Antonia Jones

A classic work of reportage about the Katyń Massacre during World War II by a soldier who narrowly escaped the atrocity himself. In 1941, when Germany turned against the USSR, tens of thousands of Poles--men, women, and children who were starving, sickly, and impoverished--were released from Soviet prison camps and allowed to join the Polish Army being formed in the south of Russia. One of the survivors who made the difficult winter journey was the painter and reserve officer Józef Czapski. General Anders, the army's commander in chief, assigned Czapski the task of receiving the Poles arriving for military training; gathering accounts of what their fates had been; organizing education, culture, and news for the soldiers; and, most important, investigating the disappearance of thousands of missing Polish officers. Blocked at every level by the Soviet authorities, Czapski was unaware that in April 1940 many officers had been shot dead in Katyn forest, a crime for which Soviet Russia never accepted responsibility. Czapski's account of the years following his release from the camp and the formation of the Polish Army, and its arduous trek through Central Asia and the Middle East to fight on the Italian front offers a stark depiction of Stalin's Russia at war and of the suffering, stoicism, and bravery of his fellow Poles. A work of clear observation and deep compassion, Inhuman Land is one of the twentieth century's indispensable acts of literary witness.

A lyrical and moving Polish family saga set against the turbulent backdrop of twentieth-century Europe Lala has lived a dazzling life. Born in Poland just after the First World War and brought up to be a perfect example of her class and generation - tolerant, selfless and brave - Lala is an independent woman who has survived some of the most turbulent events of her times. As she senses the first signs of dementia, she battles to keep her memories alive through her stories, telling her grandson tales of a life filled with love, faithlessness and extraordinary acts of courage. Sweeping from nineteenth-century Kiev to modern-day Poland, Lala is the enthralling celebration of a beautiful life.

If Wes Anderson wrote feisty, female-led mysteries set in Poland, this is what he might write! Cracow, 1893. Desperate to relieve her boredom and improve her social standing, Zofia Turbotynska decides to organise a charity raffle. In a bid to recruit the patronage of elderly aristocratic ladies, she visits Helcel House, a retirement home run by nuns. But when two of the residents are found dead, Zofia discovers that her real talents lie in solving mysteries. Inspired by Agatha Christie and filled with period character and zesty charm, series opener Mrs Mohr Goes Missing vividly recreates life in turn-of-the-century Poland, confronting a range of issues from class prejudice to women's rights, and proves that everyone is capable of finding their passion in life, however unlikely that passion may seem.

"The House with the Stained-Glass Window is remarkable, a gripping, Lvivian evocation of a city and a family across a long and painful century, at once personal and political, a novel of life and survival across the ages" PHILIPPE SANDS, author of East West StreetIn 1989, Marianna, the beautiful star soprano at the Lviv opera, is shot dead in the street as she leads the Ukrainian citizens in their protest against Soviet power. Only eleven years old at the time, her daughter tells the story of their family before and after that critical moment - including, ten years later, her own passionate affair with an older, married man. Just like their home city of Lviv, which stands at the crossroads of nations and cultures, the women in this family have had turbulent lives, scarred by war and political turmoil, but also by their own inability to show each other their feelings. Lyrically told, this is the story of a young girl's emotional, sexual, artistic and political awakening as she matures under the influence of her relatives, her mother's former lover, her city and its fortunes.Translated from the Polish by Antonia Lloyd-Jones