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Adrienne is living in a puritanical age, when the best compliment a childless woman can get is: 'You'd make a terrific mother'. That's when she goes to her friends' Labor Day picnic and accidentally kills their baby. The shock of this scene is expertly packed into two brief paragraphs. What follows is Adrienne's retreat from life and her attempt to return to it. Her sharp scepticism about the people around her is achingly funny. Yet beyond derision there is forgiveness and something along the lines of love.

Brian Aldiss, who died in 2017, was best known for his science fiction - and in particular for a short story optioned by Stanley Kubrick, which would, under the direction of Steven Spielberg, become the film A.I. Artificial Intelligence. Aldiss's first book was published by Faber in 1955. This brief, late trilogy contains much of his lively humour, one improbable invention, and a pervasive sense of loneliness and longing. 'Sadness is just happiness in reverse,' says someone in a story within the story, 'We humans have to put up with it.'

*BBC RADIO 4 BOOK OF THE WEEK * *Illustrated with over 130 colour photographs and drawings* In her majestic biography of Walter Gropius, charismatic founder of the Bauhaus, Fiona MacCarthy argues that his visionary ideas still influence the way we live, work, and think today. 'An absolute triumph.' Edmund de Waal, bestselling author of The Hare with Amber Eyes 'Moving and vivid ... Hard to beat.' Rowan Moore, Observer 'Commanding, intelligent, gripping.' Laura Freeman, Times Mention the Bauhaus and iconic objects such as a Marianne Brandt teapot, an Anni Albers weaving or a Marcel Breuer chair leap to mind. But the Bauhaus was more than an art school - it was the birth of a radical new philosophy of design: a constellation of talents including Kandinsky, Klee and Moholy-Nagy, at the heart of which was Walter Gropius. Celebrated biographer Fiona MacCarthy grippingly narrates the story of the ground-breaking architect's life beginning with his shattering experiences in World War One before his turbulent marriage to the notorious Alma Mahler and the tragic death of their daughter. After Gropius' agonized decision to leave Nazi Germany in 1933, she explores his life in exile by tracing how a disorientating period in London evolved into a peaceful marriage with Ise Gropius, and his late starring role in twentieth-century architecture in America. Challenging views of Gropius as a doctrinaire modernist, MacCarthy's modern reassessment of Gropius' interior life is biography at its finest: insightful, witty, and gloriously three-dimensional.

He met Liston's gaze but found it almost impossible to sustain eye contact. Soon it became an exercise in the control of fear. Sonny Liston gave Kid Dynamite the slightest hint of a smile and winked. In the build-up to a fight, Kid Dynamite's head swirls - with thoughts of his estranged father, his difficult relationship with his stepfather, the time he met his hero, and the sense that his own life is reaching a moment of change. A masterclass in tone, atmosphere and control, 'Sonny Liston Was a Friend of Mine' pays testimony to Thom Jones's unique talent for the short-story form

Wearily, I take the path to the river, there in the cool to fill my being with the sounds of my sister-being, to refresh myself in the modest scents of pigeonwood and mitzeerie, to let my gaze end in a tangle of monkey ropes and fern arches and the slowly descending leaves, and to find rest, all day long, all night long. A young slave girl accompanies her owner on an expedition into the African interior in search of a mythical city. In unfamiliar terrain, the party gets lost. One by one, our narrator's companions disappear, leaving her to take refuge in the hollow of a baobab tree. There, she finds the space and will to reflect upon her life's journey, telling her story to the boabab itself. This powerful fable, translated from Wilma Stockenstroem's original Afrikaans by Nobel Prize-winner J. M. Coetzee, is a remarkable portrait of dislocation and empowerment. It is also a brilliant insight into Cotezee's craft as a writer.

'My only concern', John McGahern once said, 'is that I get the sentence right and describe my world clearly and deeply.' 'The Country Funeral' witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog - the heart of the territory where so many of McGahern's stories take place - to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life.

The masterful true crime account of the Golden State Killer - the serial rapist turned murderer who terrorised California for over a decade - from the late Michelle McNamara. I'll Be Gone in the Dark offers a unique snapshot of suburban West Coast America in the 1980s, and a chilling account of the wreckage left behind by a criminal mastermind. It is also a portrait of one woman's obsession and her unflagging pursuit of the truth, three decades later, in spite of the personal cost. Updated with material which takes in the extraordinary events that followed its initial publication, Michelle McNamara's first and last book is a contemporary classic - humane, haunting and heroic.

Right from the start he is dressed in his best - his blacks and his whites. Little Fauntleroy - quiffed and glossy,A Sunday suit, a wedding natty get-up,Standing in dunged strawFor older readers than the first two volumes of Collected Animal Poems, animal life is seen afresh through the diversity and imaginative energy of this collected volume.

From a youthful infatuation with a cabinet maker in a small Italian fishing village, to a passionate yet sporadic affair with a woman in New York, to an obsession with a man he meets at a tennis court, Enigma Variations charts one man's path through the great loves of his life. Paul's intense desires, losses and longings draw him closer, not to a defined orientation, but to an understanding that 'heartache, like love, like low-grade fevers, like the longing to reach out and touch a hand across the table, is easy enough to live down'. Andre Aciman casts a shimmering light over each facet of desire, to probe how we ache, want and waver, and ultimately how we sometimes falter and let go of the very ones we want the most. We may not know what we want. We may remain enigmas to ourselves and to others. But sooner or later we discover who we've always known we were.

This is the End of Days. This is what we've been waiting for always. I walked over to the Hudson River, heading for Mars. Each poem of mine is a suicide belt. I say that to my girlfriend Life. Peaches Goes It Alone, Frederick Seidel's newest collection of poems, begins with global warming and ends with Aphrodite. In between is everything. Peaches Goes It Alone presents the sexual and political themes that have long preoccupied Seidel - and thrilled and offended his readers. Lyrical, grotesque, and elegiac, Peaches Goes It Alone adds new music and menace to Seidel's masterful body of work.

Hedgehog was feeling sad. As sad as a hedgehog can feel. So sad only one thing could help... Tortoise was feeling sad. As sad as a tortoise can feel. So sad only one thing could help... In this clever flipbook, both a hedgehog and a tortoise are looking for a hug. They ask all the other animals they come across but for some reason no one will hug them. Until a wise owl explains: Hedgehog is too spiky; Tortoise is too bony. And that's when they find each other! A beautiful, heartwarming picture book with all the universal appeal of Guess How Much I Love You.

In Girl in a Band Kim Gordon, founding member of Sonic Youth and role model for a generation of women, tells her story. She writes frankly about her route from girl to woman and pioneering icon within the music and art scene of New York City in the 1980s and 90s as well as marriage, motherhood, and independence. Filled with the sights and sounds of a changing world and a remarkable life, Girl in a Band is a moving, evocative chronicle of an extraordinary artist.

The Iron Wolf, the Iron Wolf Stands on the world with jagged fur. The rusty Moon rolls through the sky. The iron river cannot stir. The iron wind leaks out a cry Animals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.

The bard tiptoes out of his room, the crow-dream still echoing in his head, making him twitch at imaginary creaks of iron wings . . . The bard must leave Thornbury. It is not safe for him to stay. Rue, his new apprentice, travels with him – keen to learn his trade – and hear the next installment in the legend of Podkin One-Ear . . . Podkin and his fellow rabbits have been sheltering in Dark Hollow after their battle with Scramashank. Paz tends to the rabbits with sleeping sickness; Crom meets with the war council . . . Podkin has nothing to do! Frustrated, Podkin goes exploring and discovers an abandoned underground chamber. Armed with the Gift of Dark Hollow, Podkin learns to moonstride, and Paz is rewarded with a magical gift of her own . . .

Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators. In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism. An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams.

'[A] mesmerizing portrait of a now vanished world. Aciman's story of Alexandria is the story of his own family, a Jewish family with Italian and Turkish roots that tied its future to Egypt and made its home there for three generations, only to find itself peremptorily expelled by the Government in the early 1960's. It is the story of a fractious clan of dreamers and con men and the emotional price they would pay for exile, the story of a young boy's coming of age and his memories of the city he loved in his youth. Writing in lucid, lyrical prose, Mr. Aciman does an exquisite job of conjuring up the daily rhythms and rituals of his family's life: their weekly trips to the movies, their daily jaunts to the beach, their internecine squabbles over everything from religion to money to the pronunciation of words. There are some wonderfully vivid scenes here, as strange and marvelous as something in Garcia Marquez, as comical and surprising as something in Chekhov.' Michiko Kakutani, New York Times