To the Lighthouse
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Every summer, the Ramsays visit their summer home on the beautiful Isle of Skye, surrounded by the excitement and chatter of family and friends, mirroring Virginia Woolf's own joyful holidays of her youth. But as time passes, and in its wake the First World War, the transience of life becomes ever more apparent through the vignette of the thoughts and observations of the novel's disparate cast.
A landmark of high modernism and the most autobiographical of Virginia Woolf's novels, To the Lighthouse explores themes of loss, class structure and the question of perception, in a hauntingly beautiful memorial to the lost but not forgotten.
Chosen by TIME magazine as one of the 100 best English-language novels from 1923 to the present.
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Flush
Flush was an English cocker spaniel who belonged to the nineteenth-century poet Elizabeth Barrett Browning. Virginia Woolf learned of him from the love letters Elizabeth wrote to her future husband, fellow poet Robert Browning, and found `the figure of their dog made me laugh so, I couldn't resist making him a Life.' The resulting `biography' combines sensuous imaginative description with sharp social comment, and brings Woolf's unsentimental humour and insight to the fore. We see Flush as loyal confidant to Elizabeth on her sickbed at Wimpole Street, and from his jealous perspective we witness her courtship by Browning, their elopement and new life in Italy.
The perfect accessible introduction to Woolf's genius, a unique blend of fact and fiction, Flush is perhaps best read in the company of a canine companion. This edition includes the four original illustrations by Vanessa Bell and an afterword by Margaret Forster. Cover designed by the award-winning Finnish designer Aino-Maija Metsola
Mrs. Dalloway - Helikon Zsebkönyvek 67.
"A létezés költészetének általános érzése" - ez hatja át Virginia Woolf 1925-ben megjelent regényét, amelyet azóta szép lassan a huszadik századi világirodalom legnagyobb remekműveinek sorába emelt az idő - és persze az olvasók, akik mindig valami újat fedezhetnek fel a középkorú asszony csapongó gondolataiban, a férfiak (és a nők) iránti vonzalmainak csipkefinom leírásaiban. A varázsos tudatfolyamból azonban kikerekedik egy megejtő történet is: nemcsak Mrs. Dallowayé, hanem egy volt első világháborús katonáé is, aki hasztalan küzd életének lidérceivel. A könyvből film is készült 1997-ben, és a Mrs. Dalloway ihlette Michael Cunningham Az órák című regényét is (amelynek filmváltozata 2002-ben az év egyik legnagyobb sikere lett).
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Orlando
Román Orlando (Orlando, č. 1994) z roku 1928 hrál pro autorku zcela zásadní roli, patrně je to i nejdelší milostný dopis, který kdy v literatuře vznikl, a Woolfová jej píše sobě samé. Orlando je téměř nesmrtelná bytost, na své cestě prochází dějinami od počátku sedmnáctého století, doby Alžběty I., až do století dvacátého, což dává autorce prostor vyjádřit se k postupným proměnám společenských mravů. Orlando se proměňuje z muže v ženu, aby jí už navždy zůstal. Autorka se v této impresionisticky laděné próze snaží o zachycení prchavého okamžiku a zároveň o propojení minulosti a přítomnosti a významně analyzuje otázky genderu, identity a tvořivosti. Snímek Orlando z roku 1992 je pokusem Sally Potterové přetlumočit do filmové řeči tento fantastický, fiktivní román a díky skvělým hereckým výkonům a esteticky neobyčejně vytříbené inscenaci je považován za vynikající literární adaptaci, jakkoliv nebylo snadné přenést na odlišné médium všechny vzájemně se překrývající časové roviny románové předlohy.
Orlando je téměř nesmrtelná bytost, na své cestě prochází dějinami od počátku sedmnáctého století, doby Alžběty I., až do století dvacátého, což dává autorce prostor vyjádřit se k postupným proměnám společenských mravů.
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A Room of Ones Own/Three Guineas
'A woman must have money and a room of her own if she is to write fiction'
Ranging from the silent fate of Shakespeare's gifted (imaginary) sister to Jane Austen, Charlotte Bronte and the effects of poverty and sexual constraint on female creativity, A Room of One's Own, based on a lecture given at Girton College, Cambridge, is one of the great feminist polemics. Published almost a decade later, Three Guineas breaks new ground in its discussion of men, militarism and women's attitudes towards war. These two pieces reveal Virginia Woolf's fiery spirit, sophisticated wit and genius as an essayist.
Edited with an introduction and notes by Michele Barrett
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Between the Acts
'The future shadowed their present, like the sun coming through the many-veined transparent vine leaf: a criss-cross of lines making no pattern'
It is June in 1939, and the inhabitants of a country house prepare for the annual village pageant that will be held in its grounds that day. It will tell the stories of English history, as it does every year. Yet the coming of war broods over the whole community, changing the meaning of past and present, and heralding a new act. Through her characters' passionate musings and private dramas, and through the enigmatic figure of the pageant's author, Miss La Trobe, Virginia Woolf's playful final novel both celebrates and mocks Englishness, and re-creates the elusive role of the artist.
Edited by Stella McNichol
With an introduction and notes by Gillian Beer
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Selected Short Stories
'Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour - landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! ... Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard'
Virginia Woolf tested the boundaries of fiction in these short stories, developing a new language of sensation, feeling and thought, and recreating in words the 'swarm and confusion of life'. Defying categorization, the stories range from the more traditional narrative style of 'Solid Objects' through the fragile impressionism of 'Kew Gardens' to the abstract exploration of consciousness in 'The Mark on the Wall'.
Edited with an introduction and notes by Sandra Kemp
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A Room of One's Own and Three Guineas (Vintage Classics Woolf Series)
This volume combines two books which were among the greatest contributions to feminist literature this century. Together they form a brilliant attack on sexual inequality. A Room of One's Own, first published in 1929, is a witty, urbane and persuasive argument against the intellectual subjection of women, particularly women writers. The sequel, Three Guineas, is a passionate polemic which draws a startling comparison between the tyrannous hypocrisy of the Victorian patriarchal system and the evils of fascism.
Orlando
Once described as the 'longest and most charming love-letter in literature', the Virginia Woolf's Orlando is edited by Brenda Lyons with an introduction and notes by Sandra M. Gilbert in Penguin Classics.
Written for Virginia Woolf's intimate friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.
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To The Lighthouse - Vintage Voyages
Vintage Voyages: A world of journeys, from the tallest mountains to the depths of the mind
Mr and Mrs Ramsay and their eight children have always holidayed at their summer house in Skye, surrounded by family friends. But as time passes, bringing with it war and death, the summer home stands empty until one day, many years later, the family return to make the long-postponed visit to the lighthouse.
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Mrs Dalloway
'She had the perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very, dangerous to live even one day'
Clarissa Dalloway, elegant and vivacious, is preparing for a party and remembering those she once loved. In another part of London, Septimus Warren Smith is suffering from shell-shock and on the brink of madness. Smith's day interweaves with that of Clarissa and her friends, their lives converging as the party reaches its glittering climax. Virginia Woolf's masterly novel, in which she perfected the interior monologue, brings past, present and future together on one momentous day in June 1923.
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To the Lighthouse
Mr and Mrs Ramsay and their eight children have always holidayed at their summer house in Skye, surrounded by family friends. The novel's opening section teems with the noise, complications, bruised emotions, joys and quiet tragedies of everyday family life that might go on forever. But time passes, bringing with it war and death, and the summer home stands empty until one day, many years later, when the family return to make the long-postponed visit to the lighthouse. One of the great literary achievements of the twentieth century, To the Lighthouse is at once an intensely autobiographical and universally moving masterpiece.
The Waves
Let us pretend that we can make out a plain and logical story, so that when one matter is despatched - love for instance - we go on, in an orderly manner, to the next'
Tracing the lives of a group of friends, The Waves follows their development from childhood to middle age. While social events, individual achievements and disappointments form its narrative, the novel is most remarkable for the rich poetic language that expresses the inner life of its characters: their aspirations, their triumphs and regrets, their awareness of unity and isolation. Separately and together, they query the relationship of past to present, and the meaning of life itself. Perhaps more than any other of Woolf's novels, The Waves conveys the endless complexities of human experience.
Edited with an introduction and notes by Kate Flint
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The Years
'There must be another life, here and now, she repeated. This is too short, too broken. We know nothing, even about ourselves'
The Years is the story of the Pargiter family - their intimacies and estrangements, anxieties and triumphs - mapped out against the bustling rhythms of London's streets during the first decades of the twentieth century, as their Victorian upbringing gives way to a new world, where the rules of etiquette have shifted from the drawing room to the air-raid shelter. Virginia Woolf's penultimate novel is a celebration of the resilience of the individual amid time, change, life, death and renewall.
Edited with an introduction and notes by Jeri Johnson
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To the Lighthouse
ife, from being made up of little separate incidents which one lived one by one, became curled and whole like a wave which bore one up with it and threw one down with it, there, with a dash on the beach'
For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but, as the First World War looms, the integrity of family and society will be fatally challenged. To the Lighthouse is at once a vivid impressionistic depiction of their family holiday, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. The novel's use of stream of consciousness, reminiscence and shifting perspectives gives it an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of all that had gone before.
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Mrs Dalloway
On a perfect June morning, Clarissa Dalloway - fashionable, worldly, wealthy, an accomplished hostess - sets off to buy flowers for the party she will host that evening. She is preoccupied with thoughts of the present and memories of the past, and from her interior monologue emerge the people who have touched her life. On the same day, Septimus Warren Smith, a shell-shocked survivor of the Great War, commits suicide, and casual mention of his death at the party provokes in Clarissa thoughts of her own isolation and loneliness.
Bold and experimental, Virginia Woolf's Mrs Dalloway is a landmark in twentieth-century fiction and a book that gets better and better with every reading.
This elegant Macmillan Collector's Library edition of Virginia Woolf's modernist classic features an afterword by editor and publisher Anna South.
Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
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