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This book examines the profound impact of Liberty University, church planting networks, and grassroots mobilization on shaping U.S. policy toward Israel. It explores how Dr. Jerry Falwell, through his leadership at Liberty University and the Moral Majority, built a vast evangelical network that successfully influenced Congress and the White House. The book delves into the political power of Liberty alumni, who established churches across the United States, integrating Christian Zionism into their teachings and mobilizing congregations to support pro-Israel policies.Through archival research, interviews, and policy analysis, the study traces the evolution of evangelical involvement in U.S. politics, highlighting the unique relationship between Falwell and Israeli Prime Minister Menachem Begin. It examines how Falwell positioned himself as an advocate for Israel, lobbying for policies such as the relocation of the U.S. embassy to Jerusalem. The book also explores the role of church planting as a political strategy, showing how local religious communities became conduits for mobilizing grassroots support for Israel.By shedding light on the intersection of faith, politics, and diplomacy, this book provides a compelling analysis of how evangelical activism continues to shape U.S.-Israel relations and the broader conservative agenda in America.

Climate and migration provide the organizational pillars, and the plural “climates” in the title accentuates the figurative non-literal sense to signify the atmosphere that is attached to anxiety, disinformation, fear and violence. Competing narratives and storytelling mechanisms conjointly operate over a longer history of colonial conquest and remain present in the mind-sets informing the afterlives of empire, as evidenced in debates on identity politics, nationalism, environmental, racial and social justice. The broad transregional (Africa, the Caribbean, Europe) and transdisciplinary framework privileges comparative analysis between various disciplines and fields, notably migration studies, environmental humanities, eco-feminism, nationalism, and decolonial and postcolonial studies, while adopting multigenre approaches that include a diversity of perspectives from literature, media discourse, art, propaganda, visual culture and new technologies. Together, these challenge the criminalizing, debasing and often dehumanizing logic associated with official policymaking and propose instead alternative forms of humanization and identification aimed at fostering modes of empathy. Climates of Migration explores various forms of environmental exploitation and degradation, especially in African literatures where the thematic transformations that have resulted from engagement with environmental ecocide have contributed to a revitalization of writing. Planetary climate change and the accompanying disruption to the global ecosystem is traced to European territorial conquest and expansion and subsequently mapped onto the contemporary institutional (European Union) and political discourses that are structuring our present, while also enabling unforeseen forms of planetary consciousness.

The Mind Economy redefines how we understand the mind—treating it as an economic system in which memory is a central and valuable resource. Integrating perspectives from psychology, philosophy, neuroscience, and economics, Professor Oliver Hoffmann introduces a groundbreaking framework for thinking about cognition, identity, and self-development. At the heart of the book lies the idea that memory, narration, and imagination are dynamic, exchangeable forces that structure our inner world and drive our decision-making processes.Drawing on insights from ancient philosophy to modern neuroscience, Hoffmann outlines a new form of “economic cognitive therapy” and provides practical tools for self-regulation, emotional integration, and enhanced mental efficiency. Support systems such as yoga, meditation, and cultural immersion are woven into this model, offering readers a holistic path toward personal transformation. This book is essential reading for psychologists, therapists, and anyone seeking a deeper understanding of the mind’s inner workings—and how to work with them.

In a little over twenty years, New York–-based fashion designer Thome Browne has decisively and permanently changed the fashion industry. Through his clothes that are rooted in America’s distinctive preppie style, he has challenged age-old conventions of tailoring by altering proportions and blurring gender boundaries. The cropped trouser, which has become a staple of people’s wardrobes around the world, owes much to Browne’s pioneering reinterpretation of the suit. Through highly choreographed catwalk shows, he has enlivened the presentation of fashion, creating soulful spectacles that variously critique and cherish common themes in human lives. Browne’s influence within the fashion industry has been recognised through various awards. The Council of Fashion Designers of America (CFDA) has named him ‘Menswear Designer of the Year’ on three occasions, in 2006, 2013, and 2016. Since 2023, Browne has served as the CFDA’s Chair. In May 2023, Browne dressed nine celebrities to honour Karl Lagerfeld at the annual gala hosted by the Metropolitan Museum of Art, New York.This book considers Browne’s position as a fashion auteur by focusing on four collections that enable detailed consideration of his innovative clothing designs and catwalk presentations, situating them within their historical and social context and drawing out what makes them distinctive and influential.

What did Australians read? This book answers this question in terms of books rather than newspapers and considers the long nineteenth century, interpreted as running from 1788 to 1901. In the wake of this primary question, several others arise: how did Australians acquire the books they read, and how did readers in the outback overcome the handicaps of distance and remoteness? Did they read for pleasure, instruction, self-edification, or spiritual sustenance? More importantly, how did Australian readers respond to the books they read? The evidence is drawn from autobiographical sources, in which individual readers related their personal reading experiences and responses.At the same time, the book pursues a second and related question: What did Australians write? Reference is made here not to the kind of writing we know as ‘literature’, but to the non-literary writing which cultural historians call ‘ordinary writings’. These are the writings of everyday life, represented in this book by diaries, journals, hand-written newspapers and correspondence. The focus is wide enough to include the everyday cultural practices of people of low social status and little education. The writing practices of the partially literate, including writing delegated to a third party, have their place here.In this double investigation, the book draws on evidence from a cohort of 101 nineteenth-century readers and writers. They are a heterogeneous group of autobiographers, coming from Melbourne and Sydney to rural Queensland and Western Australia. They come from the city and the bush, from coastal towns and the interior, from sheep stations, gold diggings and city offices. They show us the perennial importance of Shakespeare and the Bible, the popularity of the English canon, the prestige of poetry and the importance of religious reading. Books held the Empire together but, as they travelled, their meanings changed according to the local cultural environment. This book registers such nuances in the Australian context. The writing of this group is represented by some prolific diarists and correspondents. In the late-nineteenth century, the eastern colonies became world leaders in sending letters. The postal environment which made this possible is also examined.

Cricket, Fiction and Nation traces the historic arc of fiction dealing with cricket from its beginnings in the early nineteenth century to its emergence in the early twentieth century as a form of serious literature, its subsequent decline into genre writing and its rejuvenation in the global world of the twenty-first century. The writers discussed include Mary Russell Mitford, Charles Dickens, H.G. Wells, P.G. Wodehouse, James Joyce, E.M. Forster, Robert Graves, Siegfried Sassoon, Dorothy L. Sayers, C. Day Lewis writing as Nicholas Blake, L.P. Hartley, Simon Raven, J.L. Carr, Mike Marqusee, Nancy Spain, Caryl Phillips, Romesh Gunesekera, Anthony Quinn and Shehan Karunatilaka. It also considers how cricket has featured in the TV series Inspector Morse and Midsomer Murders.

Opportunities to write our memoirs are many and varied. To meet emerging demands, the memoir genre continually is evolving, and it is possible for the memoirist to shape the memoirs, with varying themes, time and settings, to be brought to bear on school education at a senior level and for a range of teacher-development programs. Thus, the developing importance of an accompanying exegesis.For better or for worse, childhoods shape adult relationships and attachment styles, profoundly shaping who we are as teachers, teaching styles and generally the things we consider important and not so important. The shape of our childhood and adolescence has a profound impact on how relationships are formed in adulthood. It can affect our ability to trust, be vulnerable and create productive bonds, both at school and college and professionally, and also our general levels of motivation.Through the aforementioned theme and subthemes, my memoirs here reveal how childhood struggle has shaped my approach to teaching and my academic career – from an unskilled labourer from the country working class in the timber industry, deprived of a high school education and recruited into the workforce at 15 years of age, to a senior academic in one of Australia’s G8 universities, holding five PhDs.With strong historical backgrounding, a special appeal of this book is its drive to place childhood and adolescent events contained in the memoirs in a wider historical context, looking to transnational movements such as discussions on anachronisms and eugenics. In so doing, the exegesis – a fresh and exciting innovation – is in harmony with the memoirs. The memoir is so refashioned as a pedagogical tool.

In Defense of Reason After Hegel repudiates the assault on truth pervading public life and the academy by drawing upon arguments pioneered by Hegel. These arguments show how thought can free itself of arbitrary foundations and establish the exclusive validity of self-determination in knowing, conduct, and aesthetic worth. Wide ranging in scope and radically subverting the reigning orthodoxies in contemporary culture, the essays of In Defense of Reason After Hegel forge a path for restoring the authority of rational autonomy in theory and practice.

In Neo-Victorian Lesbians on Screen, Maier and Friars argue that the on-screen portrayal of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer’s own gaze changes the way the lesbian is represented. Maier and Friars consider the adaptations’ awareness of the audience, and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, film adaptations of novels and biofictions, and original screenplays are challenged by the lesbian subject’s vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the ‘othered’ nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.

Why do some great powers survive their hegemonic bids, while others lose everything? France’s Louis XIV stands out among modern aspiring hegemons as the only one to leave his country intact, even larger than he found it. Similar to other potential hegemons, Louis fought general wars he failed to win decisively. But Louis would often negotiate peace from a position of strength while other aspiring hegemons generally fought to the finish, thus solidifying uncompromising balancing coalitions. This eagerness to pursue peace from a position of strength mollified opposing coalitions and allowed France to extract some gains, however limited. This book helps us understand how wars with today’s aspiring hegemons could end.

This book is a new assessment of the ideology and political program of Britain’s fascist and extreme right-wing community during the interwar period (1919–1940). It examines this group’s belief system as it clustered around three major preoccupations – Modernization, Empire, and War. In doing so, the book identifies many inconsistencies, contradictions, and moral failings, which contributed to the failure of the far-right tendency in the interwar years. The numerous beliefs and policies examined all point to a movement that was determined to return Britain to the levels of global power and international leadership it had once enjoyed – but by means of policies of disengagement and isolation. As such, it provides insight into the resurgence of the extreme right today.

This book offers a study of how football became in the 1870s a global sport that was played by high school students on several continents. It provides a horizontal perspective that focusses on the spread of football in the 1870s from its English cradle to Germany, the United States, and Argentina. It will be the very first account of football that does not treat this sport in isolation but brings together the phenomenon of football with the conditions in nineteenth-century high schools and the crisis of urban living and, thereby, explains why this sport was so willingly and quickly accepted into various societies and cultures around the globe.Football was part of the social reform movement that emerged in the second half of the nineteenth century in response to the social ills of urban life. Adults and children spent more and more time inside badly ventilated buildings. Beginning in the 1870s, social reformers and teachers called for the introduction into school curricula of physical exercises that could be conducted on the meadows and sport fields outside cities.

This short monograph explores the intersection of philosophy and painting, examining how major thinkers from Hegel to Merleau-Ponty developed key concepts through their engagement with specific artworks. Unlike traditional surveys, my book focuses on philosophers’ ideas as they emerged from concrete encounters with paintings, offering both scholars and general readers fresh insight into philosophical thought. By analysing these interactions, the book illuminates the often-overlooked connection between visual art and abstract reasoning, tracing the evolution of philosophical ideas through tangible, visual experiences. This approach not only bridges aesthetics with other philosophical branches but also presents a unique contribution to the history of ideas, demonstrating how painting has shaped philosophical thoughts. Ultimately, this work provides a novel perspective on familiar philosophical concepts, revealing the profound influence of art on intellectual history.

Peter Winch (1926–1997) was one of the most important philosophers of his generation. Although best known for his work in social science and the interpretation of Ludwig Wittgenstein, he had a long-standing interest in ethics and political philosophy and was writing a book on political philosophy at the time of his death. This volume collects together Winch’s previously unpublished manuscripts on political philosophy, alongside an editorial introduction which outlines the development of his thought over the course of his life. It demonstrates the originality and enduring relevance of Winch''s philosophical work to perennial issues concerning the nature and justification of political authority.

This book deals with the morality, self-conception and honour of states, something that goes well beyond the narrow, rationalist defence of national interests, which dominates most IR studies. The volume pursues this line of thinking by focussing on three different but interconnected thematics: political moralism, the honour of states and the peace/war-problematic. The moral self-conception of states – which comes most clearly to the fore in situations of war – rests on the ideal conception of ‘all of us’, which includes all citizens, all classes and all generations, set against their opposite numbers outside of ‘our’ immediate sphere of domination. This state-based image of itself and its existential teleology constitutes its very essence, notwithstanding that it is often seen as a deviation (‘exception’) from the normal state of affairs, where the state is ‘just ‘ there to serve and support the economy and its principal actors. All three chapters thus revolve around issues that relate to the interaction of war and democracy and the underlying morality that both legitimates and underpins the actions of politicians as well as citizens.

This book considers the presence of the supernatural and Gothic elements of the Western on screen. These dark and sinister undertones often exist in Western narratives to draw attention to the ever-present issue of death and its haunting resonance which characters encounter. This book examines this through key historic moments in Western film and its contemporary incarnations. The book detects imposing correlations in themes and currents between the Gothic and the Western relating to existential crisis and a loss of faith in ideologies and  institutions. These themes represent the tensions between the old and the new, the deranged insistence on civility and order in a chaotic landscape, disillusionment and the shattering of faith in the natural order, and even nature  and order themselves. The Western, just like the Gothic tale, reminds us that new frontiers are mired in the past, and optimism and survival are hunted down and haunted by guilt-ridden past and passed anxieties and traumas