. Seeking a sense of home and identity, she would discover both while moving from spectator to creator in experiencing the power and mystery of a live performance. With Sleater-Kinney, Brownstein and her bandmates rose to prominence in the burgeoning underground feminist punk-rock movement that would define music and pop culture in the 1990s. They would be cited as "America's best rock band" by legendary music critic Greil Marcus for their defiant, exuberant brand of punk that resisted labels and limitations, and redefined notions of gender in rock. Hunger Makes Me a Modern Girl is an intimate and revealing narrative of her escape from a turbulent family life into a world where music was the means toward self-invention, community, and rescue. Along the way, Brownstein chronicles the excitement and contradictions within the era's flourishing and fiercely independent music subculture, including experiences that sowed the seeds for the observational satire of the popular television series Portlandia years later. With deft, lucid prose Brownstein proves herself as formidable on the page as on the stage. Accessibly raw, honest and heartfelt, this book captures the experience of being a young woman, a born performer and an outsider, and ultimately finding one's true calling through hard work, courage and the intoxicating power of rock and roll.

1947: Mary Frances Gerety, a young copywriter in an eminent advertising agency, has to convince the world of two things - that marriage means a diamond ring on every woman's finger, and that she is as good at her job as any man. And then, in one moment of brilliant inspiration, Mary Frances writes down four words which will achieve both her aims . . . Moving from a Harvard swim-meet in 1927 to the three-martini lunches of 1940s advertising, from the back streets of 1980s Boston to an exquisite Parisian music shop in 2003, The Engagements is a novel about love, marriage, commitment and betrayal; it is as sharp, as fiery and as beautiful as the stone we have taken to represent our dreams.

The beloved author of Anne of Green Gables continues the adventures of Emily Starr, L.M. Montgomery's own favourite character, in Emily Climbs, the second instalment of the Emily of New Moon trilogy. Emily never imagined Aunt Elizabeth would allow her to go to high school in Shrewsbury, and she's thrilled, especially as her close friends Ilse, Teddy and Perry will be there. But there are certain conditions: for the whole three years Emily must board with hateful Aunt Ruth, and she must promise to stop writing stories. To Emily, this is unthinkable, but she wants an education, and reluctantly agrees. With the move from her beloved home at New Moon to Aunt Ruth's house, Emily's world is turned upside down. Not only must she prove herself at school, despite rejection and jealousy, but she can no longer count on her friends. Her happy childhood friendships - especially with Teddy and Perry - start to turn into something more complicated and in a small-town, the merest hint of gossip can cause scandal. Heart-rending, magical and utterly unforgettable, Emily's story continues in Emily's Quest, also available from Virago Modern Classics.

Fifty years after the publication of The Feminine Mystique, have women really exchanged purity and maternity to become desiring machines inspired only by variations of sex, shopping and masochism - all coloured a brilliant neuro-pink? In this volume, fifty women young and old - writers, politicians, actors, scientists, mothers - reflect on the shades that inspired them and what being woman means to them today. Contributors include: Tahmima Anam, Joan Bakewell, Bidisha, Lydia Cacho, Shami Chakrabarti, Lennie Goodings, Linda Grant, Natalie Haynes, Siri Hustvedt, Jude Kelly, Kathy Lette, Kate Mosse, Bee Rowlatt, Elif Shafak, Ahdaf Soueif, Shirley Thompson, Natasha Walter, Jeanette Winterson - alongside the three editors.

When this volume of Anne Lister's diaries was first published in 1988, it was hailed as a vital piece of lost lesbian history. The editor, Helena Whitbread, had spent years painstakingly researching and transcribing Lister's extensive journals, much of which were written in an elaborate code - what Lister called her 'crypthand', which allowed her to record her life in intimate, and at times, explicit, detail. Until then, Anne Lister's lesbianism had been supressed or hinted at; this was the first time her story had been told. Anne Lister defied the role of nineteenth-century womanhood: she was bold, fiercely independent, a landowner, industrialist, traveller and lesbian - a woman who lived her life on her own terms.

I was to stand trial for my life. I was twenty-two years old. I had been married for ten weeks and a widow for six. In the summer of 1914, the Empress Alexandra, a magnificent ocean liner, suffers a mysterious explosion on its voyage from London to New York City. On board are Henry Winter, a rich banker, and his young new wife, Grace. Somehow, Henry manages to secure a place in a lifeboat for Grace. But the survivors quickly realize it is over capacity and could sink at any moment. For any to live, some must die. As the castaways battle the elements, and each other, Grace watches and waits. She is a woman who has learned the value of patience - her journey to a life of glittering privilege has been far from straightforward. Now, she knows, it is in jeopardy, and her very survival is at stake. Over the course of three perilous weeks, the passengers on the lifeboat plot, scheme, gossip and console one another while sitting inches apart. Their deepest beliefs about goodness, humanity and God are tested to the limit as they begin to discover what they will do in order to survive. The Lifeboat is a page-turning story of moral dilemmas, and also the moving and haunting story of Grace, a woman as unforgettable and complicated as the story she recounts.

The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. the air smells faintly of burning. The waterless flood ? a manmade plague ? has ended the world. But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?

Hundreds of thousands of readers were enthralled and delighted by the luminous, tender voice of John Ames in Gilead, Marilynne Robinson's Pulitzer Prize-winning novel. Now comes HOME, a deeply affecting novel that takes place in the same period and s ame Iowa town of Gilead. This is Jack's story. Jack ? prodigal son of the Boughton family, godson and namesake of John Ames, gone twenty years ? has come home looking for refuge and to try to make peace with a past littered with trouble and pain. A b ad boy from childhood, an alcoholic who cannot hold down a job, Jack is perpetually at odds with his surroundings and with his traditionalist father, though he remains Boughton's most beloved child. His sister Glory has also returned to Gilead, fleei ng her own mistakes, to care for their dying father. Brilliant, loveable, wayward, Jack forges an intense new bond with Glory and engages painfully with his father and his father's old friend John Ames.Upozornenie: Vzhľadom na častejšie obmeny vydaní tejto knihy v zahraničí, kus, ktorý vám zašleme, nemusí mať rovnakú obálku ako je zobrazená tu. Zobrazená obálka môže byť iba ilustračná. Obsah knihy aj cena budú však identické, bez ohľadu na obálku.

The bestselling book that inspired the cult classic film, Girl, Interrupted, starring Winona Ryder and Angelina Jolie. In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital to be treated for depression. She spent most of the next two years on the ward for teenage girls in a psychiatric hospital renowned for its famous clientele - Sylvia Plath, Robert Lowell, James Taylor and Ray Charles. A clear-sighted, unflinching work that provokes questions about our definitions of sane and insane, Kaysen's extraordinary memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers.

Moving back through the 1940s, through air raids, blacked out streets, illicit liaisons, sexual adventure, to end with its beginning in 1941, The Night Watch is the work of a truly brilliant and compelling storyteller. This is the story of four Londoners - three women and a young man with a past, drawn with absolute truth and intimacy. Kay, who drove an ambulance during the war and lived life at full throttle, now dresses in mannish clothes and wanders the streets with a restless hunger, searching ...Helen, clever, sweet, much-loved, harbours a painful secret ...Viv, glamour girl, is stubbornly, even foolishly loyal, to her soldier lover ...Duncan, an apparent innocent, has had his own demons to fight during the war. Their lives, and their secrets connect in sometimes startling ways. War leads to strange alliances ...Tender, tragic and beautifully poignant, set against the backdrop of feats of heroism both epic and ordinary, here is a novel of relationships that offers up subtle surprises and twists. The Night Watch is thrilling. A towering achievement.

'The iron of the bridge felt hot under my hand. The sun had been upon it all day. Gripping hard with my hands I lifted myself on to the bar and gazed down steadily on the water passing under...I thought of places I would never see, and women I should never love. A white sea breaking on a beach, the slow rustle of a shivering tree, the hot scent of grass...I breathed deeply and I felt as though the waiting water rose up in front of me and would not let me go' As far as his father, an accomplished poet, is concerned, Richard will never amount to anything, and so he decides to take his fate into his own hands. But at the last moment, he is saved by Jake, who appeals to Richard not to waste his life. Together they set out for adventure, jumping aboard the first ship they see and working their passage to Norway and around Europe, eventually to bohemian Paris, where Richard meets Hesta, a captivating music student...