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Gabriel Brockwell, aesthete, poet, philosopher, disaffected twenty-something decadent, is thinking terminal. His philosophical enquiries, the abstractions he indulges, and how these relate to a life lived, all point in the same direction. His destina tion is Wonderland. The nature and style of the journey is all that's to be decided. Taking in London, Tokyo, Berlin and the Galapagos Islands, "Lights Out In Wonderland" documents Gabriel Brockwell's remarkable global odyssey. Committed to the pursu it of pleasure and in search of the Bacchanal to obliterate all previous parties, Gabriel's adventure takes in a spell in rehab, a near-death experience with fugu ovaries, a sexual encounter with an octopus, and finally an orgiastic feast in the bowe ls of Berlin's majestic Tempelhof Airport. Along the way we see a character disintegrate and re-shape before our eyes. "Lights Out In Wonderland" carries you through its many corridors of delight and horror on the back of Gabriel's voice, which is at once skeptical, idealistic, broken and optimistic. An allegorical banquet and a sly commentary on these End Times and the march towards insensate banality, DBC Pierre's third novel completes a loose trilogy of fictions, each of which stands alone as a joyful expression of the human spirit.

January 1961, and the beaten, stabbed and strangled body of a nineteen year old Pearl Gambol is discovered, after a dance the previous night at the Newry Orange Hall. Returning from London to investigate the case, Detective Eddie McCrink soon suspect s that their may be people wielding influence over affairs, and that the accused, the enigmatic Robert McGladdery, may struggle to get a fair hearing. Presiding over the case is Lord Justice Curran, a man who nine years previously had found his own f amily in the news, following the murder of his nineteen year old daughter, Patricia. In a spectacular return to the territory of his acclaimed, Booker longlisted "The Blue Tango," Eoin McNamee's new novel explores and dissects this notorious murder c ase which led to the final hanging on Northern Irish soil.

A stunning international thriller and a wild, compulsive ride into the greedy vortex of modern life. Imagine a drug that made your brain function to its full potential. A drug that allowed you pick up a foreign language in a single day. A drug that helped

Over the course of the last 12 years, Hanif Kureishi has written short fiction. The stories are, by turns, provocative, erotic, tender, funny and charming as they deal with the complexities of relationships as well as the joys of children.

Shahid is a clean-cut student, trying to make an impression on his college lecturer, Deedee Osgood, who gives his spirits a lift when she takes him to a naked rave party. Shahid's academic prospects are threatened by the intervention of his gangster brother Chili, who, with his Armani suits and Gucci loafers, moves into Shahid's bedsit as a hideout, bringing unnecessary danger and excitement with him. Set in London in 1989, the year of the fall of the Berlin wall and the fatwah, The Black Album is a thriller with a characteristically lively background: raves, ecstasy, religious ferment and sexual passion in a dangerous time.

Stuck in a small town, worried over by his single mother - the chain-smoking, bible-quoting Lily - and the 'neighbourly' Mrs Nagle, John Devine yearns for escape. When Jamey Corboy, a self-styled Rimbaudian boy wonder, arrives in town John's life sud denly seems to be full of possibility. But together their nose for trouble may be their undoing and, as John hides from the reality of his mother's ever-worsening health, he is soon faced with a terrible moral dilemma. Brilliantly evoking all the fru strations and pent-up energy of a small-town adolescence, it also gradually becomes the story of Lily herself, and the secrets of her past. Suffused with eerie imagery, black humour and hypnotic prose, "John the Revelator" is a novel to fall in love with.

St Petersburg. 1870. A child factory worker is mysteriously abducted. A society beauty is sensationally murdered. Two very different crimes show up the deep fissures in Russian society of the late tsarist period. The first is barely noticed by the au thorities. The latter draws the full investigative might of St Petersburg's finest, led by magistrate Porfiry Petrovich. The dead woman had powerful friends - including at least one member of the Romanov family - so when the tsar's notorious secret p olice becomes involved, it seems that both crimes may have a political - not to say revolutionary - aspect. A trail of missing children leads to a shocking discovery that takes Porfiry inside the Winter Palace for a confrontation with the Tsar himsel f. The usually incisive magistrate grows increasingly unsure what to believe, who to trust and how to proceed. His very life appears to be in danger, though from whom he can't be sure...

In the quiet cul-de-sac where Keith and Stephen live there is very little evidence of the Second World War. But the two friends suspect that the inhabitants of the Close are not what they seem. As Keith authoritatively informs the trusting Stephen, t he whole district is riddled with secret passages and underground laboratories - hideaways for any number of murderers, unsung war heroes and secret agents. Then one day Keith announces an even more disconcerting discovery: the Germans have infiltrat ed his own family. And when the secret underground world they have postulated emerges from the shadows they find themselves engulfed in mysteries far deeper and more painful than they had bargained for. In this beautiful new novel Michael Frayn evoke s a time and characters which are as vivid now as if they had appeared before us today.

'I don't pretend to be an ordinary housewife'. So said Elizabeth Taylor, and therein lay her secret. From her days as a youthful minx at Metro-Goldwyn-Mayer to her post-studio reign as America's lustiest middle-aged movie queen, Taylor has defined the very essence of Hollywood stardom. Marching through the decades swathed in mink, discarding husbands nearly as frequently as she changed her diamond necklaces, Taylor dominated the headlines as no other star before or since. From America's sweetheart to America's homewrecker and then back again, she uncannily reflected (and at times predicted) the always shifting cultural zeitgeist. "How to Be a Movie Star" is a different kind of book about Elizabeth Taylor: an intimate look at a girl who grew up with fame, who learned early - and well - how to be famous.

An apartment building. A woman clearing up the mess her three-year-old son has made on the stairway. A child staring into an open doorway. The naked leg of a woman sticking out of that doorway. Blood. A womans scream. Reidun Rosendals murder presen ts Oslo detectives Gunnarstranda and Frolich with their most intriguing case yet. And the mystery deepens when the chief suspect, Reiduns lover, is also found murdered. As the investigation proceeds the focus shifts to Reiduns place of work, Softwa re Partners, where the business and the private lives of the characters intermesh in ways that become lethal. K. O. Dahls stories are propelled by compelling narratives where the final twist is always satisfying.

One of a three-part series of Lawrence Durrell's writings. In this volume he explores the island of Cyprus, evoking the sun-drenched landscapes, dazzling light and vivid blue skies of the Aegean.

Orhan Pamuk is one of Turkey's premier novelists and My Name Is Red, when published in the original Turkish in 1998, became the fastest-selling book in Turkish history. It is high time then that a translation to English was made, and this publication will be widely welcomed by Pamuk's growing legion of English-speaking admirers. In the late 16th century, during the final years of the reign of Ottoman Sultan Murat III, a great work is commissioned, a book celebrating the Sultan's life. The work is conducted in secret, to the ignorance of the artists involved, for fear of a violent religious reaction to the European style of the illuminations in the book. An artist goes, missing, feared dead, and Black, a painter who has been in a self-enforced exile because of spurned love, returns to help his former Master investigate the disappearance. Pamuk's prose is as exquisite and rich as the elucidations it describes. This is a dense, atmospherically fevered book, which demands a high level of patience and attention from the reader, perhaps mirroring the patience of the miniaturists. Written in the first person, with multiple narratives, this is a book full of unreliable witnesses, and as the various stories of the narrators unfold, the truth of the disappearance slowly emerges. The sense of place and time are carefully constructed and diligently maintained throughout the novel, which, like Umberto Eco's The Name Of The Rose, far exceeds the genre of literary historical crime to become a hypnotic meditation on religion, love, time, patience and artistic devotion. --Iain Robinson--This text refers to an out of print or unavailable edition of this title.

A Brutalised Victim in the Wilds: A solitary tent is found to contain the body of a half-buried woman. She's been stoned to death. There are lash marks across her back. One of her hands has been cut off. A Lone Voice: Two years earlier internet reporter Henning Juul lost his son, Jonas, in a domestic fire. As he returns to work, physically and emotionally scarred, Henning struggles to escape this past and to be taken seriously again as a reporter - by his colleagues, his ex-wife and the police. A Mystery Ignited: Told to cover the story of the woman in the tent, he finds an increasingly dangerous trail and, despite an early arrest, he is convinced that the story is more complex than the police think...

It's Rome: McCabe and Chip, two American exchange students, are about to become embroiled with a violent street gang, a beautiful Italian girl and a flawed kidnapping plan. Detroit: Sharon Vanelli's affair with Joey Palermo, a Mafia enforcer, is about to be discovered by her husband, Ray, a secret service agent. Brilliantly plotted and shot through with wry humour, "All He Saw Was the Girl" takes place as these two narratives converge in the backstreets of Italy's oldest city. A thrilling ride, it once again displays Peter Leonard's genius for exploring the wrong turns that life can take. Peter Leonard's growing fan base includes greats such as Carl Hiaasen ('great storytelling') and Michael Connelly ('clever plotting and blood and guts characters'), and publications as diverse as Uncut ('sensational'), the "Daily Mirror" ('stunning') and the "Big Issue" ('brilliantly snappy').

Olivier is a French aristocrat, the traumatized child of survivors of the Revolution. Parrot the son of an itinerant printer who always wanted to be an artist but has ended up a servant. Born on different sides of history, their lives will be brought together by their travels in America. When Olivier sets sail for the New World, ostensibly to study its prisons but in reality to save his neck from one more revolution - Parrot is sent with him, as spy, protector, foe and foil. As the narrative shifts between the perspectives of Parrot and Olivier, and their picaresque travels together and apart - in love and politics, prisons and the world of art - Peter Carey explores the adventure of American democracy, in theory and in practice, with dazzling wit and inventiveness.