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There were many reasons Moby was never going to make it as a DJ and musician in the New York club scene of the late 1980s and early 90s. This was the New York of Palladium, of Mars, Limelight, and Twilo, an era when dance music was still a largely underground phenomenon, popular chiefly among working-class African Americans and Latinos. And then there was Moby - not just a poor, skinny white kid from deepest Connecticut, but a devout Christian, a vegan, and a teetotaler, in a scene that was known for its unchecked drug-fueled hedonism. He would learn what it was to be spat on, literally and figuratively. And to live on almost nothing. But it was perhaps the last good time for an artist to live on nothing in New York City...And so by the end of the decade, Moby contemplated the end of things, in his career and elsewhere in his life, and he put that emotion into what he assumed would be his swan song, his good-bye to all that, the album that would be in fact the beginning of an astonishing new phase in his life, the multimillion-selling Play. Porcelain is about making it, losing it, loving it, and hating it. It's about finding your people, and your place, thinking you've lost them both, and then, finally, somehow, creating a masterpiece. As a portrait of the young artist, Porcelain is a masterpiece in its own right, fit for the short shelf of musicians' memoirs that capture not just a scene but an age and something timeless about the human condition. Push play.

In the Summer of 1978, a young boy disappears without trace from a cabin in the Dalecarlian woods of Sweden. His mother claims he was abducted by a giant. The previous year, in the Sarek National Park, Laponia, a wildlife photographer takes a strange picture from his small airplane, of a bear running over the marshes. On its back sits a creature. It looks like a small monkey, but the photographer claims he has taken his first picture of a troll. Twenty-five years later, and back in Laponia, Susso runs a web page dedicated to searching for creatures whose existence have not yet been proven: the Yeti, the Loch Ness Monster, Big Foot. But Susso's true obsession is Trolls. When an old woman claims that a small furry animal has been standing outside her house, observing her and her five year old grandson for hours, Susso picks up her camera and leaves for what will become a terrifying adventure into the unknown. Because what if there really are trolls out there, and they're taking our children?

This phenomenal novel is the first in a trilogy packed with shooting contests, train robberies, festivals under the stars, powerful Djinni magic and an electrifying love story. "Tell me that and we'll go. Right now. Save ourselves and leave this place to burn. Tell me that's how you want your story to go and we'll write it straight across the sand." Dustwalk is Amani's home. The desert sand is in her bones. But she wants to escape. More than a want. A need. Then a foreigner with no name turns up to save her life, and with him the chance to run. But to where? The desert plains are full of danger. Sand and blood are swirling, and the Sultan's enemies are on the rise.

The pop world accelerated and broke through the sound barrier in 1966. In America, in London, in Amsterdam, in Paris, revolutionary ideas slow-cooking since the late '50s reached boiling point. In the worlds of pop, pop art, fashion and radical politics - often fueled by perception-enhancing substances and literature - the 'Sixties', as we have come to know them, hit their Modernist peak. A unique chemistry of ideas, substances, freedom of expression and dialogue across pop cultural continents created a landscape of immense and eventually shattering creativity. Jon Savage's 1966 is a monument to the year that shaped the pop future of the balance of the century. Exploring canonical artists like The Beatles, The Byrds, Velvet Underground, The Who and The Kinks, 1966 also goes much deeper into the social and cultural heart of the decade through unique archival primary sources.

Captain Tom Barnes is leading British troops in a war zone. Two boys are growing up there, sharing a prized bicycle and flying kites, before finding themselves separated once the soldiers appear in their countryside. On all sides of this conflict, people are about to be caught up in the violence, from the man who trains one boy to fight the infidel invaders to Barnes's family waiting for him to return home. We see them not as they see themselves, but as all the objects surrounding them do: shoes and boots, a helmet, a trove of dollars, a drone, that bike, weaponry, a bag of fertilizer, a medal, a beer glass, a snowflake, dog tags, an exploding IED and the medical implements that are subsequently employed. Anatomy of a Soldier is a moving, enlightening and fiercely dramatic novel about one man's journey of survival and the experiences of those around him. Forty-five objects, one unforgettable story.

These ten classic stories are masterful depictions of the underside of life, deep in the American South. On receiving an early copy, Evelyn Waugh remarked 'If these stories are in fact the work of a young lady, they are indeed remarkable. "She's horrifyingly funny ...It's that cool, removed style combined with very black stories." (Donna Tartt). "No one has written better about the reality of evil. Few have written as well, with such sharp-edged compassion, about the weaknesses and follies of humanity, about the operation of grace in our lives and about the necessity of humility. Her stories - her intelligence and passion - can restore reason to minds unhinged by our fame-obsessed, technology-obsessed culture." (Dean Koontz, New York Times).

In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. This extraordinary debut, full of unexpected humour and emotional truth, marks the arrival of a thrilling and significant new talent.

The Joke, Milan Kundera's first novel, gained him a huge following in his own country, and launched his worldwide literary reputation. "Kundera is the saddest, funniest and most lovable of authors." (The Times).

Venya is more interested in how much he and his colleagues can drink during the working day than in his job. Once he is fired, he spends the last of his money on booze and sets off on a train journey to visit beautiful, picturesque, utopian Petushki, where his beloved and child are waiting for him. But Venya's drinking gets out of control on the train, and Petushki seems to lie increasingly beyond his grasp. Funny and sad, Yerofeev's alcohol-soaked story of a man on a train perfectly captures Soviet society on the brink of doom: exhausted, corrupt and heading into the night in sodden dignity. "A dark and hilarious work cocktailing the satire of Gogol with the gutter-level eye of Bukowski and the menace and nightmare vision of Genet." (Time Out). Moscow Stations - the only novel published by the Russian writer Venedikt Yerofeev - was written in 1969 and existed first only amongst samizdat circles, as a typed manuscript passed hand to hand by readers in Soviet Russia. It was first published officially in the magazine Sobriety and Culture in 1989. This translation was first published by Faber in 1997.

When DBC Pierre burst onto the scene in 2003, he arrived with no particular literary education. Finding he had something to say, he made the journey solo to that place where dreams and demons live, to try and turn feelings into words. Part biography, part reflection and part practical guide, Release the Bats explores the mysteries of why and how we tell stories, and the craft of writing fiction. DBC Pierre reveals everything he learned the hard way.

Set before the start of the First World War, this moving fable sees a young English writer set out to Crete to claim a small inheritance. But when he arrives, he meets Alexis Zorba, a middle-aged Greek man with a zest for life. Zorba has had a family and many lovers, has fought in the Balkan wars, has lived and loved - he is a simple but deep man who lives every moment fully and without shame. As their friendship develops, the Englishman is gradually won over, transformed and inspired along with the reader. Zorba the Greek, Nikos Kazantzakis' most popular and enduring novel, has its origins in the author's own experiences in the Peleponnesus in the 1920s. His swashbuckling hero has legions of fans across the world and his adventures are as exhilarating now as they were on first publication in the 1950s. "There can never be any doubt that Kazantzakis was the possessor of genius." (Sunday Telegraph).

From the writer of one of the most memorable debuts of recent years, a story of first love and redemption. One night in London an eighteen year old girl, recently arrived from Ireland to study drama, meets an older actor and a tumultuous relationship ensues. Set across the bedsits and squats of mid-nineties north London, The Lesser Bohemians is a story about love and innocence, joy and discovery, the grip of the past and the struggle to be new again.

Edward Snowden, a young computer genius working for America's National Security Agency, blew the whistle on the way this frighteningly powerful organisation uses new technology to spy on the entire planet. The consequences have shaken the leaders of nations worldwide. This is the inside story of Snowden's deeds and the journalists who faced down pressure from the US and UK governments to break a remarkable scoop. From the day he left his glamorous girlfriend in Hawaii, carrying a hard drive full of secrets, to the weeks of secret-spilling in Hong Kong and his battle for asylum, Snowden's story reads like a globe-trotting thriller.

As the acknowledged 'Queen of Crime', P. D. James was frequently commissioned by newspapers and magazines to write a special short story for Christmas. Four of the best of these have been drawn from the archives and published here. P. D. James' prose illuminates each of these perfectly formed stories, making them ideal reading for the darkest days of the year. While she delights in the secrets that lurk beneath the surface at family gatherings, her Christmas stories also provide tantalizing puzzles to keep the reader guessing. P. D. James embraces the challenge of the short-story form, and ingeniously weaves the strands of plot, setting, characterisation and surprise to create a satisfying whole within only a few thousand words. From the title story about a strained country-house party on Christmas Eve, to another about an illicit affair that ends in murder, and two cases for James' poet-detective Adam Dalgliesh, each treats the reader to James' masterfully atmospheric storytelling, always with the lure of a mystery to be solved.

As the sixties dream faded, a new flamboyant movement electrified the world: GLAM! In Shock and Awe, Simon Reynolds explores this most decadent of genres on both sides of the Atlantic. Bolan, Bowie, Suzi Quatro, Alice Cooper, New York Dolls, Slade, Roxy Music, Iggy, Lou Reed, Be Bop Deluxe, David Essex - all are represented here. Reynolds charts the retro future sounds, outrageous styles and gender-fluid sexual politics that came to define the first half of the seventies and brings it right up to date with a final chapter on glam in hip hop, Lady Gaga, and the aftershocks of David Bowie's death. Shock and Awe is a defining work and another classic in the Faber Social rock n roll canon to stand alongside Rip it Up, Electric Eden and Yeah Yeah Yeah.

Long listed for the The Baillie Gifford Prize for Non-Fiction 2016. An epic story of courage, genius and terrible folly, this is the first history of how the Soviet Union's scientists became both the glory and the laughing stock of the intellectual world. Simon Ings weaves together what happened when a handful of impoverished and underemployed graduates, professors and entrepreneurs, collectors and charlatans, bound themselves to a failing government to create a world superpower. And he shows how Stalin's obsessions derailed a great experiment in 'rational government'.