William Shakespeare strana 46 z 47

An elaborately annotated edition of Shakespeare's masterpieces of wit and erotic word-play. When a volume of poetry entitled Shakespeares Sonnets. Never before Imprinted appeared in 1609, Shakespeare was forty-five and most of his greatest plays had seen several performances. Some of the sonnets, speaking of the begetting of children, mortality and memory, art, desire and jealousy, are addressed to a beloved youth, others are addressed to a treacherous mistress, a "dark lady." Appended to the sonnets is "A Lover's Complaint," a beautiful poem in rhyme-royal in which a young woman is overheard lamenting her betrayal by a heartless seducer. While Shakespeare's biographers continue their investigations, readers may find the "secret" of the sonnets in the poetry itself. In this spirit John Kerrigan provides an illuminating Introduction to the volume as a whole, together with 258 pages of commentaries on the poems, a textual history, and suggestions for further reading. Edited with an Introduction by John Kerrigan.

One of Shakespeare's most rollicking and beloved comedies, The Taming of the Shrew was also one of his earliest, probably written about 1592. The introduction to this edition offers a full and original consideration of the play's textual problems, a study of sources, a survey of scholarship and criticism, with the editor's own critical appreciation, and a study of the comedy's fortunes in the theatre.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The new Oxford edition of Shakespeare's complete works reconsiders every detail of their text and presentation in the light of modern scholarship. The nature and authority of the early documents are re-examined, and the canon and chronological order of composition freshly established. Spelling and punctuation are modernized, and there is a brief introduction to each work, as well as an illuminating and informative General Introduction. OUP and Shakespeare's Globe Theatre this year embark on an official partnership to celebrate the plays both in print and performance - this reissued and rejacketed edition of the complete works underscores the commitment.

'Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions'. Shylock's impassioned plea in the middle of "The Merchant of Venice" is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on 'the quality of mercy' is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences.

Svetoznámy príbeh o veľkej láske a nenávisti v darčekovej úprave - Originálna umelecká ručná knihárska práca.

The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers * a new, modern-spelling text, collated and edited from all existing printings * on-page commentary and notes explain meaning, staging, allusions, and much else * detailed introduction considers composition, sources, performances, and changing critical attitudes to the play * illustrated with production photographs and related art * full index to introduction and commentary * durable sewn binding for lasting use not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth- century scholarship. Times Literary Supplement

This famous play by William Shakespeare, written in about 1600, is one of the finest in the English language.( )Why does Hamlet, the young Prince of Denmark, look so sad? Why does he often say strange things? His family and friends are worried about him. Perhaps he is mad!( )But Hamlet thinks that he has discovered a terrible secret about a recent crime in his family. Now he has no time for Ophelia, the sweet girl who loves him, or his friends, who were at school with him. He sits alone, and thinks, and plans. What will he decide to do? Will he ever be happy again?

The most famous of Shakespeare's Roman tragedies, Julius Caesar was written and first performed in 1599, and was apparently one the plays his contemporaries enjoyed most. Recounting the death of Caesar on the steps of the Senate house, the play offers some of Shakespeare's finest scenes: Antony's skillful speech at Caesar's funeral, and the quarrel and reconciliation between Brutus and Cassius with the news of Portia's death. This edition includes a fresh consideration of the play's date and its place in the Shakespeare canon and examines how Shakespeare reshaped his sources (primarily North's translation of Plutarch's Lives).About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This is the only fully annotated and modernized edition to bring together Shakespeare's sonnets as well as all his poems (including those attributed to him after his death) in one volume. A full introduction discusses his development as a poet, and how the poems relate to the plays, and detailed notes explain the language and allusions. While accessibly written, the edition takes account of the most recent scholarship and criticism.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

He's indisputably the greatest writer in the English language, a master of every mood from sidesplitting comedy (Twelfth Night) to profound tragedy (King Lear) to the historically majestic (Henry V). Every bookshelf must have a complete collection of his 38 plays, his magnificent and passionate sonnets, and his epic poems. Here they all are in one 1,024-page, yet compact and low-cost hardcover, sturdy enough to withstand students poring through its pages for classes and exams, theatergoers refreshing their acquaintance with a favorite play before seeing it performed, and literature lovers picking it up again and again simply for pleasure. Every time you return to Shakespeare's elegantly phrased lines, and his rich and complex characters, you'll find something new to treasure. Illustrated with Renaissance pictures that capture the feel of the Bard's era.

Sparkling with the witty dialogue between Beatrice and Benedicts, Much Ado About Nothing is one of Shakespeare's most enjoyable and theatrically successful comedies.This edition offers a newly edited text and an exceptionally helpful and critically aware introduction. Paying particular attention to analysis of the play's minor characters, Sheldon P Zitner discusses Shakespeare's transformation of his source material. He rethinks the attitudes to gender relations that underlie the comedy and determine its view of marriage.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.Allowing for the play's openness to reinterpretation by successive generations of readers and performers, Zitner provides a socially analytic stage history, advancing new views for the actor as much as for the critic.

Edited, Introduced and Annotated by Cedric Watts, Professor of English Literature, University of Sussex This is an intense drama of love, deception, jealousy and destruction. Desdemona's love for Othello, the Moor, transcends racial prejudice, but the envious Iago conspires to devastate their lives. In its vivid rendering of racism, sexism, contested identities, and the savagery lurking within civilisation, Othello is arguably the most topical and accessible tragedy from Shakespeare's major phase as a dramatist.

When a new play was required at short notice for a court occasion in 1597, Shakespeare created The Merry Wives of Windsor, a warm-hearted and spirited "citizen comedy" filled with boisterous action, situational irony, rich characterization--and the likes of Falstaff, Pistol, Mistress Quickly, and Justice Shallow. In his introduction and commentary, Craik examines a wide range of topics, including the play's probable occasion, its relationship to Shakespeare's English history plays and to other sources, its textual history, with particular reference to the widely diverging 1623 Folio and 1602 Quarto, and its quality as drama. In light of various topical, critical, and theatrical interpretations of the play, Craik pays particular attention to defining the literal sense, proposing some new readings, and evoking the many aspects of the stage business.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Talks about William Shakespeare's play about love and marriage. This reader includes some 'real' extracts of text from "A Midsummer's Night Dream". It helps the students to both understand and enjoy Shakespeare in the original.

Z hlediska dějinné chronologie navazují tyto velké historické hry W. Shakespeare na předchozí historickou tetralogii (Richard II., Jindřich IV. - I. díl, Jindřich IV. - 2. díl a Jindřich V.). Čtenáři mají jedinečnou příležitost číst tyto hry, tvořící velkolepý i děsivý obraz anglických králů, jako jeden celek. Tato dramata nejsou kronikářské hry v tradičním smyslu, ale spíše hry politické. Tragédie Richard III., která celý Shakespearův cyklus královských her završuje, je zároveň nadčasovou divad elní studií zla a temnost lidského srdce.