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November 1944. A German rocket strikes London and five young children are atomised in an instant. Here are the futures they might have known, had they experienced the unimaginable changes of the twentieth century - futures that illuminate the miraculous in the everyday, and the preciousness of life itself. 'My god he can write.' Richard Osman 'Glorious.' Evening Standard 'Exhilarating.' TLS 'Brilliant.' Observer 'Dazzling.' The Times 'Extraordinary.' Financial Times 'Superb.' Guardian

In Nocturnes, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the 'hush-hush floor' of an exclusive Hollywood Hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning. Gentle, intimate and witty, this quintet is marked by a haunting theme - the struggle to keep alive a sense of life's romance, even as one gets older, relationships founder and youthful hopes recede. 'Each of these stories is heartbreaking in its own way, but some have moments of great comedy, and they all require a level of attention that, typically, Ishiguro's writing rewards.' Observer '[They] come up on you quietly, but then haunt you for days . These little pieces could only be the work of a great composer.' Evening Standard 'A fine and moving collection of stories, displaying his unique combination of the sad, the stoic and the consoling. It's about failure, but it dignifies failure, and with it, the human condition.' Margaret Drabble, Guardian

Love is in the air in this is a collection of stories inspired by romantic tropes and edited by #1 New York Times-bestselling author of Gilded, Marissa Meyer. The secret admirer. The fake relationship. The matchmaker. From stories of first love, unrequited love, love that surprises, love that's been there all along, ten of the brightest and award-winning authors writing YA have taken on some of your favourite romantic tropes, embracing them and turning them on their heads. Readers will swoon for this collection of stories that celebrate love at its most humorous, inclusive, heart-expanding and serendipitous. Contributors include Elise Bryant, Elizabeth Eulberg, Leah Johnson, Anna-Marie McLemore, Marissa Meyer, Sandhya Menon, Julie Murphy, Caleb Roehrig, Sarah Winifred Searle and Abigail Hing Wen.

The Romans have long since departed, and Britain is steadily declining into ruin. The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another. 'A beautiful fable with a hard message at its core . . . There won't, I suspect, be a more important work of fiction published this year.' John Sutherland, The Times 'An exceptional novel . . . The Buried Giant does what important books do: it remains in the mind long after it has been read, refusing to leave.' Neil Gaiman, New York Times Book Review 'A beautiful, heartbreaking book about the duty to remember and the urge to forget.' Alex Preston, Observer

He handed the easel to the boatman, reaching down the pier wall towards the sea. Mr Lloyd has decided to travel to the island by boat without engine - the authentic experience. Unbeknownst to him, Mr Masson will also soon be arriving for the summer. Both will strive to encapsulate the truth of this place - one in his paintings, the other by capturing its speech, the language he hopes to preserve. But the people who live on this rock - three miles long and half-a-mile wide - have their own views on what is being recorded, what is being taken and what is given in return. Soft summer days pass, and the islanders are forced to question what they value and what they desire. As the autumn beckons, and the visitors head home, there will be a reckoning.

It's not easy being the WORST at everything! Hack and Whack are the very worst Vikings in the village - until a fierce and stinky berserker moves in - NEXT DOOR! WILL the brand new school help the twins outwit this villain and his vicious dog, Muddy Butt? And will Twisty Pants, Dirty Ulf and Elsa Gold-Hair help vanquish this foul fiend? 'As joyously anarchic as Horrid Henry.' Cressida Cowell 'A great new series for early readers.' BookTrust 'A wonderfully absurd, anarchic romp.' Sarah McIntyre 'Immensely appealing to children of five and up.' Literary Review

This collection begins in the early 1980s with The Rainbow Sign, which was written as the Introduction to the screenplay of My Beautiful Laundrette. It allowed Kureishi to expand upon the issues raised by the film: race, class, sexuality - issues that were provoked by his childhood and family situation. In the ensuing decades, he has developed these initial ideas, especially as the issue of Islam's relation to the West has become one of the burning issues of the time. Kureishi shows how flexible a form the essay can be - as intellectual as Sontag or Adam Phillips, as informal and casual as Max Beerbohm, as cool and minimalist as Joan Didion, or as provocative as Norman Mailer. As with his fictional work, these essays display Kureishi's ability to capture the temper of the times.

Hanif Kureishi's cinematic storytelling embraces a wide spectrum of characters from all classes and nationalities, depicting them with compassion, humour and relish, though never fighting shy of controversy. This volume comprises four of Kureishi's screenplays. My Beautiful Laundrette (1985) Omar is a restless young Asian man, caring for his alcoholic father in the hustling London of the mid-1980s. His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises. Sammy and Rosie Get Laid (1987) 1980s London, and Sammy and Rosie share an 'open' marriage, strings of lovers, and a bohemian existence amidst inner-city turmoil. Sammy's father, Rafi, formerly a government minister in India, visits London as racial tensions rise with the death of a woman in a police raid. Rafi offers Sammy financial assistance if the couple will leave their 'war zone' behind them and produce grandchildren. But Rafi's own shady past threatens to haunt him. London Kills Me (1991) A weekend in the lives of homeless Clint and his pal Muffdiver, youthful veterans of the streets of London, whose chief source of income derives from selling drugs to the wealthier denizens of Notting Hill. But what Clint wants more than anything else is a proper job, and he's been promised a position as a waiter in a restaurant - on the condition that he can come up with a pair of 'sensible' shoes. My Son the Fanatic (1997) Parvez is a Pakistani cab driver in a northern industrial town who chauffeurs young prostitute Bettina. Their gentle friendship grows more tender as Parvez's home life starts to crumble, his son Farid embracing a fundamentalist sect of Islam and rejecting his father's values. When Farid then involves himself with a group committed to purging the town of corruption, Parvez is compelled to choose where his loyalties lie.

First published to celebrate Faber's 90th anniversary, this is the story of one of the world's greatest publishing houses - a delight for all readers who are curious about the business of writing. Told in its own words, this is the story of one of the world's greatest publishers, capturing the excitement, hopes and fears of the people who published and wrote the books that line our shelves today. Including archive material from T. S. Eliot, Samuel Beckett, Seamus Heaney, P. D. James, Kazuo Ishiguro and Philip Larkin, this is both a vibrant history and a hymn to the role of literature in all our lives.

Amongst a batch of papers, Hanif Kureishi discovered an abandoned manuscript - a novel, written by his father. And so begins a journey which takes him through his father's childhood by the sea in India to an adult life in the suburbs of Bromley. My Ear at His Heart offers remarkable insight into Hanif Kureishi's literary calling, coming from the ashes of his father's own attempts years before.