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When DBC Pierre burst onto the scene in 2003, he arrived with no particular literary education. Finding he had something to say, he made the journey solo to that place where dreams and demons live, to try and turn feelings into words. Part biography, part reflection and part practical guide, Release the Bats explores the mysteries of why and how we tell stories, and the craft of writing fiction. DBC Pierre reveals everything he learned the hard way.

As a child, Mevlut always felt like he was missing out. When he moves to Istanbul - 'the centre of the world' - he is immediately enthralled. He wanders through its alleys for forty years, working as a street vendor and gaining a unique perspective of a radically changing city. Mevlut watches his friends and relatives settle down and make their fortunes, while he stumbles toward middle age in a series of jobs leading nowhere. He never manages to shake the 'strangeness in his mind', until at last fortune conspires to let him understand what it is he yearns for . . .

In the Summer of 1978, a young boy disappears without trace from a cabin in the Dalecarlian woods of Sweden. His mother claims he was abducted by a giant. The previous year, in the Sarek National Park, Laponia, a wildlife photographer takes a strange picture from his small airplane, of a bear running over the marshes. On its back sits a creature. It looks like a small monkey, but the photographer claims he has taken his first picture of a troll. Twenty-five years later, and back in Laponia, Susso runs a web page dedicated to searching for creatures whose existence have not yet been proven: the Yeti, the Loch Ness Monster, Big Foot. But Susso's true obsession is Trolls. When an old woman claims that a small furry animal has been standing outside her house, observing her and her five year old grandson for hours, Susso picks up her camera and leaves for what will become a terrifying adventure into the unknown. Because what if there really are trolls out there, and they're taking our children?

A young video shop assistant exchanges the home comforts of one mother-figure for a fleeting encounter with another; a brother and sister find themselves at the bottom of a coal mine with a Japanese tourist; a Welsh stag on a debauched weekend in Dublin confesses an unimaginable truth; and a twice-widowed pensioner tries to persuade the lovely Mrs Morgan to be his date at the town's summer festival...Set in Caerphilly, a sleepy castle town in South Wales, Thomas Morris' debut collection reveals its treasures in unexpected ways, offering vivid and moving glimpses of the lost, lonely and bemused. By turns poignant, witty, and tender - these entertaining stories detail the lives of people who know where they are, but don't know what they're doing. This is the work of a young writer with a startlingly fresh voice, an uncanny ear for dialogue and a broad emotional range. We Don't Know What We're Doing is a major launch for the Faber fiction list in 2015.

There were many reasons Moby was never going to make it as a DJ and musician in the New York club scene of the late 1980s and early 90s. This was the New York of Palladium, of Mars, Limelight, and Twilo, an era when dance music was still a largely underground phenomenon, popular chiefly among working-class African Americans and Latinos. And then there was Moby - not just a poor, skinny white kid from deepest Connecticut, but a devout Christian, a vegan, and a teetotaler, in a scene that was known for its unchecked drug-fueled hedonism. He would learn what it was to be spat on, literally and figuratively. And to live on almost nothing. But it was perhaps the last good time for an artist to live on nothing in New York City...And so by the end of the decade, Moby contemplated the end of things, in his career and elsewhere in his life, and he put that emotion into what he assumed would be his swan song, his good-bye to all that, the album that would be in fact the beginning of an astonishing new phase in his life, the multimillion-selling Play. Porcelain is about making it, losing it, loving it, and hating it. It's about finding your people, and your place, thinking you've lost them both, and then, finally, somehow, creating a masterpiece. As a portrait of the young artist, Porcelain is a masterpiece in its own right, fit for the short shelf of musicians' memoirs that capture not just a scene but an age and something timeless about the human condition. Push play.

Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism-that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author's wife, says to her husband: "you've often told me you meant to write a book one day that would have not a single serious word in it...I warn you: watch out. Your enemies are lying in wait." Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

Captain Tom Barnes is leading British troops in a war zone. Two boys are growing up there, sharing a prized bicycle and flying kites, before finding themselves separated once the soldiers appear in their countryside. On all sides of this conflict, people are about to be caught up in the violence, from the man who trains one boy to fight the infidel invaders to Barnes's family waiting for him to return home. We see them not as they see themselves, but as all the objects surrounding them do: shoes and boots, a helmet, a trove of dollars, a drone, that bike, weaponry, a bag of fertilizer, a medal, a beer glass, a snowflake, dog tags, an exploding IED and the medical implements that are subsequently employed. Anatomy of a Soldier is a moving, enlightening and fiercely dramatic novel about one man's journey of survival and the experiences of those around him. Forty-five objects, one unforgettable story.

he long-awaited memoir by 'the most prolific and popular of all contemporary composers' (New York Times). Rapturous in its ability to depict the creative process, Words Without Music allows readers to experience that sublime moment of creative fusion when life merges with art. Biography lovers will be inspired by the story of a precocious Baltimore boy, the son of a music-shop owner, who entered college at age fifteen, before traveling to Paris to study under the legendary Nadia Boulanger; Glass devotees will be fascinated by the stories behind Einstein on the Beach and Satyagraha, among so many other works. Whether recalling his experiences working at Bethlehem Steel, traveling in India, driving a cab in 1970s New York, or his professional collaborations with the likes of Allen Ginsberg, Ravi Shankar, Robert Wilson, Doris Lessing, and Martin Scorsese, Words Without Music affirms the power of music to change the world. Martin Scorsese on Words Without Music: 'I came to Philip Glass' music very simply, without any critical prodding or guidance. I listened and I was transfixed. The music was dynamic and colorful and mysterious all at once, and it put me in mind of the Zen exercise of sitting before a blank wall and contemplating the question, "What is this?" It's music that seems to go beyond music. It doesn't just stay with you, it infuses and energizes and haunts you, and carries a sense of being alive, a perception of existence itself, the rhythm of living this life. Philip's music has come to mean more and more to me as the years have gone by. I was excited to work with Philip on Kundun, and he exceeded my wildest expectations by giving us a score that was genuinely transcendent. He's exceeded my expectations again with this rich and beautifully written memoir. Who knew that he was as good a writer as he is a composer?'

When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . . Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what lies within?

Sunday Times Music Book Of The Year. Rough Trade Book Of The Year. MOJO Book Of The Year. In 1975, Viv Albertine was obsessed with music but it never occurred to her she could be in a band as she couldn't play an instrument and she'd never seen a girl play electric guitar. A year later, she was the guitarist in the hugely influential all-girl band the Slits, who fearlessly took on the male-dominated music scene and became part of a movement that changed music. A raw, thrilling story of life on the frontiers and a candid account of Viv's life post-punk - taking in a career in film, the pain of IVF, illness and divorce and the triumph of making music again - Clothes Music Boys is a remarkable memoir.

Hate skews reality even more than love. In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood. The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

In the midst of the fighting, two Russian soldiers seek refuge in the crypt of a German church. There, clutched in the hands of a skeleton priest, they find The Shepherd; a priceless icon thought to have been destroyed long ago. When news of its discovery reaches Moscow, Stalin calls upon his most trusted investigator, Inspector Pekkala, once a favorite of Tsar and known to all of Russia as The Emerald Eye. To unravel the secret of the icon's past, Pekkala traces its last known whereabouts to a band of self-mutilating radicals known as The Skoptsy, who were hunted to extinction years by the Bolshevik Secret Police. Or so it was believed. As Pekkala soon learns, the last survivors of this brutal sect have clung to life in the shadowy forests of Siberia. With the reappearance of the icon, they have returned to claim the treasure they say belongs to them alone, bringing with them a new and terrible weapon to unleash upon the Russian people. Unless the Emerald Eye can stop them

This phenomenal novel is the first in a trilogy packed with shooting contests, train robberies, festivals under the stars, powerful Djinni magic and an electrifying love story. "Tell me that and we'll go. Right now. Save ourselves and leave this place to burn. Tell me that's how you want your story to go and we'll write it straight across the sand." Dustwalk is Amani's home. The desert sand is in her bones. But she wants to escape. More than a want. A need. Then a foreigner with no name turns up to save her life, and with him the chance to run. But to where? The desert plains are full of danger. Sand and blood are swirling, and the Sultan's enemies are on the rise.

The Romans have long since departed, and Britain is steadily declining into ruin. The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another. 'A beautiful fable with a hard message at its core . . . There won't, I suspect, be a more important work of fiction published this year.' John Sutherland, The Times 'An exceptional novel . . . The Buried Giant does what important books do: it remains in the mind long after it has been read, refusing to leave.' Neil Gaiman, New York Times Book Review 'A beautiful, heartbreaking book about the duty to remember and the urge to forget.' Alex Preston, Observer

A runaway best-seller in France, But You Did Not Come Back is the deeply moving memoir of a survivor of the Holocaust. 'I was quite a cheerful person, you know, in spite of what happened to us.' In 1944, at the age of fifteen, Marceline Loridan-Ivens was arrested in occupied France, along with her father. They were sent to Auschwitz-Birkenau in Poland. When they arrived, they were forcibly separated. Though he managed to smuggle a last note to her via an electrician, she never spoke to him again. But You Did Not Come Back is Marceline's letter to the father she would never know as an adult, to the man whose death has enveloped her life. With poignant honesty, she tells him of the events that have continued to haunt her, of the collapse of their family, and of her efforts to find a place in a changing world. This is a breathtaking memoir by an extraordinary woman, and an intimate and deeply moving message from a daughter to her father.

'What will survive of us is love.' In this new anthology poets from across the ages lead us on a journey of love in its many forms. From Shakespeare to Rossetti, Keats to Auden, Byron to Browning an beyond, as well as a host of contemporary voices including Wendy Cope, Simon Armitage and Carol Ann Duffy, this new gathering of timeless love poems speaks to the heart about this most universal of themes. Whether in marriage or heartbreak, friendship or infatuation, whether in pursuit of the unattainable ideal or else settling down together for life, whether in love or out of it, you will find poems here to touch the heart. A vital assembly of our most treasured and enduring love poems.