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You should never talk to strangers With his flight delayed, Ted Severson meets Lily Kintner, a magnetic stranger, in an airport bar. In the netherworld of international travel and too many martinis, he confesses his darkest secrets, about his wife's infidelity and how he wishes her dead. Without missing a beat Lily offers to help him carry out the task.

Nothing is more inviting to disclose your secrets than to be told by others of their own ... London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow emigres, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse.

The real story of Nico is one of determination, self-destruction and belief in one's artistic vision, at any cost . . . You Are Beautiful and You Are Alone is an empowering reappraisal of an underappreciated icon. Drawing upon new interviews and rare archival material Bickerdike defies the sexist casting of Nico's life as the tragedy of a beautiful woman losing her youth and fame, and instead cements her legacy as one of the most vital artists of her generation.

As a child, Mevlut always felt like he was missing out. When he moves to Istanbul - 'the centre of the world' - he is immediately enthralled. He wanders through its alleys for forty years, working as a street vendor and gaining a unique perspective of a radically changing city. Mevlut watches his friends and relatives settle down and make their fortunes, while he stumbles toward middle age in a series of jobs leading nowhere. He never manages to shake the 'strangeness in his mind', until at last fortune conspires to let him understand what it is he yearns for . . .

From the bestselling and award-winning author of Felix Ever After comes a heart-melting and joyful romance. Maybe it's too late to tell them how I really feel. That I've had these feelings for months, for years . . . Lark Winters wants to be a writer, and for now that means posting anything and everything on their social media accounts - just to build their platform. When former best friend Kasim accidentally posts a thread on Lark's Twitter declaring his love for a secret, unrequited crush, Lark's tweets are suddenly the talk of the school. To protect Kasim, Lark decides to take the fall, pretending they accidentally posted the thread in reference to another classmate. It seems like a great idea: Lark finally gets the courage to ask out their crush, Kasim keeps his privacy and Lark's social media stats explode. But living a lie takes a toll - as does the judgement of thousands of Internet strangers. Lark tries their best to be perfect at all costs, but nothing seems good enough for the anonymous hordes - or for Kasim, who is growing closer to Lark, just like it used to be between them . . . In the end, Lark must embrace their right to their messy emotions and learn how to be in love.

'I don't pretend to be an ordinary housewife'. So said Elizabeth Taylor, and therein lay her secret. From her days as a youthful minx at Metro-Goldwyn-Mayer to her post-studio reign as America's lustiest middle-aged movie queen, Taylor has defined the very essence of Hollywood stardom. Marching through the decades swathed in mink, discarding husbands nearly as frequently as she changed her diamond necklaces, Taylor dominated the headlines as no other star before or since. From America's sweetheart to America's homewrecker and then back again, she uncannily reflected (and at times predicted) the always shifting cultural zeitgeist. "How to Be a Movie Star" is a different kind of book about Elizabeth Taylor: an intimate look at a girl who grew up with fame, who learned early - and well - how to be famous.

It is 1985, in an Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal and timber merchant, faces into his busiest season. As he does the rounds, he feels the past rising up to meet him - and encounters the complicit silences of a people controlled by the Church. The long-awaited new work from the author of Foster, Small Things Like These is an unforgettable story of hope, quiet heroism and tenderness.

Stephen Crane produced an avalanche of sublime literature before he succumbed to tuberculosis at the age of twenty-eight. Yet his short life was an eventful one: from crushing poverty as a newcomer to Manhattan and his near-drowning in a shipwreck, to his stint as a war correspondent in Cuba and international fame at twenty-five, to his final years in England and friendships with Joseph Conrad and Henry James. In Burning Boy, celebrated novelist Paul Auster delves deeply into the story of Crane's tumultuous and dramatic life.

Demon Copperhead is a once-in-a-generation novel that breaks and mends your heart in the way only the best fiction can. Demon's story begins with his traumatic birth to a single mother in a single-wide trailer, looking 'like a little blue prizefighter.' For the life ahead of him he would need all of that fighting spirit, along with buckets of charm, a quick wit, and some unexpected talents, legal and otherwise. In the southern Appalachian Mountains of Virginia, poverty isn't an idea, it's as natural as the grass grows. For a generation growing up in this world, at the heart of the modern opioid crisis, addiction isn't an abstraction, it's neighbours, parents, and friends. 'Family' could mean love, or reluctant foster care. For Demon, born on the wrong side of luck, the affection and safety he craves is as remote as the ocean he dreams of seeing one day. The wonder is in how far he's willing to travel to try and get there. Suffused with truth, anger and compassion, Demon Copperhead is an epic tale of love, loss and everything in between.

Those men who are history now; did they feel like this? A 1950s Hampstead pub; a freezing night. Lois can't tear her eyes away from the haunted, restless African man in the corner. Over brandy and stew, she discovers he is in awe of her friend, Panafrica's greatest political writer and fighter. Their meeting inducts this stranger, Udomo, into London's revolutionary community of exiled African activists: the start of a life-changing journey. Amidst the internal politics and love affairs, Udomo is inspired by other leaders' independence uprisings; but when he returns to his native land to overthrow the colonial oppressors, his idealism is put to the ultimate test ... Inspired by Peter Abrahams' befriending of future African heads of state in mid-century London, A Wreath for Udomo (1956) is a radical lost classic, unforgettably exploring the nature of freedom, power, leadership and love.