- Počet strán: 136
- Väzba: tvrdá
- EAN: 9788862088459
- Jazyk: anglický
- Dátum vydania: 8. septembra 2025
- Vydavateľstvo : Damiani
Paris: A Love Story 1945-1952
Todd Webb
After several years photographing New York City-socializing with Alfred Stieglitz, Georgia O'Keeffe, Berenice Abbott and Minor White-American photographer Todd Webb moved to Paris in the late '40s and made his first negatives with an 8×10 camera. He quickly found himself having the time of his life-mingling with other artists such as Gordon Parks, Man Ray and Brassai. In his journal, Webb often worried about money and whether he could make it in Paris, but he persevered.
Paris: A Love Story 1948-1952 includes never-before-published excerpts from Webb's journal and showcases 70 black and white photographs that Webb shot from 1949 to 1952 as he, in part inspired by the work of Eug?ne Atget, took to the streets to make a personal, beautiful and lasting record of postwar Paris.
Paris: A Love Story 1948-1952 includes never-before-published excerpts from Webb's journal and showcases 70 black and white photographs that Webb shot from 1949 to 1952 as he, in part inspired by the work of Eug?ne Atget, took to the streets to make a personal, beautiful and lasting record of postwar Paris.
- Počet strán: 136
- Väzba: tvrdá
- EAN: 9788862088459
- Jazyk: anglický
- Dátum vydania: 8. septembra 2025
- Vydavateľstvo : Damiani
After several years photographing New York City-socializing with Alfred Stieglitz, Georgia O'Keeffe, Berenice Abbott and Minor White-American photographer Todd Webb moved to Paris in the late '40s and made his first negatives with an 8×10 camera. He quickly found himself having the time of his life-mingling with other artists such as Gordon Parks, Man Ray and Brassai. In his journal, Webb often worried about money and whether he could make it in Paris, but he persevered.
Paris: A Love Story 1948-1952 includes never-before-published excerpts from Webb's journal and showcases 70 black and white photographs that Webb shot from 1949 to 1952 as he, in part inspired by the work of Eug?ne Atget, took to the streets to make a personal, beautiful and lasting record of postwar Paris.
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