Hodder Paperback strana 15 z 15

THE ALL NEW NOVEL FROM THE NEW YORK TIMES MILLION-COPY BESTSELLING AUTHOR THE HIGHLY ANTICIPATED FOLLOW-UP TO TIKTOK SENSATION THINGS WE NEVER GOT OVER AND 2023'S THINGS WE HIDE FROM THE LIGHT. There was only one woman who could set me free. But I would rather set myself on fire than ask Sloane Walton for anything. Lucian Rollins is a lean, mean vengeance-seeking mogul. On a quest to erase his father's mark on the family name, he spends every waking minute pulling strings and building an indestructible empire. The more money and power he amasses, the safer he is from threats. Except when it comes to the feisty small-town librarian that keeps him up at night . . . Sloane Walton is a spitfire determined to carry on her father's quest for justice. She'll do that just as soon as she figures out exactly what the man she hates did to - or for - her family. Bonded by an old, dark secret from the past and the dislike they now share for each other, Sloane trusts Lucian about as far as she can throw his designer-suited body. When bickering accidentally turns to foreplay, these two find themselves not quite regretting their steamy one-night stand. Once those flames are fanned, it seems impossible to put them out again. But with Sloane ready to start a family and Lucian refusing to even consider the idea of marriage and kids, these enemies-to-lovers are stuck at an impasse. Broken men break women. It's what Lucian believes, what he's witnessed, and he's not going to take that chance with Sloane. He'd rather live a life of solitude than put her in danger. But he learns the hard way that leaving her means leaving her unprotected from other threats. It's the second time he's ruthlessly cut her out of his life. There's no way she's going to give him a third chance. He's just going to have to make one for himself.

What if your new colleague is the one person who leaves you speechless? Harper Jenkins has a way with words. As Celebrity Editor at a glossy magazine, she knows exactly how to get tight-lipped Hollywood stars talking, landing her exclusive stories and a great reputation. There's only one person who leaves her speechless - her arrogant colleague Ryan, who has been hired as the new Features Editor. Harper remembers Ryan from a decade ago, when they both interned together. Back then she had believed he was someone she could trust - but he betrayed her completely and they've never spoken since. Thrown together again in a busy newsroom, Harper and Ryan clash on everything - he can't bear how chaotic and messy she is while she declares him uptight and infuriating. But as the tension between them builds, who will get to have the last word?

Olivia fled her abusive marriage to return to her hometown and take over the family beekeeping business when her son Asher was six. Now, impossibly, her baby is six feet tall and in his last year of high school, a kind, good-looking, popular ice hockey star with a tiny sprite of a new girlfriend. Lily also knows what it feels like to start over - when she and her mother relocated to New Hampshire it was all about a fresh start. She and Asher couldn't help falling for each other, and Lily feels happy for the first time. But can she trust him completely? Then Olivia gets a phone call - Lily is dead, and Asher is arrested on a charge of murder. As the case against him unfolds, she realises he has hidden more than he's shared with her. And Olivia knows firsthand that the secrets we keep reflect the past we want to leave behind ­­- and that we rarely know the people we love well as we think we do.

'Nobody in the world was more inadequate to act the heroine than I was.' Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. Lucy Worsley's biography is not just of an internationally renowned bestselling writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and entertaining and makes us realise what an extraordinary pioneer Agatha Christie was - truly a woman who wrote the twentieth century.

Loyalty, love, and friendships are tested as sorority sisters Scarlett and Vivi face the forces of hell itself in the thrilling conclusion to New York Times bestselling authors Kass Morgan and Danielle Paige's The Ravens duology. These sorority witches rule. After saving their sisterhood by destroying an ancient talisman, the Ravens, aka Kappa Rho Nu, vow to protect their coven at all costs. Newly appointed president Scarlet envisions a unified Kappa, free from the clutches of dark magic. But the presidency holds unforeseen pitfalls, risking Scarlett's own magic. Meanwhile, Vivi, now a proud Kappa member, stumbles upon a deadly form of magic entwined with their sorority's past and a vengeful demon. To safeguard their sisterhood, Scarlett and Vivi must confront the forces of hell itself and thwart a rival sorority set on unleashing chaos.

At seventeen, Lenora Hope Hung her sister with a rope. Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope's End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife. Took her mother's happy life. It's now 1983, and home-health aide Kit McDeere arrives at a decaying Hope's End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer-I want to tell you everything. "It wasn't me," Lenora said, But she's the only one not dead. As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there's more to the tale than people know. But when new details about her predecessor's departure come to light, Kit starts to suspect Lenora might not be telling the complete truth-and that the seemingly harmless woman in her care could be far more dangerous than she first thought.