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This fast-paced narrative traces the emergence of the United States Navy as a global power from its birth during the American Revolution through to its current superpower status. The story highlights iconic moments of great drama pivotal to the nation''s fortunes: John Paul Jones'' attacks on the British during the Revolution, the Barbary Wars, and the arduous conquest of Iwo Jima.The book illuminates the changes--technological, institutional, and functional--of the U.S. Navy from its days as a small frigate navy through the age of steam and steel to the modern era of electronics and missiles. Historian Craig L. Symonds captures the evolving culture of the navy and debates between policymakers about what role the institution should play in world affairs. Internal and external challenges dramatically altered the size and character of the navy, with long periods of quiet inertia alternating with rapid expansion emerging out of crises. The history of the navy reflects the history of the nation as a whole, and its many changes derive in large part from the changing role of the United States itself.

Extensively revised and updated in this sixth edition, The Modern Middle East explores how the forces associated with global modernity have shaped the social, economic, cultural, and political life in the region over the course of the past 500 years. Beginning with the first glimmerings of the current international state and economic systems in the sixteenth century, this book examines the impact of imperial and imperialist legacies, the great nineteenth-century transformation, cultural continuities and upheavals, international diplomacy, economic booms and busts, and the emergence of authoritarian regimes and the varied forms of resistance to them and to imperialism in an area of vital concern to us all. The text is engagingly written--drawing from the author''s own research and other studies--and enriched with maps and photographs, original documents, and other supplementary materials.

The Moog synthesizer "bent the course of music forever" Rolling Stone declared. Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog''s game-changing sounds saturated 60''s counterculture and burst into the disco party in the 70''s to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process.But he was also going broke. Imitators copied his technology, the musicians'' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob''s story upends our notions of success and wealth, showing that the two don''t always go together.In Switched On, author Albert Glinsky draws on exclusive access to Bob Moog''s personal archives and his probing interviews with Bob''s family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.

What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music''s discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson''s theory of cognition as metaphor, with an approach parallel to Gjerdingen''s analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.

A highly original reinterpretation of how race and class shaped the entirety of Southern history through the experience of four interconnected family lines. The Southern Fault Line explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement.Bryan Jones draws from his own family''s centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism''s supporters. Indeed, one of Jones'' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party.

Nine tales of early Irish literature beautifully retold in a modern, evocative styleA mysterious woman appears nightly at the bedside of a prince and sings to him until he falls sick with love for her. A determined hero tracks his beloved through several incarnations, struggling to win her back. A young warrior seeks a woman who turns into a swan. These are the plots of little-known, anonymous tales composed over a thousand years ago in the monastic libraries of Ireland. In poetry and prose, they tell us what happens when human and supernatural lovers cross the boundaries between our world and the Otherworld (síd). Set in a lost time of heroes, demi-gods, warrior queens, and other folk of the Irish Otherworld (áes síde), these stories inspired some of the earliest fairy tales of France and England. What is more, they are sexier, funnier, and bloodier than better-known medieval myths and romances. In Otherworld, historian and novelist Lisa M. Bitel offers lively retellings of these Irish original myths using her expertise in Irish history and literature to guide modern readers. She traces themes and characters that link the nine magical tales, explains customs and locations, and brings out the humor. Like all storytellers--whether medieval or modern, performers or scribes--Bitel interprets the originals as she leads her readers over the boundary of reality to the Otherworld. Drawings especially created for the book by Saba Joshaghani accompany these astonishing tales.