Todd Webb

After several years photographing New York City-socializing with Alfred Stieglitz, Georgia O'Keeffe, Berenice Abbott and Minor White-American photographer Todd Webb moved to Paris in the late '40s and made his first negatives with an 8×10 camera. He quickly found himself having the time of his life-mingling with other artists such as Gordon Parks, Man Ray and Brassai. In his journal, Webb often worried about money and whether he could make it in Paris, but he persevered. Paris: A Love Story 1948-1952 includes never-before-published excerpts from Webb's journal and showcases 70 black and white photographs that Webb shot from 1949 to 1952 as he, in part inspired by the work of Eug?ne Atget, took to the streets to make a personal, beautiful and lasting record of postwar Paris.

I See a City: Todd Webb's New York focuses on the work of photographer Todd Webb produced in New York City in the 1940s and 1950s. Webb photographed the city day and night, in all seasons and in all weather. Buildings, signage, vehicles, the passing throngs, isolated figures, curious eccentrics, odd corners, windows, doorways, alleyways, squares, avenues, storefronts, uptown and downtown, from the Brooklyn Bridge to Harlem. He created a richly textured portrait of the everyday life and architecture of New York. Webb's work is clear, direct, focused, layered with light and shadow, and captures the soul of these places shaped by the friction and frisson of humanity. A native of Detroit, Webb studied photography in the 1930s under the guidance of Ansel Adams at the Detroit Camera Club, served as a navy photographer during World War II, and then went on to become a successful postwar photographer. His work is in many museum collections, including The Museum of Modern Art in New York and the National Gallery of Art in Washington.