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O autorovi
Michal Repovský sa narodil 23.7.1942 v Stanči, zomrel 5.9. 2014 v Košiciach.
Zmaturoval na gymnáziu v Trebišove, študoval na Filozofickej fakulte Univerzity Komenského v Bratislave slovenský jazyk, ruský jazyk a literatúru. Pôsobil ako pedagóg a odborný prekladateľ. Ako prozaik debutoval protivojnovým románom Kone za závorou roku 2004. Pokračovanie vyšlo roku 2005 pod názvom Chlieb a láska. Pre deti napísal Leto bocianov (2009) a Hovoriace auto Bystrík (2011), vydal aj básnickú zbierku Škovrančí spev (2009). Rozsiahla kniha o dejinách Slovenska Kronika dejín Slovenska vyšla roku 2010, v ktorej predstavil dejiny Slovákov od najstarších čias s množstvom faktov a encyklopedických informácií pre širšiu čitateľskú verejnosť.
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Digestoř je kapela
Gympl za totality, válcovna plechů, hospoda i ženský – cesta kapely, která neprahla po slávě. Důkaz, že talent je výhoda, ne podmínka. Život je punk!
Založit kapelu zvládne každý. Udržet ji naživu pětatřicet let už tak snadné není – a když navíc nemáte hudební vlohy, je to skoro zázrak. Autentické vyprávění o punkové cestě za splněným snem, které vás nechá nahlédnout pod pokličku hudební branže a prozradí, jak se organizuje hudební festival nebo jak se stát (skoro) profesionálním zvukařem. Příběh o dlouholetém přátelství a překonávání překážek a zároveň niterný pohled na život autora, který se s kapelou neodmyslitelně prolíná.
Jelen: Příběhy písní
Skupina Jelen během třinácti let existence projela mnohokrát celou republiku tam a zpátky, odehrála nespočet koncertů a oslovila tisíce fanoušků. V této knize se s vámi zpěvák, kytarista, frontman a textař Jindra Polák podělí o příběhy, které stály u vzniku písní. Ať už vás vezme na výlet do studia, kapelní šatny, do svého dětství, k prvním láskám nebo třeba na procházku mezi náhrobními kameny, všude vás nechá nahlédnout pod pokličku tvůrčího procesu.
Visions in the Frame
Reveals how mise-en-scene has shaped the fields of film and television studies. Visions in the Frame provides a detailed evaluation of the journey and status of mise-en-scene—the organization of the visual field within the frame—as a critical concept in film and television studies. The first part of the book looks at the persistence of mise-en-scene within film studies amid a series of fluctuations in theoretical, historical, cultural, philosophical, and critical approaches. The second part shifts focus to consider television studies and the extent to which mise-en-scene has remained an ambiguous element in the growth of the discipline. The third part engages in a series of close readings from a range of styles and genres of television shows, exploring the relationship between visual composition, meaning, and significance as a central critical focus. Across the three parts of the book, Visions in the Frame presents a rigorous and valuable context for understanding the contrasting position and influence of mise-en-scene within film and television studies, using this to offer guidance for its future role within both disciplines.
Introducing Environmental Communication
Introducing Environmental Communication offers a critical and interdisciplinary introduction to the field, designed primarily for undergraduate students in both specialist and general courses, as well as for postgraduate and professional learners. Its modular structure allows chapters to be used independently across a wide range of teaching, training, and coaching contexts. The book addresses underrepresented themes, including intercultural communication, postcolonial studies and social psychology, while combining theory with real-world application through staggered tasks, discussion prompts, case studies, and projects. Each chapter is supported by up-to-date examples and structured to guide learners from foundational concepts to more complex analysis. Adopting a critical lens, power and justice inequalities are highlighted and perspectives from the Global South are amplified, conveying both the urgency and complexity of the field. Short videos with accompanying discussion points are available online, enhancing the book's multimedia resources.
The Rolling Stones
LADIES AND GENTLEMEN … THE ROLLING STONES
What left is there to say about the Stones?
A hell of a lot, it turns out . . .
You think you know the story? Think again. Shorn of dulling layers of myth and received wisdom, an irresistible, clear-eyed portrait emerges of a band who, after sixty years, continue to break new ground and command our attention.
And at the heart of it all is the remarkable, unique, fractious, codependent, alchemical bond between Mick and Keith, the Glimmer Twins. There's been debauchery, decadence and death along the way. Not everyone survived the journey, but the band was always greater than the sum of its parts, laying down a trail of classic albums and landmark live performances in its wake.
Drawing on decades of music industry experience and five years of dedicated research, critically acclaimed biographer Bob Spitz brings a fresh eye to the epic story of the greatest rock 'n' roll band in the world.
In 2026 they remain in a league of their own. The Rolling Stones shows why.
Tonight the Music Seems So Loud
He wrote one of the biggest hits of our age in 'about an hour' in his childhood bedroom.
He would go on to collaborate with some of the greatest musicians of all time, from Aretha Franklin to Stevie Wonder.
He was a pop star who bleached his hair blonde, wore tiny shorts and, at the same time, critiqued his own image mercilessly.
He lived through the AIDS crisis and one of the most homophobic periods of British history and yet when he finally came out, he did so boldly and unapologetically.
Wham! were the first Western pop group to play in Communist China and he repeatedly broke boundaries in music too.
Ten years after his death, George Michael is still everywhere: the annual success of 'Last Christmas', new covers of his songs, and endless memes on social media.
Tonight the Music Seems So Loud is at once a kaleidoscopic portrait of one of Britain's most beloved musicians and an account of a strange and turbulent period of British history. In his unconventional and enthralling book, bestselling author Sathnam Sanghera explores the connection between music and politics, exposes what secrecy does to the soul, and reveals how fame rots the sense of self. Throughout, Sanghera captures, joyfully and poignantly, one of Britain's greatest artists in all his musical glory.
Men of a Certain Age
From Jeff Beck to Ray Davies, Jon Bon Jovi to Kevin Ayers, Kate Mossman has long fostered an interest in male musicians of a certain age.
Why is it that when I meet them, I feel something ignite inside me? What is this strange connection - to feel so excited, yet so at ease? And how is it that in the presence of a wrinkly rock star twice my age, I sometimes feel like I'm meeting . . . me?
Featuring nineteen long-form profiles lovingly constructed for The Word magazine and the New Statesman, Men of a Certain Age chronicles the lives of some of the biggest rock stars of our time, including Brian May, Gene Simmons, Terence Trent D'Arby, Johnny Rotten and Nick Cave.
The book is a meditation on the powerful archetype of the ageing rock star, but it is also a personal story - of music and obsession, and of the deep unconscious projections at play in our relationships with the famous people who most capture our hearts. As Kate travels 5,000 miles to try and find Glen Campbell, and to the depths of the Cornish countryside for a rendezvous with Roger Taylor, will she finally unravel the roots of her obsession with the elder statesmen of rock?
Vocal Break
A dazzlingly original reassessment of the power and plurality of women's singing voices by the critically acclaimed author of Art Monsters and Scaffolding
'It took me ten years to go from shy young girl to punk rocker, if I'd had this book I'd have got there much quicker' Viv Albertine
For millennia, women's raised voices have been heard as unruly, uncivilized, dangerous. Women singing were cast as sirens: mythical creatures who lured sailors to their death.
In Vocal Break, Lauren Elkin seamlessly blends memoir, feminist manifesto and cultural history to explore a plurality of female singing voices - and how women have used them to defy convention, genre, capitalism, racism and sexism. Drawing on her own experiences training as a young soprano in the 1990s, Elkin reflects on the way power and identity shape our voices, focusing on the women who most excited her when she was learning to sing.
A vocal break refers to the place where the voice shifts from lower to higher registers and this is a book about what kind of meanings, and sounds, can be made there. Immersing readers in an eclectic soundscape, from musicals and pop music to art punk, what follows is a full-throated tour of women's voices, including Édith Piaf, Maria Callas, Cyndi Lauper, Kathleen Hanna, Tori Amos, PJ Harvey, Beyoncé, FKA Twigs and Billie Eilish.
Reflecting on what makes women's singing so powerful - to the point where others feel the need to control or manipulate it - Vocal Break is a joyous call to arms, a siren call:
Girls to the front: NOW.
Dekonstructing the Kardashians
From the creator of the viral Kardashian Kolloquium comes a New Media manifesto for the TikTok age - blending theory, cultural analysis and history to explain the meteoric rise of the Kardashians and what their fame reveals about how media functions today. Since 2007, Kim Kardashian and her extended family have mesmerised - and scandalised - the American public. We've been immersed in their social lives, controversies and reality TV exploits, while witnessing the staggering ascent of their multibillion-dollar fashion, beauty and media empire. But the central question remains: why are the Kardashians so famous? And what does their enduring relevance tell us about the media systems that shaped - and were shaped by - the? n Dekonstructing the Kardashians, MJ Corey, creator of the viral social platform Kardashian Kolloquium, delivers more than just the definitive cultural chronicle of the First Family of reality TV. She offers a probing exploration of how media has evolved in the internet age -and how it's reshaping our identities, our attention, and our understanding of reality itself. Part media theory, part cultural critique and part historical deep-dive, Dekonstructing the Kardashians weaves together fifty years of Western media history. Corey shows that the Kardashians aren't just celebrities - they're a mirror of our media moment, offering a key to understanding fame, identity and reality in the digital age.
Hope I Get Old Before I Die
From the author of Abbey Road comes the story of how enduring rock icons like Pink Floyd, Bruce Springsteen and many more have remained in the ever changing music game.
When Paul McCartney closed Live Aid in July 1985 at the grand old age of forty-three, we thought he was on the road to retirement. But as it turns out, he - and many others of his generation - were just getting started.
In the last four decades, the big names of the 60s and 70s have been exploiting the age of spectacle that Live Aid created to enjoy the longest lap of honour in the history of humanity, carrying on long after everyone else had given up.
In this brave new world, Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though, thanks to technology, they will all be playing Las Vegas forever.
Celluloid Babel
Traces the intellectual history of cinema's aspiration to create a universal language, examining how this vision has been articulated in both writings and films. Celluloid Babel offers a transnational intellectual history of cinema's quest for universal language, unfolding through both writings and films. Today, algorithms and data-collection systems play a significant role in predicting the viewer's preferences and suggesting content specifically tailored to their particular interests. However, this promise of on-demand personalized media is markedly different from the promise outlined in cinema's initial promotional discourse, which celebrated the medium’s ability to appeal to a universal audience. Instead of targeting fragmented audiences, cinema was supposed to captivate and engage everyone all at once, regardless of social station, educational level, or national affiliation. The aspiration for a universal language left an indelible mark on film history, yet despite its significance, the history and theory behind it remain largely unexplored. Celluloid Babel illuminates a pivotal chapter in early film theory and establishes it as the inaugural paradigm of thought on cinema’s nature. By exploring this pursuit, the book reveals the forgotten utopian potential of mass media and uncovers complex correlations among political ideals, aesthetic preferences, material conditions, modes of spectatorship, and governance.
Hitchcock and Hospitality
Unfolds the central importance of broken hospitality in the director's work. Hitchcock and Hospitality argues that the violation of hospitality is a driving force behind Alfred Hitchcock's work. From his television hosting to his cameo appearances to the premises of his stories, the Master of Suspense stages a crisis of authority over access to physical and virtual space. Using the familiarity of his work to make a larger contribution to both film and critical theory, this book engages the French tradition of theorizing hospitality with a keen eye for its feminist implications. But the House of Hitchcock unsettles the scene of hospitality further, down to its hold on the organization of social space. Reading for hospitality not just in grand estates and humble cottages but in cars and trains, motels and apartments, and other mobile and transient spaces—including the virtual space of film itself—Hitchcock and Hospitality tracks the drama of modern social exchange and unfolds the central importance of broken hospitality in the director's work. Films considered intensively include the familiar (Rebecca, Rope, Vertigo, North by Northwest, The Birds, and Marnie) as well as those that have received less critical attention (Mr. & Mrs. Smith, Saboteur, Lifeboat, and Dial M for Murder). The book also touches on many other Hitchcock films and on key episodes of Alfred Hitchcock Presents.
Star Wars: The Mandalorian Guided Journal
The Mandalorian and Grogu travel the galaxy relying on their skill, heart, and instincts to survive. Now you too can embody the spirit of this beloved duo in your own day to day life with this deluxe guided journal inspired by Star Wars: The Mandalorian. Through a combination of weekly journaling, free-writing prompts, list-making, coloring meditations, and other activities, this journal will guide you to develop the patience, courage, and intuition just like the Mandalorian and Grogu and their friends. A great gift for any Star Wars fan, this journal will help anyone embark on their own journey of personal growth with the guidance of the Mandalorian and Grogu. This is the way. …
The Adventures of Priscilla, Queen of the Desert
Written in less than ten days in 1994, The Adventures of Priscilla: Queen of the Desert became a cultural phenomenon that fundamentally altered mainstream ideas about queer identity worldwide. The iconic imagery of Priscilla still resonates as a symbol of global queer pride and liberation in spite of a critical reception that has varied since its release. Renée Middlemost provides valuable insight into the key debates surrounding the film through an overview of its production, initial reception, and legacy – adaptation into a stage musical, theme for an Olympic float, and inspiration for reality television programs. The evolution of Priscilla’s reputation also offers insight into ever-changing cultural attitudes: wild praise upon release, academic and critical backlash, and finally a nuanced but warm welcome into the history of Australian cinema. Equal parts road movie, musical, and comedy, Priscilla moved between genres, pulling off a radical centring of queer lives for mainstream consumption in the mid-1990s. Passing its thirtieth anniversary, The Adventures of Priscilla: Queen of the Desert endures as cult object and cultural touchstone, adored by devoted audiences while serving as a reminder of progress made and the work still needed for acceptance. As Middlemost says of her first viewing in a suburban Sydney multiplex in 1994: “It was rude, it was sparkly, it shocked the family members who had begrudgingly taken me; I loved it.”
A Sound So Very Loud
Music journalists Ted Kessler and Hamish MacBain first met Liam and Noel in 1994, when the brothers were playing tiny venues, and have since interviewed them dozens of times, tracking the astonishing success of Oasis as they became one of the biggest bands in the world.
In this comprehensive telling of the Oasis story through their spectacular back catalogue, Kessler and MacBain focus on the enduring power of the music, exploring the tales behind the lyrics and revealing the background to the writing, recording and impact of all the songs, from megahits like 'Live Forever', 'Wonderwall' and 'Champagne Supernova' to the fan-favourite B-sides and deep cuts such as 'Acquiesce', 'The Masterplan' and 'Half the World Away'.
With their unique perspective on all things Oasis, Kessler and MacBain bring this story to life in glorious colour. A Sound So Very Loud is the book every Oasis fan needs on their shelves, destined to be as timeless and as moreish as the music itself.
Where the Music Had to Go
Persuasive, captivating and bursting with insight, this dual biography by acclaimed journalist Jim Windolf dives into the surprisingly supportive, occasionally rivalrous, always fertile relationship between Bob Dylan and the Beatles.
Few artists have shaped pop culture as profoundly as the Beatles and Bob Dylan. In Where the Music Had to Go, Jim Windolf offers a new, persuasive interpretation of how two of the twentieth century's greatest recording artists influenced one another - and reveals how their apprenticeships, accomplishments and legacies are uncannily intertwined.
From Dylan's early dismissal of the Beatles as being for 'teenyboppers' to his rapid acknowledgment of their talent, the book captures the pivotal moments that pushed Dylan to 'go electric' and inspired the Beatles to deepen their lyrics. Packed with vivid anecdotes (the Beatles rehearsing Dylan songs; Dylan spending hours at Lennon's childhood home), the book paints a picture of a relationship full of camaraderie, rivalry and mutual evolution.
Windolf's meticulous research uncovers hidden gems, peeling back layers of history to reveal the stories fans didn't even know they were missing. From Lennon's and McCartney's lyrical transformations to George Harrison's growth as a songwriter, the book showcases the ripple effects of the Beatles-Dylan connection. More than a music biography, this is a front-row seat to the forces that shaped the sound of a generation.
No More Chainsaws
“Welcome to the Golden Age of Women-Directed Horror.” Over the last fifteen years, there has been a sustained global influx of women artists working in mainstream and independent horror cinemas earning notable public and industry acclaim. As a result, now, for the first time in horror history, there is also a concentrated corpus of films that explicitly address topics of identity, sexuality, trauma, and monstrosity from women’s perspectives. No More Chainsaws offers an in-depth analysis of some of the earliest and underrated releases within this New Wave of Women’s Horror cinema: Catherine Hardwicke’sTwilight (2008), Karyn Kusama’s Jennifer’s Body (2009), Jennifer and Sylvia Soska’s American Mary (2012), and Kimberly Peirce’s Carrie (2013). No More Chainsaws articulates the ways in which these contemporary films attempt to liberate horror from an over-determining gendered lexicon of violence and terror.
Cannes
In the 1970s and ’80s, the Cannes Film Festival was more than a red carpet — it was a spectacle of freedom, fame, and excess. Photographer Ole Christiansen was there, camera in hand, capturing a time when the world’s biggest stars mingled with dreamers, directors, and the beautiful chaos of the Côte d’Azur. Cannes unfolds a visual story from an era when the festival was still intimate, wild, and gloriously unfiltered. Christiansen’s lens brings us close to icons like Grace Jones, Sean Connery, Harrison Ford, Clint Eastwood, and many others — not as distant celebrities, but as part of a living, breathing scene of glamour, sun, and seduction. Through rare, candid, and often daring photographs, the book celebrates a time when film, fame, and freedom collided — when the nights were long, the parties endless, and the line between cinema and life seemed to disappear in the glow of the Riviera.
Toto je miesto, kde sa stretávajú hudobníci a hudobní milovníci, aby našli inšpiráciu, vzdelávacie materiály, či notové záznamy, ktoré ich povedú ich hudobnou cestou.
V tejto kategórii nájdete rozmanité zdroje hudobného bohatstva. Noty vám poskytnú možnosť naučiť sa hrať rôzne hudobné skladby, od klasických až po súčasné hity. Spevníky vám umožnia spievať vaše obľúbené piesne, či už sami alebo v skupine. Hudobné príručky vám poskytnú užitočné rady pre hranie na hudobné nástroje, komponovanie, skladanie a ďalšie hudobné aktivity.
Nezáleží na tom, či ste začiatočník alebo pokročilý hudobník, tu nájdete zdroje, ktoré vás podporia na vašej hudobnej ceste. Od notových záznamov pre klavír, gitaru, husle a ďalšie nástroje až po spevníky s textami piesní z rôznych žánrov a ér. Táto kategória je základom pre všetkých, ktorí sa chcú ponoriť do sveta hudby, tvorby a prenosu emócií prostredníctvom tónov a melódií. Objavujte hudobný svet v jeho rôznorodosti a kráse.
