Gestalten Verlag strana 6 z 8

What does an illustrator actually do and in what fields can one work? Today's most successful illustrators present their work and talk about their experiences in one of life's most beautiful careers. Illustration is no longer just illustration. Today, illustrators write and create children's picture books and graphic novels; they structure information through infographics; they design logos, fonts, and other typographical applications; they contribute to the editorial design of newspapers and magazines; they apply their talents to advertising and fashion; and they develop and produce their own products on the basis of their creations. Despite the fact that all of these activities are based on illustration, each of them has its own rules and its own specialists, tasks, and job descriptions to go along with them. Against this background, A life in Illustration gives an insider's look at the diverse facets of this creative medium through extensive portraits of today's leading illustrators. Perceptive texts and images describe the work and day to- day activities of outstanding talents including Christoph Niemann, Andrea Ventura, Jan van der Veken, Peter Grundy, Jessica Hische, and the New York Times's Jonathan Corum. Stars on the international scene give their personal insights into the Handson aspects of working in specific areas of illustration. Editorial illustrator Olaf Hajek and fashion illustrator Liselotte Watkins, for example, explain how a subject must not only be depicted with savvy, but also in the style of the publication in which the work will appear. Information graphics specialists Jan Schwochow and Francesco Franchi explain why the content of their work must be absolutely correct --and how it often needs to be researched and visually dissected with dogged perseverance. Children's picture books creator Oliver Jeffers explains why the mastery of visual storytelling and a sense for timing and the development of narration are essential to a story's success. Although the work of the featured commercial illustrators is very different, all of them tell of the high demand placed on them in terms of teamwork, sensitivity to client needs, and creative implementation. These aspects are not necessarily expected by those who still think of illustrators as tradespeople who simply execute the ideas that are given to them. A life in Illustration is a strikingly personal documentation of what working in various jobs at the intersection of art and creativity, amid personal work, teaching assignments, clients, and "bread and butter" projects actually feels like. As such, the book is not only inspiring for those already working as illustrators, but also reveals perspectives and hurdles for those considering a professional future in this field.

Fiona Leahy, who designed the wedding of Dita von teese and others, reveals how to make "the most beautiful day of one's life" a stylish success. Step along the way to a successful wedding and reception, Just Married offers concrete advice, instructions, and inspiration. The book contains suggestions for a wide range of locations, handmade letterpress invitations and decorations, delectable wedding cakes and buffets, wedding dresses, bouquets, and, of course, wedding rings and other paraphernalia that might be a bit different from what is expected, but are always tasteful. Just Married is a book for everyone who wants to thoroughly enjoy their wedding. What should be one of the happiest days of one's life can also be one of the most nerve-racking experiences. Planning one's wedding brings up all kinds of questions. Which dress? Which ring? Which location? Which food should be served? Who should sit next to whom? What can be easily organized and what calls for professional support? And most of all: how can an enjoyable yet sophisticated celebration be created that does away with kitschy cliches and tacky locations and fits perfectly to the bride and groom's personalities? Having worked with couples such as Dita von Teese and Marilyn Manson, stylist, designer, and celebrity wedding planner Fiona Leahy has established herself as one of the best resources for planning a stylish wedding. In Just Married, Leahy now reveals her own particular, yet universally applicable inspirations, tips, and tricks for putting together a unique celebration that will create lasting memories on any normal person's budget. With her captivating examples and proven organizational talent, Leahy brings a relaxed and freshly unconventional perspective to wedding planning. The atmospheres of the events featured in the book range from the glamorous staging of punk rock and bohemian chic to effortless understatement and contemporary naturalness. For every day and not be hemmed in by the supposed rules of the wedding industry--because even the bride and groom should have only happy memories of their big day.

From cars to electronics, Korean design is conquering the world. This book explores Korea's contemporary design culture between tradition and the future. Currently one of the world's leading industrial nations, South Korea produces an enormous amount of consumer goods. Korea Power is the first comprehensive collection of contemporary Korean product and graphic design. This book aims to document the "Korean identity" that has been formed as the country has become a modern state in the aftermath of the fall of the Josean Dynasty, its occupation by the Japanese, and the Korean War. To this end, Korea Power includes images that the legendary Korean advertising photographer Kim Han-Yong shot in the years of reconstruction following the war. It also features images shot in Seoul and Pyongyang by the German architecture photographer Dieter Leistner that strikingly capture the divided land of today. South Korea's rapid rise to an economic superpower almost swept away all traces of a traditional lifestyle. Today, however, the cultural values of Korea's past are again becoming more influential. Many Korean designers now have a new sensibility for their culture's traditional definition of beauty. They are also defining an original, distinctly Korean elegance. This new development is represented in the book by work from the Culture Keepers, for example. Their designs for practical furniture and table settings are inspired by the aesthetics of the past, yet are ideally suited to meet the needs of our modern lives.

Spontaneous, irreverent, personal. Collage fits more perfectly into our current age than almost any other artistic technique. The technique of collage fits perfectly into our current age. Raw visual material is collected by an artist and then combined in such a way as to abstract the individual elements enough that the artist's own vision becomes prominent. Because collage's references range from other artistic works and techniques to scientific images, pop culture, and erotica, these raw materials reflect humanity's collective visual memory and context. It's collage's broad scope--and irreverence--that make this technique so interesting for both artist and audience. So it comes as no surprise that a lively scene has developed around contemporary collage in the last few years. Our book cutting edges was the first to document work by this scene, which has continued to expand the possibilities of the genre. Beyond the lowbrow movement, which brings a fresh perspective to figurative surrealism, more and more established artists are now embracing this medium. Their work bridges the historical gap between the classic pioneers of the technique from the 1920s and today's vanguard of contemporary collage. Showcasing outstanding current artwork and artists, The Age of collage is a striking documentation of this new appetite for destructive construction. The book also takes an insightful behind-the-scenes look at those working with this interdisciplinary and cross-media approach. While illustration, painting, and photography continue to fundamentally influence collage, the featured work also plays with elements of abstraction, constructivism, surrealism, and dada. Collage gives artists more room to stake out diverse artistic positions than almost any other existing technique. Through confident cuts, brushstrokes, mouse clicks, or pasting, collage gives the impossible a tangible form--while turning our worldview on its head along the way. In their visual confrontation with reality in our digital age, which has already made geographic, temporal, and artistic boundaries obsolete, these artists celebrate and exaggerate simultaneousness.

Young designers and publishers are ringing in a new era for printed books--one that is likely to be the most exciting in their entire history. Digital media are disappointing for books. All books look the same on an iPad, for example. On a monitor, a book isn't thick or thin, big or small. Features such as a Japanese binding, embossing, letterpress printing, or gilt edging are only possible in print. Consequently, it isn't surprising that young, contemporary designers, publishers, typographers, illustrators, and editors are enthusiastically ringing in a new era for printed books. Fully Booked: Ink on Paper is a collection of books, magazines, and other printed products that celebrate the distinctiveness of design, materials, techniques, workmanship, and production methods--and push their limits. It showcases publications whose innovative printing and binding befit their unconventional subject matter or radical editorial and design concepts. The tactile experience is as indispensable for the included editors, authors, and designers as it is for their readers. Examples range from personal projects with the smallest print runs to premium artist books or brand publications. Featuring work by groundbreaking design studios, such as A Practice for Everyday Life, Akatre, Joost Grootens, Julia Hasting, Konst & Teknik, Niessen & de Vries, Raffinerie AG, Studio Laucke Siebein, and Two Points.Net, this book documents current experiments and future possibilities for printed publications. Its stunning range of visual examples are put into context by texts from print expert Andrew Losowsky, who is also co-editor. Fully Booked: Ink on Paper makes clear that the most exciting phase in the history of printed matter has just begun.

An inside look by designers and clients at graphic design's main playground and proving ground--working for cultural institutions. Originality is the guiding principle of art and culture. The visual communication of museums, theaters, and other cultural institutions is no less pioneering. One would be hard pressed to find another area of graphic design in which the work is so fresh and experimental and so often blazes trails for future visual trends. Young designers often get their first breaks working for cultural institutions, where they can prove themselves creatively. Through work for these types of clients, established studios can also remain agile and experiment with new forms of visual expression. Today, cultural institutions are proving to be extraordinarily open to breaking new ground where art meets logos, culture meets commerce, and design meets curation. In this way, they are becoming catalysts for cutting-edge design concepts and innovative styles produced by designers who are often as visionary as the clients for whom they work. Introducing: Culture Identities is a collection of outstanding design work for international cultural institutions. The book features poster campaigns, publications, and corporate design--much of which is designed to function across various media platforms. Extensive features introduce relevant topics and lend insight from two key perspectives. On the one hand, the book gives voice to designers such as Bureau Mirko Borsche or the New York-based studio 2x4 who are especially active in the cultural field. On the other hand, readers hear from notables on the client side including MoMA, the Barbican, Van Abbemuseum, and documenta. With its collection of stunning visual examples, Introducing: Culture Identities reveals what is state-of-the-art in today's graphic design. The book inspires designers and cultural institutions to understand each other better and continue to push the limit of what is possible creatively.

Choosing a particular bicycle conveys an attitude and a way of life. For a young generation, bicycles have now replaced cars as the vehicles that best express its identity and this book shows why. Riding a bike is easy. Once someone can do it, they will never forget how. Riding a bike can be addictive--in the best cases for life. Understanding the subtleties of contemporary bicycle culture can be challenging. Like it or not, choosing to ride a particular bike--whether an old-fashioned city bicycle, a high-tech machine, a mountain bike, a touring bike, a fixie, or a beach cruiser--means being associated with a certain lifestyle. Velo--2nd Gear explores these diverse bicycle scenes and reveals their histories, relationships, and insightful details. Alongside its presentation of especially attractive and unusual bicycles, the book documents how riders' accessories and styles vary just as widely as the bikes' tires and other equipment. It explains how each scene cultivates its own distinct codes through the choice of certain jerseys, caps, or bags or by visiting specific events or key establishments. The examples in Velo--2nd Gear span the globe. Tours in traditional costumes and on historical paths in Belgium or Italy are not only appealing as athletic challenges, but also as adventures for cosmopolitan travelers. In urban centers at night, bicycle messengers hold races on city streets. Specialized bike boutiques focus on details such as customized paint jobs. Frame builders in Oregon, Paris, or southern Germany create highly coveted bikes tailored to individuals or in very limited editions with long waiting lists. Velo--2nd Gear makes abundantly clear that contemporary bicycle culture is more alive and well than ever before. The book celebrates its healthy, environmentally-friendly, discerning, and slightly obsessive scenes and their protagonists. It shows why, for a young generation, bicycles have now replaced cars as the vehicles that best express its identity.

Tattoos, which were once an exclusively underground phenomenon, now have mass appeal. This evolution from sub-culture to mainstream has brought fresh ideas, tensions, and shifts with it, and traditionalists and innovators have staked out very different positions. Over the last few years, new influences from the realms of art, fashion, traditional tattoo art, and visual culture have given rise to a dynamic tattoo scene--a new underground. This cutting-edge tattoo culture is as innovative, diverse, inspiring, and controversial as the motifs it creates. One of the most striking facets of this new tattoo scene is its interaction with high fashion and art. The internationally successful artists Scott Campbell or Usugrow, to name just two high-profile examples, began their careers as tattoo artists. Forever breaks the mold of standard tattoo books and their typical displays of flesh. This publication is an in-depth investigation of current developments in contemporary tattoo culture. It introduces key innovators and presents a broad range of styles and approaches. Quality photos and insightful texts document the new self-image of a rapidly expanding and extremely creative scene.

Lightness and transparency in contemporary Japanese architecture explored and explained by Kengo Kuma Laboratory. In Japanese art and textile printing, the use of patterns has a long tradition. In Japanese architecture, layering is an established technique that has already inspired the likes of Frank Lloyd Wright and Mies van der Rohe. Now, the laboratory of world famous architect Kengo Kuma has developed a technically sophisticated methodology that unites patterns and layering in a single structural concept for the first time. Patterns and Layering presents innovative structures that are created by stacking fragile, patterned layers. Although each individual layer contains a variety of patterns, it nevertheless still completely fulfills its structural responsibilities. The results are strikingly delicate, yet remarkably stable. The book's detailed texts explain how layering and patterns function as spatial tools with which one can create extraordinary structures that are able to coexist in harmony with nature, people, and culture. Patterns and Layering not only explores historical contexts and developments, but also shows cutting-edge experiments that were realized under the supervision of Kengo Kuma and his colleague Yusuke Obuchi. According to Kuma, this book "has the potential to begin a new architectural and design revolution." Editors Salvator-John A. Liotta and Matteo Belfiore, as well as other contributors, work closely with Kengo Kuma at his research laboratory at the University of Tokyo. Including design details such as silkscreen prints and calligraphy, Patterns and Layering embodies the Japanese understanding of space, nature, and architecture--page for page, layer for layer.

The fine art of advertising is moving billions in currency and turns the masses into happy consumers. The not-so secret visual language behind successful ad-campaigns is now revealed by French blogger and undercover advertising expert Joe La Pompe. He selected 100 popular visual ideas and recurring subjects in the world of commercials-from symbols, great names from history or fiction, to themes in a variety of ways. This international survey offers insight as well as inspiration and allows the reader to better understand the power of visual seduction.

Today, luxury travel is having time for exceptional places and unparalleled experiences. The world has become smaller. Today, travel is simple, affordable, and no longer a true luxury. But there are still extraordinary places to discover and experiences to be had. The promise of special moments makes one want to take a journey--whether the budget is large or small. Once in a Lifetime is about a new way of traveling to destinations and staying there. The book explores the true luxury of taking time for exceptional locations as well as unparalleled experiences and opportunities. Whether far away or close to home, it it introduces places that allow us to discover the world and ourselves anew. It's these key reasons that make all of them worth the trip. The examples featured in Once in a Lifetime are located throughout the world: from enchanging tree house hotels and glamping sites to incredible eco-friendly and wellness resorts; from farms on which guests help with the work and simple hotels in spectacular scenery to glamorous houses, trains, and boats. These destinations are not about superficial pomp; but, rather, they represent a conscious choice for quality ways of slowing down our hectic lives. Renowned travel journalist Marie le Fort is co-editor of Once in a Lifetime and author of texts featured in the book. She is a regular contributor to publications such as Architectural Digest, Wallpaper, Numero, L'Express and the French edition of Vogue on topics related to travel and design.

The lives and passion of heavy metal fans around the world captured in vivid images. Heavy metal is a phenomenon. Although this musical genre is still ridiculed by many, it is currently more popular and successful around the world than at its supposed peak in the 1980s. Today, so-called metalheads can be found worldwide. No matter who they are or where they come from, they are united by heavy metal across borders, generations, genders, religions, and social classes. The photographer J rg Br ggemann traveled to Argentina, Brazil, Germany, Indonesia, Egypt, and the USA to shoot pictures of heavy metal fans. Metalheads is a collection of the resulting images, which strikingly portray them and their passion. The atmosphere of concerts and clubs is captured with such authenticity that viewers can practically smell the beer and sweat, and hear a ringing in their ears. The photography in Metalheads is complemented by informative texts that put the global metal scene into context, share personal experiences, and describe the evolution of this musical genre from its humble beginnings until the present day.

Street art has firmly established itself as a facet and attitude in the landscape of contemporary art. Today, young artists are going beyond their work on the streets to present their innovative styles in galleries. They are aspiring to follow in the footsteps of stars of the scene such as Shepard Fairey, Faile, and Os G meos, who have already exhibited their work in renowned museums including the Tate Modern and Fondation Cartier. Walls & Frames documents the work of this next generation of street artists. The book presents the evolution of these ambitious talents, who are keeping their connection to the street alive while establishing themselves in the art market with work in traditional formats such as painting, sculpture, installation, and prints. It shows how artists who work with limited time and a small selection of tools on the street are developing other styles, concepts, and techniques in the studio that are, in turn, influencing the direction of contemporary art. Interviews with the artists and other insiders as well as an insightful text by the curator Maximiliano Ruiz illuminate the context, working methods, and perspectives involved in this inspiring scene. Walls & Frames takes a detailed and authentic look at the intersection of young street art and contemporary art. Its fresh outlook appeals to those familiar with these developments and new to the scene as well as to a wide range of artists, collectors, gallerists, journalists, and designers.

Collective visual memory synthesized in today's graphic design and illustration. Today's young graphic designers and illustrators are increasingly taking their visual cues from classic modernism, letterpress printing, and other design styles of the past and using them in their current work. They are not copying them, but rather, they are synthesizing them to create a new aesthetic that emanates quality, timelessness, and sustainability. It is only when confronted with genuine examples from the past that one realizes how clearly different the contemporary work is. Echoes of the Future presents the further evolution of this style trend. The book features recent graphic design and illustration that is deliberately created with a limited palette of forms and colors, which makes the work seem older than it is. The aspiration to visual longevity contrasts sharply with the rapidly shifting styles of previous years that seemed out-of-date almost immediately. Especially in these times of economic uncertainty, more and more brands, products, and businesses are using designs that promote the impression of stability. Echoes of the Future is a stunning compilation of outstanding work inspired by a collective visual memory that is as contemporary as it is timeless.

Graphic design and illustration from the Communist Era. A common assumption is that everything was gray behind the Iron Curtain. But nothing could be farther from the truth. Socialist graphic design from the 1950s to the 1970s is startingly innovative and colorful--and a unique inspiration fro current work that is being influenced by classical modernist style trends. Iron Curtain Graphicspresents a selection of graphic design, illustration, and typography from the former Eastern Bloc. There, designers were bound by strict rules established by the state regarding the overall visual language they could use. Despite (or exactly because of) this fact, the work collected in this book is a testament to the creative and experimental nature of the applied art they created under these circumstances. The chapters Propaganda, Safety at work, Culture & Entertainment, and Education & Science feature posters and signs as well as book and magazine covers that have not lost any of their visual power or impact today--despite the demise of the regimes for which they were created. Iron Curtain Graphicsis edited by Stefania Carla Duschka and Ciprian Isac of Atelierul de Grafica from Romania.

The new edition of The Design Hotels™ Book is a comprehensive overview of the most original design hotels worldwide. By presenting 220 spectacular hotels, including 30 properties that are new for 2012, the book provides insight into trends and developments in hospitality design. With its images of striking architecture and interior design, this opulent hardcover brings the experience of staying in a Design Hotels™ property to life.