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This book discusses EU member state institutions that take all their decisions by unanimity (i.e., individual countries can and do hold all others hostage in order to extract concessions for their vote). On the other end of the spectrum are EU institutions that take most of their votes by so-called qualified majority. In this case, the former hostage holders can now simply be outvoted. Hence, the latter EU institutions could be a likely candidate for a practical solution to the unanimity-voting quagmire.

This scholarly monograph looks at a little-researched diaspora, originating on the Greek Aegean Island of Ikaria. Ikaria itself is a small, isolated island, close to the Turkish coast. It has had a long and independent history, with periods of autonomy and self-rule, including the short-lived Free State of Ikaria in 1912, which was the outcome of the Ikarian Revolution against the Ottoman Empire. Ikarians themselves remained quite insular until the nineteenth century, when they began emigrating. Ottoman port-cities and urban centres, as well as nearby Aegean islands, received the first Ikarian emigrants.Eventually, Ikarians found themselves in growing hubs of migration such as Egypt and the United States. By 1910, the first Ikarians had arrived in Port Pirie, South Australia, beginning a long tradition of Ikarian migration and settlement in the state. This book explores the Ikarians in South Australia between 1900 and 1945 – an under-researched period, and a contrast from most studies on Greeks in Australia, which have focused heavily on the mass migration post-World War II and post-Greek Civil War. This also leaves a gap for a later study on Ikarians in South Australia beyond 1945. The book positions itself around four key themes: emigration, settlement, community building and integration, with ideas such as localism and identity being explored as facets within those themes.

Written by a practising poet and novelist who has close experience of the subject matter and has published creative work in the areas being examined, Sexual Violence and Literary Art is a wide-ranging study, covering carefully selected works from Ovid through Shakespeare to Pope, Richardson, Shelley, Hardy, Nabokov and beyond. It addresses the necessary complicity of any representation in what is represented, by examining ways in which canonical male writers have attempted to evoke and address representations of sexual violence in poetry, prose fiction, and poetic drama in light of women’s philosophical, theoretical and critical responses to these works of literary art.

"When an astonishing revolution toppled the Russian autocracy early in 1917, James L. Houghteling Jr., a special attaché to the US embassy in Russia, was one of the very few Americans present who daily recorded the striking events he witnessed and the comments he heard from both Russian and foreign observers. The diary of the thirty-three-year-old Chicago native therefore provides a rare and valuable record of dramatic developments in the streets of the wartime capital, Petrograd. It also offers unusual insights into how Russian elites and foreign diplomats, journalists, and business owners viewed the actions of soldiers, workers, and political leaders who shaped the revolution.

In 1917—that is, in the midst of the First World War—Madeleine Z. Doty, a feminist, lawyer, prison reformer, peace activist, and journalist, was commissioned by the magazine Good Housekeeping to travel "around the world" to get a view “behind the battle line” of how people on the home front, especially women, were responding to the war. Traveling on the Trans-Siberian Railway from China, Doty crossed the border into Russia just days after the Bolshevik Revolution had begun. She meant it literally when she declared in her account of these travels, Behind the Battle Line: Around the World in 1918: “The Bolshevik Revolution had descended on me.”

This book analyzes particular patterns of nationalist self-configuration and nationalist uses of memory, counter-memory, and historical amnesia in Ireland from roughly around the time of the emergence of a broad-based non-sectarian Irish nationalist platform in the late eighteenth century (the Society of United Irishmen) until Ireland’s partition and the founding of the Irish Free State in 1922. In approaching Irish nationalism through the particular historical lens of “Iran,” this book underscores the fact that Irish nationalism during this period (and even earlier) always utilized a historical paradigm that grounded Anglo-Irish encounters and Irish nationalism in the broader world history, a process that I term “worlding of Ireland.” In effect, Irish nationalism was always politically and culturally cosmopolitan in outlook in some formulations, even in the case of many nationalists who resorted to insular and narrowly defined exclusionary ethnic and/or religious formulations of the Irish “nation.” Irish nationalists, as nationalists in many other parts of the world, recurrently imagined their own history either in contrast to or as reflected in, the histories of peoples and lands elsewhere, even while claiming the historical uniqueness of the Irish experience. Present in a wide range of Irish nationalist political, cultural, and historical utterances were assertions of past and/or present affinities with other peoples and lands.

A special correspondent of The New York Times, Carl W. Ackerman traveled from Vladivostok to Irkutsk to Omsk to Ekaterinburg in the fall of 1918 in the midst of the Russian Civil War. He met with officers of the American and Japanese expeditionary forces, with members of the Czecho-Slovak corps fighting the Red Army, with ministers of the democratic Russian government in Omsk, and with military dictator Admiral Alexander Kolchak, who became the ruler of anti-Bolshevik Russia after a coup that displaced the Democrats. In fact, Ackerman was the first foreign journalist who visited the Ipatiev House in Eka-terinburg, the place of Tsar Nicholas II and his family’s imprisonment until they were murdered in July 1918. With his notes and newspaper articles to consult, Ackerman wrote Trailing the Bolsheviki soon after his return to the United States. His book was one of the very first American accounts of the Russian Civil War in Siberia and the Far East, providing his readers with the wealth of his observation and the entertainment of his travel feats. Moreover, Ackerman was among the first Americans to notice the basic split between the new political system materializing in Russia and the universalism of the Woodrow Wilson approach. Thus, he became one of the proponents of the first Red Scare and an early forerunner of the Cold War.

The book explores the dandy as a cultural type across Europe and Russia from the eighteenth century through the present day. Olga Vainshtein offers a unique view on dandyism as a cultural tradition, based not merely on fashionable attire, but also as a particular lifestyle with specific standards of behaviour, bodily practices and conceptual approaches to dress. The dandy is described as the prototypical hero of the modern cult of celebrities. From clubbing manners, the techniques of virtual aristocratism, urban flâneurs and the correct way to examine people, Vainshtein walks us through optical duels and the techniques of visual assessment at social gatherings. Readers will learn about strategies of subversive behaviour found in practical jokes, the fine art of noble scandal, dry wit, bare-faced impudence and mocking politeness. Looking at dandyism as a nineteenth-century literary movement, Vainshtein examines representation of dandies in fiction. Finally, a large section is devoted to Russian and Soviet dandyism and the dandies of today.

Chicago native, political activist, and journalist Ernest Poole (1880-1950) provides a distinctive view of the  Bolshevik Revolution in his work, The Village: Russian Impressions. This work is unusual in the library of American accounts of Revolutionary Russia because it addresses the world of the Russian peasants, far away from the revolutionary centers of Petrograd and Moscow. He associated with a Russian priest, a doctor, a teacher, and a mill owner who offered a perspective not normally seen in the history of the Bolshevik Revolution. Poole''s own views and those of the people he visited provide a fascinating account of the revolutionary era that helps readers a century later understand the complexity of this fascinating time. 

The post-1990s commercial turn in the internationalisation of higher education has given rise to the global research university (GRU). Promoting educational exchanges and research partnerships as the engine of the knowledge economy, GRUs that play in a deterritorialised academic super league are hindered by their national origins, in which they remain ethically embedded, and their national orientation to which they are politically wedded. Like any organisation within an institutional environment undergoing change, GRUs that internationalise without also denationalising their organisational culture are saddled with contradictions. The Ethics of Internationalisation offers a critique of three of them: the ethical dilemmas of trans-national scholars, who face estrangement when their difference encounters the ethno-national prejudice of local faculty; the politics of the idea of the university, which under the logic of new public management valorises commercially viable, quantitative research and side-lines critically focused, qualitative studies; and given the event of the Anthropocene, the imperative to reclaim internationalisation from its commercial hijackers in favour of an ethical iteration, which takes up the challenge of thinking the idea of the university vis-a-vis the existential condition of the potential extinction of homo sapiens together with other forms of life on earth.

This book introduces a new thrilling field: Neurocomputational Poetics, the scientific ‘marriage’ between cognitive poetics, data science and neuroscience. Its goal is to uncover the secrets of verbal art reception and to explain how readers come to understand and like literary texts. For centuries, verbal art reception has been considered too subjective for quantitative scientific studies and till date many scholars in the humanities and neurosciences alike view literary reading as too complex for accurate computational prediction of the neuronal, experiential and behavioural aspects of reader responses to texts. This book sets out to change this view.

Disappearing Cities is a collection of over fifty short stories of invented cities, set in the not too distant future, destroyed by varied climate change impacts and linked natural disasters. The stories bring into question the relation between the natural and unnatural forces of change and expose responses to, and lessons learnt, from different disaster crises situations. Stories also focus on how means to adapt are sought. The projected fictions are created from projected current climate facts; trends; and the author’s experience of population displacement, relocation and design-based climate change responsive action. Central to the book is the recognition that to be able to respond and adapt to the scale of coming changes in the climate requires going beyond existing practical action and embracing a new way of imagining futures. Disappearing Cities aims to stimulate ways of meeting this need.The book opens with a Prologue that establishes the contextual frame of empirical foundation out of which the fictions are created. It recognises that we all live in a world in which the conditions that will result in huge numbers of cities disappearing are underway. From the human perspective, the process appears to be very slow, whereas in historico-geological time, it is happening exceptionally quickly. The number of the loss of cities is going to be huge, yet the recognition that this will occur is not arriving, In part, this is because of a lack of knowledge, but equally, it reflects a lack of imagination. Transposing what is known about climate change by a significant percentage of the societies of many nations to actual environments in which they live is just not arriving. What appears so solid and established fails to be seen and imagined as a risk and vulnerable. From establishing this opening perspective, the first part of the book presents stories of cities already disappearing as a result of the forces of nature changed by anthropogenically created global warming. Part two discusses the impacts of natural disasters being made unnaturally. For example, by the way industrial societies are damaging and changing natural systems, including the climatic. The final part goes to cities destroyed by completely un-natural means, including war.Disappearing Cities aims to contribute to meeting the need for a better understanding of, and ability to imagine, the risks to which vast numbers of cities are, and will be, exposed to forces of disappearance. To do this, the narratives are a hybrid of fact and fiction. The work was inspired by Italo Calvino’s book Invisible Cities and is intended to be a salient contemporary companion to this text. It mirrors its form but differs in style and content. Invisible Cities attained diverse readership, Disappearing Cities aspires to do likewise.

The basic idea of this book is an attempt to describe and critically interpret the condition of man living in the shadow of the Shoah, in the world “after Jews”. The author achieves this by referring to the language of political theology, renewing the meaning of such theological concepts as eternity, salvation, the idea of the chosen people, apocalypse, radical hope, and others. He seeks an answer to the question of the conditions for the possibility of the Shoah, all this in order to better understand today’s growing aggression against people of strong faith, strong traditional beliefs. Is the disturbing thought of the recurrence of the Shoah, the repetition of the worst scenario that has already happened once in the modern world, an overstated thought, an exaggerated suspicion, a neurosis? The author asks several twentieth-century writers and philosophers such as René Girard, D.H. Lawrence, Jacob Taubes, Joseph Roth, Primo Levi, Jean Améry, W.G. Sebald, K.K. Baczyński, Czesław Miłosz, Krzysztof Michalski, Jonathan Lear, Hannah Arendt, Vasily Rozanov, Giorgio Agamben, and Martin Heidegger to answer these disturbing questions. The exceptions are William Shakespeare and St. Paul, who, however, can also be considered contemporary because of their timeless presence.

Louise Bryant and her husband John Reed were among a relatively small group of Americans who participated in one of the most important events of the twentieth century, the Russian Revolution of 1917. As first-hand observers, they attended meetings of the revolutionaries, were present at teh Winter Palace as it was under attack, and witnesssed  the surrender of the palace guards. Over the next weeks, they saw a new regime emerge and met manu of tis most important figures, including Lenin, Trotsky, Kamenev, and Kollontai. Bryant returned home in 1918 and immediately began working on the book that would becime Six Red Months in Russia. Unfortunately for Bryant, her sec and her relationship with Reed overshadowed her talent as a writer and the depth of her observations of this historic event. But Bryant deserves better; she had her oen voice and was a skilled observer and journalist in her own right. While Reed''s book is certainly a significant work, it contains little personal commentary. Bryant''s account, by comparison, is also a documentation of the revolution, but it goes farther than Reed''s in many wants, adding interpretation to observation. Bryant communicates what life was like during the days of the revolution - the people, the food, the excitement, the fear. She is also keenly aware of her American audience and speaks directly to them, urging them to pay attention to this world-changing moment in history and not to be fooled by the misinformation about Bolshevism and the new regime. Six Red Months in Russia conveys Bryant''s understanding of the revolution, and reminds us of the utter enthusiasm that many Russians, and Americans, felt for socialism and its yet-untainted, utopian ideals. This new edition of Bryant''s book is annotated and set in its appropriate historical context to create a more accessible text for modern readers on the anniversary of this truly world-changing event. 

Through the Russian Revolution by Albert Rhys-Williams, a Congregationalist pastor turned labor organiser and journalist, offers readers a first-hand account of the exciting and confusing events of the Russian revolution from June 1917 to August 1918. Williams, a lifelong defender of the Soviet system, documented his first adventure in Russia at its most chaotic moments. There he formed a lasting impression of what he thought the Soviet system could offer to the world and dedicated the rest of his life to this cause. His account, while sympathetic, reveals to a modern audience the inner working of the Bolshevik Party, life in Petrograd and the countryside, and an optimistic vision of the revolutionary future. 

War and Peace in the Worlds of Rudolf H. Sauter is the first book to examine the creative life and worlds of Rudolf H. Sauter (1895–1977), the German-born artist, poet, cultural observer and nephew of the famed novelist John Galsworthy. Revealing him to be a creative figure in his own right, it examines his early life as a German immigrant in Britain, his formative years during the run-up to the Great War, his wartime internment as an “enemy alien,” and the postwar development of his intriguing body of artistic and literary work. Placing Sauter and his creative life in the historical contexts they have long deserved, this life story opens a window onto subjects of war, love, memory, travel and existential concerns of modern times.