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An unforgettable collection of retold myths and folk tales celebrating the wisdom and power of women in midlife and beyond, from the award-winning author of Hagitude From early childhood, we learn about the world and its possibilities through myths and fairy tales. The heroines, though, tend to be golden-haired princesses, and the evil-doers often older women. But women today are searching for positive versions of themselves from midlife onwards, and this dazzling array of not-to-be-messed-with characters - from ungainly giantesses and sequin-strewn fairy godmothers to misunderstood witches and craggy crones - provides them. They outwit monsters, test and mentor younger heroines, embody the cycles and seasons of the earth, weave the world into being - and almost always have the last laugh. These women manifest their wisdom in different ways, and so offer us inspiration for how we too can walk boldly and live authentically in the second half of life.

When Pamela Churchill Harriman died in 1997, the obituaries that followed were scathing - and often downright sexist. Written off as a social climber, her glamorous social life and infamous erotic adventures overshadowed her true legacy. Much of what she did behind the scenes to shape the twentieth century, on both sides of the Atlantic, remained invisible. That is, until now: with a wealth of fresh research, Sonia Purnell unveils for the first time the full, spectacular story of how Harriman left an indelible mark on the world today. There is practically no-one in twentieth-century politics, culture and fashion whose lives she did not touch. Her influence began at age twenty, when her father-in-law, Winston Churchill, engaged her as a "secret weapon" during World War II, wining, dining and seducing Americans over to the British cause against Hitler. It continued later in the US, where she hand-picked Bill Clinton from obscurity and vaulted him to the presidency. It extended further, over five decades and two continents, influencing figures like the Kennedys, Nelson Mandela, Truman Capote, Gianni Agnelli, Kay Graham, Gloria Steinem and Frank Sinatra. Written with the novelistic richness and investigative rigour that only Sonia Purnell could bring to this story full of sex, power, yachts, palaces and fabulous clothes, Kingmaker sets out Harriman's rightful place at the heart of recent history.

In her international bestseller The Bookseller of Kabul, award-winning journalist Asne Seierstad studied life in Afghanistan before and after the fall of the Taliban regime in 2001. Now twenty years later, the Taliban is back in power, and Seierstad returns with The Afghans, a book to help us understand Afghanistan's past, present and future, told through the lives of three unforgettable people. In her compelling, intimate and thought-provoking new book, Seierstad introduces us to three people whose lives have been shaped by the fall and rise of the Taliban - Jamila, Bashir and Ariana - as well their families, friends, foes and co-fighters. Jamila is a women's rights activist; Bashir is a Taliban commander; Ariana is a law student who had one semester left when the Taliban came to power. The stories of these three Afghans encompass love, loss, revolt and war as well as the everyday rhythms of family life. Through them, we experience and come to understand the lead-up to the Taliban retaking power in 2021, how the first year of Taliban rule unfolded, and where this leaves Afghans today, and tomorrow.

Fueled by her years as an elite runner and advocate for women in sports, Lauren Fleshman offers her inspiring personal story and a rallying cry for reform of a sports landscape that is failing young female athletes “Women’s sports have needed a manifesto for a very long time, and with Lauren Fleshman’s Good for a Girl we finally have one.” —Malcolm Gladwell, author of Outliers and David and Goliath One of the most decorated collegiate athletes of all time and a national champion as a pro, Lauren Fleshman has grown up in the world of running. But every step of the way, she has seen how our sports systems—originally designed for men and boys—fail women and girls. Girls drop out of sports at alarming rates once they hit puberty, and female collegiate athletes routinely fall victim to injury, eating disorders, or mental health struggles as they try to force their way past a natural dip in performance for women of their age. Written with heart and verve, Good for a Girl is Fleshman’s story of falling in love with running, being pushed to her limits and succumbing to injuries, and fighting for a better way for female athletes. Drawing on not only her own story but also emerging research on the physiology and psychology of young athletes of any gender, Fleshman gives voice to the often-silent experience of the female athlete and argues that the time has come to rebuild competitive sports with women at their center.

A rich, provocative and entertaining history of women's words - of the language we have, and haven't, had to share our lives. So many of the words we use to articulate the experiences women share feel awkward or alien. Medical terms are accurate but antiseptic. Slang often perpetuates stereotypes. Where are the plain, honest words for women's daily lives? From the dawn of Old English to the present day, Dr. Jenni Nuttall guides readers through the evolution of the words we have used to describe bodies, menstruation, sexuality, the consequences of male violence, childbirth, paid and unpaid work, and gender. Along the way, she argues that, paradoxically, as women have made slow progress towards equality, we've lost some of the most expressive and eloquent bits of our vocabulary. Inspired by Nuttall's deep knowledge of the English language as well as conversations with her teenage daughter, this is a book for anyone who loves language - and for feminists who want to look to the past in order to move forward.

30TH ANNIVERSARY EDITION WITH A NEW INTRODUCTION BY THE AUTHOR A clear-sighted, unflinching work that provokes questions about our definitions of sane and insane, Kaysen's extraordinary memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital to be treated for depression. She spent most of the next two years on the ward for teenage girls in a psychiatric hospital renowned for its famous clientele - Sylvia Plath, Robert Lowell, James Taylor and Ray Charles. The bestselling memoir that inspired the cult classic film, starring Winona Ryder and Angelina Jolie.

Lauren Fleshman has grown up in the world of running. One of the most decorated collegiate athletes of all time and a national champion as a pro, she was a major face of women's running for Nike before leaving to shake up the industry with feminist running brand Oiselle and coach elite young female runners. Every step of the way, she has seen how our sports systems - originally designed by men, for men and boys - fail young women and girls as much as empower them. Girls drop out of sports at alarming rates once they hit puberty, and female collegiate athletes routinely fall victim to injury, eating disorders or mental health struggles as they try to force their way past a natural dip in performance for women of their age. Part memoir, part manifesto, Good for a Girl is Fleshman's story of falling in love with running as a girl, battling devastating injuries and self-doubt, and daring to fight for a better way for female athletes. Long gone are the days when women and girls felt lucky just to participate; Fleshman and women everywhere are waking up to the reality that they're running, playing and competing in a world that wasn't made for them. Drawing not only on her own story but also on emerging research on the physiology and psychology of young athletes of any gender, Fleshman gives voice to the often-silent experience of the female athlete and argues that the time has come to rebuild our systems of competitive sport with women at their centre. Written with heart and verve, Good for a Girl is a joyful love letter to the running life, a raw personal narrative of growth and change, and a vital call to reimagine sports for young women.

Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson. This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents. At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane, middle class existence' she had always craved. In her apartment, overlooked by 'a portrait of someone else's ancestor' she recounts poignant remembered images of star watching with her father, juxtaposed with recollections of irregular meals, accidents and police-car chases and reveals her complex feelings of shame, guilt, pity and pride toward her parents.

Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson. This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents. At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane, middle class existence' she had always craved. In her apartment, overlooked by 'a portrait of someone else's ancestor' she recounts poignant remembered images of star watching with her father, juxtaposed with recollections of irregular meals, accidents and police-car chases and reveals her complex feelings of shame, guilt, pity and pride toward her parents.

There came the splash of water and the rub of heels as Mrs Barber stepped into the tub. After that there was a silence, broken only by the occasional echoey plink of drips from the tap...'Frances had been picturing her lodgers in purely mercenary terms - as something like two great waddling shillings. But this, she thought, was what it really meant to have paying guests: this odd, unintimate proximity, this rather peeled-back moment, where the only thing between herself and a naked Mrs Barber was a few feet of kitchen and a thin scullery door. An image sprang into her head: that round flesh, crimsoning in the heat.' It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers. For with the arrival of Lilian and Leonard Barber, a modern young couple of the 'clerk class', the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be. This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all a wonderful, compelling story.

From her reflections on African American life and hardship in Just Give Me a Cool Drink of Water 'fore I Diiie to her revolutionary celebrations of womanhood in Phenomenal Woman and Still I Rise, and her elegant tributes to dignitaries Bill Clinton and Nelson Mandela (On the Pulse of Morning and His Day Is Done, respectively), every inspiring word of Maya Angelou's poetry is included in the pages of this volume

From her reflections on African American life and hardship in Just Give Me a Cool Drink of Water 'fore I Diiie to her revolutionary celebrations of womanhood in Phenomenal Woman and Still I Rise, and her elegant tributes to dignitaries Bill Clinton and Nelson Mandela (On the Pulse of Morning and His Day Is Done, respectively), every inspiring word of Maya Angelou's poetry is included in the pages of this volume

Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church-the only available shelter from the rain-and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister and widower, John Ames, and begins a new existence while trying to make sense of the days of suffering that preceded her newfound security. Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood of itinerant work. Together they crafted a life on the run, living hand-to-mouth with nothing but their sisterly bond and a lucky knife to protect them. But despite bouts of petty violence and moments of desperation, their shared life is laced with moments of joy and love. When Lila arrives in Gilead, she struggles to harmonize the life of her makeshift family and their days of hardship with the gentle worldview of her husband which paradoxically judges those she loves. Revisiting the beloved characters and setting of Marilynne Robinson's Pulitzer Prize-winning Gilead and Orange Prize-winning Home, Lila is a moving expression of the mysteries of existence.

It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers. For with the arrival of Lilian and Leonard Barber, a modern young couple of the 'clerk class', the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be. This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all, a wonderful, compelling story.