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Najnovšie - Beletria - Slovenská - Poézia strana 158 z 203

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Adaptive Strategies for a Sensitive System

Adaptive Strategies for a Sensitive System

Adaptive Strategies for a Sensitive System is a lovingly disordered field guide for surviving a world that keeps turning up the brightness. Disguised in the respectable badge of a diagnostic title, this is in contrast a poetic log of being too sensitive in a society built for the perpetually unbothered. From violent mornings to dreich late nights, Kate sifts through bedrooms, public transport, supermarkets, her Gran’s house, the surveillance-era optimism of mindfulness apps, and the wild terrain of her own mind- gathering softness, silliness, and unexpected wisdom along the way. With raw energy, wry humour and the stubborn softness of someone who has spent a lifetime feeling like a faulty blue tooth speaker trying to connect, she questions what’s innate, what’s inherited, and why everything seems to be “improving” faster than any of us can adapt. Connection, dislocation, loneliness, identity, social failure, and the strange hope that still glimmers beneath it all; this is a companion for anyone who has ever felt out of alignment with the world’s settings, and is still learning how to stay tender without falling apart.
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Echoes from Annwn

Echoes from Annwn

In 1640 Tenby, Lockhart has an uneasy relationship with his brother Emlyn, governor of Tenby castle. Injured during a mission to apprehend cattle rustlers, he meets Wren. Beautiful, intelligent and promised to Emlyn. Why does he see a mist of colour around Wren? And why, on his return to Tenby, does he find that he see colours around everyone? More disturbingly, what is the meaning of the onyx and warning he receives from local seer Ranul? s the wedding of Wren and Emlyn approaches the stakes are raised. Wren is deeply unhappy. The marriage to Emlyn against her will. Caught up in an attack on the castle, she escapes with Lockhart to the Druid island of Wills Mark, where Lockhart learns that he has a guardian walking with him. As his Druid training progresses will Lockhart be able to communicate his true feelings to Wre? s Wren more than she seems? Does her ancestry to the physicians of Myddfai hold the key? How will they negotiate grief and Civil War? And when plague reaches Tenby, will their healing skills be welcomed or put them in dange? oving between Civil War Tenby and a mythical landscape, Echoes from Annwn is a towering love story that asks big questions of how we see reality and what we might mean by eternity. An astonishing and compelling debut.
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We Are Scottish Football

We Are Scottish Football

Here’s to the players who wear the shirt, thank you for giving us something worth rallying behind, and here’s to the supporters who kept believing even when we were out in the wilderness. 28 years of heartbreak are over, Scotland are back in the World Cup. With a pen dipped in passion, McNeill explores the emotional landscape of football, bringing to life the highs and lows, triumphs and tribulations that define the beautiful game in Scotland.
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Ritsos in Parentheses

Ritsos in Parentheses

Winner of the Harold Morton Landon Translation Award, Academy of American PoetsA bilingual edition of three major poetry collections by one of the most important Greek poets of the twentieth centuryOne of the most prolific and popular of modern Greek poets, Yannis Ritsos follows such eminent predecessors as Cavafy, Sikelianos, and Seferis in the dramatic and symbolic expression of a tragic sense of life. The three volumes of Ritsos’s poetry translated here—Parentheses, 1946–47, Parentheses, 1950–61, and The Distant—document a three-decade poetic journey that reveals the evolution of the poet’s sensibility. This bilingual edition also features an insightful introduction from translator Edmund Keeley, whom Paul Muldoon has called “the gold standard in translators of Greek poetry.”
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The Museum of Unnatural Histories

The Museum of Unnatural Histories

Whiting Award 2025 Winner in PoetryThis extraordinary debut poetry collection by Dena'ina poet Annie Wenstrup delicately parses personal history in the space of an imagined museum. Outside the museum, Ggugguyni (the Dena'ina Raven) and The Museum Curator collect discarded French fries, earrings, and secrets—or as the curator explains, together they curate moments of cataclysm. Inside the museum, their collection is displayed in installations that depict the imagined Indigenous body. Into this "distance between the learning and the telling," Wenstrup inserts The Curator and her sukdu'a, her own interpretive text. At the heart of the sukdu'a is the desire to find a form that allows the speaker's story to be heard. Through love letters, received forms, and found text, the poems reclaim their right to interpret, reinvent, and even disregard artifacts of their own mythos. Meticulously refined and delicately crafted, they encourage the reader to "decide/who you must become."
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Flowers and Insects, Some Birds and a Pair of Spiders

Flowers and Insects, Some Birds and a Pair of Spiders

Forty years after it was first published, Ted Hughes's Flowers and Insects, Some Birds and a Pair of Spiders is presented in a beautifully redesigned edition with a new introduction by the nature writer Tim Dee. The sixteen poems gathered here brim and bristle with the life Hughes generates from the absolute attention he commits to whatever it is he is looking at. His knack for finding a language to animate its subject, without a trace of sentiment or nostalgia, singles out Hughes as one of the truly great poet-interpreters of the natural world. This edition gives full justice to the subtlety of the original watercolour illustrations, produced by Hughes's long-term collaborator and friend, the American artist, Leonard Baskin.
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The Summer We Crossed Europe in the Rain

The Summer We Crossed Europe in the Rain

Memorably introduced by Ishiguro himself, The Summer We crossed Europe in the Rain collects the sixteen song lyrics he has written since 2007 for world-renowned American singer, Stacey Kent, which were set to music by her partner Jim Tomlinson. An exquisite coming together of the literary and musical worlds, the lyrics are infused with a sense of yearning, melancholy, love, and the romance of travel and liminal spaces. Further exploring the notion of collaboration and interpretation, the collection is illustrated by the acclaimed Italian artist, Bianca Bagnarelli whose work perfectly captures the atmosphere and sensibility of the songs.
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Tender

Tender

Tender is the hilarious and heart-warming new collection from World Poetry Slam Champion Harry Baker, which sees him turn his attention to the topic of fatherhood for the first time. It captures all the tiny, fragile, perfect moments of new life and, with it, new parenthood. Full of sleepless wonder and with his characteristic wit and warmth, Harry Baker offers snapshots into the intense first 100 days with his son as they get to know each other. A yawn from a tiny pink mouth, a kind word from a stranger on a difficult day, the weight of a body sleeping against your chest - parents will recognise both themselves and their children in Tender and find consolation in this collection.
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Prague in Thaw / Praha za času plujících ker

Prague in Thaw / Praha za času plujících ker

Básnická sbírka profesora Rio Preisnera Prague in Thaw (Praha za časů plujících ker) vyšla poprvé česky roku 1992 v nakladatelství Pražská imaginace. Šlo o první básnické dílo, které bylo vydáno v jeho původní domovině od chvíle, kdy ji v roce 1968 opustil. K napsání sbírky ho inspirovala jeho první návštěva vlasti po osvobození Československa ze sovětské hegemonie v roce 1990. Nakladatelství Munipress knihu připravilo v dvojjazyčném vydání, český originál je doplněn anglickým překladem Charlese S. Kraszewského, studenta R. Preisnera. Verše jsou psány náročným, náznakovým stylem, který připomíná Georga Trakla či T. S. Eliota, a představuje autorův způsob, jak se vypořádat s Československem v okamžiku, kdy se vynořovalo z pěti desetiletí komunistického útlaku. Nejde o dílo nostalgické, spíše o střízlivý a nezkreslený pohled na Prahu a na českou společnost a kulturu tak, jak je exulant po více než dvaceti letech odloučení znovu zakusil. Původně sbírka vznikla jako úvaha nad tím, jak „porobení“ poznamenalo Prahu, kterou autor miloval; dnes, s odstupem tří desetiletí české svobody, je však na místě číst ji jako východisko pro vlastní zamyšlení nad tím, jakou cestu Praha a Češi od osvobození přineseného sametovou revolucí urazili.
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The World After Rain

The World After Rain

‘How incandescent the language is, each line emitting light through the membrane of time and anticipated grief. The work has a rigorousness, the poet pushing through the ache of experience from the first to the last word.’ Dionne BrandIn her signature epic vision, Canisia Lubrin distills a radiant elegy for her mother along an interwoven and unresolvable axis of astonishment, belonging as much to history as to today. Grief, tender and searing, is the channel through which the poet refracts the realm of contemporary life to reveal the paradox of its private and public entanglements. This is poetry of haunting gravity and resonance, with meditations on love, time, and loss, at once meticulously far-seeing, interior and inexpressible.
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I Have a Home, There Is a We

I Have a Home, There Is a We

I Have a Home, There Is a We, whose original Swahili edition was in 2015 the first book of poetry to win the Safal-Cornell Kiswahili Prize for African Literature, brings the acclaimed verse of prolific Zanzibari poet, journalist, and cultural changemaker Mohammed Khelef Ghassani to English-language readers for the first time. The book explores the poet's life as a migrant in Germany: linguistic and cultural alienation, nostalgia, and longing for his homeland on the island of Pemba. These poems form a catalog of sorrow and love addressed to the family he left behind, to the children whose roots "he tore forcefully from the ground" in hopes of offering them a better life, and above all to the country he calls home, using the deeply resonant Swahili term "kwetu"—our place—named over and over again as Zanzibar. Utilizing the structured verse forms of traditional Swahili prosody, the collection is modern, unique, and innovative, speaking to a global diasporic experience even as it draws deeply on an idiom specific to the poet's tiny island home. A ripple of political defiance suffuses the poems as Ghassani positions himself against layered forms of oppression and marginalization both at home and abroad in this synthesis of love song, lamentation, and freedom declaration.
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Dream Latitudes

Dream Latitudes

I am drawing a map of distances. The swimmer. The sleeper. The dreamer. Another afternoon traipsing the incomprehensiblecorridors of the brain. Nothing uttered. Alia Kobuszko's poetry is as immediate as it is mysterious. She is unafraid of detonating form or trusting a quiet phrase, and saturates these poems with surreal and sensuous aspects. In this enchanting and piercing debut, strange horses gallop - embodying metamorphic freedom and power. The speaker becomes the rider, the horse itself and even the field, enacting how the poet inhabits and unanchors their subject so that 'girl and horse / stand still- / field runs through them.'
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The Manufactured Thrill

The Manufactured Thrill

Tim Barlow's quirky poems tell of punks, pubs, petrosexuals, Tinder, taxis, taxes, and other snippets from life's great lottery. Within these pages, you'll witness the rise of the grey army, contemplate whether a dragonfly weighs more than your soul, discover if there is life on Jupiter's moons, or if AI will steal your lover. A sideways look at 21st Century society - sometimes serious, often witty, always poetic.
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Renewal

Renewal

Much admired by Nobel laureate Derek Walcott, the poetry of the St Lucian poet Irvin Desir is published here for the first time. Often visionary, these poems contain such images as “fireflies heave for heaven” and “you filled this cluttered room like a handful of clove”. Published in only a few anthologies during his life, this posthumous collection at last brings to our attention a voice too long unknown. Islander viiI shall see you through the cold shoreline where the wind carries and slides over the sandwherever we search death haunts us everywhere the distracted petals have goneour words fade, fade like mist over the mountain our words add to the silence like lifting dust.
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The People's Purge

The People's Purge

USA TODAY BESTSELLERA love letter to the healing power of collaboration and feeling seen, The People's Purge: Words of a Goat Princess Vol II is a must-read for anyone looking to rid themselves of the guilt of existing and get lost in the razor sharp mind of Jessie Reyez. Born from a popular long-running series on her Instagram page, the latest poetic offering from pop star and bestselling author Jessie Reyez is a collection of in-the-moment poems written in response to fan-supplied prompts.   Whether being asked to write about a dead leaf on the ground, gaslighting, being ghosted by a date, abandonment, addiction, or a sunset over still waters, Jessie responds with a heartfelt original poem that turns a seed of an idea into a garden of encouragement, vulnerability, honesty, and love. The People's Purge: Words of a Goat Princess Volume II—enhanced by the unique art of French Caribbean illustrator Eloise Diot—is the vibrant bouquet picked from this lush community garden.
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Sonety

Sonety

Shakespearove Sonety predstavujú nový kompletný preklad jedného z najväčších skvostov svetovej lyriky, Shakespearových Sonetov (154 sonetov v rozsahu 2 155 veršov); k nim je priradený preklad básne Milenkin nárek (329 veršov), ktorý vyšiel spolu so Sonetmi aj v prvom, tzv. kvartovom vydaní v r. 1609 a štruktúrne i tematicky na ne nadväzuje. Preklad dopĺňajú podrobné poznámky a vysvetlivky v rozsahu 500 rukopisných strán, ktoré majú ambíciu čitateľom pomôcť zorientovať sa v interpretácii sonetov a ich mnohých kontextov tým, že zhŕňajú názory editorov jednotlivých vydaní a shakespearológov od 17. st. až podnes. Kniha obsahuje aj kalendárium života a diela Williama Shakespeara, doslov a zoznam použitej literatúry. Zbierka sonetov s témou priateľstva a lásky je nepochybne jedným z najväčších klenotov svetovej poézie, ktorý aj po štyroch storočiach znie živo a súčasne. Majstrovské zvládnutie kráľovskej básnickej formy, originálna obraznosť, metaforika a dráždivá tajomnosť sú už po stáročia silným lákadlom pre milovníkov poézie.
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Neked hoztam

Neked hoztam

Az advent az eljövetel, a várakozás időszaka. Készülődés és izgatottság jellemzi egyre rövidülő napjainkat. Szabó T. Anna évek óta publikál verseket erről a különleges, ünnepre forduló periódusról, amely maga is ünnep lehet, ha egy kicsit tudunk figyelni egymásra a nagy rohanásban, ajándékkeresésben és év végi hajrában. A Neked hoztam. Adventi könyvecske Szabó T. Anna verseivel és Máray Mariann rajzaival ajándék az ajándékozóknak. A felnőtteknek szóló képeskönyvben a várakozás mellett ott van a vágyakozás, a keresés mellett a találkozás, ekképp lesz az adventi ablak egyben tükör is – lássuk meg benne magunkat és egymást!
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Rarum : priesvitnosť

Rarum : priesvitnosť

Verše Mily Haugovej sú aj v tejto zbierke fascinujúco konkrétne (sny, zážitky) i tajomne efemérne (abstraktá, rastlinná a zvieracia symbolika). Rarum – niečo vzácne a zriedkavé. Priesvitnosť – krehká kvalita toho, čo je vnímateľné iba pomaly a trpezlivo. Po prečítaní paradoxne pretrváva niečo, čomu nie je možné v úplnosti rozumieť – dá sa to však precítiť. Kniha ďalej prehlbuje autorkinu poetiku, je prístupná pre skúsené i začiatočnícke čitateľstvo, umožňuje opätovné strácanie a nachádzanie sa. Tvorba Mily Haugovej – našej azda najvýznamnejšej súčasnej poetky – sa pritom vrství ako letokruhy nielen v sebe samej, ale tvorí aj významný referenčný bod v kontexte súčasnej poézie v súvzťažnosti k modernejšie i tradičnejšie ladeným poetikám autorov a autoriek všetkých generácií.
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Močál

Močál

Třetí básnická sbírka Martina Trdly Močál představuje výrazný posun od jeho dřívější „novinové poezie“ směrem k introspektivnímu a syrovému výrazu. Namísto vnějšího světa se tentokrát zaměřuje na krajinu vlastního nitra – temnou, rozbředlou a mnohdy nepohodlnou. V textech plných ironie, bolesti i černého humoru se Trdla nebojí pojmenovávat slabosti, prohry, závislosti a každodenní zmar bez příkras. Jazykem přesným jako tupý nůž z kalu duše vyřezává básně, které nechtějí líbit – ale chtějí být pravdivé. Močál je sbírkou hluboce osobní, ale zároveň neuzavřenou – každý čtenář v ní může najít odraz vlastní bažiny. V dnešní době přetvářky a filtrů působí její autenticita jako nečekané, ale o to potřebnější gesto.
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