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A spell-binding fantasy novel set in the Blitz, from the author of Golden Hill. 'What a joy! A novel with endless ingenuity and enormous heart.' Kaliane Bradley'Everything that great literature should be.' Sarah Perry 'His Dark Materials meets the Blitz.' Observer'An all encompassing masterpiece.' London Standard'My god can he write.' Richard Osman'Ripples with literary magic.' The Times It's the summer of 1939. London is on the brink of catastrophic war. Iris Hawkins, an ambitious young woman in the stuffy world of City finance, has a chance encounter with Geoff, a technical whizz at the BBC's nascent television unit. What was supposed to be one night of abandon draws her instead into an adventure of otherworldly pursuit - into a reality where time bends, spirits can be summoned, and history hangs by a thread. Soon there are Nazi planes overhead. But Iris has more to contend with than the terrors of the Blitz. Over the rooftops of burning London, in the twisted passages between past and present, a fascist fanatic is travelling with a gun in her hand. And only Iris can stop her from altering the course of history forever. Nonesuch was a Sunday Times bestseller w/e 28/2/2026.

'A new literary star is born.' The Times'A beautiful and profound novel about a boy's coming to consciousness as his family falls apart.' Mary Costello'A powerful, searing tale.' André Aciman'A terrific queer coming-of-age debut.' Guardian'If none of us can be as we want, then what is the point in anything? Danny cannot believe his life should be prescribed for him, written out already.'In a small rural town trapped between two rivers, Danny is on the cusp of adolescence and eager to find his own place in the world. At home, life is complicated: his father has lost his job and his mother has retreated to her room. His only solace is the arrival of Philip, a new boy in school, whom he worships with a confused intensity. Desperate to prove his own worth, Danny finds himself caught between his mother and father, self and desire, and obedience and rebellion.

Winner of the 2024 Warren-Brooks Award for Outstanding Literary CriticismWinner of the Northern California Book Award for General Nonfiction'The Island makes an outstanding contribution to our knowledge of both Auden's intentions and his achievement in the first part of his writing life.' Andrew Motion, New Statesman'Jenkins, miner-like, digs down into the verse and brings every influence up to the surface . . . a richly striated landscape, not only in complexity of mood, but also courtesy of its cast of strange, dazzling and sometimes highly dubious characters.' Rachel Cooke, ObserverNicholas Jenkins's The Island is daring in its ideas, written with loving tenderness and implacably true in its revisionism. Jenkins shows Auden's mentality to have been graven by the Great War, proves his youthful aspiration to become an English national poet and renews our sense of the numinous.' Richard Davenport-Hines, TLS, Books of the Year'[The Island is] a dense, detailed and hugely rewarding account of the making of this very English poet before he became an American one.' Peter Parker, TLS Books of the Year'In The Island (Faber, L25), an epic study of the young W.H. Auden, Nicholas Jenkins brilliantly scales up fine-grained literary criticism into wide-angled cultural history.' Boyd Tonkin, SpectatorA groundbreaking reassessment of W. H. Auden's early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England. W. H. Auden is a towering figure in modern literary history with a complex private self. Hannah Arendt wrote that he had 'the necessary secretiveness of the great poet'. The Island lays bare for the first time some of the most telling 'secrets' of Auden's early poetry, his world, his emotional life, his values and the sources of his art. In a book that is an argument but also a story, Nicholas Jenkins gives compelling readings of iconic poems. He presents Auden in the inter-War years as both a visionary writer, creatively dependent on dreams and intuitions, and a traumatized poet, haunted by war and suffering, and shadowed by his outsider status as a privileged but queer man. The Island considers, as well, Auden's imaginative flirtations with a lyrical nationalism appealing to a poet who, for a while, felt his psyche was like a map of English culture. The narrative ends in Auden's disillusionment with these potent myths and beliefs and the time when he left 'the island'. Auden's preoccupations - with the vicissitudes of war and the problems of love, belonging and identity - are of their time but they still resonate profoundly today. 'A superb, deeply researched study of Auden's early work and identity. Jenkins's understanding of young Auden as a poet shaped and haunted by the First World War - assimilating the influence of Wilfred Owen, Edward Thomas, Robert Graves, and W. H. R. Rivers - is convincing, original, and poignant. Fusing biography, cultural history, and literary criticism in innovative and elegant ways, The Island is a landmark publication in modernist studies.'Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath'Nicholas Jenkins is one of our most perceptive and resourceful critics. In this wonderful study of the early Auden, he brings to bear history, biography, and an acute sense of the artistic moment to fashion for us a young genius who is conservative, bucolic, gay, a patriotic adherent of post-imperial Little England. Most people work backwards from a writer's ultimate reputation, but Jenkins gives us a new, unexpected image of a poet developing in the aftermath of World War I and the collapse of modernism.'Edmund White, author of The Humble Lover'The Island is a Copernican Revolution in Auden studies, a revelatory and often exciting book that presents a new and convincing account of Auden's early years. It explores, for the first time, the deep connections between the inner workings of

Lose yourself in this tumultuous Swedish family saga, introduced by Sarah Moss ('a masterpiece')Judit is stubborn and singular, distant and unyielding. She is called Queen. Her realm is a windswept farm on a misty Swedish coastline.When she is nine, her dying mother places Judit's brother Viktor in her arms, and the two are bonded for life. Together with their silent brother, Albert, they forge a precarious family. But Judit has her secrets; she dreams amidst the salt spray. And when Viktor emigrates to America, the ground beneath her feet forever shifts. Translated into English for the first time, Queen (1964)is a visionary family saga: a mythic epic in miniature, mystical and anarchic. One of the greatest Swedish novelists of all time, Birgitta Trotzig casts another worldly light across the souls of her characters - and her readers. Translated by Saskia Vogel 'Fear, rage, love, resentment: the full range of human emotion is here . . . A story fuelled by inevitability and cold beauty.' Sarah Moss

From the author of Foster and the Booker Prize shortlisted Small Things Like These. 'Perfect short stories.' Anne Enright'Breath-taking.' Irish Times'Her stories are as good as Chekhov.' David MitchellA writer alone at a retreat is faced with an unwelcome visitor. A priest seeks solace from a romantic memory. A farmhand regrets losing the finest woman in town. In this remarkable collection of stories, Claire Keegan observes an Ireland wrestling with its past.

'A tremendous, mighty ripper of a book. Contains kicks, laughs, hugs and a meteoric fart. Children will love it!' Jim Field, illustrator of Oi Frog and The Lion Inside'Has genuine warmth and depth, wonderfully supported by hilarious illustrations. Children will adore it . . . and adults can be reassured by the brilliantly positive conclusion. A classic in the making.' Vivian French, author of Yucky WormsBESTSELLING, AWARD-WINNING DUO, Gough and Collins, create pure picture-book perfection in this hilarious, whip-smart story about a circle of violence and how it finally gets broken. In a moment of fury, induced by a piece of stolen cake, Tad kicks his best friend Vlad and runs away to hide. Unable to retaliate, but similarly feeling rather cross, Vlad kicks Tad's mum who kicks the postman, who kicks a policewoman who kicks a politician . . . Until the kick travels around the whole world! Only to land back up at Tad's birthday party a year on . . . And then there's something WORSE than a kick in circulation. Oh, WHAT could be worse than a kick up the bu? t's up to Tad to wrestle with his anger and to break the cycle and send something better off round the world. Laugh-out-loud funny, with so many moments of shock and glee, this is the perfect teaching tool for any child who has ever had an outburst! For fans of I Want My Hat Back, I Really Want to Eat a Child and Not Now Bernard.

The road silent, somnolent yet with a speech of its own, speaking back to them, father and child, through trappings of sun and fretted verdure, speaking of the old mutinies and a fresh crime mounting in the blood. The local community is shocked when a young teenager, Mary, attempts to get an illegal abortion, especially when they discover that she has been raped by her father. O'Brien charts Mary's emotional and psychological trauma, as her story is dragged first into the public realm and then into the law courts, with her power of choice usurped by militant factions on all sides. A haunting novel based on a real events.

AVAILABLE TO PRE-ORDER NOWThree mobsters. Two detectives. A deadly race against time. Jackson Jones and Mackenzie Cunningham - two of the best private investigators in the business - are presented with a case they aren't allowed to refuse. The heads of L.A.'s three major crime families have tasked them with finding sensitive information hidden by a man in critical condition before he flatlines. Or else. The pair can't agree on how to furnish the office of their new joint venture, Safe and Sound Investigations, let alone the nature of their feelings for each other. But with a masked man on their tail, they are going to have to stick together if they are going to have any chance of solving the case. READERS ADORED SOUNDS LIKE A PLAN:'A witty, fast-paced, and swoon-worthy mystery.' ?'Riveting from start to finish . . . definitely a must-read!' ?'Action packed and definitely eventful, I also found myself chuckling.' ? 'A really great read. The dialogue was fast and furious and the interactions between the leads were smart and funny.' ?

The spruces are so close together that the barks are a sable-brown. Michael O'Kane is known as the 'Kinderschrek', the 'child scarer'. He haunts Cloosh Wood in western Ireland. As a boy he lost his mother and by the age of ten he was in prison. Now he seeks sacrificial victims to satisfy his delusional fantasies: a beautiful young mother, her infant son and a trusting priest, who are enticed into the forest. Inspired by a real triple homicide, this novel is a 'tour de force of finely restrained fury' (Newsday).

Everyone's favourite classroom pet is unsqueakably thrilled to be in a NEW-NEW-NEW novel to celebrate his 20th anniversary!Humphrey is unsqueakably excited - a special guest is coming to Room 26! But when he sees who it is, he's SHOCKED-SHOCKED-SHOCKED. The guest is a big dog! And Mrs. Brisbane doesn't seem worried at all!Luckily, this dog is very gentle. His name is Happy, and he's come to help Humphrey's classmates with their reading. Then they hear about more dogs - a friendly one who can do tricks and sing, and a beloved pet who has gone missing. Of course everyone wants to help find her. Good thing Humphrey is so good at helping kids solve their problems. And he pawsitively loves to solve a mystery - even one involving a dog!With a fresh voice and an engaging hamster's-eye view of school, families, and treats to hide in a cheek pouch, Betty G. Birney's Humphrey will elicit laughter and a new appreciation for classroom hamsters everywhere.

'Powerful.' DAILY TELEGRAPH'[Ross] is a master of detail.' TIMES LITERARY SUPPLEMENT'A literary rollercoaster.' PEOPLE'Chillingly real . . . unforgettable.' BOOKLISTFrom a singular voice: a gripping and deeply moving story of grief and memory. 1990s New York: Tony Pellar - a man of former style and fading beauty - now lives in the subway tunnels. From this place of darkness, Tony fights for his sanity as his mind overflows with memories of Agatha, a woman he calls the Soul Snatcher. Following the lost thread of his life story back to 1960s North Carolina, Ross unravels a tangle of hurt and lies with two interconnected tales: that of Mikey, his wealthy childhood best friend, and of Agatha - a complex woman with a heart full of painful secrets. Orange Laughter is a story of old prejudice and shattered innocence, and a vivid reminder of the importance of storytelling as a way to heal individual and collective memory. Readers loved Orange Laughter:'Masterful! The ride is intriguing with twists and turns and a huge dose of the unexpected. This novel will enchant, surprise and mystify; but ultimately, it will satisfy.' ?'A page-turner! I could not put it down, I read it all in one sitting. The author's touch is as beautiful as it is sure. A masterpiece of storytelling. Her characters live. Her prose sings. She is a writer of visions.' ?

'Brilliant and completely unique' SOPHIE MACKINTOSH'Michelle Steinbeck is the lovechild of Robert Wasler and a witch' CAMILLA GRUDOVA'An absolute joyride of a novel. Surreal, highly dramatic and a feminist must-read' IRISH TIMES'I'm sorry, your mother was murdered.'Fila's mother Magdalena caused chaos every time she appeared in her daughter's life. Fila hasn't seen her in years, not since she disgraced their family by advertising her brothel in the newspaper. Now, news comes from Italy: Magdalena is dead. It's time for Fila to finally face her family history. Fila collects her mother's ashes and sets out, urn in tow, to retrace the whirlwind life of the woman last known as Favorita. Part hallucinatory road trip, part feminist revenge fantasy: Favorita is a wild, furious and mischievous novel from an incendiary new European talent.

*WINNER OF THE BBC NATIONAL SHORT STORY AWARD 2020*SHORTLISTED FOR THE EDGE HILL SHORT STORY PRIZESHORTLISTED FOR THE JAMES TAIT BLACK MEMORIAL PRIZEA Guardian, Financial Times and Irish Times Book of the Year''No one writes stories the way Hall does and quite possibly no one ever will. Astonishing, miraculous, a gift.'' Daisy Johnson‘The queen of dark short fiction.’ Guardian ‘Astonishing, miraculous, a gift.’ Daisy Johnson‘The best short story writer in Britain.’ SpectatorIn Turkish forests or rain-drenched Cumbrian villages, characters walk, drive, dream and fly, trying to reconcile themselves with their journey through life and death. Radical, charged with a transformative, elemental power, each of these stories invites us to stand at the very edge of our possible selves. Includes the story ''The Grotesques'', winner of the BBC Short Story Award, 2020.

AVAILABLE TO PRE-ORDER NOW'Pulses with urgency . . . unforgettable.' ? NetGalley review'Bold and compelling, with complex, memorable characters.' Mary Watson, author of The CleanerTwo patients are fighting for their lives. Nina, the hospital nurse, reads their notes:Leroy: stab wound, gang member, police escort. Dev: stomach pain, artist, distraught mother. Nina is meant to treat all her patients equally: not to pick favourites, and not to judge. Except tonight, understaffed and overstretched, both patients need her. She makes a split-second choice - and leaves one man to die. And that's when she realises that on this busy hospital ward, no-one is exactly what they seem. 'A tense read with a slow build up to an explosive ending.' ? NetGalley review'Dark, profound and deeply thought provoking.' Lisa TimoneyREADERS LOVE NILESHA CHAUVET'S PSYCHOLOGICAL THRILLERS'Brilliant! . . . I binged it.' ? reader review'Powerful . . . a first class thriller.' ? reader review'I could not put this down.' ? reader review'In this deliciously dark thriller, nothing is as it seems.' iNews'Such compulsive reading . . . its ferocious energy takes you on a wild, thought-provoking ride.' Jennie Godfrey'It's a long time since I've read a thriller that is quite so well written.' Liz Nugent'I devoured it.' Chris Whitaker

We think we know John & Paul. We really don't. At the centre of The Beatles was the volatile, madly creative chemistry between John Lennon and Paul McCartney. This is the story of how two young men merged their souls and multiplied their talents to produce one of the greatest bodies of music in history. It is also a love story, full of longing, laughter, pain and joy.

The never-before-published poems of one of the great American poets, edited and introduced by Shane McCrae. Only Sing is a continuation of John Berryman's vast project The Dream Songs. These 152 never-before-published poems are an expansion of this epic of the American twentieth-century psyche. In the voice and figure of Henry - riddled with desire, self-loathing and a permanent sense of being odds with the world - Berryman created, in the words of McCrae, 'a hero for a disenchanted nation'. Berryman never saw these dream songs in print but he was content that if they ever appeared, it would 'be up to the reader to fit those poems in among the published ones'.