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The extraordinary new novel from the author of Never Let Me Go and the Booker Prize winning The Remains of the Day. The Romans have long since departed, and Britain is steadily declining into ruin. But at least the wars that once ravaged the country have ceased. The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another. Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in a decade is about lost memories, love, revenge and war.

A runaway best-seller in France, But You Did Not Come Back is the deeply moving memoir of a survivor of the Holocaust. 'I was quite a cheerful person, you know, in spite of what happened to us.' In 1944, at the age of fifteen, Marceline Loridan-Ivens was arrested in occupied France, along with her father. They were sent to Auschwitz-Birkenau in Poland. When they arrived, they were forcibly separated. Though he managed to smuggle a last note to her via an electrician, she never spoke to him again. But You Did Not Come Back is Marceline's letter to the father she would never know as an adult, to the man whose death has enveloped her life. With poignant honesty, she tells him of the events that have continued to haunt her, of the collapse of their family, and of her efforts to find a place in a changing world. This is a breathtaking memoir by an extraordinary woman, and an intimate and deeply moving message from a daughter to her father.

Sunday Times Music Book Of The Year. Rough Trade Book Of The Year. MOJO Book Of The Year. In 1975, Viv Albertine was obsessed with music but it never occurred to her she could be in a band as she couldn't play an instrument and she'd never seen a girl play electric guitar. A year later, she was the guitarist in the hugely influential all-girl band the Slits, who fearlessly took on the male-dominated music scene and became part of a movement that changed music. A raw, thrilling story of life on the frontiers and a candid account of Viv's life post-punk - taking in a career in film, the pain of IVF, illness and divorce and the triumph of making music again - Clothes Music Boys is a remarkable memoir.

Kate Moore is an expat mum, newly transplanted from Washington D.C. In the cobblestoned streets of Luxembourg, her days are filled with play dates and coffee mornings, her weekends spent in Paris or skiing in the Alps. Kate is also guarding a secret - one so momentous it could destroy her neat little expat life - and she suspects that another American couple are not who they claim to be; plus her husband is acting suspiciously. As she travels around Europe, she finds herself looking over her shoulder, terrified her past is catching up with her. As Kate begins to dig, to uncover the secrets of those around her, she finds herself buried in layers of deceit so thick they threaten her family, her marriage and her life. A thrilling debut-to-remember, Chris Pavone's "The Expats" will keep you guessing until the very end.

In Girl in a Band Kim Gordon, founding member of Sonic Youth and role model for a generation of women, tells her story. She writes frankly about her route from girl to woman and pioneering icon within the music and art scene of New York City in the 1980s and 90s as well as marriage, motherhood, and independence. Filled with the sights and sounds of a changing world and a remarkable life, Girl in a Band is a moving, evocative chronicle of an extraordinary artist.

Hate skews reality even more than love. In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood. The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

Takes you on a journey into the glittering, surreal heart of 21st century Russia: into the lives of Hells Angels convinced they are messiahs, professional killers with the souls of artists, bohemian theatre directors turned Kremlin puppet-masters, supermodel sects, post-modern dictators and oligarch revolutionaries. This is a world erupting with new money and new power, changing so fast it breaks all sense of reality, where life is seen as a whirling, glamorous masquerade where identities can be switched and all values are changeable. It is home to a new form of authoritarianism, far subtler than 20th century strains, and which is rapidly expanding to challenge the global order. An extraordinary book - one which is as powerful and entertaining as it is troubling - Nothing is True and Everything is Possible offers a wild ride into this political and ethical vacuum.

Paris, the City of Light. We think of it as the city of the Eiffel Tower and the Louvre, of white facades, discreet traffic and well-mannered exchanges. But there was another Paris, hidden from view and virtually extinct today - the Paris of the working and criminal classes that shaped the city over the past two centuries. In the voices of Balzac and Hugo, assorted boulevardiers, barflies, rabble-rousers and tramps, Sante takes the reader on a vivid journey through the seamy underside of Paris: the improvised accommodations of the original bohemians; the flea markets, the rubbish tips, and the hovels. Featuring over 300 illustrations, The Other Paris is a lively tour of labour conditions, prostitution, drinking, crime, and popular entertainment, of the reporters, realiste singers, pamphleteers, serial novelists, and poets who chronicled their evolution. It upends the story of the French capital, reclaiming the city from the bon vivants and the speculators, and lighting a candle to the works and days of the forgotten poor.

BBC Radio 4's Poetry Please is the longest-running broadcast of verse anywhere in the world. First aired in 1979, the programme, a request show which broadcasts to two million listeners a week, has become a unique record of the country's best-loved poems over the decades since its inception. The BBC has looked back through its rich archive of recordings to produce a poll of the most asked for and most broadcast pieces ever: it is those poems that this anthology brings together here. A showcase, in effect, for the nation's favourite verse, Poetry Please is a treasure trove for our most requested and most listened to poems of all time. It is a compelling invitation for readers of all ages and backgrounds to celebrate the verse that we care so much about: from new readers to old, from schools to reading groups, this a book for giving, a book for cherishing.

'What will survive of us is love.' In this new anthology poets from across the ages lead us on a journey of love in its many forms. From Shakespeare to Rossetti, Keats to Auden, Byron to Browning an beyond, as well as a host of contemporary voices including Wendy Cope, Simon Armitage and Carol Ann Duffy, this new gathering of timeless love poems speaks to the heart about this most universal of themes. Whether in marriage or heartbreak, friendship or infatuation, whether in pursuit of the unattainable ideal or else settling down together for life, whether in love or out of it, you will find poems here to touch the heart. A vital assembly of our most treasured and enduring love poems.

This new anthology of poems, favourites from the nation's longest-running and best-loved request programme for verse, moves with the seasons, following the turning year from John Clare's 'pale splendour of the winter sun' to John Keats's 'Season of mists and mellow fruitfulness', by way of Larkin's 'young-leafed June' and Gerard Manley Hopkins' 'glassy peartree leaves and blooms' when 'Nothing is so beautiful as Spring'. As the year changes, so we change with it. Since time out of mind our daily lives have been shaped and directed by the seasons, and it is here that we find poems about harvest and hardship, growth and new life, the warmth of the life-giving sun, Christmas and the closing of the year. Poetry Please: Seasonal Poems is a vital and generous gathering to treasure.

In the midst of the fighting, two Russian soldiers seek refuge in the crypt of a German church. There, clutched in the hands of a skeleton priest, they find The Shepherd; a priceless icon thought to have been destroyed long ago. When news of its discovery reaches Moscow, Stalin calls upon his most trusted investigator, Inspector Pekkala, once a favorite of Tsar and known to all of Russia as The Emerald Eye. To unravel the secret of the icon's past, Pekkala traces its last known whereabouts to a band of self-mutilating radicals known as The Skoptsy, who were hunted to extinction years by the Bolshevik Secret Police. Or so it was believed. As Pekkala soon learns, the last survivors of this brutal sect have clung to life in the shadowy forests of Siberia. With the reappearance of the icon, they have returned to claim the treasure they say belongs to them alone, bringing with them a new and terrible weapon to unleash upon the Russian people. Unless the Emerald Eye can stop them

he long-awaited memoir by 'the most prolific and popular of all contemporary composers' (New York Times). Rapturous in its ability to depict the creative process, Words Without Music allows readers to experience that sublime moment of creative fusion when life merges with art. Biography lovers will be inspired by the story of a precocious Baltimore boy, the son of a music-shop owner, who entered college at age fifteen, before traveling to Paris to study under the legendary Nadia Boulanger; Glass devotees will be fascinated by the stories behind Einstein on the Beach and Satyagraha, among so many other works. Whether recalling his experiences working at Bethlehem Steel, traveling in India, driving a cab in 1970s New York, or his professional collaborations with the likes of Allen Ginsberg, Ravi Shankar, Robert Wilson, Doris Lessing, and Martin Scorsese, Words Without Music affirms the power of music to change the world. Martin Scorsese on Words Without Music: 'I came to Philip Glass' music very simply, without any critical prodding or guidance. I listened and I was transfixed. The music was dynamic and colorful and mysterious all at once, and it put me in mind of the Zen exercise of sitting before a blank wall and contemplating the question, "What is this?" It's music that seems to go beyond music. It doesn't just stay with you, it infuses and energizes and haunts you, and carries a sense of being alive, a perception of existence itself, the rhythm of living this life. Philip's music has come to mean more and more to me as the years have gone by. I was excited to work with Philip on Kundun, and he exceeded my wildest expectations by giving us a score that was genuinely transcendent. He's exceeded my expectations again with this rich and beautifully written memoir. Who knew that he was as good a writer as he is a composer?'

Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism-that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author's wife, says to her husband: "you've often told me you meant to write a book one day that would have not a single serious word in it...I warn you: watch out. Your enemies are lying in wait." Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul. In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is. What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control? A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.

A young video shop assistant exchanges the home comforts of one mother-figure for a fleeting encounter with another; a brother and sister find themselves at the bottom of a coal mine with a Japanese tourist; a Welsh stag on a debauched weekend in Dublin confesses an unimaginable truth; and a twice-widowed pensioner tries to persuade the lovely Mrs Morgan to be his date at the town's summer festival...Set in Caerphilly, a sleepy castle town in South Wales, Thomas Morris' debut collection reveals its treasures in unexpected ways, offering vivid and moving glimpses of the lost, lonely and bemused. By turns poignant, witty, and tender - these entertaining stories detail the lives of people who know where they are, but don't know what they're doing. This is the work of a young writer with a startlingly fresh voice, an uncanny ear for dialogue and a broad emotional range. We Don't Know What We're Doing is a major launch for the Faber fiction list in 2015.