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The Mind Economy redefines how we understand the mind—treating it as an economic system in which memory is a central and valuable resource. Integrating perspectives from psychology, philosophy, neuroscience, and economics, Professor Oliver Hoffmann introduces a groundbreaking framework for thinking about cognition, identity, and self-development. At the heart of the book lies the idea that memory, narration, and imagination are dynamic, exchangeable forces that structure our inner world and drive our decision-making processes.Drawing on insights from ancient philosophy to modern neuroscience, Hoffmann outlines a new form of “economic cognitive therapy” and provides practical tools for self-regulation, emotional integration, and enhanced mental efficiency. Support systems such as yoga, meditation, and cultural immersion are woven into this model, offering readers a holistic path toward personal transformation. This book is essential reading for psychologists, therapists, and anyone seeking a deeper understanding of the mind’s inner workings—and how to work with them.

In a little over twenty years, New York–-based fashion designer Thome Browne has decisively and permanently changed the fashion industry. Through his clothes that are rooted in America’s distinctive preppie style, he has challenged age-old conventions of tailoring by altering proportions and blurring gender boundaries. The cropped trouser, which has become a staple of people’s wardrobes around the world, owes much to Browne’s pioneering reinterpretation of the suit. Through highly choreographed catwalk shows, he has enlivened the presentation of fashion, creating soulful spectacles that variously critique and cherish common themes in human lives. Browne’s influence within the fashion industry has been recognised through various awards. The Council of Fashion Designers of America (CFDA) has named him ‘Menswear Designer of the Year’ on three occasions, in 2006, 2013, and 2016. Since 2023, Browne has served as the CFDA’s Chair. In May 2023, Browne dressed nine celebrities to honour Karl Lagerfeld at the annual gala hosted by the Metropolitan Museum of Art, New York.This book considers Browne’s position as a fashion auteur by focusing on four collections that enable detailed consideration of his innovative clothing designs and catwalk presentations, situating them within their historical and social context and drawing out what makes them distinctive and influential.

Cricket, Fiction and Nation traces the historic arc of fiction dealing with cricket from its beginnings in the early nineteenth century to its emergence in the early twentieth century as a form of serious literature, its subsequent decline into genre writing and its rejuvenation in the global world of the twenty-first century. The writers discussed include Mary Russell Mitford, Charles Dickens, H.G. Wells, P.G. Wodehouse, James Joyce, E.M. Forster, Robert Graves, Siegfried Sassoon, Dorothy L. Sayers, C. Day Lewis writing as Nicholas Blake, L.P. Hartley, Simon Raven, J.L. Carr, Mike Marqusee, Nancy Spain, Caryl Phillips, Romesh Gunesekera, Anthony Quinn and Shehan Karunatilaka. It also considers how cricket has featured in the TV series Inspector Morse and Midsomer Murders.

Opportunities to write our memoirs are many and varied. To meet emerging demands, the memoir genre continually is evolving, and it is possible for the memoirist to shape the memoirs, with varying themes, time and settings, to be brought to bear on school education at a senior level and for a range of teacher-development programs. Thus, the developing importance of an accompanying exegesis.For better or for worse, childhoods shape adult relationships and attachment styles, profoundly shaping who we are as teachers, teaching styles and generally the things we consider important and not so important. The shape of our childhood and adolescence has a profound impact on how relationships are formed in adulthood. It can affect our ability to trust, be vulnerable and create productive bonds, both at school and college and professionally, and also our general levels of motivation.Through the aforementioned theme and subthemes, my memoirs here reveal how childhood struggle has shaped my approach to teaching and my academic career – from an unskilled labourer from the country working class in the timber industry, deprived of a high school education and recruited into the workforce at 15 years of age, to a senior academic in one of Australia’s G8 universities, holding five PhDs.With strong historical backgrounding, a special appeal of this book is its drive to place childhood and adolescent events contained in the memoirs in a wider historical context, looking to transnational movements such as discussions on anachronisms and eugenics. In so doing, the exegesis – a fresh and exciting innovation – is in harmony with the memoirs. The memoir is so refashioned as a pedagogical tool.

In Neo-Victorian Lesbians on Screen, Maier and Friars argue that the on-screen portrayal of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer’s own gaze changes the way the lesbian is represented. Maier and Friars consider the adaptations’ awareness of the audience, and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, film adaptations of novels and biofictions, and original screenplays are challenged by the lesbian subject’s vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the ‘othered’ nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.

In Defense of Reason After Hegel repudiates the assault on truth pervading public life and the academy by drawing upon arguments pioneered by Hegel. These arguments show how thought can free itself of arbitrary foundations and establish the exclusive validity of self-determination in knowing, conduct, and aesthetic worth. Wide ranging in scope and radically subverting the reigning orthodoxies in contemporary culture, the essays of In Defense of Reason After Hegel forge a path for restoring the authority of rational autonomy in theory and practice.

Why do some great powers survive their hegemonic bids, while others lose everything? France’s Louis XIV stands out among modern aspiring hegemons as the only one to leave his country intact, even larger than he found it. Similar to other potential hegemons, Louis fought general wars he failed to win decisively. But Louis would often negotiate peace from a position of strength while other aspiring hegemons generally fought to the finish, thus solidifying uncompromising balancing coalitions. This eagerness to pursue peace from a position of strength mollified opposing coalitions and allowed France to extract some gains, however limited. This book helps us understand how wars with today’s aspiring hegemons could end.

This book is a new assessment of the ideology and political program of Britain’s fascist and extreme right-wing community during the interwar period (1919–1940). It examines this group’s belief system as it clustered around three major preoccupations – Modernization, Empire, and War. In doing so, the book identifies many inconsistencies, contradictions, and moral failings, which contributed to the failure of the far-right tendency in the interwar years. The numerous beliefs and policies examined all point to a movement that was determined to return Britain to the levels of global power and international leadership it had once enjoyed – but by means of policies of disengagement and isolation. As such, it provides insight into the resurgence of the extreme right today.

This book offers a study of how football became in the 1870s a global sport that was played by high school students on several continents. It provides a horizontal perspective that focusses on the spread of football in the 1870s from its English cradle to Germany, the United States, and Argentina. It will be the very first account of football that does not treat this sport in isolation but brings together the phenomenon of football with the conditions in nineteenth-century high schools and the crisis of urban living and, thereby, explains why this sport was so willingly and quickly accepted into various societies and cultures around the globe.Football was part of the social reform movement that emerged in the second half of the nineteenth century in response to the social ills of urban life. Adults and children spent more and more time inside badly ventilated buildings. Beginning in the 1870s, social reformers and teachers called for the introduction into school curricula of physical exercises that could be conducted on the meadows and sport fields outside cities.

This short monograph explores the intersection of philosophy and painting, examining how major thinkers from Hegel to Merleau-Ponty developed key concepts through their engagement with specific artworks. Unlike traditional surveys, my book focuses on philosophers’ ideas as they emerged from concrete encounters with paintings, offering both scholars and general readers fresh insight into philosophical thought. By analysing these interactions, the book illuminates the often-overlooked connection between visual art and abstract reasoning, tracing the evolution of philosophical ideas through tangible, visual experiences. This approach not only bridges aesthetics with other philosophical branches but also presents a unique contribution to the history of ideas, demonstrating how painting has shaped philosophical thoughts. Ultimately, this work provides a novel perspective on familiar philosophical concepts, revealing the profound influence of art on intellectual history.

This book deals with the morality, self-conception and honour of states, something that goes well beyond the narrow, rationalist defence of national interests, which dominates most IR studies. The volume pursues this line of thinking by focussing on three different but interconnected thematics: political moralism, the honour of states and the peace/war-problematic. The moral self-conception of states – which comes most clearly to the fore in situations of war – rests on the ideal conception of ‘all of us’, which includes all citizens, all classes and all generations, set against their opposite numbers outside of ‘our’ immediate sphere of domination. This state-based image of itself and its existential teleology constitutes its very essence, notwithstanding that it is often seen as a deviation (‘exception’) from the normal state of affairs, where the state is ‘just ‘ there to serve and support the economy and its principal actors. All three chapters thus revolve around issues that relate to the interaction of war and democracy and the underlying morality that both legitimates and underpins the actions of politicians as well as citizens.

Peter Winch (1926–1997) was one of the most important philosophers of his generation. Although best known for his work in social science and the interpretation of Ludwig Wittgenstein, he had a long-standing interest in ethics and political philosophy and was writing a book on political philosophy at the time of his death. This volume collects together Winch’s previously unpublished manuscripts on political philosophy, alongside an editorial introduction which outlines the development of his thought over the course of his life. It demonstrates the originality and enduring relevance of Winch''s philosophical work to perennial issues concerning the nature and justification of political authority.

This book considers the presence of the supernatural and Gothic elements of the Western on screen. These dark and sinister undertones often exist in Western narratives to draw attention to the ever-present issue of death and its haunting resonance which characters encounter. This book examines this through key historic moments in Western film and its contemporary incarnations. The book detects imposing correlations in themes and currents between the Gothic and the Western relating to existential crisis and a loss of faith in ideologies and  institutions. These themes represent the tensions between the old and the new, the deranged insistence on civility and order in a chaotic landscape, disillusionment and the shattering of faith in the natural order, and even nature  and order themselves. The Western, just like the Gothic tale, reminds us that new frontiers are mired in the past, and optimism and survival are hunted down and haunted by guilt-ridden past and passed anxieties and traumas

The book argues that these plays show us a society haunted by the unquiet burials of Anglo-Saxon saints and kings and the destruction of shrines and churches during the English Reformation, and peopled by crossover figures who inhabit both the spiritual and the secular realms. It begins with an introduction which sets out the distinction between spiritual and temporal overlordship of lands, glances at the ways in which sacred and secular spheres of influence could be brought into conflict in plays from the late-sixteenth and early seventeenth centuries, and explains that the book is interested not only in the extent to which those spheres of influence map onto actual territory but also in the ways in which land is perceived as retaining memories of uses to which it has been previously put. This was particularly the case when royal or saintly bodies had been buried in it, even if the actual burials had been disturbed or lost completely, but other kinds of spaces and places could also carry with them a sense of an ineradicable past (often a specifically pre-Reformation past). When plays claim to represent such richly suggestive sites as holy wells, abbeys built before the Norman Conquest, or places where martyrdoms or miracles have occurred, they simultaneously suggest the power and appeal of such memories and yet also acknowledge their loss and inaccessibility, not least because what the audience sees is not the place represented but bare boards of the stage standing in for it.Four chapters then follow. The first is on the anonymous Thorney Abbey, which offers an origin story for the Anglo-Saxon foundation which preceded the Norman Westminster Abbey during the reign of an unnamed king of England who has a brother (and heir) called Edmund. The Anglo-Saxon St Edmund was well remembered in the early modern period and was particularly important to English Catholic exiles; the unnamed brother can be identified as Athelstan, grandson of Alfred the Great, who was king of England from 925 to 939 but never married (probably because he was illegitimate), making Thorney Abbey part of a group of early modern plays which found Athelstan a flexible, suggestive and culturally resonant figure who could be used to discuss a range of important issues, including succession, the status of the monarch, and the benefits and logic of celibacy. Thorney Abbey presents the foundation of the abbey as a neat and simple process, but the subsequent history of Westminster Abbey was not in fact quite so trouble-free and that leaches into the play, which also has strong similarities to Macbeth in ways which put pressure on Shakespeare’s play, particularly on its use of Edward the Confessor, helping us to see that Macbeth treads a nervous line between implying the superiority of a king who collapses the distinction between spiritual and temporal and refusing to actually show him. The second chapter is on another anonymous play, A Knack to Know a Knave, which features Edgar, king of Mercia and Northumbria (c. 944–975), and Saint Dunstan, two figures who carried considerable cultural heft. Dunstan was a complex and controversial figure whose association with miracles that savoured of trickery meant that to early Reformers, he was even more suspect than most saints. Edgar’s main achievement was the revival of Benedictine monasticism, which he funded by large grants of land and by enforcing the payment of the ecclesiastical tax known as Peter’s Pence, making him almost the perfect test case for considering the relationship between temporal and spiritual power. The third chapter focuses on William Rowley’s A Shoemaker a Gentleman, which tells the story of the shoemaker saint Crispin and his brother Crispian and the early English and Welsh martyrs St Hugh, St Winifred, St Alban and St Amphiabel in ways which evoke the long and difficult history of debates about the extent of British Catholics’ allegiance to the Pope. Last comes a chapter on Anthony Brewer’s The Loves

The American astronaut image was informed by early Cold War ideals of masculinity that helped mold a distinctly American (anti-communist) masculinity, which appeared—on the surface anyway—to resolve not only an American “crisis of masculinity” but helped win the Cold War on an ideological and popular level. This American image focused on strict gender binaries of man as the protector, controlling technology and containing communism, while woman was the passive actor with spaceflight technology—left behind in the home waiting for the return of the astronaut husband. Allowing women to fly into space would have represented a lack of individual control with spaceflight technology. 

Wittgenstein’s May–June 1913 critique of Russell’s multiple-relation theory of judgement (or MRTJ) marked a crucial turning point in the lives of two great twentieth-century thinkers. It was also a watershed moment within the history of analytic philosophy itself. Yet scholarly consensus around a satisfactory interpretation of the nature of the critique, the extent of and reasons for its impact on Russell, along with the role it played within Wittgenstein’s development have remained elusive. With these facts in mind, this book aims to accomplish four interrelated goals. The first is to develop a compelling reading of Wittgenstein’s May–June 1913 critique of Russell’s MRTJ. The second is to defend this reading, called the ‘logical interpretation’ (or LI) against its most prominent competitors in the scholarly literature. Third, the book aims to situate Wittgenstein’s critique of the MRTJ and Russell’s reaction to it, within the broader context of each of Wittgenstein’s and Russell’s respective philosophical developments. Fourth and finally, the book aims to introduce students and scholars of early analytic philosophy to, and familiarize them with the historical events, textual evidence, scholarly controversies, letters, notes and diagrams, consideration of which is integral to constructing a plausible reading of Wittgenstein’s objection.