MacLehose Press strana 3 z 4

How can two lovers find a way back to each other, when the pain of the past stands between them? With plans adrift after a fire burns down their rented holiday cabin, Rahel and Peter find themselves unexpectedly on an isolated farm where Rahel spent many a happy childhood summer. Suddenly, after years of navigating careers, demanding children and the monotony of the daily routine, they find themselves unable to escape each other's company. With three weeks stretching ahead, they must come to an understanding on whether they have a future together. What happens when love grows older and passion has faded? When what divides us is greater than what brought us together? And how easy is it to ask the fundamental questions about our relationships?

NOVEMBER 24, 2004 The day of the tragedy. The end of a brotherhood. The Baltimore Boys. The Goldman Gang. That was what they called Marcus Goldman and his cousins Woody and Hillel. Three brilliant young men with dazzling futures ahead of them, before their kingdom crumbled beneath the weight of lies, jealousy and betrayal. For years, Marcus has struggled with the burdens of his past, but now he must attempt to banish his demons and tell the true and astonishing story of the Baltimore Boys.

In Carlotto's The Campagna Trail, Inspector Campagna uses an old friendship with notorious drug dealer Roby Pizzo in a Machiavellian attempt to keep the peace. But when an interfering new police chief demands Campagna bring down the Mafioso who heads Pizzo's gang, Campagna must use every weapon he has to save his job - and his life. Meanwhile in Carofiglio's The Speed of the Angel, a writer in crisis strikes up an unlikely friendship with a mysterious woman he meets in a quiet seaside cafe. As their conversations deepen, and their obsessions darken, their drug-fuelled relationship begins to spiral, in this haunting tale of damnation and redemption. Finally in De Cataldo's The White Powder Dance, the city police are put on the trail of a baby-faced new graduate in the Milanese banking sector. As the pursuit accelerates through back streets and skyscrapers, it becomes clear that there is more to organised crime than getting your hands dirty.

With his son Pablo's kidnapping still unsolved, and his marriage ruined by the torment of hope, the brutal murder of a single mother in her own home is an almost welcome diversion for Commandant Vilar. The woman leaves behind a son, Victor, thrown into the foster system with only his mother's urn for company. Struggling with bullies, trauma and the first pangs of teenage love, Victor carries a secret that followed his mother to her grave. Struggling for leads, Vilar is shaken when the colleague investigating Pablo's kidnapping disappears. When a sadistic caller claims to have information about his son, Vilar is torn between duty and a desperate chance of redemption.

This is the novel that secured for Juan Marse the biggest literary prize in the world bar the Nobel. It is the culmination of the life's work of arguably the greatest living Spanish man of letters. Gracia: a working-class district of Barcelona in the shadow of civil war. Life is hard, the city is grey, the oppressive Fascist regime oversees all. With his stepfather imprisoned for opposing Franco's regime, teenager Ringo finds himself torn from his childhood pursuits and thrown into the world of work. He must find his own form of resistance, escaping his drudging reality through the power of the imagination. Inspired by stolen glimpses of Hollywood glamour, Ringo finds himself daring to dream of falling in love with his young neighbour Violeta, escaping Spain for the allure of the West. But as he finds himself inveigled into an adult passion far beyond his comprehension, his fragile dreamscape struggles to survive.

August 30, 1975. The day of the disappearance. The day Somerset, New Hampshire, lost its innocence. That summer, struggling author Harry Quebert fell in love with fifteen-year-old Nola Kellergan. Thirty-three years later, her body is dug up from his yard, along with a manuscript copy of the novel that made him a household name. Quebert is the only suspect. Marcus Goldman - Quebert's most gifted protege - throws off his writer's block to clear his mentor's name. Solving the case and penning a new bestseller soon merge into one. As his book begins to take on a life of its own, the nation is gripped by the mystery of 'The Girl Who Touched the Heart of America'. But with Nola, in death as in life, nothing is ever as it seems.

Camilleri, best known for his Inspector Montalbano series, presents the charming Judge Surra who moves to a small Sicilian town in the late nineteenth century. He does not quite understand the quirky welcoming gifts from the locals, but nothing stands in the way of his quest for justice - and pastries. Lucarelli brings us a far darker story. Judge Valentina Lorenzi - La Bambina - is so young and inexperienced she hardly merits a bodyguard. But when she barely survives an assassin's bullet, her black-and-white world of crime and punishment turns a deathly shade of grey. In The Triple Dream of the Prosecutor, De Cataldo, a judge himself, crafts a Kafkaesque tale of a lifelong feud between Prosecutor Mandati and the corrupt Mayor of Novere. When the mayor narrowly escapes a series of bizarre assassination attempts, Mandati begins to realise that all his dreams may just be coming true. From Italy's premiere crime authors, three novellas from every tradition of crime writing.

Anthony Whitelands, an English art historian, is invited to Madrid to value the collection of a Spanish duke. At a welcome lunch he encounters Jose Antonio Primo de Rivera, founder and leader of the Falange, a nationalist party whose antics are bringing the country ever closer to civil war. The paintings turn out to be worthless, but before Whitelands can leave for London the duke's daughter Paquita reveals a secret and genuine treasure, held for years in the cellars of her ancestral home. Afraid that the duke will cash in his wealth to finance the Falange, the Spanish authorities resolve to keep a close eye on the Englishman, who is also being watched by his own embassy. As Whitelands - ever the fool for a pretty face - vies with Primo de Rivera for Paquita's affections, he learns of a final interested party: Madrid is crawling with Soviet spies, and Moscow will stop at nothing to secure the hidden prize.

Summer 2011. Berlin. Adolf Hitler wakes up on a patch of ground, alive and well. Things have changed - no Eva Braun, no Nazi party, no war. Hitler barely recognises his beloved Fatherland, filled with immigrants and run by a woman. People certainly recognise him, though - as a brilliant, satirical impersonator who refuses to break character. The unthinkable, the inevitable, happens, and the ranting Hitler takes off, goes viral, becomes a YouTube star, gets his own TV show, becomes someone who people listen to. All while he's still trying to convince people that yes, it really is him, and yes, he really means it. Look Who's Back is a black and brilliant satire of modern media-bloated society, seen through the eyes of the Fuhrer himself. Adolf is by turns repellent, sympathetic and hilarious, but always fascinating. Look Who's Back is outrageously clever, outrageously funny - and outrageously plausible.

In Italy's impoverished south, choices are limited. Rules and traditions are more powerful than the lives of individuals, and young Italians who stand on the right side of the law still find themselves on the frontline. In 'The Opposite of Death', Maria is a seventeen-year-old widow before she has even made it to the altar; her fiance enlisted and died in Afghanistan to avoid a life controlled by the mafia. In 'The Ring', a tale of bloody vengeance, a young woman comes to visit from the north, bringing with her ignorance and prejudice. Two women at separate poles of experience. Roberto Saviano has become a symbol of a whole generation of lost young Italians; these stories demonstrate once more the commitment to truth and justice that made Gomorrah such an exceptionally brave book.

When Abwehr Captain Eberhard Mock is called from his New Year's Eve revelries to attend a particularly grisly crime scene, even his notoriously robust stomach is turned. A young girl - and suspected spy - who arrived by train from France just days before, has been found dead in her hotel room, the flesh torn from her cheek by her assailant's teeth. Ill at ease with the increasingly open integration of S.S., Gestapo and police, Mock is partially relieved to be assigned to liaise with officers in Lvov, Poland, where a series of similar crimes - as yet unsolved - cast a long shadow over the town.

Winner of the CWA International Dagger Award 2013. In kidnapping cases, the first few hours are crucial. After that, the chances of being found alive go from slim to nearly none. Alex Prevost - beautiful, resourceful, tough - may be no ordinary victim, but her time is running out. Commandant Camille Verhoeven and his detectives have nothing to go on: no suspect, no lead, rapidly diminishing hope. All they know is that a girl was snatched off the streets of Paris and bundled into a white van. The enigma that is the fate of Alex will keep Verhoeven guessing until the bitter, bitter end. And before long, saving her life will be the least of his worries.

Winner of the CWA International Dagger Award 2013. In kidnapping cases, the first few hours are crucial. After that, the chances of being found alive go from slim to nearly none. Alex Prevost - beautiful, resourceful, tough - may be no ordinary victim, but her time is running out. Commandant Camille Verhoeven and his detectives have nothing to go on: no suspect, no lead, rapidly diminishing hope. All they know is that a girl was snatched off the streets of Paris and bundled into a white van. The enigma that is the fate of Alex will keep Verhoeven guessing until the bitter, bitter end. And before long, saving her life will be the least of his worries.

A woman's body is found on a frozen lake, bearing the marks of grisly torture. Inspector Anna-Maria Mella knows she needs help with the case - the woman was a key player in a mining company whose tentacles reach across the globe. Lawyer Rebecka Martinsson is desperate to get back to work, to feel alive again after a case that almost destroyed her both physically and emotionally. Soon she is delving into the affairs of the victim's boss, the founder of Kallis Mining, whose relationship with the dead woman was complex and obsessive. Martinsson and Mella are about to uncover a dark and tangled drama of family secrets, twisted sexuality, and corruption on a massive scale. Set against a haunting, icy backdrop and packed with suspense, The Black Path is a menacing and evocative psychological crime novel.

Forty-year-old Norah leaves Paris, her family and her career as a lawyer to visit her father in Dakar. It is an uncomfortable reunion - she is asked to use her skills as a lawyer to get her brother out of prison - and ultimately the trip endangers her marriage and her relationship with her own daughter, and drives her to the very edge of madness. Fanta, on the other hand, leaves Dakar to follow her husband Rudy to rural France. And it is through Rudy's bitter and guilt-ridden perspective that we see Fanta stagnate with boredom in this alien, narrow environment. Khady is forced into exile from Senegal because of poverty, because her husband is dead, because she is lonely and in despair. With other illegal immigrants, she embarks on a journey which takes her nowhere, but from which she will never return.

On Beauty is neither a history of art, nor a history of aesthetics, but Umberto Eco draws on both these disciplines to define the ideas of beauty that have informed us from the classical world to modern times. In terms of form and style, On Beauty has been conceived for a vast and diverse readership. Packed with examples from painting, sculpture, architecture, film, photography, the decorative arts and literature, it offers a rich and intelligent panorama of this huge subject. In On Beauty Eco is at his most captivating and eclectic: we read not only of Botticelli and Michelangelo but of how much the fashion of the 1960s owes to ancient Egyptian dress, and how ancient Roman and eighteenth-century hairstyles have much in common. It makes the familiar new, and sheds a brilliant light on the unfamiliar. On Beauty is illustrated in full colour throughout and produced to the highest standards.