British Library Publishing

From the peaks of Eryri to dramatic coastlines, misty valleys and haunted mines, Wales is a land whose myth and folklore has long been reflected in a thriving storytelling tradition, with the dragons and sorcerers of the Mabinogion and Arthurian legend laying a path for later tales of the Tylwyth Teg, and the pitiless fair folk of Arthur Machen's fictional world. To show the breadth of the strange tales inspired by the Celtic history and local legends of Cymru, horror expert Aaron Worth presents an exciting new selection of Anglophone Welsh fiction, including folkloric retellings, classics of the early twentieth-century weird and chilling pieces by writers from beyond the country's borders. Featuring stories by Dylan Thomas, Christianna Brand, Algernon Blackwood, Arthur Machen, Margiad Evans and many more, this collection welcomes you to the darker side of Cymru.

"If Carolus Deene catches so much as a whiff of murder he will be on the scent with all the persistence and gusto of a dachshund in search of truffles."While Senior History Master of Queen's School, Newminster, Carolus Deene has a troubling hobby as a criminologist and sometime sleuth. Even more troublingly, he has jaundice. But with the papers shouting of the crimewave sweeping the seaside resorts of England, sending him to the coast to recover is too risky for the Headmaster he will be much further from trouble in the inland spa resort of Buddington. But before long Buddington is rocked by a twisted double-murder two elderly women found dead on the same night at the same time, each with a white lily by their side. Perhaps things are looking up for the curious Deen? irst published in 1960, Leo Bruce's classic mystery hums with his trademark wit and comedic flair, centred around an intelligent puzzle and a memorable cast of Buddington's best.

In our modern age fairies are diminutive, winged spirits associated with the innocence of childhood, or else the brooding heroes of popular romantasy books. But the fairies of the British Isles have taken many guises. To the early Britons they were fallen angels or relegated pagan gods, denizens of a strange world parallel to our own. In whispered tales, they can be found orchestrating shipwrecks, blinding queens, kidnapping musicians for their secret revels, and luring human lovers into the greenwood with their seductive beauty and beguiling promises. Their changeability has made them mainstays of the fantasy genre: at once capricious and ethereal, wielding arcane laws to reward and exploit human nature, and dolling out blessings and curses in equal measure. From protective fairy godmothers to uncanny fairy changelings, and from Tam Lin to Tinkerbell, Carolyne Larrington unravels a plethora of fairy tales in this shimmering guide to the fae, accompanied with beautiful illustrations from the British Library collections.

It had taken, at most, three seconds for the elevator to pass downwards from the sixteenth to the twelfth ... Mr Meldrum had ceased to be, and something hideously different took his place. A man convinced that he has developed a phantom beak edges towards a terrible metamorphosis. Interlopers dismissing the superstitions of hare-women in the countryside pay for their scepticism with blood. The cruel jokes of a girl at the village festival of the Green Man lead her to a crueller transfiguring in the woods. Tracing the quintessential horror concept of the strange transformation from the Victorian era through to the modern day, horror writer, expert and enthusiast Mark Morris presents a thrilling selection of metamorphic tales. Including stories of bestial shapeshifters such as the tiger-men, fox spirits and werewolves of world folklore, this collection also presents some of the weirder shifts of the horror genre, where a flatworm masquerades as a boy, a girl becomes one with a bridge, and a babe-in-arms and her beekeeper father come to reflect the creatures of the hives.

"She said once she heard some people told to get an airing in a closed carriage and that her life had been like that, trying to get fresh air, but always closed up, in a box."As warm sunshine bathes the streets of Paris in the late 1800s, the lively young debutante May meets the cotton-broker John Tyler. Far from a picturesque romance, life with the boorish broker turns sour as they move to Manchester and May finds herself trapped in a world of hostile servants and neglect. When Tyler meets his end from an overdose of arsenic the drug which he was so fond of prescribing himself as a kind of panacea May is dragged into a trial coloured by the public's hunger to paint her as a beguiling murderess. Based on the real-life murder trial of Florence Maybrick in 1899, this novel spins the gripping tale of a case clouded by sensation, its unsolved mysteries, and the untold story of the human being at its heart. First published in 1943, it was filmed as The Mark of Cain in 1947.

The possibilities of flight have long fascinated us. Each innovation captivated a broad public, from those who gathered to witness winged medieval visionaries jumping from towers, to those who tuned in to watch the moon landings. Throughout history, the visibility of airborne objects from the ground has made for a spectacle of flight, with sizeable crowds gathering for eighteenth-century balloon launches and early twentieth-century air shows. Taking to the Air tells the history of flight through the eye of the spectator, and later, the passenger. Focusing on moments of great cultural impact, this book is a visual celebration of the wonder of flight, based on the large and diverse collection of print imagery held by the British Library. It is a study of how flight has been thought and pictured.